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| jose rizal film movie: Film Nick Deocampo, 2017-11-09 This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo’s extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo’s scholarly study of cinema’s evolution in the hands of Americans. |
| jose rizal film movie: Cine Nick Deocampo, 2017-11-22 This book fathoms the depths of Philippine cinema as the author ventures into the largely unknown terrain of the country’s history of early cinema. With meticulous scholarship and engaging insights, prize-winning filmmaker and author Nick Deocampo investigates the origin and formation of cinema as it became the Filipinos’ preeminent entertainment and cultural form. |
| jose rizal film movie: El Filibusterismo José Rizal, 1968 José Rizal has a good claim to being the first Asian nationalist. An extremely talented Malay born a hundred years ago in a small town near Manila, educated partly in the Philippines and partly in Europe, Rizal inspired the Filipinos by his writing and example to make the first nationalist revolution in Asia in 1896. Today the Philippines revere Rizal as their national hero, and they regard his two books, The Lost Eden (Noli Me Tangere) and The Subversive (El Filibusterismo) as the gospel of their nationalism.The Subversive, first published in 1891, is strikingly timely today. New nations emerging in Africa and Asia are once again in conflict with their former colonial masters, as were the Filipinos with their Spanish rulers in Rizal's day. The Subversive poses questions about colonialism which are still being asked today: does a civilizing mission justify subjection of a people? Should a colony aim at assimilation or independence? If independence, should it be by peaceful evolution or force of arms?Despite the seriousness of its theme, however, The Subversive is more than a political novel. It is a romantic, witty, satirical portrait of Spanish colonial rule in the Philippines at the end of the nineteenth century, written in the tradition of the great adventure romances. The translation by Leon Ma. Guerrero, Philippine ambassador to the Court of St. James, conveys the immediacy of the original, and makes this important work available to a new generation of readers. His translation of The Lost Eden is also available in the Norton Library. |
| jose rizal film movie: Early Cinema in Asia Nick Deocampo, 2017-10-09 Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region. |
| jose rizal film movie: Third World Film Making and the West Roy Armes, 1987-07-29 This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema, Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as nation, national culture, and language are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent national cinemas, and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume. |
| jose rizal film movie: A Dictionary of Film Studies Annette Kuhn, Guy Westwell, 2012-06-21 This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism. |
| jose rizal film movie: Pelikula , 2001 |
| jose rizal film movie: Modern Philippines Patricio N. Abinales, 2022-07-08 This comprehensive thematic encyclopedia focuses on the Philippines, and explores the geography, history, and society of this important island nation. The Philippines is a nation that has experience being ruled by two separate colonial powers, home to a people who have had strong attachments to democratic politics, with a culture that is a rich mix of Chinese, Spanish, and American influences. What are some important characteristics of contemporary daily life and culture in the Philippines today? Thematic chapters examine topics such as government and politics, history, food, etiquette, education, gender, marriage and sexuality, media and popular culture, music, art, and more. Each chapter opens with a general overview of the topic and is followed by alphabetically arranged entries that hone in even closer on the topic. Sidebars and illustrations appear throughout the text, and appendixes cover a glossary, facts and figures, holidays chart, and vignettes that paint a picture of a typical Day in the Life. |
| jose rizal film movie: The Story of José Rizal, the Greatest Man of the Brown Race Austin Craig, 2018-10-15 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| jose rizal film movie: Grammars of Creation George Steiner, 2002-01-01 We have no more beginnings,” George Steiner begins in this, his most radical book to date. A far-reaching exploration of the idea of creation in Western thought, literature, religion, and history, this volume can fairly be called a magnum opus. He reflects on the different ways we have of talking about beginnings, on the core-tiredness” that pervades our end-of-the-millennium spirit, and on the changing grammar of our discussions about the end of Western art and culture. With his well-known elegance of style and intellectual range, Steiner probes deeply into the driving forces of the human spirit and our perception of Western civilization’s lengthening afternoon shadows. Roaming across topics as diverse as the Hebrew Bible, the history of science and mathematics, the ontology of Heidegger, and the poetry of Paul Celan, Steiner examines how the twentieth century has placed in doubt the rationale and credibility of a future tense--the existence of hope. Acknowledging that technology and science may have replaced art and literature as the driving forces in our culture, Steiner warns that this has not happened without a significant loss. The forces of technology and science alone fail to illuminate inevitable human questions regarding value, faith, and meaning. And yet it is difficult to believe that the story out of Genesis has ended, Steiner observes, and he concludes this masterful volume of reflections with an eloquent evocation of the endlessness of beginnings. |
| jose rizal film movie: The Revolution According to Raymundo Mata Gina Apostol, 2021-01-12 Revealing glimpses of the Philippine Revolution and the Filipino writer Jose Rizal emerge despite the worst efforts of feuding academics in Apostol’s hilariously erudite novel, which won the Philippine National Book Award. Gina Apostol’s riotous second novel takes the form of a memoir by one Raymundo Mata, a half-blind bookworm and revolutionary, tracing his childhood, his education in Manila, his love affairs, and his discovery of writer and fellow revolutionary, Jose Rizal. Mata’s 19th-century story is complicated by present-day foreword(s), afterword(s), and footnotes from three fiercely quarrelsome and comic voices: a nationalist editor, a neo-Freudian psychoanalyst critic, and a translator, Mimi C. Magsalin. In telling the contested and fragmentary story of Mata, Apostol finds new ways to depict the violence of the Spanish colonial era, and to reimagine the nation’s great writer, Jose Rizal, who was executed by the Spanish for his revolutionary activities, and is considered by many to be the father of Philippine independence. The Revolution According to Raymundo Mata offers an intoxicating blend of fact and fiction, uncovering lost histories while building dazzling, anarchic modes of narrative. |
| jose rizal film movie: Cinemaya , 2002 |
| jose rizal film movie: The Social Cancer Jose Rizal, 2016-09-01 We travel rapidly in these historical sketches. The reader flies in his express train in a few minutes through a couple of centuries. The centuries pass more slowly to those to whom the years are doled out day by day. Institutions grow and beneficently develop themselves, making their way into the hearts of generations which are shorter-lived than they, attracting love and respect, and winning loyal obedience; and then as gradually forfeiting by their shortcomings the allegiance which had been honorably gained in worthier periods. We see wealth and greatness; we see corruption and vice; and one seems to follow so close upon the other, that we fancy they must have always co-existed. We look more steadily, and we perceive long periods of time, in which there is first a growth and then a decay, like what we perceive in a tree of the forest. FROUDE, Annals of an English Abbey. |
| jose rizal film movie: Pa(ng)labas Gerard Lico, 2020 |
| jose rizal film movie: The Reign of Greed José Rizal, Charles Derbyshire, 1912 Classic story of the last days of Spanish rule in the Philippines. |
| jose rizal film movie: The Last Mistress of Jose Rizal Brian Ascalon Roley, 2016-04-15 The Last Mistress of Jose Rizal is a collection of stories that focuses on multigenerational tales of intertwined Filipino families. Set in the huge yet relatively overlooked and misunderstood Filipino diaspora in the United States, this book follows characters who live in the shadow of the histories of the United States and its former colony in Asia, the Philippines. The impact of immigration and separation filters through the stories as a way of communing with or creating distance between individuals and family, country, or history. Roley’s work has been praised by everyone from New York Times literary critics to APIA author Helen Zia for his bare, poetic style and raw emotionalism. In the collection’s title story, a woman living with her daughter and her daughter’s American husband fears the loss of Filipino tradition, especially Catholicism, as she tries to secretly permeate her granddaughter’s existence with elements of her ancestry. In New Relations, an American-born son introduces his mother to his Caucasian bride and her family, only to experience his first marital discord around issues of politesse, the perception of culture, and post-colonial legacies. Roley’s delicately nuanced collection often leaves the audience with the awkwardness that comes from things lost in translation or entangled in generational divides. |
| jose rizal film movie: Mondo Macabro Pete Tombs, 1998-04-15 The author of Immoral Tales now brings readers into the exotic, erotic, and eccentric international film scene. Fully illustrated, this book includes an Indian song-and-dance version of Dracula; Turkish version of Star Trek and Superman; China's hopping vampire films, and much more. 332 illustrations. of color photos. |
| jose rizal film movie: Short Film Nick Deocampo, 1985 |
| jose rizal film movie: Asian Film Journeys Rashmi Doraiswamy, Latika Padgaonkar, 2011-02-02 For lovers of Asian cinema and for those simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid- 80s, Asian Film Journeys is a feast. It presents a selection of articles that appeared in the pages of Cinemaya, The Asian Film Quarterly between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded. The Quarterly remained, for fifteen years, the one and only serious yet lively platform for writing on the cinemas of Asian countries. Given that the writers were mostly Asian-apart from some keen and long-standing followers of Asian cinema from the West-the magazine offered, for the first time, a truly authentic point of view, a look at films from within their cultures. The book gives a bird’s eye view of the style and substance, art and craft of these cinemas and captures some of the Asian air it let in! |
| jose rizal film movie: The Women of Malolos Nicanor G. Tiongson, 2004 |
| jose rizal film movie: Insurrecto Gina Apostol, 2019-08-20 A bravura performance.—The New York Times Histories and personalities collide in this literary tour-de-force about the Philippines’ present and America’s past by the PEN Open Book Award–winning author of Gun Dealers’ Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history. |
| jose rizal film movie: José Rizal: Life, Works and Writings Gregorio F. Zaide, 1970 |
| jose rizal film movie: Manila by Night: A Queer Film Classic Joel David, 2018-01-16 Manila by Night follows denizens of the city’s sordid yet exuberant underworld as they pursue their notions of life, love, and pleasure. In turn, this book follows the film’s equally arduous yet exhilarating journey through repression and censorship to a reluctanct release by the Marcos government as proof of its liberalism during the 1986 uprising. |
| jose rizal film movie: The First Impulse Laurel Fantauzzo, 2017-10-20 The First Impulse is about the still-unsolved murder of Filipino-Canadian film critic Alexis Tioseco and his girlfriend, Slovenian film critic and magazine editor Nika Bohinc, as retold by Laurel Fantauzzo. This book recounts the love and life of Alexis and Nika, the circumstances surrounding their murder in September 2009, the investigations, and what happened for the people related to the couple before and after the incident, aside from some commentary on the Philippine film industry. |
| jose rizal film movie: Martial Law Melodrama José B. Capino, 2020-01-07 Lino Brocka (1939–1991) was one of Asia and the Global South’s most celebrated filmmakers. A versatile talent, he was at once a bankable director of genre movies, an internationally acclaimed auteur of social films, a pioneer of queer cinema, and an outspoken critic of Ferdinand Marcos’s autocratic regime. José B. Capino examines the figuration of politics in the Filipino director’s movies, illuminating their historical contexts, allegorical tropes, and social critiques. Combining eye-opening archival research with fresh interpretations of over fifteen of Brocka’s major and minor works, Martial Law Melodrama does more than reveal the breadth of his political vision. It also offers a timely lesson about popular cinema’s vital role in the struggle for democracy. |
| jose rizal film movie: Contemporizing the Classics Gregory Sarno, 2005-02 Contemporizing the Classics: Poe, Shakespeare, Doyle is a how-to on the art and craft of transforming a classic into a feature-film screenplay with a modern storyline. The introduction probes an issue that weaves throughout: role of artistic license in balancing fidelity to the original versus dramatic needs of the script. Contemporization of a classic being the most flagrant form of dramatic license, the introduction presents three guidelines for a considered exercise thereof. Each part debuts a feature-film script that resets a classic work(s) in the present. Part One offers a contemporary visualization ofMacbeth, in the process turning an Elizabethan tragedy into a dramatic comedy. Part Two applies the guidelines to several renowned works by Edgar Allan Poe. Arthur Conan Doyle's The Hound of the Baskervilles having frequently screened as a period piece, Part Three gives the hound a twenty-first century twist. |
| jose rizal film movie: Direk Clodualdo Jr del Mundo, Shirley O. Lua, 2019-01-01 Direk, a collection of essays on Filipino filmmakers, presents an accessible and provocative introduction to Philippine cinema. Notable Filipino critics write on the canonical Filipino film directors: Ronald Baytan on Ishmael Bernal; Patrick F Campos on Kidlat Tahimik; Clodualdo Del Mundo, Jr. on Manuel Silos, Eddie Romero, and Lamberto Avellana; Vicente Garcia Groyon on Peque Gallaga; Shirley O. Lua on Fernando Poe, Jr; Gil Quito on Marilou Diaz-Abaya and Lav Diaz; Anne Frances N Sangil on Mike de Leon; Agustin Sotto on Gerardo de Leon; Nicanor G Tiongson on Manuel Conde; Rolando B Tolentino on Lino Brocka; Noel Vera on Mario OHara; and Lito B Zulueta on Brillante Ma Mendoza. A compelling work, the first of its kind, it is filled with insight and critical provocation. The work is essential reading for all who are interested in film making in all its multiple aspects, and provides hitherto unavailable information on Philippine filmmakers and cinema. |
| jose rizal film movie: Rizal, Philippine Nationalist and Martyr Austin Coates, 1968 |
| jose rizal film movie: Critic After Dark Noel Vera, 2005 |
| jose rizal film movie: The Archival Afterlives of Philippine Cinema Bliss Cua Lim, 2024-01-05 Drawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving—a history of lost films, limited access, and collapsed archives. Rather than denigrate underfunded Philippine audiovisual archives in contrast to institutions in the global North, The Archival Afterlives of Philippine Cinema shows how archival practices of making do can inspire alternative theoretical and historical approaches to cinema. Lim examines formal state and corporate archives, analyzing restorations of the last nitrate film and a star-studded lesbian classic as well as archiving under the Marcos dictatorship. She also foregrounds informal archival efforts: a cinephilic video store specializing in vintage Tagalog classics; a microcuratorial initiative for experimental films; and guerilla screenings for rural Visayan audiences. Throughout, Lim centers the improvisational creativity of audiovisual archivists, collectors, advocates, and amateurs who embrace imperfect access in the face of inhospitable conditions. |
| jose rizal film movie: Made in Nusantara Adil Johan, Mayco A. Santaella, 2021-03-17 Made in Nusantara serves as a comprehensive introduction to the history, sociology, ethnography, and musicology of historical and contemporary popular music in maritime Southeast Asia. Each essay covers major figures, styles, and social contexts of genres of a popular nature in the Nusantara region including Malaysia, Indonesia, Brunei, Singapore, and the Philippines. Through a critical investigation of specific genres and their spaces of performance, production, and consumption, the volume is organised into four thematic areas: 1) issues in Nusantara popular music; 2) history; 3) artists and genres; and 4) national vs. local industries. Written by scholars working in the region, Made in Nusantara brings local perspectives to the history and analysis of popular music and critically considers conceptualisations developed in the West, rendering it an intriguing read for students and scholars of popular and global music. |
| jose rizal film movie: A Sacrifice for Friendship D. S. Bauden, 2003-12-01 When Frankie Camarelli begins hearing voices, she travels back 20 years in her dreams to find the girl who is calling out for help. After Frankie returns to the present, her best friend tries to help her validate of her experience. |
| jose rizal film movie: Philosophy of Man for Nursing' 2006 Ed. , |
| jose rizal film movie: Ang Larawan Culturtain Musicat Productions Inc, Nick Joaquin, 2018-03-29 Now available as an e-book! This definitive volume brings together Nick Joaquin’s classic play, A Portrait of the Artist as Filipino, Rolando Tinio’s libretto of Ang Larawan, The Musical (which is based on the play), and the screenplay of Ang Larawan, The Movie. Includes 16 colored pages of photos of the stage musical and movie, the last interview of Tinio, a learning guide, the behind-the-scenes photos of the film-making process and more. An indispensable guide for students and teachers. A collector’s item for theater and film fans. A book that truly captures Joaquin’s vocation, “To remember and to sing!” |
| jose rizal film movie: Wages of Cinema Joel David, 1998 |
| jose rizal film movie: Doña Sisang and Filipino Movies Monina Allarey Mercado, 1977 |
| jose rizal film movie: Planet Terror: The Ultimate Horror movie Encyclopedia and Movie Reference with 446 Reviews, Terrifying Trivia, and Haunting Fun Facts from 24 Countries Andrea Febrian, 2024-09-29 WARNING!!!: This book may cause sleepless nights, increased heart rates, and an insatiable appetite for horror films! In the dead of night, a scream echoes from your TV. Your heart races, palms sweat, but you can't look away. Sound familiar? Welcome to Planet Terror, where that delicious fear becomes an obsession. Imagine holding the power to terrify your friends, to know the secrets behind every jump scare, every twisted plot. This isn't just a book—it's a skeleton key to the world's most chilling cinematic nightmares. Planet Terror isn't just a book—it's your passport to a realm of nightmares, a compendium of fear that will forever change how you experience horror films. Uncover the secrets behind 446 of the most blood-curdling, pulse-pounding horror movies ever made. From the misty mountains of Japan to the sun-scorched Australian Outback, from the neon-lit streets of Seoul to the foggy moors of England, we've scoured 24 countries to bring you the ultimate collection of terror. Why is this the one horror book you can't afford to miss? Dive into in-depth reviews that dissect every scream, every shadow, and every shocking twist Arm yourself with bone-chilling trivia to impress (or terrify) your friends Discover haunting fun facts that reveal the dark secrets behind your favorite fright fests Explore horror trends and techniques from 24 unique cultural perspectives Unearth hidden gems and cult classics you've never heard of—but won't be able to forget Planet Terror is more than just an encyclopedia—it's a master class in global horror. Whether you're a casual viewer or a hardcore horror hound, this book will transform you into the ultimate horror maniac. Unique features that set Planet Terror apart: 1. Unearth hidden gems: Discover spine-chilling movies you've never heard of from countries you never imagined produced horror. Each page turn could reveal your new favorite film! 2. A decade of nightmares: With 446 carefully curated horror films, you're set for years of terrifying movie nights. Say goodbye to the What should we watch? dilemma! 3. Time travel through terror: Journey from the birth of horror cinema to cutting-edge modern scares, witnessing the evolution of fear on screen. 4. Cultural kaleidoscope of fear: Experience how different cultures interpret horror, broadening your perspective on what makes something truly frightening. 5. Become a horror sommelier: Impress your friends with your encyclopedic knowledge of obscure horror films and fascinating trivia. 6. Solve the streaming scavenger hunt: Turn your streaming services into a playground as you hunt down these rare and intriguing films. 7. Spark conversations: Each movie description is a conversation starter, perfect for horror fan meetups or online forums. Reading Planet Terror is like having a secret pass to the world's most exclusive horror film festival—one that never ends and is always at your fingertips. From classic slashers to psychological thrillers, from found footage frights to supernatural scares, Planet Terror covers every subgenre of horror. You'll find yourself transported to haunted houses, cursed villages, and alien worlds—all from the safety of your favorite reading nook. But beware: once you open this book, you may never see the shadows in your room the same way again... Are you ready to face your fears and discover the true power of global horror cinema? Grab your copy of Planet Terror now and prepare for a world tour of terror that will leave you breathless, sleepless, and craving more! Perfect for: Horror film buffs seeking to expand their knowledge Movie night hosts looking for the perfect scare Film students exploring the art of fear Anyone who's ever peeked through their fingers during a scary movie Don't just watch horror—live it, breathe it, understand it. Planet Terror is your key to unlocking a universe of fear. But the real question is: are you brave enough to turn the page? WARNING!! You Have Been Warned!!! |
| jose rizal film movie: Huwaran/hulmahan Atbp Johven Velasco, 2009 A compilation of film articles by Johven Velasco and his contribution as a film director, educator and writer in the film industry in the Philippines . |
| jose rizal film movie: Indonesian Film Festival 1991 , 1991 |
| jose rizal film movie: My Family's Role in the World Revolution and Other Prose Bora Ćosić, 1997 A comic novella on 1960s Yugoslavia in which a family attempts to create a version of the socialist society in its kitchen. The novella is accompanied by a collection of essays, one of which deals with World War I as seen by Parisians. |
jose - npm
JWA, JWS, JWE, JWT, JWK, JWKS for Node.js, Browser, Cloudflare Workers, Deno, Bun, and other Web-interoperable runtimes. Latest version: 6.0.11, last published: a month ago. …
node-jose - npm
The jose.JWK namespace deals with JWK and JWK-sets. jose.JWK.Key is a logical representation of a JWK, and is the "raw" entry point for various cryptographic operations (e.g., sign, …
Downloading and installing Node.js and npm | npm Docs
Documentation for the npm registry, website, and command-line interface
jwt-decode - npm
IMPORTANT: This library doesn't validate the token, any well-formed JWT can be decoded. You should validate the token in your server-side logic by using something like express-jwt, …
jwks-rsa - npm
Library to retrieve RSA public keys from a JWKS endpoint. Latest version: 3.2.0, last published: 3 months ago. Start using jwks-rsa in your project by running `npm i jwks-rsa`. There are …
jose - npm
JWA, JWS, JWE, JWT, JWK, JWKS for Node.js, Browser, Cloudflare Workers, Deno, Bun, and other Web-interoperable runtimes. Latest version: 6.0.11, last published: a month ago. Start …
node-jose - npm
The jose.JWK namespace deals with JWK and JWK-sets. jose.JWK.Key is a logical representation of a JWK, and is the "raw" entry point for various cryptographic operations …
Downloading and installing Node.js and npm | npm Docs
Documentation for the npm registry, website, and command-line interface
jwt-decode - npm
IMPORTANT: This library doesn't validate the token, any well-formed JWT can be decoded. You should validate the token in your server-side logic by using something like express-jwt, koa …
jwks-rsa - npm
Library to retrieve RSA public keys from a JWKS endpoint. Latest version: 3.2.0, last published: 3 months ago. Start using jwks-rsa in your project by running `npm i jwks-rsa`. There are 1423 …
js-cookie - npm
The npm package has a module field pointing to an ES module variant of the library, mainly to provide support for ES module aware bundlers, whereas its browser field points to an UMD …
install - npm Docs
Using a Node version manager to install Node.js and npm. Node version managers allow you to install and switch between multiple versions of Node.js and npm on your system so you can …
jsonwebtoken - npm
JSON Web Token implementation (symmetric and asymmetric). Latest version: 9.0.2, last published: 2 years ago. Start using jsonwebtoken in your project by running `npm i …
jws - npm
jws.verify(signature, algorithm, secretOrKey) (Synchronous) Returns true or false for whether a signature matches a secret or key.. signature is a JWS Signature.header.alg must be a value …
oauth - npm
Library for interacting with OAuth 1.0, 1.0A, 2 and Echo. Provides simplified client access and allows for construction of more complex apis and OAuth providers.. Latest version: 0.10.2, last …
