Advertisement
| john yau borrowed love poems: Borrowed Love Poems John Yau, 2002-03-26 More information to be announced soon on this forthcoming title from Penguin USA |
| john yau borrowed love poems: Further Adventures in Monochrome John Yau, 2012 John Yau engages visual art, social theory, and syntactical dexterity to push the limits of language toward an expansive counter-poetics |
| john yau borrowed love poems: Paradiso Diaspora John Yau, 2006 As the anagram of its title suggests, the poems, prose, and memoir in Yau's new collection focus on an inescapable duality. High school & older. |
| john yau borrowed love poems: The Book of Light Lucille Clifton, 2013-06-15 Lucille Clifton was born in Depew, New York in 1936, and educated at the State University of New York at Fredonia and at Howard University. Her awards include the Juniper Prize for Poetry, two nominations for the Pulitzer Prize in poetry, an Emmy Award from the American Academy of Television Arts and Sciences, and two fellowships from the National Endowment for the Arts. She has taught at the University of California at Santa Cruz and American University in Washington, D.C. and is Distinguished Professor of Humanities at St. Marys College of Maryland. In the extraordinary work of The Book of Light she [Clifton] flies higher and strikes deeper than ever. Poem after poem exhilarates and inspires awe at the manifestation of such artistic and spiritual power…One of the most authentic and profound living American poets.—Denise Levertov Clifton’s latest collection clearly demonstrates why she was twice nominated for the Pulitzer Prize. These poems contain all the simplicity and grace readers have come to expect from her work.—Publishers Weekly (starred review) Other titles by Lucille Clifton from Consortium: Blessing the Boats: New and Selected Poems 1988-2000 (BOA Editions), 1-880238-88-8 PB • 1-880238-87-X HC Good Woman (BOA Editions), 0-918526-59-0 PB Next (BOA Editions), 0-918526-61-2 PB Quilting (BOA Editions), 0-918526-81-7 PB terrible stories (BOA Editions), 1-880238-37-3 PB • 1-880238-36-5 HC |
| john yau borrowed love poems: Corpse and Mirror John Yau, 1983 |
| john yau borrowed love poems: Richard Artschwager Richard Artschwager, Peter Noever, 2002 One of the pioneers of contemporary object and installation art, Richard Artschwager's three dimensional paintings and two-dimensional sculptures wittily evoke associations with commonplace objects such as furniture and household appliance. Accompanying essays consider Artschwager's artistic development, the meaning of surface quality in his work, and his place within the context of relevant art movements. |
| john yau borrowed love poems: Genghis Chan John Yau, 1997 |
| john yau borrowed love poems: The Art of Chinese Poetry James J. Y. Liu, 1966-04-15 This concise introduction to Chinese poetry serves as a primer for English-speakers eager to expand their understanding and enjoyment of Chinese culture. James J. Y. Liu first examines the Chinese language as a medium of poetic expression and, contrary to the usual focus on the visual qualities of Chinese script, emphasizes the auditory effects of Chinese verse. He provides a succinct survey of Chinese poetry theory and concludes with his own view of poetry, based upon traditional Chinese concepts. [This] books should be read by all those interested in Chinese poetry.—Achilles Fang, Poetry [This is] a significant contribution to the understanding and appreciation of Chinese poetry, lucidly presented in a way that will attract a wide audience, and offering an original synthesis of Chinese and Western views that will stimulate and inspire students of poetry everywhere.—Hans H. Frankel, Harvard Journal of Asiatic Studies This is a book which can be recommended without reservation to anyone who wants to explore the world of Chinese poetry in translation.—James R. Hightower, Journal of Asian Studies |
| john yau borrowed love poems: Manatee/Humanity Anne Waldman, 2009-04-07 A fascinating work from an internationally renowned poet Anne Waldman's new investigative hybrid-poem explores the nuances of inter-species communication and compassion. It draws on animal lore, animal encounters (with grey wolf and manatee), dreams, evolutionary biology, neuroscience, and Buddhist ritual to render a text of remarkable sympathy, reciprocity, and power. The poem asks questions as well as urges further engagement with the endangered (including our human selves). Part performance litany, part survival kit, part worried mammalian soundings, Waldman explores, as ever, what it means to inhabit our condition through language and imagination inside a wheel of time. This is the mature work of a philosophical field poet with a shamanic metabolism. |
| john yau borrowed love poems: New and Selected Poems 1974-2004 Carl Dennis, 2004-03-30 The New York Times has called Carl Dennis’s poetry “wise, original, and deeply moving.” A poet with a growing audience of admirers, Dennis writes in a clear, classically simple language that is both personal and universal. Making use of a rich variety of genres—advice, meditation, elegy, and prophecy—his poems take unexpected turns as they explore their subjects, catching the reader off balance in a way that is liberating. This new anthology gathers the best of his eight previous books along with a generous sampling of new poems. |
| john yau borrowed love poems: Unknown Friends Carl Dennis, 2007-04-03 From the winner of the Pulitzer Prize and the Ruth Lilly Prize Carl Dennis has become one of the most important American poets writing today. Unknown Friends, his tenth book, is about separation and connection, about actual friends we can never know fully and friends never met who are summoned into existence through the efforts of an imagination that insists on dialogue. While accepting our ignorance as inevitable, the poems work to expand the notion of what it means to be part of a community larger than any we can comprehend, both a community given to us by history and one outside of history through which the world of experience is nurtured and sustained. |
| john yau borrowed love poems: Wayfare Pattiann Rogers, 2008-03-25 Winner of the John Burroughs Medal for Lifetime Achievement in Nature Poetry A lively collection from one of America's most celebrated contemporary poets Denise Levertov has called acclaimed poet Pattiann Rogers a visionary of reality, perceiving the material world with such intensity of response that impulse, intention, meaning, interconnections beyond the skin of appearance are revealed. In her new collection, Rogers takes the reader on an exploration of human endeavor. Full of color and action, wonder and fear, these poems investigate, reflect upon, and create experiences relative to music, art, and theater, as well as to the universe and its creatures, large and small. They are distinguished by the penetrating vision and avid imagination that have made Rogers one of today's most outstanding poets. |
| john yau borrowed love poems: Backwards Days Stuart Dischell, 2007-10-02 Another set of antidotal lyrics and story-poems from Stuart Dischell Sly, comic, inventive, and exuberant, the brokenhearted lyrics and dark parables of Backwards Days are cast in the spirit and craft Stuart DischellÂ's poetry is known for. In this, his fourth full-length collection, he revs up both music and experience and writes startling poems of emotional intensity that chronicle the restlessness of desire. Sometimes grim, ever buoyant and hopeful, even in the most sorrowful or macabre situations, the poems of Backwards Days are most particularly about the movement of time, physical movement, and the movement of the heart. Through landscapes both real and of the psyche, they live on the edge of an elusive understanding never quite gotten right. |
| john yau borrowed love poems: Wind in a Box Terrance Hayes, 2006-03-28 The third collection of poetry from the author of Lighthead, winner of the 2010 National Book Award Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 Terrance Hayes is an elegant and adventurous writer with disarming humor, grace, tenderness, and brilliant turns of phrase. He is very much interested in what it means to be an artist and a black man. In his first collection, Muscular Music, he took the reader through a living library of cultural icons, from Shaft and Fat Albert to John Coltrane and Miles Davis. His second collection, Hip Logic, continued these explorations of popular culture, fatherhood, cultural heritage, and loss. Wind in a Box, Hayes’s resonant new collection, continues his interest in how traditions (of poetry and culture alike) can be simultaneously upended and embraced. The struggle for freedom (the wind) within containment (the box) is the unifying motif as Hayes explores how identity is shaped by race, heritage, and spirituality. This new book displays not only what the Los Angeles Times calls the range of a bold virtuoso, but also the imaginative fervor of a poet in love with poetry. |
| john yau borrowed love poems: Way More West Edward Dorn, 2007-04-03 An essential anthology of an innovative American poet Edward Dorn was not only one of America’s finest poets but a rare critical intelligence and commentator. He was a student of Charles Olson, who helped him to see the American West as a site for his quest for self-knowledge; at the core of his work is a deep sense of place and the people who occupy it, underpinned by a wry ironic dissent. It was Dorn’s comic-epic masterpiece, Gunslinger, which began appearing in 1968 and had already become an underground classic by the time it was published in its entirety in 1974, that established his reputation in the wider world. This new volume brings together poems from Dorn’s entire career, including previously uncollected work. |
| john yau borrowed love poems: May Day Phillis Levin, 2008-04-29 A sensuous and musical new collection from acclaimed poet Phillis Levin May Day is a work of a visionary imagination. In tones playful and celebratory, in gestures both intimate and international, Levin’s poems explore how tenderness and violence change our lives. From a flood overtaking the Prague zoo to the joy of a maypole dance, from a mural of the Trojan War in a Greek diner in New York to the “noiseless explosions” of time in the opening of a flower, these poems are rhapsodies of the senses and the intellect, disclosing new thresholds of meaning. |
| john yau borrowed love poems: Foreign Accents Steven G. Yao, 2010-10-27 Foreign Accents sets forth a historical poetics of verse by writers of Chinese descent in the U.S. from the early twentieth century to the present. With readings of works by Ezra Pound, Li-young Lee, Marilyn Chin, Ha Jin, and John Yau, this study charts the dimensions of Asian American verse as an evolving and contested counterpoetic formation. |
| john yau borrowed love poems: Book of Sketches Jack Kerouac, 2006-04-04 A luminous, intimate, and transcendental glimpse into the mind of Jack Kerouac, one of the most original voices of the twentieth century “Sketching . . . Everything activates in front of you in myriad profusion, you just have to purify your mind and let it pour the words and write with 100% personal honesty.” In 1951, it was suggested to Jack Kerouac by his friend Ed White that he “sketch in the streets like a painter but with words.” In August of the following year, Kerouac began writing down prose poem “sketches” in small notebooks that he kept in the breast pockets of his shirts. For two years he recorded travels, observations, and meditations on art and life as he moved across America and down to Mexico and back. The poems are often strung together so that over the course of several of them, a little story—or travelogue—appears, complete in itself. In 1957, Kerouac sat down with the fifteen handwritten sketch notebooks he had accumulated and typed them into a manuscript called Book of Sketches. Published for the first time, this work offers a detailed portrait of Kerouac at a key period of his literary career. |
| john yau borrowed love poems: One Hidden Stuff Barbara Ras, 2006-09-26 Using long-lined, imaginative leaps to connect the everyday with the miraculous, the intimate with the visionary, Barbara Ras's poems surge across the page like waves crashing on a beach. She crafts the forty-one new poems in this collection with a zany and spacious cunning that reaches from family to community, from what's cherished to what's lost, from culture to nature. |
| john yau borrowed love poems: Travels to China John Barrow, 1806 |
| john yau borrowed love poems: After Confucius Paul R. Goldin, 2017-04-01 After Confucius is a collection of eight studies of Chinese philosophy from the time of Confucius to the formation of the empire in the second and third centuries B.C.E. As detailed in a masterful introduction, each essay serves as a concrete example of “thick description”—an approach invented by philosopher Gilbert Ryle—which aims to reveal the logic that informs an observable exchange among members of a community or society. To grasp the significance of such exchanges, it is necessary to investigate the networks of meaning on which they rely. Paul R. Goldin argues that the character of ancient Chinese philosophy can be appreciated only if we recognize the cultural codes underlying the circulation of ideas in that world. Thick description is the best preliminary method to determine how Chinese thinkers conceived of their own enterprise. Who were the ancient Chinese philosophers? What was their intended audience? What were they arguing about? How did they respond to earlier thinkers, and to each other? Why did those in power wish to hear from them, and what did they claim to offer in return for patronage? Goldin addresses these questions as he looks at several topics, including rhetorical conventions of Chinese philosophical literature; the value of recently excavated manuscripts for the interpretation of the more familiar, received literature; and the duty of translators to convey the world of concerns of the original texts. Each of the cases investigated in this wide-ranging volume exemplifies the central conviction behind Goldin’s plea for thick description: We do not do justice to classical Chinese philosophy unless we engage squarely the complex and ancient culture that engendered it. |
| john yau borrowed love poems: David's Copy David Meltzer, 2005-10-25 One of the most respected poets of the Beat and San Francisco Renaissance periods, David Meltzer has kept alive interest in the interface between jazz and poetry that exploded in the 1950s. This new edition of selected poems includes previously unpublished material and serves as a map to this very prolific and interesting poet. |
| john yau borrowed love poems: Racial Things, Racial Forms Joseph Jonghyun Jeon, 2012-03-15 In Racial Things, Racial Forms, Joseph Jonghyun Jeon focuses on a coterie of underexamined contemporary Asian American poets — Theresa Hak Kyung Cha, Myung Mi Kim, Mei-mei Berssenbrugge, and John Yau — who reject many of the characteristics of traditional minority writing. In the poets’ various treatments of things (that is, objects of art), one witnesses a confluence of the avant-garde interest in objecthood and the racial question of objectification.-- Back cover. |
| john yau borrowed love poems: The Best American Poetry 2000 Rita Dove, 2000-09-19 Former Poet Laureate Dove has chosen the best poems of the year from a wide range of literary magazines and journals, presenting works by W.S. Merwin, Lucille Clifton, Susan Mitchell, John Ashbery, and others. The poets comment about their work. Lehman writes the Foreword. |
| john yau borrowed love poems: Ghost Girl Amy Gerstler, 2004-04-06 Sly and sophisticated, direct, playful, and profound, Amy Gerstler’s new collection highlights her distinctive poetic style. In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet. |
| john yau borrowed love poems: Generations Pattiann Rogers, 2004-05-25 Winner of the John Burroughs Medal for Lifetime Achievement in Nature Poetry Pattiann Rogers, one of America’s finest contemporary poets, has won a reputation for densely detailed, thickly textured poems describing the natural world and one’s place in it that are informed by a broad knowledge of science. In the tradition of Emerson, Whitman, and A. R. Ammons, Rogers’s wise and complex poems read like a series of witty but deeply felt explorations of the physical world and the presence of the divine, exuding much observational care and descriptive panache. Her new collection, Generations, consists of fifty-four poems that concern themselves not just with the notion of the generations of life, but “generations” in the sense of energy, change, replication, and continuity—the entire process of coming or bringing into being. |
| john yau borrowed love poems: Structure of the World Compared to a Bubble Anne Waldman, 2004 The Stupa of Borobudur in Java is one of the architectural wonders of the world, designed as both a mandala and as an aid for the Buddhist pilgrim that can be read as a holy book. It has inspired Anne Waldman to create a work which is at once a walking meditation, a ?cultural intervention,? a ?recovery? of a sacred site, and a take on contemporary reality and how the busy ?monkey brain? (as it is called in Buddhism) works and travels. Exploratory and meditative, even playful at times, it expands the sense of invocation and incantation that Waldman is celebrated for, while also reflecting an engaged political/cultural awareness. |
| john yau borrowed love poems: Hum Ann Lauterbach, 2005-04-05 From Hum: Things are incidental Someone is weeping I weep for the incidental The days are beautiful Tomorrow was yesterday The days are beautiful Since the mid-1970s, Ann Lauterbach has explored the ways in which language simultaneously captures and forfeits our experience. In Hum, her seventh collection of poetry, loss and the unexpected (the title poem was written directly in response to witnessing the events of 9/11) play against the reassurances of repetition and narrative story. By turns elegant, fierce, and sensuous, her musically charged poems move from the pictorial or imagistic to a heightened sense of the aural or musical in order to depict the world humming with vibrations of every kind from every source—the world as a form of life. |
| john yau borrowed love poems: Genius Loci Alison Hawthorne Deming, 2005-05-31 From a poet and essayist whose writing about nature has won her comparisons with Gary Snyder and Terry Tempest Williams comes a new collection that offers further evidence of her ability to trace the intersections of the human and nonhuman worlds. The title poem is a lyrical excavation of the city of Prague, where layers of history, culture and nature have accumulated to form “a genius loci”—a guardian spirit. |
| john yau borrowed love poems: Western Art Debora Greger, 2004 A poetic exploration of travel and the accidental miracle of discovery journeys from an encounter with a girl on an Instanbul aqueduct and a night wedding in Venice to a walk in the emptiness of the Florida prairie and a view of a great Rembrandt painting. Original. |
| john yau borrowed love poems: A Century of Artists Books Riva Castleman, 1997-09 Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso. |
| john yau borrowed love poems: By Herself Debora Greger, 2012-09-25 An artful, compelling new collection from “a special poet in every sense” (Poetry) The poems in Debora Greger’s new book journey from Florida to England to Venice, finding in the byways and accidents of travel the ghostly presences that mark the poet’s passage from youth half-forgotten to the edge of old age: the younger self that, like some heroine in Henry James, she catches glimpses of and barely recognizes; the long-dead poets unable to sleep, with things still on their mind. The elegies threaded through this mature, startling book recognize life moving toward the shadows—these are poems of old responsibilities and new virtues, looking back as a way of looking forward. |
| john yau borrowed love poems: The Last Skin Barbara Ras, 2010-03-30 A third collection from a poet whose beautiful sentences weave the miraculous and mundane into a single, luminous tapestry (The Atlanta Journal-Constitution) Barbara has won acclaim for fluid and graceful poems that touch on the small occurrences and mysteries of daily life in the hopes of finding the secret meaning beneath them. Both intimate and wide ranging, her work is unafraid of big subjects and big feelings, and sometimes comedic. Her third collection, The Last Skin, extends and develops these qualities, offering landscapes and characters both domestic and exotic, in poignant personal lyrics of precise description that investigate beauty, grief, death, fragility, time, and loss. Here is a poet engaged with the spirit as well as the political, blending the give and take of the world into her own ecstatic rhythms. |
| john yau borrowed love poems: Culture of One Alice Notley, 2011-03-29 A new collection that captures the austere serenity of the Southwest American desert. Award-winning, Paris-based poet Alice Notley's adventurous new book is inspired by the life of Marie, a woman who resided in the dump outside Notley's hometown in the Southwestern desert of America. In this poetical fantasy, Marie becomes the ultimate artist/poet, composing a codex-calligraphy, writings, paintings, collage-from materials left at the dump. She is a culture of one. The story is told in long-lined, clear-edged poems deliberately stacked so the reader can keep plunging headlong into the events of the book. Culture of One offers further proof of how Notley has freed herself from any single notion of what poetry should be so that she can go ahead and write what poetry can be (The Boston Review). |
| john yau borrowed love poems: My Favorite Warlord Eugene Gloria, 2012-05-29 A third collection from an award-winning poet, author of Sightseer in this Killing City, whose gift is breathtaking (Naomi Shihab Nye) The themes of identity, relationships, and the poet's sense of origin are at the heart of Eugene Gloria's rich and captivating new collection. The title poem weaves together Japan's sixteenth-century warlord Hideyoshi with a meditation about the poet's father's dementia; Here on Earth embraces post-racial America and the speaker's own sense of displacement in the Midwest. In elegy and psalm, as well as ancient forms from Asia such as the haibun and pantoum, these elegant and passionate poems enact rage, civility, love, travel, and art as well as explore Gloria's own fears of frailty and erasure. |
| john yau borrowed love poems: Beautiful Country Robert Wrigley, 2010-09-28 A powerful new collection from an award-winning poet. At the heart of Robert Wrigley's new book are the fears that find us at the darkest times and the hopes we rise to each morning. These poems explore that point where the sacred and the profane come together, that place of beauty inside the grotesque and the grotesque inside what is beautiful. The laws of nature, the commandments of capitalism, and the rules of war are transformed into songs of longing, patriotism, and dissent; we are also reminded of the grace residing in the glimpse of a horse under a full moon or the preserved lock of a lover's hair. Elegiac and lyrical, playful and angry, Beautiful Country offers a vision of a country that is unflinching, demanding, and generous. |
| john yau borrowed love poems: The Original Sources of the Qur'ân William St. Clair Tisdall, 1911 |
| john yau borrowed love poems: Plane Image Gary Garrels, 2006 Brice Marden: A Retrospective ISBN 0-87070-446-X / 978-0-87070-446-8 Hardcover, 11.5 x 9.5 in. / 240 pgs / 248 color. / U.S. $60.00 CDN $72.00 October / Art |
| john yau borrowed love poems: The Fragility of Goodness Martha C. Nussbaum, 2001-01-15 This book is a study of ancient views about 'moral luck'. It examines the fundamental ethical problem that many of the valued constituents of a well-lived life are vulnerable to factors outside a person's control, and asks how this affects our appraisal of persons and their lives. The Greeks made a profound contribution to these questions, yet neither the problems nor the Greek views of them have received the attention they deserve. This book thus recovers a central dimension of Greek thought and addresses major issues in contemporary ethical theory. One of its most original aspects is its interrelated treatment of both literary and philosophical texts. The Fragility of Goodness has proven to be important reading for philosophers and classicists, and its non-technical style makes it accessible to any educated person interested in the difficult problems it tackles. This edition, first published in 2001, features a preface by Martha Nussbaum. |
| john yau borrowed love poems: Hoodlum Birds Eugene Gloria, 2006-03-28 In Eugene Gloria’s acclaimed first collection of poems, Drivers at the Short-Time Motel, ephemeral lives, and souls lost in the tattered fabric of war, displacement, and ruined love, found hope, redemption, and a common voice. Gloria is interested in illustrating the common man’s search for connection to the self and to the world, and that is very much apparent in his second collection. The speaker of these poems examines his lapsed Roman Catholic identity and his past; Spain, and its long and varied influence on Filipino culture; and the famous pilgrimage to Santiago de Compostela. These new poems build on what Gloria began in his first book by continuing this sense of collaboration with literary and cultural influence. |
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to ask him who he was. 20 He did not fail to …
John 1 KJV - In the beginning was the Word, and the - Bible Gateway
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible Gateway
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he was simply a witness to tell …
John 1 NKJV - The Eternal Word - In the beginning was - Bible …
John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, that all through him might believe. 8 …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible Gateway
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd of people followed him because they …
John 11 NIV - The Death of Lazarus - Now a man named - Bible …
The Death of Lazarus - Now a man named Lazarus was sick. He was from Bethany, the village of Mary and her sister Martha. (This Mary, whose brother Lazarus now lay sick, was the same …
John 5 NIV - The Healing at the Pool - Some time - Bible Gateway
John 5:4 Some manuscripts include here, wholly or in part, paralyzed—and they waited for the moving of the waters. 4 From time to time an angel of the Lord would come down and stir up …
John 16 NIV - “All this I have told you so that you - Bible Gateway
“All this I have told you so that you will not fall away. They will put you out of the synagogue; in fact, the time is coming when anyone who kills you will think they are offering a service to God. …
JOhn 19 NIV - Jesus Sentenced to Be Crucified - Bible Gateway
Jesus Sentenced to Be Crucified - Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe …
John 8 NIV - but Jesus went to the Mount of Olives. - Bible Gateway
John 8:28 The Greek for lifted up also means exalted. John 8:38 Or presence. Therefore do what you have heard from the Father. John 8:39 Some early manuscripts “If you are Abraham’s …
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to ask him who he was. 20 He did not fail to …
John 1 KJV - In the beginning was the Word, and the - Bible Gateway
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible Gateway
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he was simply a witness to tell …
John 1 NKJV - The Eternal Word - In the beginning was - Bible …
John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, that all through him might believe. 8 …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible Gateway
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd of people followed him because they …
John 11 NIV - The Death of Lazarus - Now a man named - Bible …
The Death of Lazarus - Now a man named Lazarus was sick. He was from Bethany, the village of Mary and her sister Martha. (This Mary, whose brother Lazarus now lay sick, was the same …
John 5 NIV - The Healing at the Pool - Some time - Bible Gateway
John 5:4 Some manuscripts include here, wholly or in part, paralyzed—and they waited for the moving of the waters. 4 From time to time an angel of the Lord would come down and stir up …
John 16 NIV - “All this I have told you so that you - Bible Gateway
“All this I have told you so that you will not fall away. They will put you out of the synagogue; in fact, the time is coming when anyone who kills you will think they are offering a service to God. …
JOhn 19 NIV - Jesus Sentenced to Be Crucified - Bible Gateway
Jesus Sentenced to Be Crucified - Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe …
John 8 NIV - but Jesus went to the Mount of Olives. - Bible Gateway
John 8:28 The Greek for lifted up also means exalted. John 8:38 Or presence. Therefore do what you have heard from the Father. John 8:39 Some early manuscripts “If you are Abraham’s …
