Advertisement
| joel meyerowitz self portraits: Joel Meyerowitz: Provincetown (Signed Edition) , 2019-09-24 A safe haven for the queer community and a getaway for artists, the beach town of Provincetown, Massachusetts is a place defined by openness and tolerance. Throughout the late 1970s and early '80s, Joel Meyerowitz spent his summers there, roaming the seaside with an 8-by-10 camera, making exquisite, sharply observed portraits of Provincetown's progressive community. Provincetown collects one hundred portraits, most never before published, bringing viewers into an idyllic world of self-styled individualism. |
| joel meyerowitz self portraits: Aperture Conversations Melissa Harris, Michael Famighetti, 2018-04-12 Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer's The Concert? And what is Susan Meiselas's take on Instagram and the future of online storytelling? Aperture Conversations presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from Aperture magazine with selections from Aperture's booklist and online platform, Aperture Conversations celebrates the artist's voice, collaborations, and the photography community at large. |
| joel meyerowitz self portraits: Vivian Maier: The Color Work Colin Westerbeck, 2018-11-06 The first definitive monograph of color photographs by American street photographer Vivian Maier. Photographer Vivian Maier’s allure endures even though many details of her life continue to remain a mystery. Her story—the secretive nanny-photographer who became a pioneer photographer—has only been pieced together from the thousands of images she made and the handful of facts that have surfaced about her life. Vivian Maier: The Color Work is the largest and most highly curated published collection of Maier’s full-color photographs to date. With a foreword by world-renowned photographer Joel Meyerowitz and text by curator Colin Westerbeck, this definitive volume sheds light on the nature of Maier’s color images, examining them within the context of her black-and-white work as well as the images of street photographers with whom she clearly had kinship, like Eugene Atget and Lee Friedlander. With more than 150 color photographs, most of which have never been published in book form, this collection of images deepens our understanding of Maier, as its immediacy demonstrates how keen she was to record and present her interpretation of the world around her. |
| joel meyerowitz self portraits: Legacy , 2009 Introduction by Michael Bloomberg. Text by Phillip Lopate. |
| joel meyerowitz self portraits: Bystander Colin Westerbeck, Joel Meyerowitz, 2001-01 A fascinating celebration of street photography features works by such renowned masters as Atget, Stieglitz, Cartier-Bresson, and Robert Frank, as well as unknown photgraphers, and is filled with detailed text that chronicles the history of this energetic movement. Reprint. 10,000 first printing. |
| joel meyerowitz self portraits: Auto Focus Susan Bright, 2010-10-05 Auto Focus features a dazzling array of self-portraits by seventy-five of the world’s foremost contemporary photographers. Photography writer and curator Susan Bright provides a clear guide through this significant and dynamic genre, showing how issues of identity—whether national, sexual, racial, personal, or artistic—are key to understanding the work of many of today’s leading photographers. This lavishly illustrated, accessible survey is organized into five thematic chapters: diaristic and autobiographical images; pictures of the body; the use of masks and masquerade; the return to studio portraiture and the photographic album; and performance, both public and private. An informative illustrated introduction explains the history of the photographic self-portrait from the 1840s to the late twentieth century, providing an invaluable context for the recent surge in artists’ images of themselves. From intimate images of introspection and those that consciously challenge notions of ethnicity and sexuality to dramatic, stylized photographs of dreamlike scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today. |
| joel meyerowitz self portraits: Rania Matar: She , 2021-11-16 Portraits of American and Middle Eastern young women entering adulthood from Rania Matar, author of L'Enfant-Femme As a Lebanese-born American artist and mother, Rania Matar's (born 1964) cross-cultural experiences inform her art. She has dedicated her work to exploring issues of personal and collective identity through photographs of female adolescence and womanhood--both in the United States where she lives, and in the Middle East where she is from. Rania Matar: She focuses on young women in their late teens and early twenties, who are leaving the cocoon of home, entering adulthood and facing a new reality. Depicting women in the United States and the Middle East, this project highlights how female subjectivity develops in parallel forms across cultural lines. Each young woman becomes an active participant in the image-making process, presiding over the environment and making it her own. Matar portrays the raw beauty of her subjects--their age, individuality, physicality and mystery--and photographs them the way she, a woman and a mother, sees them: beautiful, alive. |
| joel meyerowitz self portraits: Vivian Maier John Maloof, 2012-10-30 Please note that all blank pages in the book were chosen as part of the design by the publisher. A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age. It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work. |
| joel meyerowitz self portraits: Morandi's Objects Ltd Joel Meyerowitz, 2016 |
| joel meyerowitz self portraits: Bay/sky Joel Meyerowitz, 1993 Seascapes focus on the boundary of the ocean and the sky |
| joel meyerowitz self portraits: Joel Meyerowitz Colin Westerbeck, Joel Meyerowitz, 2001-01-05 An accessible monograph on the work of the American photographer who is best known for his color photos of Cape Cod seascapes. |
| joel meyerowitz self portraits: Short History of the Shadow Victor I. Stoichita, 1997-08-01 Stoichita's compelling account untangles the history of one of the most enduring challenges to beset Western art - the depiction and meanings of shadows. discriminating, inspired interrogation ... dazzling analysis—Marina Warner, Tate Magazine Ambitious and a pleasure to read ... a thoroughly worthwhile book.—Times Higher Education Supplement |
| joel meyerowitz self portraits: Vivian Maier , 2019-09 Updated with new material to celebrate the ten year discovery of Vivian Maier's work This is the only book that tells the life story of Vivian Maier in words and pictures. Known as the nanny photographer, Maier became an Internet sensation after her photos were put online in 2009. Since then, Maier's breathtaking pictures--which show everyday life in mid-century America--have earned her recognition of one of the masters of photography. Presenting her photographs alongside revealing interviews with those who knew her best, this volume puts Vivian Maier's work in context and creates a moving portrait of her as an artist. To better understand Maier, authors Richard Cahan and Michael Williams studied census records, ship manifests and interviewed every person they could find who knew Maier, from her childhood days in the French Alps to the families whose children she cared for in the United States. They combined this biographical information, much of it unreported, with more than 300 photographs that she took starting in 1949 to create the first comprehensive record of her life story. |
| joel meyerowitz self portraits: Sally Mann Sarah Greenough, Sarah Kennel, 2018-03-27 Catalog of an exhibition held at the National Gallery of Art, Washington, March 4-May 28, 2018; Peabody Essex Museum, Salem, Massachusetts, June 30-September, 23, 2018; J. Paul Getty Museum, Los Angeles, November 20, 2018-February 10, 2019; Museum of Fine Arts, Houston, March 3-May 27, 2019; Jeu de Paume, Paris, June 17-September 22, 2019; and High Museum of Art, Atlanta, October 19, 2019-January 12, 2020. |
| joel meyerowitz self portraits: The Pleasure of Seeing , 2023-03-16 The oral autobiography of one of American photography's most legendary figures Joel Meyerowitz is one of the pioneers of color photography, street photography, large-format photography and portraiture. The Pleasure of Seeingoffers a look behind the scenes of his life and career. In conversation with historian and photographer Lorenzo Braca, Meyerowitz describes meeting Robert Frank; photographing on the streets of New York City with Tony Ray-Jones and Garry Winogrand; traveling across America and Europe; learning from John Szarkowski; working on exhibitions and publications; photographing at Ground Zero in 2001 and 2002; and producing his most recent still lifes and self-portraits. Meyerowitz reveals the stories behind many of his famous photographs and discusses the value of the visual image as well as technical details concerning cameras and lenses, the printing process and various films. The book features over 100 images, including Meyerowitz's most iconic photographs and new and previously unpublished material. Born in the Bronx in 1938, Joel Meyerowitzbegan capturing everyday scenes on the streets of New York in 1962 and was an early adopter of color film for the genre, advocating its use when many photographers resisted its popularization. He has published more than 35 books. Lorenzo Braca(born 1977) is an Italian historian and photographer who has published widely on the literature and imagination of the late Middle Ages. His photography explores the urban environment. His first solo exhibition was held in 2021. |
| joel meyerowitz self portraits: Men for Men Pierre Borhan, 2007 As soon as the invention of photography made it possible to be photographed with one's loved one, early daguerreotypes - small, unique images housed in their cases - were made as tokens of enduring affection or intimacy. Male couples were no exception. Under strict Victorian moral conventions photographs of the male nude were reserved strictly for academic study by artists. It was not until the early twentieth-century that the first openly homosexual photographers were able to explore the overtly erotic, and this they did by wrapping their subjects in historical reference by evoking images of ancient Greece or Pre-Raphaelite symbolism. After Alfred Kinsey's revelations of male sexuality, published in 1948, an enormous photographic market emerged for pictures of the muscular male physique. Homoeroticism had entered the mainstream photographic language. In this ground-breaking book organised by Gilles Mora with a substantial text by Pierre Bohran, the whole history of the genre is charted from its clandestine origins to its open glorification, including the work of photographic masters such as Brassai and August Sander, as well as the notorious underground excursions of Robert Mapplethorpe. We can follow how a homosexual view has now shaped the new iconography of fashion and the public male image |
| joel meyerowitz self portraits: Unperson , 2021 In George Orwell?s 1984, an 'unperson' is someone who has been vaporized, whose record has been erased. Similarly, the North Korean defectors that Tim Franco chose to portray have decided to disappear, fleeing sometimes for ideological reasons and often out of despair. The road to South Korea is dangerous and can take years, across the many different borders with Mongolia, Laos, Thailand and China. The travels of the ones that do are filled with the fear of being arrested and sent back to labour camps. Having arrived in South Korea, they often struggle to find a new identity, lost between their North Korean past and South Korean future. 00Here, Tim Franco presents the stories of fifteen such 'unpersons'. Each portrait goes side by side with the story of how and why the subjects came to their radical decision to flee. In order to retrace their steps, Franco travelled to their crossing points, capturing the diversity of landscape that is the background of North Korean defection. |
| joel meyerowitz self portraits: Art and Photography David Campany, 2012-04-02 The first major survey of photography's place in recent art history. |
| joel meyerowitz self portraits: Magnum Artists Magnum Photos Ltd, 2020-08-18 Matisse and Picasso by Robert Capa, Takashi Murakami by Olivia Arthur, Warhol and de Kooning by Thomas Hoepker, Bonnard by Henri Cartier-Bresson, Sonia Delaunay by Herbert List, Kiki Smith by Susan Meiselas, and many more. For the first time, Magnum Artists brings together a collection of over 200 photographs that define the unique relationship between the world's greatest photography collective and the world's greatest artists. |
| joel meyerowitz self portraits: Masters of Street Photography Roberts Elizabeth, 2019-05 Masters of Street Photography explores the craft and creative secrets of 16 leading lights of the genre. Through probing Q&A style interviews, beautifully reproduced images, captions telling the story of each picture, and detailed technical information, the reader is given an insight into the photographers' working practices, from their career paths and inspirations, to the equipment, techniques, tropes and tricks they employ to create their breathtaking and visionary works. The result is a book that combines visual inspiration with tried and tested street smart advice from leading professionals, providing everything the aspiring street photographer needs to create their own distinctive urban portfolio. Contributors include The Bragdon Brothers, Melissa Breyer, Giacomo Brunelli, Paul Burgess, Sally Davies, George Georgiou, Ash Shinya Kawaoto, Jay Maisel, Jesse Marlow, Dimitri Mellos, Rui Palha, Ed Peters, Alan Schaller, Marina Sersale, Alexey Titarenko, and Martin U Waltz. |
| joel meyerowitz self portraits: The Suffering of Light Alex Webb, Geoff Dyer, 2011 Review The images - rich in color and visual rhythm - span 30 years and several continents. Of course, Haiti and the Mexican border are well represented, locales that opened up a new way to see. He has been able to render Haiti - a place often depicted for its chaos - with a precise eye, finding personal moments that are as still as they are complex. He can use shadows as skillfully as a be-bop musician to set the tempo. The people in his frames can look like dwarfs being stomped on by giant, disembodied feet. He can make an American street seem far more foreboding than any Third World slum. (David Gonzalez The New York Times 2011-12-18) A 30-year retrospective of a great, and often overlooked, American pioneer of colour photography who pays scant regard to genre boundaries, merging art photography, photojournalism and often complex street photographs. (Sean O'Hagan The Guardian 2011-12-13) In far-flung corners of the globe, Webb captures glimpses of beauty in impoverished lives and stoicism in the face of strife. (Jack Crager American Photo 2011-12-01). |
| joel meyerowitz self portraits: Photographs Jack Davison, 2019 Photographs is a story of British artist Jack Davison's experiments with image making from 2007 to present--Label on shrink wrapping. |
| joel meyerowitz self portraits: Brutal, Tender, Human, Animal Roger Ballen, Robert Cook, 2007-01-01 Over almost thirty years, Roger Ballen has produced some of the most compelling and thought-provoking images in contemporary photography. His work is unflinching confronting and always deeply moving. With its roots in the photo documentary tradition, Ballen's approach has expanded to become an unforgettable vision of the human condition. |
| joel meyerowitz self portraits: Train Your Gaze Roswell Angier, 2007-05-31 What is common to all portrait photographs is a situational element. In portrait photography, the presence of the photographers gaze also becomes an integral part of what the picture is about- the activity of one person looking, manifested in a moment that can feel like the blink of an eye or a small eternity. This book offers for the first time a complete text that combines the theoretical with the practical. |
| joel meyerowitz self portraits: Tuscany Joel Meyerowitz, Maggie Barrett, 2010 Photo album. |
| joel meyerowitz self portraits: Cape Light Joel Meyerowitz, 1979 Visual capsules of space, mood, light, color, and atmosphere depict the inhabitants, land, and seascapes near the tip of Cape Cod |
| joel meyerowitz self portraits: Stranger Passing Joel Sternfeld, Ian Frazier, Douglas Robert Nickel, San Francisco Museum of Modern Art, 2001-01 The successful photographer shares his idiosyncratic vision of life in America by combining his evocative images with the musings of two great writers. |
| joel meyerowitz self portraits: Self Portrait Lee Friedlander, John Szarkowski, 2005 The fourth edition of Nutrition: maintaining and improving health continues to offer wide-ranging coverage of all aspects of nutrition, including: * nutritional assessment * epidemiological and experimental methods used in nutrition research * social aspects of nutrition * the science of food as a source of energy and essential nutritients * variation in nutritional needs and priorities at different stages of the life-cycle * hospital malnutrition * the use of dietary supplementsand functional foods Completely updated, this accessible textbook offers a comprehensive guide to the roles of diet in causing, preventing and even treating chronic disease and maintaining good health. The importance of improving health is a guiding principle throughout the book and is underpinned by health promotion theory. This is essential reading for all nutrition and dietetics students, including those studying nutrition modules as part of food science, catering or health care courses |
| joel meyerowitz self portraits: Domingo Milella Domingo Milella, 2015-02-28 It's hard to talk about photography without facing issues of time, memory and death - not as stereotypical archetypes, but as challenging and malleable entities of culture and nature. Domingo Milella This first published monograph by Domingo Milella is a photographic journey from his hometown in the outskirts of Bari in southern Italy, taking us to Mexico City, Cairo, Ankara, Anatolia, Sicily, Tunisia, and as far as Mesopotamia. Milella's subject is cities and their borders, cemeteries and villages, caves and homes, tombs and hieroglyphs - in short, signs of man's presence on earth. His interest is the overlap between civilisation and nature, and how landscape and architecture are invested with individual and collective memory. These photographs emerge from and challenge classical ideas of landscape in art history, and seek an alternative iconography in which an almost forgotten past coexists with the present. Says Milella: Making images doesn't only mean documenting or taking photographs. It's also a possibility for contemplation and recollection. Building an image of the past is to face the present, and activate the possibility of the future. |
| joel meyerowitz self portraits: On Photographs David Campany, 2020 Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time On Photographs is destined to become an instant classic of photography writing. Rejecting the conventions of chronology and the heightened status afforded to 'classics' in traditional accounts of the history of the medium, Campany's selection of photographs is an expertly curated and personal one - mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany's highly readable commentary. Putting the sacred status of authorship to one side, he strives to guide the reader in their own interpretation and understanding of the image itself. In a visual culture in which we have become accustomed to not looking, Campany helps us see, in what is both an accessible introduction for newcomers and a must-have for photography aficionados. |
| joel meyerowitz self portraits: Classroom Portraits Julian Germain, 2012 This captivating collection of large-scale portraits of classes of children and adolescents around the world reveals much about the present and raises fascinating questions about the future. What happens when a stranger enters a classroom during a lesson and asks for the pupils' total concentration for 15 minutes in order to make their portrait? He positions everyone with great care (so that they can clearly be seen) and then demands that they stay completely still for the long exposure. The results are both predictable and astonishing. This ongoing series by Julian Germain started in northeast England. Since then Germain has visited schools throughout North and South America, Europe, the Middle East, Africa, and Southeast Asia. His magnificent photographs are packed with detail - books open on graffitied desks, instructions on white and blackboards, artwork hanging on walls, notes scribbled on the backs of hands. And of course there are the faces of the children themselves; enrapt, bored, inquisitive, arrogant, or shy, they incite endless curiosity about what these kids' lives are like and what their futures hold. Exquisitely reproduced in an oversize format, these portraits trigger memories of our own schooldays and bring into sharp focus the contemporary school experience throughout the world, in all its diversity and universality. ILLUSTRATIONS: 110 colour |
| joel meyerowitz self portraits: PILLAR. , 2019 |
| joel meyerowitz self portraits: You Should See Yourself Vincent Brook, 2006 The past few decades have seen a remarkable surge in Jewish influences on American culture. Entertainers and artists such as Jerry Seinfeld, Adam Sandler, Allegra Goodman, and Tony Kushner have heralded new waves of television, film, literature, and theater; a major klezmer revival is under way; bagels are now as commonplace as pizza; and kabbalah has become as cool as crystals. Does this broad range of cultural expression accurately reflect what it means to be Jewish in America today? Bringing together fourteen new essays by leading scholars, You Should See Yourself examines the fluctuating representations of Jewishness in a variety of areas of popular culture and high art, including literature, the media, film, theater, music, dance, painting, photography, and comedy. Contributors explore the evolution that has taken place within these cultural forms and how we can best explain these changes. Are variations in our understanding of Jewishness the result of general phenomena such as multiculturalism, politics, and postmodernism, or are they the product of more specifically Jewish concerns such as the intermarriage/continuity crisis, religious renewal, and relations between the United States and Israel? Accessible to students and general readers alike, this volume takes an important step toward advancing the discussion of Jewish cultural influences in this country. |
| joel meyerowitz self portraits: Photography Performing Humor Liesbeth Decan, Mieke Bleyen, 2019-03-11 New perspectives on humor within photography Despite the ubiquitous presence of photographic humor in art and popular media, the phenomenon has as yet received very little scholarly attention. Focusing on staged humor rather than on comic effects of snapshot photography, this volume brings together leading scholars in the field addressing humor performed in front of the camera, often specifically created for the camera, and the performative joke-work done by the medium itself. A first section explores how photography, due to its “shattering” qualities, turns into a privileged medium for eliciting humorous effects and how humor can be discerned within the photographic event. A second section discusses the toolbox of photographic trickery (photomontage, double exposure and cinematic movement) that allows photography to mock itself. The book closes with a section on photographic wit in conceptual art, both in canonized and more locally distinct practices. With artists’ pages from Paulien Oltheten, Lieven Segers and David Helbich |
| joel meyerowitz self portraits: William Eggleston Portraits Phillip Prodger, 2016-01-01 The American photographer William Eggleston is best known for capturing everyday suburban life in his hometown of Memphis, Tennessee, and for his pioneering use of colour. This book, which accompanies the first exhibition entirely devoted tp Eggleston's portraiture, features a variety of images of the people he has encountered during his long career.--Back cover. |
| joel meyerowitz self portraits: The Women Who Changed Photography Gemma Padley, 2024-09-05 Discover 50 groundbreaking female photographers and how to incorporate their styles and techniques into your own photography. Often in the shadow of their male counterparts, these inspirational women developed new techniques, created their own signature styles and captured everything from war to fashion. From early pioneers to contemporary leaders, they paved the way for generations to come and continue to do so, inspiring them to pick up a camera and decide what type of photographer they want to be. Featuring masters of the medium, such as Anna Atkins, Imogen Cunningham, Nadine Ijewere, Lee Miller, Shirin Neshat, Lorna Simpson, Cindy Sherman, Zanele Muholi and Ingrid Pollard, this book is beautifully illustrated with full-colour images of the photographers and their work. It tells the story of these groundbreaking women, how they changed the way we see the world today and helped shape the future of photography. It also provides expert advice on how you can celebrate these trailblazers in your own photography. Follow the instructions to master their techniques and recreate their styles in your own work. |
| joel meyerowitz self portraits: Art in America Frank Jewett Mather, Frederic Fairchild Sherman, 2002 |
| joel meyerowitz self portraits: Criticizing Photographs Terry Barrett, 2020-11-29 Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are their implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is a clear and accessible guide for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live. |
| joel meyerowitz self portraits: Camera , 1981 |
| joel meyerowitz self portraits: New York Magazine , 1990-10-15 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
Joel 1 NIV - The word of the LORD that came to Joel - Bible Gateway
The word of the LORD that came to Joel son of Pethuel. An Invasion of Locusts - Hear this, you elders; listen, all who live in the land. Has anything like this ever happened in your days or in …
Joel 1 RVR1960 - Devastación de la tierra por la - Bible Gateway
1 Palabra de Jehová que vino a Joel, hijo de Petuel. 2 Oíd esto, ancianos, y escuchad, todos los moradores de la tierra.
Joel 2:28-32 - BibleGateway.com
Joel 2:31: Mt. 24.29; Mr. 13.24-25; Lc. 21.25; Ap. 6.12-13. Joel 2:32: Hch. 2.17-21. Joel 2:32: Ro. 10.13.
Joel 1 KJV - The word of the LORD that came to Joel - Bible Gateway
The word of the LORD that came to Joel the son of Pethuel. Hear this, ye old men, and give ear, all ye inhabitants of the land. Hath this been in your days, or even in the days of your fathers?
Joel 1 ESV - The word of the LORD that came to Joel, - Bible Gateway
The word of the LORD that came to Joel, the son of Pethuel: An Invasion of Locusts - Hear this, you elders; give ear, all inhabitants of the land! Has such a thing happened in your days, or in …
Joel 1 NVI - Esta es la palabra del SEñOR que vino - Bible Gateway
Esta es la palabra del SEñOR que vino a Joel, hijo de Petuel. La invasión de langostas - ¡Oigan esto, ancianos del pueblo! ¡Presten atención, habitantes todos del país!
JOEL 1 NKJV - The Locust Plague in Judah - Bible Gateway
The Locust Plague in Judah - The word of the Lord that came to Joel the son of Pethuel. The Land Laid Waste - Hear this, you elders, And give ear, all you inhabitants of the land! Has …
Joel 1 CSB - The word of the LORD that came to Joel - Bible Gateway
The word of the LORD that came to Joel son of Pethuel: A Plague of Locusts - Hear this, you elders; listen, all you inhabitants of the land. Has anything like this ever happened in your days …
Joel 1 NASB - The Devastation by Locusts - Bible Gateway
The Devastation by Locusts - The word of the LORD that came to Joel, the son of Pethuel: Hear this, you elders, And listen, all inhabitants of the land. Has anything like this happened in your …
Joel 2 NIV - An Army of Locusts - Blow the trumpet - Bible Gateway
Joel 2:19 Or Lord will be jealous … / and take pity … / 19 The Lord will reply; Joel 2:25 The precise meaning of the four Hebrew words used here for locusts is uncertain. Joel 2:32 In …
Joel 1 NIV - The word of the LORD that came to Joel - Bible Gateway
The word of the LORD that came to Joel son of Pethuel. An Invasion of Locusts - Hear this, you elders; listen, all who live in the land. Has anything like this ever happened in your days or in …
Joel 1 RVR1960 - Devastación de la tierra por la - Bible Gateway
1 Palabra de Jehová que vino a Joel, hijo de Petuel. 2 Oíd esto, ancianos, y escuchad, todos los moradores de la tierra.
Joel 2:28-32 - BibleGateway.com
Joel 2:31: Mt. 24.29; Mr. 13.24-25; Lc. 21.25; Ap. 6.12-13. Joel 2:32: Hch. 2.17-21. Joel 2:32: Ro. 10.13.
Joel 1 KJV - The word of the LORD that came to Joel - Bible Gateway
The word of the LORD that came to Joel the son of Pethuel. Hear this, ye old men, and give ear, all ye inhabitants of the land. Hath this been in your days, or even in the days of your fathers?
Joel 1 ESV - The word of the LORD that came to Joel, - Bible …
The word of the LORD that came to Joel, the son of Pethuel: An Invasion of Locusts - Hear this, you elders; give ear, all inhabitants of the land! Has such a thing happened in your days, or in …
Joel 1 NVI - Esta es la palabra del SEñOR que vino - Bible Gateway
Esta es la palabra del SEñOR que vino a Joel, hijo de Petuel. La invasión de langostas - ¡Oigan esto, ancianos del pueblo! ¡Presten atención, habitantes todos del país!
JOEL 1 NKJV - The Locust Plague in Judah - Bible Gateway
The Locust Plague in Judah - The word of the Lord that came to Joel the son of Pethuel. The Land Laid Waste - Hear this, you elders, And give ear, all you inhabitants of the land! Has …
Joel 1 CSB - The word of the LORD that came to Joel - Bible Gateway
The word of the LORD that came to Joel son of Pethuel: A Plague of Locusts - Hear this, you elders; listen, all you inhabitants of the land. Has anything like this ever happened in your days …
Joel 1 NASB - The Devastation by Locusts - Bible Gateway
The Devastation by Locusts - The word of the LORD that came to Joel, the son of Pethuel: Hear this, you elders, And listen, all inhabitants of the land. Has anything like this happened in your …
Joel 2 NIV - An Army of Locusts - Blow the trumpet - Bible Gateway
Joel 2:19 Or Lord will be jealous … / and take pity … / 19 The Lord will reply; Joel 2:25 The precise meaning of the four Hebrew words used here for locusts is uncertain. Joel 2:32 In …
