Advertisement
| jenny saville aleppo: A Companion to Contemporary Drawing Kelly Chorpening, Rebecca Fortnum, 2020-11-10 The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice. |
| jenny saville aleppo: Willem de Kooning , 2014-10-14 This catalogue of an exhibition held at Gagosian Gallery, New York, highlights the critical three-year period, 1983–1985, in the last decade of de Kooning’s long career, during which he radically transformed his style. The paintings in this catalogue were selected by John Elderfield, curator of the widely acclaimed, full-scale retrospective of de Kooning’s work held at MoMA in 2011–12. Of the works of this period, Elderfield observed: De Kooning truly reinvented himself in these extraordinary canvases.…They remain not only spatially complex, but also extremely physical pictures, both visually open and densely embodied. Elderfield’s essay discusses ten themes in de Kooning’s work specific to these paintings. The book also includes texts by five painters reflecting on de Kooning’s late works. |
| jenny saville aleppo: Encyclopædia Americana Francis Lieber, Edward Wigglesworth, 1838 |
| jenny saville aleppo: Closed Contact Jenny Saville, Gagosian Gallery (Los Angeles, Calif.), Glen Luchford, 2002 After having observed the operations of reconstructive surgery and aesthetic surgery, acclaimed figurative painter Jenny Saville was eager to express the violence and anesthetized pain of this experience in her own work. She and fashion photographer Glenn Luchford thus began an artistic collaboration that captures the full range of color, tonality, and topography of live flesh, in large photographic tableaux that portray Saville's own body. Distortions confront and coerce the viewer into an examination of his or her own body and the grotesqueries and beauties inherent within; the images likewise recall biological specimens preserved, disembodied, and disfigured. The collusion of the art and fashion worlds has produced many hybrids in recent years, yet none perhaps none as intensely striking as this series. |
| jenny saville aleppo: Encyclopædia Americana , 1847 |
| jenny saville aleppo: Visions of the Self: Rembrandt and Now , 2020-09-15 A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt's masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting. |
| jenny saville aleppo: Encyclopædia Americana, ed. by F. Lieber assisted by E. Wigglesworth (and T.G. Bradford). Encyclopaedia Americana, 1833 |
| jenny saville aleppo: Encyclopaedia Americana. A Popular Dictionary of Arts, Sciences, Literature, History, Politics and Biography. A New Ed.; Including a Copious Collection of Original Articles in American Biography; on the Basis of the 7th Ed of the German Conversations-lexicon , 1849 |
| jenny saville aleppo: Timelines of Nearly Everything Manjunath.R, 2021-07-03 This book takes readers back and forth through time and makes the past accessible to all families, students and the general reader and is an unprecedented collection of a list of events in chronological order and a wealth of informative knowledge about the rise and fall of empires, major scientific breakthroughs, groundbreaking inventions, and monumental moments about everything that has ever happened. |
| jenny saville aleppo: Annual Report Maine. Banking Department, 1913 |
| jenny saville aleppo: Emil Nolde Emil Nolde, Astrid Becker, Keith S. Hartley, Frances Blythe, Sean Rainbird, Christian Weikop, 2018 Emil Nolde (1867-1956) was one of the greatest colourists of the twentieth century. An artist passionate about his north German home near the Danish border, with its immense skies, flat, windswept landscapes and storm-tossed seas, he was equally fascinated by the demi-monde of Berlin's cafes and cabarets, the busy to and fro of tugboats in the port of Hamburg and the myriad of peoples and places he saw on his trip to the South Seas in 1914. Nolde felt strongly about what he painted, identifying with his subjects in every brushstroke he made, heightening his colours and simplifying his shapes, so that we, the viewers, can also experience his emotional response to the world about him. This book features five essays and over 100 illustrations drawn from the incomparable collection of the Emil Nolde Foundation in Seebull (the artist's former home in north Germany). It covers Nolde's complete career, from his early atmospheric paintings of his homeland right through to the intensely coloured, so-called 'unpainted paintings', works done on small pieces of paper during the Third Reich when Nolde was branded 'degenerate' and forbidden to work as an artist. Exhibition: National Gallery of Ireland, Dublin, Ireland (14.02. - 10.06.2018) / Scottish National Gallery of Modern Art, Edinburgh, Scotland (14.07.-21.10.2018). |
| jenny saville aleppo: A Chelsea Concerto Frances Faviell, 1959 |
| jenny saville aleppo: The Bridge David Remnick, 2010 Through extensive on-the-record interviews with friends and teachers, mentors and disparagers, family members and Obama himself, David Remnick demonstrates how a rootless, unaccomplished, and confused young man created himself first as a community organizer in Chicago, then as a Harvard Law School graduate, and finally as President of the United States. By looking at Obama's political rise through the prism of our racial history, Remnick gives us the conflicting agendas of black politicians: the dilemmas of ... heroes of the civil rights movement who are forced to reassess old loyalties and understand the priorties of a new generation of African-American leaders. The Bridge revisits the American drama of race, from slavery to civil rights, and makes clear how Obama's quest is not just his own but is emblematic of a nation where destiny is defined by individuals keen to imagine a future that is different from the reality of their current lives. -- from publisher description. |
| jenny saville aleppo: “The” Illustrated London News , 1851 |
| jenny saville aleppo: British Museum Catalogue of Printed Books , 1896 |
| jenny saville aleppo: All Too Human Elena Crippa, 2018-10-30 Spanning a century, this beautifully illustrated history encompasses a diverse but related group of painters, mostly based in London, who focused on the depiction of the human figure and the everyday landscape they inhabited. Despite their great differences, these artists all shared a similarly intense and scrutinizing gaze, and remained loyal to their pursuit of using paint to capture intimate and powerful representations of reality. Focusing on painters active in the second half of the twentieth century (including Michael Andrews, Frank Auerbach, R.B. Kitaj, Leon Kossoff, Paula Rego, F.N. Souza and Euan Uglow) the book begins by looking at their predecessors, who set a new path for portraying an intimate, subjective and tangible reality artists such as Walter Richard Sickert, David Bomberg, Alberto Giacometti, Chaïm Soutine, Stanley Spencer and William Coldstream. It addresses the relationship between image-making, painting and photography, and also features works by contemporary artists such as Jenny Saville, Cecily Brown and Lynette Yiadom-Boakye, artists who paint figures in a manner that feels true to their personal experience of life. |
| jenny saville aleppo: The Last Pictures Trevor Paglen, 2012-09-19 Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. The Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur Genius Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc. The disc, commissioned by Creative Time, will then be sent into orbit onboard the Echostar XVI satellite in September 2012, as both a time capsule and a message to the future. The selection of 100 images, which are the centerpiece of the book, was influenced by four years of interviews with leading scientists, philosophers, anthropologists, and artists about the contradictions that characterize contemporary civilizations. Consequently, The Last Pictures engages some of the most profound questions of the human experience, provoking discourse about communication, deep time, and the economic, environmental, and social uncertainties that define our historical moment. Copub: Creative Time Books |
| jenny saville aleppo: The Economist Book of Obituaries Keith Colquhoun, Ann Wroe, 2008 For 10 years, The Economist has included unique and original obituaries in a popular column. The selections are remarkable because of the people written about, the surprising lives they led, and the brilliant writing style. This volume gathers 200 of the best obituaries. |
| jenny saville aleppo: The Widening Circle Barry Schwabsky, 1997 |
| jenny saville aleppo: Operational Culture for the Warfighter Barak A. Salmoni, 2015-05-25 Operational Culture for the Warfighter: Principles and Applications is a comprehensive planning tool and reference. It addresses the critical need of the Marine Corps to provide operationally relevant cultural teaching, training, and analysis. This book links social science paradigms to the needs of Marines using an applied anthropology approach. The text explains how fundamental features of culture (environment, economy, social structure, political structure, and belief systems) can present challenges for military operations in different cultures around the globe. Drawing on the research and field experiences of Marines themselves, Operational Culture for the Warfighter uses case studies from past and present cross-cultural problems to illustrate the application of cultural principles to the broad expeditionary spectrum of today's and tomorrow's Marine Corps. This new and expanded second edition of Operational Culture for the Warfighter extends the concepts of the original edition to the Marine Corps Planning Process. New sections on transportation and communication, law and ethics, and culture and planning will assist both military planners and operators with the practical aspects of incorporating culture into military decision-making. This book is intended for use by Marine leaders at all levels of professional military education, planning, and operating. |
| jenny saville aleppo: The Second Era of Great Expansion of the Capitalist World-economy, 1730-1840s Immanuel Maurice Wallerstein, 1989 |
| jenny saville aleppo: The Royal Academy of Arts Algernon Graves, 1906 |
| jenny saville aleppo: Man with a Blue Scarf Martin Gayford, 2019-09-10 “An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” ?ARTnews Lucian Freud (1922–2011), widely regarded as the greatest figurative painter of his time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From Man with a Blue Scarf emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation in restaurants, taxis, and his studio. It takes one into the company of the painter who was a friend and contemporary of Pablo Picasso, Alberto Giacometti, and Francis Bacon, as well as writers such as George Orwell and W. H. Auden. Now for the first time as a compact paperback, this book is illustrated with works by Lucian Freud, telling photographs of Freud in his studio, and images by great artists of the past, such as Vincent van Gogh and Titian, who are discussed by Freud and Gayford. Full of wry observations, the book reveals how it feels to pose for a remarkable artist and become a work of art. |
| jenny saville aleppo: The Cambridge History of English Literature Sir Adolphus William Ward, Alfred Rayney Waller, 1907 |
| jenny saville aleppo: Rock the Casbah Robin Wright, 2011-07-19 A decade after the 9/11 attacks, this groundbreaking book takes readers deep into rebellions against both autocrats and extremists that are redefining politics, culture, and security threats across the Islamic world. The awakening involves hundreds of millions of people. And the political transformations— and tectonic changes—are only beginning. Robin Wright, an acclaimed foreign correspondent and television commentator, has covered the region for four decades. She witnessed the full cycle, from extremism’s angry birth and globalization to the rise of new movements transforming the last bloc of countries to hold out against democracy. Now, in Rock the Casbah, she chronicles the new order being shaped by youthinspired revolts toppling leaders, clerics repudiating al Qaeda, playwrights and poets crafting messages of a counter-jihad, comedians ridiculing militancy, hip-hop rapping against guns and bombs, and women mobilizing for their own rights. This new counter-jihad has many goals. For some, it’s about reforming the faith. For others, it’s about reforming political systems. For most, it’s about achieving basic rights. The common denominator is the rejection of venomous ideologies and suicide bombs, plane hijackings, hostage-takings, and mass violence to achieve those ends. Wright captures a stunning moment in history, one of the region’s four key junctures—along with Iran’s revolution, Israel’s creation, and the Ottoman Empire’s collapse—in a century. The notion of a clash of civilizations is increasingly being replaced by a commonality of civilizations in the twenty-first century. But she candidly details both the possibilities and pitfalls ahead. The new counter-jihad is imaginative and defiant, but Muslim societies are also politically inexperienced and economically challenged. |
| jenny saville aleppo: Soldiers and Their Horses Jane Flynn, 2020-01-14 The soldier-horse relationship was nurtured by The British Army because it made the soldier and his horse into an effective fighting unit. Soldiers and their Horses explores a complex relationship forged between horses and humans in extreme conditions. As both a social history of Britain in the early twentieth century and a history of the British Army, Soldiers and their Horses reconciles the hard pragmatism of war with the imaginative and emotional. By carefully overlapping the civilian and the military, by juxtaposing sense and sentimentality, and by considering institutional policy alongside individual experience, the soldier and his horse are re-instated as co-participators in The Great War. Soldiers and their Horses provides a valuable contribution to current thinking about the role of horses in history. |
| jenny saville aleppo: Marlene Dumas: Myths & Mortals Marlene Dumas, 2019-06-18 Marlene Dumas’s works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. Myths & Mortals documents a selection of paintings—debuted in the spring of 2018 at David Zwirner, New York—ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten-foot-tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human. The smaller-scale paintings—referred to by the artist as “erotic landscapes”—present a variety of fragmentary images: eyes, lips, nipples, or lovers locked in a kiss. Evident across all of these works is the artist’s uniquely sensitive treatment of the human form and her constantly evolving experimentation with color and texture. Alongside these paintings, Dumas presents an expansive series of thirty-two works on paper originally created for a Dutch translation of William Shakespeare’s narrative poem Venus & Adonis (1593) by Hafid Bouazza (2016). Myths & Mortals is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself. |
| jenny saville aleppo: Catalogue of the Printed Books in the Library of the British Museum British Library, 1946 |
| jenny saville aleppo: Girl On Fire Tony Parsons, 2018-03-08 ALMOST HOME. BUT NOWHERE TO HIDE. From the number one bestselling crime-writer comes a brilliant, page-turning DC Max Wolfe thriller. 'Remarkably moving' The Times 'Tony Parsons puts you right there in every scene he writes. I love that kind of storytelling and I'm a D.C. Max Wolfe fan.' James Patterson 'Spectacular! Tense and human, fast and authentic.' Lee Child 'A relentless plot, evocative prose and compelling characters conspire to make this a must-read.' Jeffery Deaver _____________ When terrorists use a drone to bring down a plane on one of London's busiest shopping centres, it ignites a chain of events that will draw in the innocent and guilty alike. DC Max Wolfe finds himself caught in the crossfire in a city that seems increasingly dangerous and hostile. But does the danger come from the murderous criminals that Max is tracking down? Or the people he's trying to protect? Or does the real threat to Max lie closer to home? _____________ 'I've long been a fan of Tony Parsons' writing, and this is brilliant stuff.' Peter James 'Great plotting, great characters and at least two eye-widening twists I didn't see coming.' Sophie Hannah 'Simply superb plot and characters.' Peterborough Evening Telegraph _____________ Readers can't get enough of Girl on Fire . . . ***** 'Tony Parsons has accomplished what I never thought possible by creating something new and deeply heartfelt in crime fiction.' ***** 'I cannot give Girl on Fire anything less than five full stars.' ***** 'Wonderful wonderful storytelling' ***** 'A very captivating storyline with lots of twists and turns that you really don't see coming. A definite must read!' ***** 'Gripping, tense and utterly unputdownable.' |
| jenny saville aleppo: Timetables of World Literature George Thomas Kurian, 2003 Which authors were contemporaries of Charles Dickens? Which books, plays, and poems were published during World War II? Who won the Pulitzer Prize in the year you were born? Timetables of World Literature is a chronicle of literature from ancient times through the 20th century. It answers the question Who wrote what when? and allows readers to place authors and their works in the context of their times. A chronology of the best in global writing, this valuable resource lists more than 12,000 titles and 9,800 authors, includes all genres of literature from more than 58 countries, and covers 41 languages. It is divided into seven sections, spanning the Classical Age (to 100 CE), the Middle Ages (100–1500 CE), and the 16th through the 20th centuries. Comprehensive in scope, Timetables of World Literature provides students, researchers, and browsers with basic facts and a worldwide perspective on literature through time. Four extensive indexes by author, title, language/nationality, and genre make research quick and easy. Features include: Birth and death dates as well as nationalities of authors and other literary figures Winners of major literary prizes and awards, such as the Nobel Prize in Literature and the Pulitzer Prizes, for each year Brief discussions of literary developments in each period or century, and the relationship of literature to the social and political climate Timelines of key historical events in each century. |
| jenny saville aleppo: An Atlas of Rare & Familiar Colour , 2018-01-16 The Straus Center for Conservation and Technical Studies at the Harvard Art Museums possesses over 2500 of the world¿s rarest pigments. Visually and anthropologically excavating the extraordinary collection,Atelier Editions¿ monograph examines the contained artefacts¿ providence, composition, symbology and application. Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar. |
| jenny saville aleppo: Encounters with Verdi Marcello Conati, 1986 An anthology of reminiscences, interviews, memoirs, and essays by a wide-ranging group of people--journalists, musicians, impresarios, or chance acquaintances--who met the reclusive and secretive composer at various moments during his long life. Each entry has a relevant place within the chronology of Verdi's life, and every reference to an unfamiliar event or name in the text is explained in the copious footnotes. |
| jenny saville aleppo: The Pedigree Register (Volume I) George Sherwood, 2020-07-03 |
| jenny saville aleppo: The World's War David Olusoga, 2015-04-09 WORLD WAR ONE BOOK OF THE YEAR In a sweeping narrative, David Olusoga describes how Europe's Great War became the World's War – a multi-racial, multi-national struggle, fought in Africa and Asia as well as in Europe, which pulled in men and resources from across the globe. Throughout, he exposes the complex, shocking paraphernalia of the era's racial obsessions, which dictated which men would serve, how they would serve, and to what degree they would suffer. As vivid and moving as it is revelatory and authoritative. The World's War explores the experiences and sacrifices of 4 million non-European, non-white people whose stories have remained too long in the shadows. |
| jenny saville aleppo: Todd Hido. Bright Black World , 2018 For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ?endless winter?, many of Hido?s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.0Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist?s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.0. |
| jenny saville aleppo: Movieola! John Domini, 2016 Movieola is a collection of linked short stories that delights and exploits the language and paraphernalia of industrial Hollywood. The collection delves into a night at the movies, featuring all the familiar types -- the rom-com, the action-adventure, the superhero and the spy -- but the narratives are still under construction, and every story line is an opportunity for the unimaginable twist. Motive and identity are constantly shifting in these short stories that offer both narrative andanti-narrative, while the stunted shoptalk of the movie business struggles to keep up. With the wit of Steve Erickson'sZeroville and the inventive spirit of Italo Calvino'sCosmicomics, John Domini offers a collection at once comical and moving, carefully suspended between a game of language and a celebration of American film. |
| jenny saville aleppo: Visitation of England and Wales Joseph Jackson Howard, Frederick Arthur Crisp, 2022-10-27 |
| jenny saville aleppo: The British Museum Catalogue of Printed Books, 1881-1900 British Museum. Department of Printed Books, 1946 |
| jenny saville aleppo: Official Catalogue of the Great Exhibition of the Works of Industry of All Nations, 1851 Great Britain Commissioners for the Exh, 2018-10-11 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| jenny saville aleppo: Opera, Exoticism and Visual Culture Hyunseon Lee, Naomi Segal, 2015 Using the exotic legacy of the fin-de-siècle as a lens, this volume explores the shifting relationships between the multi-media genre of opera and the fast-changing world of visual cultures. Among the topics are beloved figures (e.g. Madame Butterfly), world opera and new media. The book concludes with an essay by director Sir Jonathan Miller. |
C盘APPData目录如何清理，目前占用了几十G？ - 知乎
C盘APPData目录如何清理，目前占用了几十G。C盘已经飘红了。
对房子一点都不懂的小白，怎样买房子，需要注意什么？ - 知乎
相信我，这篇文章是全网给买房小白的一篇最干最全的科普文。 为了写这篇大文章，我花了整整一周的时间，调研了上百篇买房文章，义务回答了上千条知乎网友的评论和留言，通过电话、网 …
C盘APPData目录如何清理，目前占用了几十G？ - 知乎
C盘APPData目录如何清理，目前占用了几十G。C盘已经飘红了。
对房子一点都不懂的小白，怎样买房子，需要注意什么？ - 知乎
相信我，这篇文章是全网给买房小白的一篇最干最全的科普文。 为了写这篇大文章，我花了整整一周的时间，调研了上百篇买房文章，义务回答了上千条知乎网友的评论和留言，通过电话、网 …
