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| jean sorabella: Constructions of Childhood in Ancient Greece and Italy Ada Cohen, Jeremy B. Rutter, 2007 This volume contains 20 papers that explore ancient notions and experiences of childhood around the Mediterranean, from prehistory to late antiquity. |
| jean sorabella: The Non-Representation of the Agricultural Labourers in 18th and 19th Century English Paintings Penelope McElwee, 2016-02-08 The life of the poor rural worker appears to have been one of unmitigated toil within an unequal society, a reality seldom endorsed in paintings of the eighteenth and early nineteenth centuries. The contemporary viewer, who constituted less than three per cent of the population, wished to see visions of the idyllic golden landscapes of Merrie England peopled by happy contented workers, or, alternatively, images of the Big House, a feature and phenomenon now marching over the countryside, fed by a new building frenzy. This particular element would soon evolve into an all-consuming preoccupation for the wealthy throughout the period. Members of the upper echelons of society, with their families all attired in fine silks and satins, look out at their audience from ornately framed canvases as individuals. Yet the rural poor, the rabble at the gates, the unseen workforce, who toiled at the behest of the Master, are virtually unknown. They have left few records. Enclosure came at a price. The Poorhouse beckoned. And still the agricultural labourer did virtually nothing, for most of the eighteenth century, to protest or rebel against the inequalities of his downtrodden existence. Only the dreaded behemoth of the nineteenth century, the threshing machine, would stir him into action. How would it end? |
| jean sorabella: Dream, Fantasy, and Visual Art in Roman Elegy Emma Scioli, 2015-06-29 The elegists, ancient Rome's most introspective poets, filled their works with vivid, first-person accounts of dreams. Emma Scioli examines these varied and visually striking textual dreamscapes, arguing that the poets exploited dynamics of visual representation to share with readers the intensely personal experience of dreaming. |
| jean sorabella: Greek Art Michael Byron Norris, 2000 Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides. |
| jean sorabella: Hell and its Afterlife Margaret Toscano, 2016-04-22 The notion of an infernal place of punishment for 'undesired' elements in human culture and human nature has a long history both as religious idea and as cultural metaphor. This book brings together a wide array of scholars who examine hell as an idea within the Christian tradition and its 'afterlife' in historical and contemporary imagination. Leading scholars grapple with the construction and meaning of hell in the past and investigate its modern utility as a means to describe what is perceived as horrific or undesirable in modern culture. While the idea of an infernal region of punishment was largely developed in the context of early Jewish and Christian religious culture, it remains a central belief for some Christians in the modern world. Hell's reception (its 'afterlife') in the modern world has extended hell's meaning beyond the religious realm; hell has become a pervasive image and metaphor in political rhetoric, in popular culture, and in the media. Bringing together scholars from a variety of fields to contribute to a wider understanding of this fascinating and important cultural idea, this book will appeal to readers from historical, religious, literary and cultural perspectives. |
| jean sorabella: Fuel for Pilgrims - Volume One Stephen John March, 2015-05-05 Pilgrimage is intrinsic to the experience of faith. This book offers would-be pilgrims some 'fuel' for their journey. It contains 40 'bite-sized' meditations with questions to guide reflection and suggested prayer responses. Used over 40 days, ideally as a group resource with times of sharing and prayer, this book will 'help you on your pilgrim way'. Stephen John MARCH is an applied theologian who served in France as an ecumenical missionary practitioner for 14 years and who now heads up a 'Fresh Expressions' project in an Anglican parish in Leicester, England. A fascinated student of the earlier (and less widely known) parts of Church history, he seeks to share with others the wonder, encouragement and help he has found in studying these texts. Evangelism has been described as 'One beggar telling another beggar where to find bread'; it is in that spirit that this book is offered to a wider reading public. |
| jean sorabella: The Poems of Optatian Linda Jones Hall, 2024-01-11 For the first time, the poems and accompanying letters of Publilius Optatianus Porfyrius (Optatian) are published here with a translation and detailed commentary, along with a full introduction to Optatian's work during this period.Optatian was sent into exile by Constantine sometime after the Emperor's ascent to power in Rome in 312 AD. Hoping to receive pardon, Optatian sent a gift of probably twenty design poems to Constantine around the time of the ruler's twentieth anniversary (325/326 AD). To enable the reader to experience the multiple messages of the poems, the Latin text is presented near the English translation with any related design close by. Some poems, laid out on a grid of up to 35 letters across and down, have an interwoven poem marking key letters in the primary poem, thereby revealing a highlighted image. Some designs include the Chi-Rho or numerals created from V's and X's to mark imperial anniversaries. Other (previously unrecognised) designs seem to represent senatorial, imperial, military or bureaucratic motifs or to derive from coin images. Shape poems representing a water organ, an altar and a panpipe reveal their relevance immediately. The introduction and commentary elucidate literary allusions from over 100 authors (lines from Vergil, Ovid, Lucan, Silius Italicus, Statius, and lesser-known writers abound) and mythological references, mostly to the Muses and Apollo. Optatian's prestige as an official in both Greece and Rome is well attested - these poems mark Optatian as a fascinating writer of his time, holding onto the classical past while acknowledging Christian symbolism. |
| jean sorabella: Costume Design: The Basics T.M. Delligatti, 2020-09-22 Costume Design: The Basics provides an overview of the fundamental principles of theatrical costume design, from pre-production through opening night. Beginning with a discussion of what is costume design, why do people wear clothes, and what is the role of the costume designer, this book makes accessible the art and practice of costume design. Peppered with interviews with working costume designers, it provides an understanding of what it means to be a costume designer and offers a strong foundation for additional study. Readers will learn: How to use clues from the script to decipher a character’s wardrobe Methods used to sketch ideas using traditional or digital media How to discuss a concept with a team of directors, producers, and designers Strategies to use when collaborating with a professional costume shop How to maintain a healthy work/life balance Courses of action when working under a limited money and labor budget. Costume Design: The Basics is an ideal starting point for aspiring designers looking for ways to achieve the best costumes on stage and realize their vision into a visual story told through clothing. |
| jean sorabella: The Art of Looking at Art Gene Wisniewski, 2020-10-04 There’s an art to viewing art. This book addresses countless issues surrounding this frequently misunderstood microcosm, in a highly informative, yet conversational tone. History, fascinating and altogether human backstories, and information pertaining to every conceivable aspect of visual art are interwoven in twelve concise chapters. |
| jean sorabella: The Visual Rhetoric of the Married Laity in Late Antiquity Mark D. Ellison, 2023-12-11 This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources. Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christians. Often called a “silent majority,” the married laity in fact left behind a significant body of work in the material record. Particularly in and around Rome, they commissioned and used such objects as sarcophagi, paintings, glass vessels, finger rings, luxury silver, other jewellery items, gems, and seals that bore their portraits and other iconographic forms of self-representation. This study is the first to undertake a sustained exploration of these material sources in the context of early Christian discourses and practices related to marriage, sexuality, and celibacy. Reading this visual evidence increases understanding of the population who created it, the religious commitments they asserted, and the comparatively moderate forms of piety they set forth as meritorious alternatives to the ascetic ideal. In their visual rhetoric, these artifacts and images comprise additional voices in Late Antique conversations about idealized ways of Christian life, and ultimately provide a fuller picture of the early Christian world. Plentifully illustrated with photographs and drawings, this volume provides readers access to primary material evidence. Such evidence, like textual sources, require critical interpretation; this study sets forth a careful methodology for iconographic analysis and applies it to identify the potential intentions of patrons and artists and the perceptions of viewers. It compares iconography to literary sources and ritual practices as part of the interpretive process, clarifying the ways images had a rhetorical edge and contributed to larger conversations. Accessibly written, The Visual Rhetoric of the Married Laity in Late Antiquity is of interest to students and scholars working on Late Antiquity, early Christian and late Roman social history, marriage and celibacy in early Christianity, and early Christian, Roman, and Byzantine art. |
| jean sorabella: The Caesar of Paris Susan Jaques, 2018-12-04 Napoleon is one of history’s most fascinating figures. But his complex relationship with Rome—both with antiquity and his contemporary conflicts with the Pope and Holy See—have undergone little examination. In The Caesar of Paris, Susan Jaques reveals how Napoleon’s dueling fascination and rivalry informed his effort to turn Paris into “the new Rome”— Europe’s cultural capital—through architectural and artistic commissions around the city. His initiatives and his aggressive pursuit of antiquities and classical treasures from Italy gave Paris much of the classical beauty we know and adore today.Napoleon had a tradition of appropriating from past military greats to legitimize his regime—Alexander the Great during his invasion of Egypt, Charlemagne during his coronation as emperor, even Frederick the Great when he occupied Berlin. But it was ancient Rome and the Caesars that held the most artistic and political influence and would remain his lodestars. Whether it was the Arc de Triopmhe, the Venus de Medici in the Louvre, or the gorgeous works of Antonio Canova, Susan Jaques brings Napoleon to life as never before. |
| jean sorabella: Architectural Invention in Renaissance Rome Yvonne Elet, 2018-01-11 Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form. |
| jean sorabella: Wake Up to Wonder Karen Wright Marsh, 2023-07-11 In her quest to live a vibrant spiritual life, Karen Wright Marsh had a revelation: she didn't need to find and follow the perfect plan; she needed people she could follow. In Wake Up to Wonder, Marsh introduces you to those people--faithful yet oh-so-human Christians from across centuries and cultures. Inspired by their example, she offers playful, simple practices that bring deeper meaning and purpose to everyday life. In the company of diverse spiritual companions, you'll journey through physical health, prayer, activism, Scripture reading, creativity, and beyond. Each chapter includes hands-on invitations such as writing prompts, space for personal reflection, and Try This, a collage of spiritual and personal experiments anyone can do. As you wake up to wonder, you'll discover what these twenty-two historical figures already knew: that a life of spiritual depth, amazement, and connection is within reach--today and every day. Historical Figures Covered Henri J. M. Nouwen Martin Luther Thomas Merton Hildegard von Bingen Margery Kempe Wangari Maathai Caedmon Amanda Berry Smith Augustine Lilias Trotter Fannie Lou Hamer Patrick of Ireland Hans Scholl and Sophie Scholl Howard Thurman Pandita Ramabai Ephrem the Syrian Ignatius of Loyola Benedict and Scholastica Brother Lawrence Francis of Assisi and Clare of Assisi Dorothy Day Mabel Ping-Hua Lee |
| jean sorabella: The Golden Deer of Eurasia Joan Aruz, Ann Farkas, Elisabetta Valtz Fino, Metropolitan Museum of Art (New York, N.Y.), 2006 |
| jean sorabella: Art and the Empire City Metropolitan Museum of Art (New York, N.Y.), 2000 Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25. Annotation copyrighted by Book News Inc., Portland, OR |
| jean sorabella: Beyond the Easel Gloria Lynn Groom, Nicholas Watkins, Jennifer Paoletti, Thérèse Barruel, Metropolitan Museum of Art (New York, N.Y.), 2001-01-01 The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication. The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| jean sorabella: Greek Myths in Roman Art and Culture Zahra Newby, 2016-09-15 A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities. |
| jean sorabella: Jesus, Contradicted Michael R. Licona, 2024-05-28 The differences and discrepancies in the Gospels constitute the foremost objections to their reliability and the credibility of their message. Some have tried to resolve Gospels contradictions with strained harmonization efforts. Many others conclude that the Gospels are hopelessly contradictory and, therefore, historically unreliable accounts of Jesus. In Jesus, Contradicted, New Testament scholar Michael Licona shows how the genre of ancient biography, to which the Gospels belong, actually allows biographers to be flexible in how they report events, construct a narrative, and make an argument. Licona demonstrates that the intentional changes to the Jesus tradition by the Evangelists reveal that the differences in how the Gospels report events are not grounds for their rejection. Instead, they are a result of the Gospel writers employing standard literary conventions common in their time for writing ancient biography. Licona introduces readers to the genre of ancient biography through Plutarch, who wrote 48 of the 90 extent biographies written within 150 years of Jesus, giving numerous examples of compositional devices employed by Plutarch, and comparing them with instances in the Gospels where the Evangelists appear to use similar techniques. Licona also examines Theon's Progymnasmata, a first-century textbook that provides six techniques for paraphrasing one's sources when writing a narrative. In doing so, he helps readers understand why the Gospels report many events differently. Finally, Licona concludes by addressing the thorny question of whether the editorial moves commonplace in ancient biography are compatible with the doctrines of the divine inspiration and the inerrancy of Scripture. Rather than trying to resolve discrepancies by bending the Gospel narrative, which risks making them say things they aren't saying, Jesus, Contradicted situates the Gospels within their proper context and helps readers account for differences in the Gospels in a cohesive and historically cogent way. |
| jean sorabella: Material Culture and Women's Religious Experience in Antiquity Mark D. Ellison, Catherine Gines Taylor, Carolyn Osiek, 2021-09-27 This collection of eleven new essays presents fresh, illuminating research by scholars who comparatively examine material, visual, and literary evidence to recover women’s religious experiences, perspectives, and activities in antiquity—perspectives often missing or underrepresented in the literary record. |
| jean sorabella: The Oxford Handbook of the Archaeology of Childhood Sally Crawford, Dawn Hadley, Gillian Shepherd, 2018-05-10 Real understanding of past societies is not possible without including children, and yet they have been strangely invisible in the archaeological record. Compelling explanation about past societies cannot be achieved without including and investigating children and childhood. However marginal the traces of children's bodies and bricolage may seem compared to adults, archaeological evidence of children and childhood can be found in the most astonishing places and spaces. The archaeology of childhood is one of the most exciting and challenging areas for new discovery about past societies. Children are part of every human society, but childhood is a cultural construct. Each society develops its own idea about what a childhood should be, what children can or should do, and how they are trained to take their place in the world. Children also play a part in creating the archaeological record itself. In this volume, experts from around the world ask questions about childhood - thresholds of age and growth, childhood in the material culture, the death of children, and the intersection of the childhood and the social, economic, religious, and political worlds of societies in the past. |
| jean sorabella: The Badia of Florence Anne Leader, 2012 The Santa Maria di Firenze, the venerable Benedictine abbey located in the heart of Florence, is the subject of this book. Leader's richly illustrated, interdisciplinary study examines the abbey's history during the Renaissance. |
| jean sorabella: Law and policy in international business , 1999 |
| jean sorabella: 20th Century Art: a Resource for Educators (in Acq) Stella Paul, 1999 Presents thirty-one paintings with notes about the works, strategies for discussion, and writings by selected artists. Accompanying videocassette is about the work Water Stone by Isamu Noguchi |
| jean sorabella: Art of the Hellenistic Kingdoms Seán Hemingway, Kiki Karoglou, Dorothy H. Abramitis, Sophie Descamps-Lequime, Ariel Herrmann, Marsha Hill, Christine Kondoleon, Christopher S. Lightfoot, Carmelo Malacrino, Joan R. Mertens, Olga Palagia, Dominique Robcis, Susan I. Rotroff, Andreas Scholl, Agnes Schwarzmaier, R. R. R. Smith, Jeffrey Spier, Karen Stamm, Lillian Bartlett Stoner, Alessandro Viscogliosi, Ute Wartenberg, Mark Wypyski, Paul Zanker, 2019-04-29 This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeological material to the circulation of artists and works of art throughout the Mediterranean and the influence of Hellenistic art and its legacy in the ancient Roman world. Among the topics discussed are aspects of royal self-presentation and important elements of iconography and style in coins, gems, mosaics, sculpture, vessels, and wall paintings, in mediums including bronze, faience, glass, marble, silver, and terracotta. Authored by a number of internationally renowned scholars, the essays in this volume highlight the holdings of the Metropolitan and markedly demonstrate the artistic innovations and technical mastery of Hellenistic artists, offering new insights into the vitality and complexity of Hellenistic art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} |
| jean sorabella: Writing about Art Marjorie Munsterberg, 2009 Explains the different approaches college students encounter in undergraduate art history classes. Each chapter outlines the characteristics of one type of visual or historical analysis ... Five appendices outline the steps involved in researching art historical topics, writing essays about them, and citing sources properly.--Preface. |
| jean sorabella: Dosso Dossi Peter Humfrey, Dosso Dossi, Mauro Lucco, Metropolitan Museum of Art (New York, N.Y.), J. Paul Getty Museum, 1998 Dosso's rich color schemes are akin to those of his fellow North Italian Titian; he learned something about innovative composition from Raphael and about the force of the body from Michelangelo. But his paintings have a very individual appeal. In leafy natural surroundings containing an array of animals and heavenly bodies, events unfold that are often enigmatic, enacted by characters whose interrelationships elude definition. |
| jean sorabella: The Joker Harry Eiss, 2016-05-11 To prepare for the role of the Joker, Heath Ledger locked himself in a London hotel room, trying to understand and become a character he saw as “an absolute sociopath, a cold-blooded, mass-murdering clown” who was not intimidated by anything and found all of life “a big joke.” In the end, Ledger’s obsession with his role contributed to his own death from drugs before The Dark Knight was released. The connections and irony are too close to ignore. The movie gives the world a curious twist on the roles of Batman and the Joker. It’s politically incorrect, and yet emotionally the Joker’s insanity becomes more endearing than Batman’s noble sacrifice. What is it? Why does this psychopath seem to have a sense of higher truths in his insanity? This is the role of the Joker or the Fool, a standard character in theatre, and a role consciously adopted by serious artists since the late 1800s. Just as Shakespeare’s Fool in King Lear used his riddles and puns and satire to reveal the truths the royal leaders of his world could not or refused to see, today’s artists are both revealing the darkness within the culture and offering a way out. Waiting for Godot has been proclaimed the greatest play of the twentieth century. But there are no great roles in it, no characters representing the equivalent of Shakespeare’s Hamlet. Rather, the two main characters are closer to T. S. Eliot’s J. Alfred Prufrock, who says he cannot be a Hamlet, only, perhaps, Hamlet’s Fool. This book explores what has happened as Europe’s culture fragmented and the world lost its center. It explores a range of different arenas, from political and social and religious happenings to scientific and artistic expressions, in order to find the centers of the human condition and how the dark expressions of meaninglessness so commonly highlighted are more rites-of-passage than the final destination. |
| jean sorabella: Heritage Under Siege Joris Kila, 2012-06-08 Drawing on the results of a multidisciplinary research a first comprehensive picture of cultural property protection involving the military is presented. Practical, legal and contemplative aspects are considered while presenting a fascinating new discipline in heritage related studies. |
| jean sorabella: Where Dreams May Come (2 vol. set) Gil Renberg, 2017-06-01 Where Dreams May Come was the winner of the 2018 Charles J. Goodwin Award of Merit, awarded by the Society for Classical Studies. In this book, Gil H. Renberg examines the ancient religious phenomenon of “incubation, the ritual of sleeping at a divinity’s sanctuary in order to obtain a prophetic or therapeutic dream. Most prominently associated with the Panhellenic healing god Asklepios, incubation was also practiced at the cult sites of numerous other divinities throughout the Greek world, but it is first known from ancient Near Eastern sources and was established in Pharaonic Egypt by the time of the Macedonian conquest; later, Christian worship came to include similar practices. Renberg’s exhaustive study represents the first attempt to collect and analyze the evidence for incubation from Sumerian to Byzantine and Merovingian times, thus making an important contribution to religious history. This set consists of two books. |
| jean sorabella: Medieval Monks and Monasteries Hunt Janin, Ursula Carlson, 2023-02-24 The Middle Ages in Western Europe extended from roughly 500 to 1500 c.e. During these thousand years, hundreds of monastic communities were founded and played important roles in religious, economic, social, literary and even military realms. Each had different emphases and goals, ranging from aristocratic monasteries and nunneries that offered comfort and security, to rural institutions that specialized only in the most ascetic lifestyles. This book has two goals. The first is to detail the most significant monastic and secular events of the Middle Ages in Western Europe, such as the decline of the Roman Catholic Church, the rise of Protestantism and the various types and purposes of monasteries and nunneries. The second is to introduce some notable (and unusual) individuals who made their mark upon the Middle Ages-- such as Eustache, the French monk who became a pirate and made a pact with the Devil. |
| jean sorabella: Cultural Memories in the Roman Empire Karl Galinsky, Kenneth Lapatin, 2016-01-01 Memory studies — one of the most vibrant research fields of the present day — brings together such diverse disciplines as art and archaeology, history, religion, literature, sociology, media studies, and neuroscience. In scholarship on ancient Rome, studies of social and cultural memory complement traditional approaches, opening up new horizons as we contemplate the ancient world. The fifteen essays presented here explore memory in the Roman Empire, addressing a wide spectrum of cultural phenomena from a range of approaches. Ancient Rome was a memory culture par excellence and memory pervades all aspects of Roman culture, from literature and art to religion and politics. This volume is the first to address the cultural artifacts of Rome through the lens of memory studies. An essential guide to the material culture of Rome, this book brings important new concepts to the fore for both scholars of the ancient world and those of social and cultural memory throughout human history. |
| jean sorabella: NASA 50th Anniversary Proceedings: NASA's First 50 Years: Historical Perspectives Steven J. Dick, National Aeronautics and Space Administration, 2010-07-07 On 29 July 1958, President Dwight D. Eisenhower signed the National Aeronautics and Space Act, creating the National Aeronautics and Space Administration (NASA), which became operational on 1 October of that year. Over the next 50 years, NASA achieved a set of spectacular feats, ranging from advancing the well-established field of aeronautics to pioneering the new fields of Earth and space science and human spaceflight. In the midst of the geopolitical context of the Cold War, 12 Americans walked on the Moon, arriving in peace “for all mankind.” Humans saw their home planet from a new perspective, with unforgettable Apollo images of Earthrise and the “Blue Marble,” as well as the “pale blue dot” from the edge of the solar system. A flotilla of spacecraft has studied Earth, while other spacecraft have probed the depths of the solar system and the universe beyond. In the 1980s, the evolution of aeronautics gave us the first winged human spacecraft, the Space Shuttle, and the International Space Station stands as a symbol of human cooperation in space as well as a possible way station to the stars. With the Apollo fire and two Space Shuttle accidents, NASA has also seen the depths of tragedy. In this volume, a wide array of scholars turn a critical eye toward NASA’s first 50 years, probing an institution widely seen as the premier agency for exploration in the world, carrying on a long tradition of exploration by the United States and the human species in general. Fifty years after its founding, NASA finds itself at a crossroads that historical perspectives can only help to illuminate. |
| jean sorabella: Productive failure Alpesh Kantilal Patel, 2017-07-21 This title sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. The author examines 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. This book also provides original commentary on how queer theory can deconstruct and provide new approaches for writing art history. Overall, this title provides methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history. |
| jean sorabella: Bernini at Saint Peter's - The Pilgrimage Irving Lavin, 2012-12-31 Bernini at Saint Peter's may be a unique case in history: a single artist in change of a grandiose monument in a continuous state of creativity under constantly changing patrons and a variety of projects, for nearly six decades. This book argues that a continuous thread of thought may be discerned underlying and connecting the vicissitudes of this spectacular display. From first to last, Gianlorenzo Bernini conceived of Saint Peter's as a pilgrimage church, a kind of pilgrimage of human life, his own and of the believers who visited the basilica to worship and give testimony. Irving Lavin is professor emeritus in the School of Historical Studies at the Institute for Advanced Study in Princeton. He is one of the most distinguished and honoured art historians in the United States. Professor Lavin is best known for his series of fundamental publications on the Baroque artist Gianlorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious early life, his architecture and portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the theatre, his attitude towards death and the role of the artist in the creation of a modem sense of social responsibility. |
| jean sorabella: Christ Child Stephen J. Davis, 2014-05-13 Little is known about the early childhood of Jesus Christ. But in the decades after his death, stories began circulating about his origins. One collection of such tales was the so-called Infancy Gospel of Thomas, known in antiquity as the Paidika or “Childhood Deeds” of Jesus. In it, Jesus not only performs miracles while at play (such as turning clay birds into live sparrows) but also gets enmeshed in a series of interpersonal conflicts and curses to death children and teachers who rub him the wrong way. How would early readers have made sense of this young Jesus? In this highly innovative book, Stephen Davis draws on current theories about how human communities construe the past to answer this question. He explores how ancient readers would have used texts, images, places, and other key reference points from their own social world to understand the Christ child’s curious actions. He then shows how the figure of a young Jesus was later picked up and exploited in the context of medieval Jewish-Christian and Christian-Muslim encounters. Challenging many scholarly assumptions, Davis adds a crucial dimension to the story of how Christian history was created. |
| jean sorabella: Interactions between Animals and Humans in Graeco-Roman Antiquity Thorsten Fögen, Edmund V. Thomas, 2017-08-21 The seventeen contributions to this volume, written by leading experts, show that animals and humans in Graeco-Roman antiquity are interconnected on a variety of different levels and that their encounters and interactions often result from their belonging to the same structures, ‘networks’ and communities or at least from finding themselves together in a certain setting, context or environment – wittingly or unwittingly. Papers explore the concrete categories of interaction between animals and humans that can be identified, in what contexts they occur, and what types of evidence can be productively used to examine the concept of interactions. Articles in this volume take into account literary, visual, and other types of evidence. A comprehensive research bibliography is also provided. |
| jean sorabella: National Identity and Nineteenth-Century Franco-Belgian Sculpture Jana Wijnsouw, 2017-09-27 This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less studied field of sculpture and using Belgium as a case study. The role, importance of, and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists that supposedly constituted a national sculpture. By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugène Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne. |
| jean sorabella: Arcimboldo: The Master of Metamorphic Portraits Waldo Zuniga, 2024-11-25 Step into the imaginative world of Giuseppe Arcimboldo, a visionary artist whose creations defied the conventions of portrait painting. In Arcimboldo: The Master of Metamorphic Portraits, Waldo Zuniga delves into the life and legacy of the Renaissance artist who transformed fruits, vegetables, and other natural elements into stunningly intricate human faces. This captivating exploration reveals how Arcimboldo's unique style bridged art and science, blending meticulous detail with whimsical creativity. Discover the influences of the vibrant Renaissance era that shaped his groundbreaking works, the allegorical depth hidden within his compositions, and the profound impact he left on future artistic movements, from Surrealism to modern conceptual art. Richly illustrated and deeply researched, this book offers a compelling narrative of an artist who dared to reimagine the boundaries of portraiture. Whether you are an art lover, a history enthusiast, or simply intrigued by the extraordinary, this journey through Arcimboldo's world will inspire and fascinate you. |
| jean sorabella: Italian, Spanish, and French Paintings John and Mable Ringling Museum of Art, Virginia Brilliant, 2017-12-04 The first comprehensive examination of the Italian, Spanish and French Old Master paintings in the collections of the John and Mable Ringling Museum of Art. Presenting a wealth of new research, analysis and previously unpublished documentation, this beautifully illustrated volume is the first comprehensive examination of the Italian, Spanish and French Old Master paintings in the collections of the John and Mable Ringling Museum of Art. The largest and most significant collection of its kind in the American Southeast, the Ringling's 300-plus Italian, Spanish and French paintings include important works by well-known artists such as Cortona, Piero di Cosimo, Guercino, Rosa, Strozzi, Tiepolo and Veronese; Coypel, Nattier and Raoux; and Cano, Ribera and Velázquez. A rich resource for scholars and enthusiasts alike, this elegantly designed book includes comprehensive entries for each painting with details of technique and materials, provenance, patronage, attribution, date, subject, iconography, conservation history and bibliography, all accompanied by vivid, newly commissioned colour photography of each work. Contents: Introduction Italian Paintings Spanish Paintings French Paintings Follow @TheRingling on Twitter (3550 followers). |
| jean sorabella: Annual Report of the Trustees Metropolitan Museum of Art (New York, N.Y.). Board of Trustees, 2001 |
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Jean (female given name) - Wikipedia
Jean is a common female given name in English-speaking countries. It is the Scottish form of Jane (and is sometimes pronounced that way). It is sometimes spelled Jeaine.
Jean - Name Meaning, What does Jean mean? (girl)
Jean as a girls' name (also used more generally as boys' name Jean) is pronounced jeen. It is of Hebrew origin, and the meaning of Jean is "God is gracious". Variant of Jane, from John. …
Jean - Baby Name Meaning, Origin, and Popularity
5 days ago · The name Jean is a girl's name of English origin meaning "God is gracious". Originally a feminine of John, Jean was popular in Scotland long before it found favor elsewhere, and had its …
JEAN Definition & Meaning - Merriam-Webster
The meaning of JEAN is a durable twilled cotton cloth used especially for sportswear and work clothes. How to use jean in a sentence.
Jean - Name Meaning and Origin - Name Discoveries
The name Jean is of French origin and is derived from the name Jehanne, a feminine form of the name John. It means "God is gracious" or "gift from God." Jean is a unisex name and can be used …
Jean: Name Meaning, Popularity and Info on BabyNames.com
Jun 10, 2025 · The name Jean is primarily a gender-neutral name of English origin that means God Is Gracious. Click through to find out more information about the name Jean on BabyNames.com.
Appeals court rejects Trump's bid to challenge $5 million E ...
4 days ago · E. Jean Carroll exits the Manhattan Federal Court following the verdict in the civil rape accusation case against former President Donald Trump, in New York, on May 9, 2023.
Jean: meaning, origin, and significance explained - What the Name
Meaning: The name Jean is of English origin and has a neutral gender. It is derived from the French name Jeanne, which in turn comes from the Latin name Johannes. The name Jean carries the …
Jean - Meaning of Jean, What does Jean mean? - BabyNamesPedia
Jean is used chiefly in the French language and it is derived from Hebrew origins. The name is derived from Jehan (Old French) via Iohannes (Latinized); these are also the source forms of the …
With Jéan
Shop With Jéan Dresses, Tops, Swim, Bottoms and Accessories. Shop Now With AfterPay, LayBuy and Klarna. Free Shipping on Orders Over $50.
Jean (female given name) - Wikipedia
Jean is a common female given name in English-speaking countries. It is the Scottish form of Jane (and is sometimes pronounced that way). It is sometimes spelled Jeaine.
Jean - Name Meaning, What does Jean mean? (girl)
Jean as a girls' name (also used more generally as boys' name Jean) is pronounced jeen. It is of Hebrew origin, and the meaning of Jean is "God is gracious". Variant of Jane, from John. …
Jean - Baby Name Meaning, Origin, and Popularity
5 days ago · The name Jean is a girl's name of English origin meaning "God is gracious". Originally a feminine of John, Jean was popular in Scotland long before it found favor …
JEAN Definition & Meaning - Merriam-Webster
The meaning of JEAN is a durable twilled cotton cloth used especially for sportswear and work clothes. How to use jean in a sentence.
Jean - Name Meaning and Origin - Name Discoveries
The name Jean is of French origin and is derived from the name Jehanne, a feminine form of the name John. It means "God is gracious" or "gift from God." Jean is a unisex name and can be …
Jean: Name Meaning, Popularity and Info on BabyNames.com
Jun 10, 2025 · The name Jean is primarily a gender-neutral name of English origin that means God Is Gracious. Click through to find out more information about the name Jean on …
Appeals court rejects Trump's bid to challenge $5 million E ...
4 days ago · E. Jean Carroll exits the Manhattan Federal Court following the verdict in the civil rape accusation case against former President Donald Trump, in New York, on May 9, 2023.
Jean: meaning, origin, and significance explained - What the Name
Meaning: The name Jean is of English origin and has a neutral gender. It is derived from the French name Jeanne, which in turn comes from the Latin name Johannes. The name Jean …
Jean - Meaning of Jean, What does Jean mean? - BabyNamesPedia
Jean is used chiefly in the French language and it is derived from Hebrew origins. The name is derived from Jehan (Old French) via Iohannes (Latinized); these are also the source forms of …
