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| john schumann new song: I Was Only Nineteen John Schumann, Craig Smith, 2014-02-26 Townsville lined the footpath as we marched down to the quay. This clipping from the paper shows us young and strong and clean. And there's me in my slouch hat, with my SLR and greens. God help me, I was only nineteen. John Schumann's unforgettable lyrics about the Vietnam War are etched in our memories and into our history books. Now they've been warmly brought to life by one of Australia's best-loved illustrators. |
| john schumann new song: Robert Schumann John Daverio, 1997-04-10 Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world's great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal emotion. His musical influence continues today and has inspired many other famous composers in the century since his death. Indeed Brahms, in a letter of January 1873, wrote: The remembrance of Schumann is sacred to me. I will always take this noble pure artist as my model. Now, in Robert Schumann: Herald of a New Poetic Age, John Daverio presents the first comprehensive study of the composer's life and works to appear in nearly a century. Long regarded as a quintessentially romantic figure, Schumann also has been portrayed as a profoundly tragic one: a composer who began his career as a genius and ended it as a mere talent. Daverio takes issue with this Schumann myth, arguing instead that the composer's entire creative life was guided by the desire to imbue music with the intellectual substance of literature. A close analysis of the interdependence among Schumann's activities as reader, diarist, critic, and musician reveals the depth of his literary sensibility. Drawing on documents only recently brought to light, the author also provides a fresh outlook on the relationship between Schumann's mental illness--which brought on an extended sanitarium stay and eventual death in 1856--and his musical creativity. Schumann's character as man and artist thus emerges in all its complexity. The book concludes with an analysis of the late works and a postlude on Schumann's influence on successors from Brahms to Berg. This well-researched study of Schumann interprets the composer's creative legacy in the context of his life and times, combining nineteenth-century cultural and intellectual history with a fascinating analysis of the works themselves. |
| john schumann new song: Danny Allen Was Here Phil Cummings, 2007-11-10 He looked in all directions at everything he could see. The moonlight on the roof and the white chimney; the silhouette of the rooftops across the road; Mark Thompson's rooftop. Even the white gravel road was glowing. It didn't look hard and full of stones. It looked like a fluffy blanket. Danny didn't want to get off the bridge. He lay down on his back as if it were a hammock. He kept a firm grip on the rope and stared up at the stars. This was a magical world. This was Danny Allen's place. Danny Allen lives in Mundowie with his family and his dog, Tippy. For such a small town, there's always lots of things to do: tobogganing on the sand dunes near the haunted house; building tree houses in the back yard; and trying to kick a football over the roof of the Mundowie Institute Hall. If only the man from the bank would stop bothering his parents, life would be perfect. |
| john schumann new song: Hey True Blue John Williamson, 2014-07-23 The long-awaited life story of John Williamson: an Australian icon, a much-loved legend of the music industry and man of the land. The joy after all is in the journey, or being what you really wanna be . . . The son of a wheat farmer, John Williamson grew up with an appreciation of the land and all things Australian. His career was kickstarted with a self-proclaimed silly song – 'Old Man Emu' – winning TV's New Faces in 1970, but it was a decade of hard slog before he forged his unique place in our musical history. From his love of the bush ('Mallee Boy') and his outrage at environmental destruction ('Rip Rip Woodchip'), to his pride in the Australian character and spirit ('True Blue'), Williamson has been chronicling the subjects and issues that are close to his heart for more than forty years. He has become the voice of Australia, performing his unofficial anthems at all the major events. In his distinctive Aussie style, John Williamson tells it like it is. He takes us behind the scenes on the road and at home, revealing the tough times, the great times, what drives him and what matters. His passion – for preserving our national character and landscape, and to remain true to himself – is as strong now as it has ever been. This is a journey into the heart and soul of Australia. |
| john schumann new song: John W. Schaum Piano Course John W. Schaum, 1995-12 Most often a pupil's difficulty is not because of technic deficiency but is due to weak note recognition. Consistent use of these drills will help your student to become a good note reader. |
| john schumann new song: Robert Schumann John Worthen, 2010 Shattering longstanding myths, this new biography reveals the robust and positive life of one of the nineteenth century's greatest composers This candid, intimate, and compellingly written new biography offers a fresh account of Robert Schumann's life. It confronts the traditional perception of the doom-laden Romantic, forced by depression into a life of helpless, poignant sadness. John Worthen's scrupulous attention to the original sources reveals Schumann to have been an astute, witty, articulate, and immensely determined individual, who--with little support from his family and friends in provincial Saxony--painstakingly taught himself his craft as a musician, overcame problem after problem in his professional life, and married the woman he loved after a tremendous battle with her father. Schumann was neither manic depressive nor schizophrenic, although he struggled with mental illness. He worked prodigiously hard to develop his range of musical styles and to earn his living, only to be struck down, at the age of forty-four, by a vile and incurable disease. Worthen's biography effectively de-mystifies a figure frequently regarded as a Romantic enigma. It frees Schumann from 150 years of mythmaking and unjustified psychological speculation. It reveals him, for the first time, as a brilliant, passionate, resolute musician and a thoroughly creative human being, the composer of arguably the best music of his generation. |
| john schumann new song: Robert Schumann Martin Geck, 2012-11-01 Robert Schumann (1810–56) is one of the most important and representative composers of the Romantic era. Born in Zwickau, Germany, Schumann began piano instruction at age seven and immediately developed a passion for music. When a permanent injury to his hand prevented him from pursuing a career as a touring concert pianist, he turned his energies and talents to composing, writing hundreds of works for piano and voice, as well as four symphonies and an opera. Here acclaimed biographer Martin Geck tells the fascinating story of this multifaceted genius, set in the context of the political and social revolutions of his time. The image of Schumann the man and the artist that emerges in Geck’s book is complex. Geck shows Schumann to be not only a major composer and music critic—he cofounded and wrote articles for the controversial Neue Zeitschrift für Musik—but also a political activist, the father of eight children, and an addict of mind-altering drugs. Through hard work and determination bordering on the obsessive, Schumann was able to control his demons and channel the tensions that seethed within him into music that mixes the popular and esoteric, resulting in compositions that require the creative engagement of reader and listener. The more we know about a composer, the more we hear his personality in his music, even if it is above all on the strength of his work that we love and admire him. Martin Geck’s book on Schumann is not just another rehashing of Schumann’s life and works, but an intelligent, personal interpretation of the composer as a musical, literary, and cultural personality. |
| john schumann new song: Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle David Ferris, 2000-11-30 This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms. |
| john schumann new song: Clara Schumann Studies Joe Davies, 2021-12-02 Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany. |
| john schumann new song: Schumann's Late Style Laura Tunbridge, 2007-10-18 A study of Schumann's little-known music from the 1850s and its relationship to his biography. |
| john schumann new song: The Jungle Dark Steve Strevens, 2015-10-23 The powerful true story behind the classic Aussie song I Was Only Nineteen. On 21 July 1969, the soldiers of 3 Platoon crouched in the scrubby Vietnamese landscape listening to the news on the radio: Neil Armstrong had just stepped onto the moon. Moments later, Platoon Commander Lieutenant Peter Hines stepped on a mine and the platoon was engulfed in a maelstrom of dirt, smoke and blood. This is the true story of Frank 'Frankie' Hunt and the other soldiers of 3 Platoon, A Company, 6 Battalion, Royal Australian Regiment who became the inspiration for Redgum's 1983 hit song I Was Only Nineteen - the anthem for the veterans of the Vietnam War. The Jungle Dark traverses the deep unhealed wounds of Vietnam soldiers and the song that finally brought them home. |
| john schumann new song: A History of Western Choral Music, Volume 2 Chester L. Alwes, 2016-08-03 A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history. |
| john schumann new song: A History of Western Choral Music Chester Lee Alwes, 2015 Comprehensive history of western choral music from the Medieval era, to the begginings of the Romantic period. Unique in its detailed analysis and breadth of Western choral music and key composers. Ample musical examples to supplement discussion. In-depth discussions of historical connections. |
| john schumann new song: Schaum Pop Favorites, B: The Blue Book Wesley Schaum, The pieces in this series are long-time favorites that have appeal for pianists of all ages. Very carefully correlated to standard piano method levels, each book contains arrangements that are musically appropriate to that level. The arrangements are teacher friendly, even for the teacher who is reluctant to add pop music to the curriculum. And the series is student friendly -- there will be willing practice! Titles: * Begin the Beguine * Evergreen * I Only Have Eyes for You * Stairway to Heaven * 'S Wonderful * Star Wars (Main Title) * Tea for Two * Theme from A Summer Place * The Thorn Birds (Main Theme) * The Wind Beneath My Wings * Your Smiling Face. |
| john schumann new song: Robert Schumann Jon W. Finson, 2007 Arguably no other 19th-century German composer was as literate or as finely attuned to setting verse as Robert Schumann. Finson challenges assumptions about Schumann’s Lieder, engaging traditionally held interpretations. Arranged in part thematically, rather than by strict compositional chronology, this book speaks to the heart of Schumann’s music. |
| john schumann new song: Poetry into Song Deborah Stein, Robert Spillman, 2010-06-10 Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, The Language of Poetry, provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, The Language of the Performer, deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song. |
| john schumann new song: Crossing Paths John Daverio, 2002-10-03 Each discussion contributes to a portrait of these three composers as musical storytellers, each in his own way simulating the structure of lived experience in works of art.--BOOK JACKET. |
| john schumann new song: Forged by War Gina Lennox, 2005 In Forged By War, Australian veterans and their families reveal the experience of combat and how it has changed their lives. These stark first-hand accounts describe the reality of military action and its personal consequences in every major conflict and peacemaking mission since World War II, including the invasion of Iraq. Sometimes the reader is in lockstep with a soldier on patrol, watching as a land mine explodes, or a local militiaman points an AKandndash;47 at Australian peacemakers. Other times, the reader is inside a returned veteran's head, feeling their superfluous adrenalin, their need to control their environment, even at home. With accounts from Peter and Lynne Cosgrove, Graham Edwards, Frank Hunt (I Was Only Nineteen), other veterans of Vietnam, Glenda Humes (daughter of Capt Reginald Saunders), peacemakers and an SAS trooper, this compelling investigation by Gina Lennox in underpinned by the question: where does family fit in a soldier's life? |
| john schumann new song: Narrative and Robert Schumann's Songs Andrew H. Weaver, 2024 Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day. |
| john schumann new song: Becoming Clara Schumann Alexander Stefaniak, 2021-11-02 Well before she married Robert Schumann, Clara Schumann was already an internationally renowned pianist, and she concertized extensively for several decades after her husband's death. Despite being tied professionally to Robert, Clara forged her own career and played an important role in forming what we now recognize as the culture of classical music. Becoming Clara Schumann guides readers through her entire career, including performance, composition, edits to her husband's music, and teaching. Alexander Stefaniak brings together the full run of Schumann's concert programs, detailed accounts of her performances and reception, and other previously unexplored primary source material to illuminate how she positioned herself within larger currents in concert life and musical aesthetics. He reveals that she was an accomplished strategist, having played roughly 1,300 concerts across western and central Europe over the course of her six-decade career, and she shaped the canonization of her husband's music. Extraordinary for her time, Schumann earned success and prestige by crafting her own playing style, selecting and composing her own concerts, and acting as her own manager. By highlighting Schumann's navigation of her musical culture's gendered boundaries, Becoming Clara Schumann details how she cultivated her public image in order to win over audiences and embody some of her field's most ambitious aspirations for musical performance. |
| john schumann new song: Anzac Biscuits Phil Cummings, 2015-03-01 Rachel is in the kitchen, warm and safe. Her father is in the trenches, cold and afraid. When Rachel makes biscuits for her father, she adds the love, warmth and hope that he needs. This is a touching story of a family torn apart by war but brought together through the powerful simplicity of Anzac biscuits. Anzac Biscuits delicately entwines the desolation of life on the front line with the tenderness of life on the home front. |
| john schumann new song: German Song Onstage Natasha Loges, Laura Tunbridge, 2020-05-05 A singer in an evening dress, a grand piano. A modest-sized audience, mostly well-dressed and silver-haired, equipped with translation booklets. A program consisting entirely of songs by one or two composers. This is the way of the Lieder recital these days. While it might seem that this style of performance is a long-standing tradition, German Song Onstage demonstrates that it is not. For much of the 19th century, the songs of Beethoven, Schubert, Schumann, and Brahms were heard in the home, salon, and, no less significantly, on the concert platform alongside orchestral and choral works. A dedicated program was rare, a dedicated audience even more so. The Lied was a genre with both more private and more public associations than is commonly recalled. The contributors to this volume explore a broad range of venues, singers, and audiences in distinct places and time periods—including the United States, the United Kingdom, Russia, and Germany—from the mid-19th century through the early 20th century. These historical case studies are set alongside reflections from a selection of today's leading musicians, offering insights on current Lied practices that will inform future generations of performers, scholars, and connoisseurs. Together these case studies unsettle narrow and elitist assumptions about what it meant and still means to present German song onstage by providing a transnational picture of historical Lieder performance, and opening up discussions about the relationship between history and performance today. |
| john schumann new song: Of Poetry and Song Ann Clark Fehn, Harry E. Seelig, Rufus E. Hallmark, 2010 Interdisciplinary studies of some of the greatest examples of German art song by major scholars in musicology and German literature. |
| john schumann new song: John Thompson's Modern Course for the Piano John Thompson, 2005-09-01 A group of resourceful kids start solution-seekers.com, a website where cybervisitors can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of S words that reveal a spectacular story! With creative characters, humorous dialogue and great music, The S Files is a children's Christmas musical your kids will love performing. |
| john schumann new song: Commemorating Race and Empire in the First World War Centenary Ben Wellings, Shanti Sumartojo, 2018-09-27 The ‘Great War for Civilisation’ was more than a European conflict. It was a global war spanning Asia, Africa and beyond. Drawing on original archival research in several languages and employing multidisciplinary frames of analysis, this innovative volume explores how race and empire were commemorated during the First World War Centenary. |
| john schumann new song: Arnold Jacobs Brian Frederiksen, 1996 Arnold Jacobs: Song and Wind is written by Mr. Jacobs' assistant, Brian Frederiksen, and edited by John Taylor. Material comes from masterclasses, private interviews, previously published writings and contributions from his students and colleagues. |
| john schumann new song: Fantasy Pieces Harald Krebs, 1999 This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of their metrical practices. |
| john schumann new song: Heinrich Heine and the Lied Susan Youens, 2007-12-06 A study into the poet Heinrich Heine's impact on nineteenth-century song. |
| john schumann new song: Poetry Into Song Deborah Stein, Robert Spillman, 2010-06-10 When Franz Schubert put Goethe's poem Gretchen am Spinnrade to music in 1814, he created a musical form that has captivated audiences ever since. In Poetry into Song, Deborah Stein and Robert Spillman challenge readers to seek a richer, more imaginative understanding of Lied - the nineteenth-century German art song. Written for students of voice, piano, and theory and for all singers and accompanists, Poetry into Song establishes a framework for the analysis of song based on a process of performing, listening, analyzing, and performing again. This unique approach emphasizes the reciprocal interaction between performance and analysis. Focusing on the masterworks, Poetry into Song features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, and end of chapter questions reinforce concepts and encourage directed analysis. While numerous books have been written on Lieder and German Romantic poetry, Poetry into Song is the first to combine performance, musical analysis, textual analysis, and the interrelation between poetry and music in a truly systematic, thorough way. |
| john schumann new song: The Rest Is Noise Alex Ross, 2007-10-16 Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music. |
| john schumann new song: The Cambridge Companion to Schumann Beate Perrey, 2007-06-28 This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period. |
| john schumann new song: The Oxford Magazine , 1899 |
| john schumann new song: The Biography Book Daniel S. Burt, 2001-02-28 From Marilyn to Mussolini, people captivate people. A&E's Biography, best-selling autobiographies, and biographical novels testify to the popularity of the genre. But where does one begin? Collected here are descriptions and evaluations of over 10,000 biographical works, including books of fact and fiction, biographies for young readers, and documentaries and movies, all based on the lives of over 500 historical figures from scientists and writers, to political and military leaders, to artists and musicians. Each entry includes a brief profile, autobiographical and primary sources, and recommended works. Short reviews describe the pertinent biographical works and offer insight into the qualities and special features of each title, helping readers to find the best biographical material available on hundreds of fascinating individuals. |
| john schumann new song: Music News , 1912 |
| john schumann new song: John W. Schaum Piano Course, D: The Orange Book John W. Schaum, 1999-12-13 A time-honored tradition just got better! The John W. Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, highlighting for concept emphasis, updated song titles and lyrics, and illustrations. |
| john schumann new song: Anzac's Long Shadow James Brown, 2014 'A century ago we got it wrong. We sent thousands of young Australians on a military operation that was barely more than a disaster. It's right that a hundred years later we should feel strongly about that. But have we got our remembrance right? What lessons haven't we learned about war, and what might be the cost of our Anzac obsession?' Defence analyst and former army officer James Brown believes that Australia is expending too much time, money and emotion on the Anzac legend, and that today's soldiers are suffering for it. Vividly evoking the war in Afghanistan, Brown reveals the experience of the modern soldier. He looks closely at the companies and clubs that trade on the Anzac story. He shows that Australians spend a lot more time looking after dead warriors than those who are alive. We focus on a cult of remembrance, instead of understanding a new world of soldiering and strategy. And we make it impossible to criticise the Australian Defence Force, even when it makes the same mistakes over and over. None of this is good for our soldiers or our ability to deal with a changing world. With respect and passion, Brown shines a new light on Anzac's long shadow and calls for change. 'Anzac's long shadow is refreshing and engaging. It is also Frank and no-nonsense. James Brown sets himself apart as a leader in this new generation of Anzacs by asking the hard questions.' Peter Leahy, Chief of the Australian Army, 2002-08 'Bold, original, challenging - James Brown tackles the burgeoning Anzac industry and asks Australians to re-examine how we think about the military and modern-day service.' Leigh Sales 'One of Australia's most insightful strategic analysts, James Brown lays bare our cult of Anzac. As our diggers return from war, this book is more necessary than ever before. It's now time for us to remember not only our fallen, but our living.' Michael Ware, former CNN Baghdad Correspondent |
| john schumann new song: O Sing Unto the Lord a New Song Alfred Herbert Brewer, 1898 |
| john schumann new song: Encyclopedia of the Romantic Era, 1760–1850 Christopher John Murray, 2013-05-13 In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism. |
| john schumann new song: Artists, Writers, and Musicians Michel-Andre Bossy, Thomas Brothers, John Craig McEnroe, 2001-10-30 Disney's animated trailblazing, Dostoyevsky's philosophical neuroses, Hendrix's electric haze, Hitchcock's masterful manipulation, Frida Kahlo's scarifying portraits, Van Gogh's vigorous color, and Virginia Woolf's modern feminism: this multicultural reference tool examines 200 artists, writers, and musicians from around the world. Detailed biographical essays place them in a broad historical context, showing how their luminous achievements influenced and guided contemporary and future generations, shaped the internal and external perceptions of their craft, and met the sensibilities of their audience. |
| john schumann new song: Twinkle, Twinkle Little Star Cloth Book Trace Moroney, 2012 Brought to life by colourful and endearing illustrations, this nursery song and rhyme are presented in an infant-friendly cloth book format. |
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to ask him who he was. 20 He did not fail to …
John 1 KJV - In the beginning was the Word, and the - Bible Gateway
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible Gateway
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he was simply a witness to tell …
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John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, that all through him might believe. 8 …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible Gateway
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd of people followed him because they …
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The Death of Lazarus - Now a man named Lazarus was sick. He was from Bethany, the village of Mary and her sister Martha. (This Mary, whose brother Lazarus now lay sick, was the same …
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John 5:4 Some manuscripts include here, wholly or in part, paralyzed—and they waited for the moving of the waters. 4 From time to time an angel of the Lord would come down and stir up …
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“All this I have told you so that you will not fall away. They will put you out of the synagogue; in fact, the time is coming when anyone who kills you will think they are offering a service to God. …
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Jesus Sentenced to Be Crucified - Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe …
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John 8:28 The Greek for lifted up also means exalted. John 8:38 Or presence. Therefore do what you have heard from the Father. John 8:39 Some early manuscripts “If you are Abraham’s …
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to ask him who he was. 20 He did not fail to …
John 1 KJV - In the beginning was the Word, and the - Bible Gateway
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible Gateway
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he was simply a witness to tell …
John 1 NKJV - The Eternal Word - In the beginning was - Bible …
John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, that all through him might believe. 8 …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible Gateway
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd of people followed him because they …
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The Death of Lazarus - Now a man named Lazarus was sick. He was from Bethany, the village of Mary and her sister Martha. (This Mary, whose brother Lazarus now lay sick, was the same …
John 5 NIV - The Healing at the Pool - Some time - Bible Gateway
John 5:4 Some manuscripts include here, wholly or in part, paralyzed—and they waited for the moving of the waters. 4 From time to time an angel of the Lord would come down and stir up …
John 16 NIV - “All this I have told you so that you - Bible Gateway
“All this I have told you so that you will not fall away. They will put you out of the synagogue; in fact, the time is coming when anyone who kills you will think they are offering a service to God. …
JOhn 19 NIV - Jesus Sentenced to Be Crucified - Bible Gateway
Jesus Sentenced to Be Crucified - Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe …
John 8 NIV - but Jesus went to the Mount of Olives. - Bible Gateway
John 8:28 The Greek for lifted up also means exalted. John 8:38 Or presence. Therefore do what you have heard from the Father. John 8:39 Some early manuscripts “If you are Abraham’s …
