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| king lear text: King Lear William Shakespeare, Samuel Johnson, 1785 |
| king lear text: King Lear William Shakespeare, 1993 This major series provides the student with accessible and authoritative annotated editions of key texts in English and American literature from medieval to modern times. It provides the key teaching editions for students, academics and all those interested in literature. |
| king lear text: King Lear In Plain and Simple English (A Modern Translation and the Original Version) BookCaps Study Guides Staff, 2012 King Lear descends into madness after foolishly disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. Sound like a good story? It is...if you can understand it. If you have struggled in the past reading Shakespeare, then BookCaps can help you out. This book is a modern translation of King Lear. The original text is also presented in the book, along with a comparable version of both text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month. |
| king lear text: The One King Lear Brian Vickers, 2016-04-04 In the 1980s influential scholars argued that Shakespeare revised King Lear in light of theatrical performance, resulting in two texts by the bard’s own hand. The two-text theory hardened into orthodoxy. Here Sir Brian Vickers makes the case that Shakespeare did not cut his original text. At stake is the way his greatest play is read and performed. |
| king lear text: King Lear William Shakespeare, 2002 Featuring the images of some of the world's most famous stage and film actors, these additions to the all-new Oxford School Shakespeare introduce--and enthrall--young people to one of the greatest writers of all time. This season brings revised editions of five of the Bard's most famous plays--As You Like It, Othello, Hamlet, Love's Labour Lost and The Taming of the Shrew. Designed specifically for students unfamiliar with Shakespeare's rich literary legacy, these new editions present Shakespeare's sometimes-intimidating Middle English in a way that is easy-to-read and engaging for ages twelve and up. The notes and introductions have been completely revised, allowing unprecedented clarity and accessibility. Featuring new covers and new illustrations--including photos from recent productions of Shakespeare's plays from around the world--Oxford School Shakespeare brings all the pleasure of these literary treasures to life. |
| king lear text: The History of King Lear, Acted at the Queens Theatre (Classic Reprint) Nahum Tate, 2017-10-20 Excerpt from The History of King Lear, Acted at the Queens Theatre And, as my Patron, thought on in my Pray ers. I eat. Away, the Bow is bent, make £10111 the Shaft. Kent. No let it fall and drench within my Heart. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. |
| king lear text: Sonnets and Poems William Shakespeare, 1905 |
| king lear text: King Lear Rene Weis, 2013-12-16 This reissed edition of Longman Annotated Texts King Lear includes comprehensive notes, annotations and an introduction, all designed to be of use to undergraduates and interested readers. King Lear is one of Shakespeare's most widely studied tragedies. However, since the late 1970s textual scholars, critics and editors have argued that there is no single 'King Lear' text. Anyone studying the play needs to be aware of two different texts, one based on the quarto of 1608, The History of King Lear, and a revised version published in the first folio of 1623, The Tragedy of King Lear. This edition offers a fully annotated, modern spelling version of the texts set side by side, identifying and elucidating the major discrepancies between the two. It presents some possible reasons for the differences between the two texts, which themselves shed light on a number of issues relating to literary transmission in the Renaissance and give an insight into the nature of performance and censorship. |
| king lear text: King Lear Annotated William Shakespeare, 2022-02-16 King Lear is a tragedy by William Shakespeare, believed to have been written between 1603 and 1606, and is considered one of his greatest works. The play is based on the legend of King Leir of Britain. It has been widely adapted for stage and screen, with the part of Lear being played by many of the world's most accomplished actors. |
| king lear text: The Text of King Lear Madeleine Doran, 1931 |
| king lear text: King Lear William Shakespeare, 2008-01 Grace Ioppolo has prepared this Norton Critical Edition of Shakespeare's most important play from the 1623 First Folio text (with the most significant variants from the 1608 Quarto I interpolated). The edition provides a full discussion, in A Note on the Text and the comprehensive Textual Variants and Notes, of the textual transmission of the play, now the scholarly focus of discussions of Shakespeare as a reviser of his own work. A critical introduction, addressing King Lear's origins, its legacy, and its place in literature, theatre, and popular culture, makes clear that King Lear is now the central play of Shakespeare's canon for literary and theatrical audiences alike. The Sources section helps readers navigate King Lear's rich history. Nine essential primary sources are reprinted, from which Shakespeare borrowed significantly in creating his play, along with two additional probably sources. The Criticism section presents thirteen major interpretations of King Lear written since the eighteenth century as well as three adaptations and responses to it. A selected bibliography is also included. --Book Jacket. |
| king lear text: King Lear William Shakespeare, SparkNotes, 2018-05-30 This No Fear Shakespeare ebook gives you the complete text of King Lear and an easy-to-understand translation. Each No Fear Shakespeare contains The complete text of the original play A line-by-line translation that puts Shakespeare into everyday language A complete list of characters with descriptions Plenty of helpful commentary |
| king lear text: The History of King Lear Nahum 1652-1715 Tate, William 1564-1616 King Shakespeare, E (Elizabeth) Active 1670- Flesher, 2023-07-18 This is a rare edition of William Shakespeare's classic play, King Lear, printed in 1675. The volume features an engraved frontispiece and title page, as well as contemporary ownership inscriptions and marginalia. The play has been adapted by Nahum Tate, with significant alterations to the original text. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| king lear text: The King Lear Experience William Shakespeare, 1976 |
| king lear text: King Lear William Shakespeare, 2020-03-17 KENT I thought the king had more affected the Duke ofAlbany than Cornwall.GLOUCESTER It did always seem so to us: but now, in the division of the kingdom, it appears not which of the dukes he values most; for equalities are so weighed, that curiosity in neither can make choice of either's moiety.KENT Is not this your son, my lord?GLOUCESTER His breeding, sir, hath been at my charge: I have so often blushed to acknowledge him, that now I am brazed to it.KENT I cannot conceive you.GLOUCESTER Sir, this young fellow's mother could: whereupon she grew round-wombed, and had, indeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault?KENT I cannot wish the fault undone, the issue of it being so proper.GLOUCESTER But I have, sir, a son by order of law, some year elder than this, who yet is no dearer in my account: though this knave came something saucily into the world before he was sent for, yet was his mother fair; there was good sport at his making, and the whoreson must be acknowledged. Do you know this noble gentleman, Edmund? |
| king lear text: The Folger Library Louis B. Wright, 1968 |
| king lear text: King Lear in our Time Maynard Mack, 2013-10-08 This edition first published in 1966. Previous edition published 1965 by the University of California Press. Perhaps more than any other play of Shakespeare's King Lear has been subjected to almost totally contradictory interpretations. In the first historical section of the book the author describes the varying concepts of the play and the distortions of text and even plot that have been widely used. Garrick's playing of Lear as a pathetic and down-trodden old man. Laughton's and Olivier's versions and Herbert Blaus's theory of the 'subtext' are described and analysed. The central section of the book examines the medieval, folk and romance sources of the play. The final chapter illustrates how the action of the play and its pervading violence and evil are not explained in terms of human motive and rely for their meaning more on their effects than their antecedents. An important theme is the play's examination of society and the ties of service and family love. |
| king lear text: Tragedy of King Lear William Shakespeare, 1887 |
| king lear text: Lady Romeo Tana Wojczuk, 2021-06-08 Finalist for a Lambda Literary Award Finalist for the Publishing Triangle’s Judy Grahn Award for Lesbian Nonfiction Finalist for the Marfield Prize For fans of Book of Ages and American Eve, this “lively, illuminating new biography” (The Boston Globe) of 19th-century queer actress Charlotte Cushman portrays a “brisk, beautifully crafted life” (Stacy Schiff, bestselling author of The Witches and Cleopatra) that riveted New York City and made headlines across America. All her life, Charlotte Cushman refused to submit to others’ expectations. Raised in Boston at the time of the transcendentalists, a series of disasters cleared the way for her life on the stage—a path she eagerly took, rejecting marriage and creating a life of adventure, playing the role of the hero in and out of the theater as she traveled to New Orleans and New York City, and eventually to London and back to build a successful career. Her Hamlet, Romeo, Lady Macbeth, and Nancy Sykes from Oliver Twist became canon, impressing Louisa May Alcott, who later based a character on her in Jo’s Boys, and Walt Whitman, who raved about “the towering grandeur of her genius” in his columns for the Brooklyn Daily Eagle. She acted alongside Edwin and John Wilkes Booth—supposedly giving the latter a scar on his neck that was later used to identify him as President Lincoln’s assassin—and visited frequently with the Great Emancipator himself, who was a devoted Shakespeare fan and admirer of Cushman’s work. Her wife immortalized her in the angel at the top of Central Park’s Bethesda Fountain; worldwide, she was “a lady universally acknowledged as the greatest living tragic actress.” Behind the scenes, she was equally radical, making an independent income, supporting her family, creating one of the first bohemian artists’ colonies abroad, and living publicly as a queer woman. And yet, her name has since faded into the shadows. Now, her story comes to brilliant life with Tana Wojczuk’s Lady Romeo, an exhilarating and enlightening biography of the 19th-century trailblazer. With new research and rarely seen letters and documents, Wojczuk reconstructs the formative years of Cushman’s life, set against the excitement and drama of 1800s New York City and featuring a cast of luminaries and revolutionaries who changed the cultural landscape of America forever. The story of an astonishing and uniquely American life, Lady Romeo reveals one of the most remarkable forgotten figures in our history and restores her to center stage, where she belongs. |
| king lear text: King Lear: Questions & Answers Coles Notes Staff, William Shakespeare, 1998-09 |
| king lear text: The Egyptian Mika Waltari, 2021-11-05T00:00:00Z First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to the Pharoah... |
| king lear text: Four Great Tragedies William Shakespeare, 1985-02 Contains Hamlet, Othello, King Lear and Macbeth. Copyright © Libri GmbH. All rights reserved. |
| king lear text: The Masks of King Lear Marvin Rosenberg, 1992 LEAR: Does Lear walk thus? Speak thus? / Who is it that can tell me who I am? Centuries of critics and actors have tried to tell, but Lear's identity, and the meaning of his action in the play, are still touched with enigma. This book seeks Shakespeare's intentions in King Lear in new ways. It explores major interpretations of distinguished actors and directors as well as of critics from England, the United States, France, Belgium, Japan, Sweden, Norway, Germany, Italy, the Soviet Union, Czechoslovakia, Romania, Hungary, Bulgaria, and Poland. Is the play unsuited for the stage, as Charles Lamb - and others - have declared? How, in fact, has it been staged, and how visualized by critics? Is Lear designed to be a frail and aging old man? A powerful image of authority? Mad, or senile, to begin with? A kindly old father? Everyman? All of these? None? Does the play end with redemption? Unmitigated despair? Is it Christian? Pagan? Mr. Rosenberg confronts these and other questions from the base of his study and personal experience of the play. To deepen the theatrical side of that experience, he began, as he did in his The Masks of Othello, with an involvement in the staged play: he directed and acted in Othello, and he followed a production of King Lear through two months of rehearsal and performance. One by-product of this intense participation was a discovery of some special qualities in the language of the play. To achieve a better understanding of these qualities, Mr. Rosenberg put Lear's vocabulary through a computer, and established a concordance of every word both for the play as a whole and for each character. Interesting structural elements in Shakespeare's language become apparent. Recognizing the difficulty, for a critic, of responding afresh to Shakespeare's craftsmanship in characterization and in arousing expectation, Mr. Rosenberg also arranged to expose the play to spectators who had never seen or read it. The response of this naive audience, after attending performances, was curious and illuminating. The author believes that any critical approach must be used that will increase our understanding of Shakespeare's work.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| king lear text: King Lear William Shakespeare, 2020-05-10 King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy.KENT I thought the king had more affected the Duke of Albany than Cornwall. GLOUCESTER It did always seem so to us: but now, in the division of the kingdom, it appears not which of the dukes he values most; for equalities are so weighed, that curiosity in neither can make choice of either's moiety. KENT Is not this your son, my lord? GLOUCESTER His breeding, sir, hath been at my charge: I have so often blushed to acknowledge him, that now I am brazed to it. KENT I cannot conceive you. GLOUCESTER Sir, this young fellow's mother could: whereupon she grew round-wombed, and had, indeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault? KENT I cannot wish the fault undone, the issue of it being so proper. GLOUCESTER But I have, sir, a son by order of law, some year elder than this, who yet is no dearer in my account: though this knave came something saucily into the world before he was sent for, yet was his mother fair; there was good sport at his making, and the whoreson must be acknowledged. Do you know this noble gentleman, Edmund? |
| king lear text: The Oxford Handbook of Shakespearean Tragedy Michael Neill, David Schalkwyk, 2016 The Oxford Handbook of Shakespearean Tragedy is a collection of fifty-four essays by a range of scholars from all parts of the world, bringing together some of the best-known writers in the field with a strong selection of younger Shakespeareans. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experiencedactor. The collection is organised in five sections. The opening section places the plays in a variety of illuminating contexts, exploring questions of genre, and examining ways in which later generations ofcritics have shaped our idea of 'Shakespearean' tragedy. The second section is devoted to current textual issues; while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section seeks to expand readers' awareness of Shakespeare'sglobal reach, tracing histories of criticism and performance across the world. Offering the richest and most diverse collection of approaches to Shakespearean tragedy currently available, the Handbookwill be an indispensable resource for students both undergraduate and graduate levels, while the lively and provocative character of its essays make will it required reading for teachers of Shakespeare everywhere. |
| king lear text: Folger Shakespeare Library , 2005 |
| king lear text: King Lear Jeffrey Kahan, 2008-04-18 Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink |
| king lear text: King Lear Andrew Hiscock, Lisa Hopkins, 2011-06-23 King Lear is one of Shakespeare's most performed and studied plays - seen as one of the most significant and universal tragedies of all time. This guide introduces the play's critical and performance history, including notable stage productions alongside TV, film and radio versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research. |
| king lear text: The Tragedy of King Lear William Shakespeare, 2020-08-08 KENT.I thought the King had more affected the Duke of Albany than Cornwall.GLOUCESTER.It did always seem so to us; but now, in the division of the kingdom, it appears not which ofthe Dukes he values most, for qualities are so weighed that curiosity in neither can makechoice of either's moiety.KENT.Is not this your son, my lord?GLOUCESTER.His breeding, sir, hath been at my charge: I have so often blush'd to acknowledge him thatnow I am braz'd to't.KENT.I cannot conceive you.GLOUCESTER.Sir, this young fellow's mother could; whereupon she grew round-wombed, and hadindeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault?KENT.I cannot wish the fault undone, the issue of it being so proper.GLOUCESTER.But I have a son, sir, by order of law, some year elder than this, who yet is no dearer in myaccount: though this knave came something saucily to the world before he was sent for, yetwas his mother fair; there was good sport at his making, and the whoreson must beacknowledged. Do you know this noble gentleman, Edmund?EDMUND.No, my lord.GLOUCESTER.My Lord of Kent: remember him hereafter as my honourable friend.EDMUND.My services to your lordship.KENT.I must love you, and sue to know you better.EDMUND.Sir, I shall study deserving.GLOUCESTER.He hath been out nine years, and away he shall again. The King is coming. |
| king lear text: King Lear William Shakespeare, 2010-07-10 The text of the play included here, prepared by Craig Walker for The Broadview Anthology of British Literature, has been acclaimed for its outstanding introductory material and annotations, and for its inclusion of parellel text versions of key scenes for which the texts of the Quarto and the Folio versions of the play are substantially different. Also included in this edition are excerpts from a variety of literary source materials (including Geoffrey on Monmouth’s Historia Regum Britanniae, the anonymous True Chronicle Historie of King Leir, and Samuel Harsnett’s A Declaration of Egregious Popish Impostures); material on the historical Annesley case that raised many of the same issues as does Shakespeare’s play; and the happy ending from Nahum Tate’s version of the play, which held the stage for 150 years after its first performance in 1681. |
| king lear text: King Lear: Arden Performance Editions William Shakespeare, 2022-05-19 King Lear has ruled for many years. As age overtakes him, he divides his kingdom amongst his children. Misjudging their loyalty, he soon finds himself stripped of all the trappings of state, wealth and power that had defined him. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play |
| king lear text: Critical Essays on Shakespeare's King Lear Jay L. Halio, 1996 Each volume in this series provides an introduction tracing the subject author's critical reputation, trends in interpretation, developments in textual and biographical scholarship, and reprints of selected essays and reviews, beginning with the author's contemporaries and continuing through to current scholarship. Many volumes also feature new essays by leading scholars and critics, specially commissioned for the series. |
| king lear text: Cymbeline William Shakespeare, 1955 |
| king lear text: King Lear Scott P. Richert, 2011 Act by act, scene by scene, each Shakespeare Explained guide creates a total immersion experience in the plot development, characters, and language of the specific play. |
| king lear text: King Lear William Shakespeare, 2009-08 Combining manga and the timeless texts of Shakespeare's plays, this series translates some of the greatest works of literature into a new format. InKing Lear, the aging kinghere a Native Americanmust decide how to split his kingdom among his daughters. When he scorns his one dutiful daughter and trusts the two selfish ones, he pays a steep price. |
| king lear text: The History of King Leir , 2020-01-24 |
| king lear text: Macbeth William Shakespeare, 2025-03-28 Experience the power of Macbeth, William Shakespeare's gripping tragedy of ambition and its devastating consequences. This meticulously prepared edition presents the enduring story of kings, power, and the supernatural forces that drive one man to commit unspeakable acts. A cornerstone of English literature and a perennial favorite on stage and screen, Macbeth explores timeless themes of guilt, fate, and the corrupting influence of unchecked desire. Immerse yourself in Shakespeare's masterful language and compelling drama, as the Scottish play unfolds with unforgettable intensity. This classic work continues to resonate with audiences of all ages, offering profound insights into the human condition. Perfect for students, theater enthusiasts, and anyone seeking a timeless tale of ambition and downfall. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| king lear text: The Vagenda Rhiannon Lucy Cosslett, Holly Baxter, 2015-03-05 HAVE YOU EVERa Obsessed over your body's 'problem areas'? Killed an hour on the Sidebar of Shame? Wondered whether to try '50 Sex Tips to Please Your Man'? Felt worse after doing any of the above? Holly and Rhiannon grew up reading glossy mags and, like most women, thought of them as just a bit of fun. But over time they started to feel uneasy - not just about magazines, but about music videos, page 3, and women being labelled frigid, princesses or tramps. So, following the amazing success of their Vagenda blog, they wrote this book. Welcome to your indispensable guide to the madness of women's media. |
| king lear text: 1606 James Shapiro, 2016-04-07 An intimate portrait of one of Shakespeare's most inspired moments: the year of King Lear, Macbeth and Antony and Cleopatra. 1606, while a very good year for Shakespeare, is a fraught one for England. Plague returns. There is surprising resistance to the new king's desire to turn England and Scotland into a united Britain. And fear and uncertainty sweep the land and expose deep divisions in the aftermath of the failed terrorist attack that came to be known as the Gunpowder Plot. James Shapiro deftly demonstrates how these extraordinary plays responded to the tumultuous events of this year, events that in unexpected ways touched upon Shakespeare's own life ... [and] profoundly changes and enriches our experience of his plays--Publisher's description. |
| king lear text: The True Text of King Lear Leo Kirschbaum, 1945 |
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