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| judith hermann: Trauma and Recovery Judith Lewis Herman, 2015-07-07 In this groundbreaking book, a leading clinical psychiatrist redefines how we think about and treat victims of trauma. A stunning achievement that remains a classic for our generation. (Bessel van der Kolk, M.D., author of The Body Keeps the Score). Trauma and Recovery is revered as the seminal text on understanding trauma survivors. By placing individual experience in a broader political frame, Harvard psychiatrist Judith Herman argues that psychological trauma is inseparable from its social and political context. Drawing on her own research on incest, as well as a vast literature on combat veterans and victims of political terror, she shows surprising parallels between private horrors like child abuse and public horrors like war. Hailed by the New York Times as one of the most important psychiatry works to be published since Freud, Trauma and Recovery is essential reading for anyone who seeks to understand how we heal and are healed. |
| judith hermann: Summerhouse, Later Judith Hermann, 2003-04-01 In nine luminous stories of love and loss, loneliness and hope, Judith Hermann's stunning debut collection paints a vivid and poignant picture of a generation ready and anxious to turn their back on the past, to risk uncertainty in search of a fresh, if fragile, equilibrium. An international bestseller and translated into twelve languages, Summerhouse, Later heralds the arrival of one of Germanys most arresting new literary talents. A restless man hopes to find permanence in the purchase of a summerhouse outside Berlin. A young girl, trapped in a paralyzing web of family stories and secrets, finally manages to break free. A granddaughter struggles to lay her grandmother's ghosts to rest. A successful and simplistic artist becomes inexplicably obsessed with an elusive and strangely sinister young girl. Against the backdrop of contemporary Berlin, possibly Europe's most vibrant and exhilarating city, Hermann's characters are as kaleidoscopic and extraordinary as their metropolis, united mostly in a furious and dogged pursuit of the elusive specter of living in the moment. They're people who, in one way or another, constantly challenge the madness of the modern world and whose dreams of transcending the ordinary for that narrow strip of sky over the rooftops are deeply felt and perfectly rendered. |
| judith hermann: Alice Judith Hermann, 2011-08-04 When someone very close to you dies your whole life changes. Everything is different. Alice is the central figure in these five inter-connected narratives, which tell of her life at times of loss. Suddenly it is no longer possible to say what the person looked like, how he spoke, cursed, smiled, how he lived his life. Objects are left behind, books, letters, pictures and every now and again you think you can see them in a crowd. Judith Hermann tells of days of transition, of waiting, of holding on and letting go-and of how clear and dazzling such days can sometimes be. Alice is a book of extraordinary power and great literary beauty from one of Europe's finest writers Alice is translated by Margot Bettauer Dembo. |
| judith hermann: Father-Daughter Incest Judith Lewis Herman, Lisa Hirschman, 2012-11 Through an intensive clinical study of forty incest victims and numerous interviews with professionals in mental health, child protection, and law enforcement, Judith Herman develops a composite picture of the incestuous family. In a new afterword, Herman offers a lucid and thorough overview of the knowledge that has developed about incest and other forms of sexual abuse since this book was first published. Reviewing the extensive research literature that demonstrates the validity of incest survivors' sometimes repressed and recovered memories, she convincingly challenges the rhetoric and methods of the backlash movement against incest survivors, and the concerted attempt to deny the events they find the courage to describe. |
| judith hermann: Group Trauma Treatment in Early Recovery Judith Lewis Herman, Diya Kallivayalil, and Members of the Victims of Violence Program, 2018-09-28 Infused with clinical wisdom, this book describes a supportive group treatment approach for survivors just beginning to come to terms with the impact of interpersonal trauma. Focusing on establishing safety, stability, and self-care, the Trauma Information Group (TIG) is a Stage 1 approach within Judith Herman's influential stage model of treatment. Vivid sample transcripts illustrate ways to help group participants deepen their understanding of trauma, build new coping skills, and develop increased compassion for themselves and for one another. In a large-size format for easy photocopying, the volume provides everything needed to implement the TIG, including session-by-session guidelines and extensive reproducible handouts and worksheets. Purchasers get access to a companion website where they can download and print the reproducible materials from the book, as well as an online-only set of handouts and worksheets in Spanish. See also The Trauma Recovery Group, by Michaela Mendelsohn, Judith Lewis Herman, et al., which presents a Stage 2 treatment approach for clients who are ready to work on processing and integrating traumatic memories. |
| judith hermann: The Trauma Recovery Group Michaela Mendelsohn, Judith Lewis Herman, Emily Schatzow, Melissa Coco, Diya Kallivayalil, Jocelyn Levitan, 2011-06-14 Rich with expert, practical guidance for therapists, this book presents a time-limited group treatment approach for survivors of interpersonal trauma. The Trauma Recovery Group is a Stage 2 approach within Judith Herman's influential stage model of treatment. It is designed for clients who have achieved basic safety and stability in present-day life and who are ready to work on processing and integrating traumatic memories. Vivid case examples and transcripts illustrate the process of screening, selecting, and orienting group members and helping them craft and work toward individualized goals, while optimizing the healing power of group interactions. In a convenient large-size format, the book includes reproducible handouts, worksheets, and flyers. See also Group Trauma Treatment in Early Recovery, by Judith Lewis Herman and Diya Kallivayalil, which presents a Stage 1 approach that focuses on establishing safety, stability, and self-care. |
| judith hermann: The Rogue Idea Renee Ashley, Anthony Berris, Madeleine Beckman, Wendy Burk, Michael Copperman, Michela Costello, Ruth Curry, Caleb Curtiss, Margot Dembo, Gary Fincke, Jesse Goolsby, Cassie Hay, Steven Heighton, Judith Hermann, Joyce Hinnefeld, Suzanna Hopcroft, Krzysztof Jaworski, Yoram Kaniuk, John Kinsella, Tedi Mills, Sean McConnell, Anne McPeak, Michael Murphy, Geoffrey Nutter, Benjamin Paloff, Drew Riley, Ryan Romine, Peter Shippy, Christopher Sorrentino, Alex Stein, Daniel Wolff, Marion Wyce, William Zander, 2011 |
| judith hermann: Nothing but Ghosts Judith Hermann, 2010-10-07 The brilliant second collection of stories from Germany’s answer to Zadie Smith. Judith Hermann’s first collection, ‘The Summer House, Later’, sold 250,000 hardbacks in Germany, and was shortlisted for both the IMPAC award and the Independent Foreign Fiction Prize. |
| judith hermann: The Artistic Foundations of Nations and Citizens Ann Ward, 2021-09-28 This book examines politics through the lens of art and literature. Through discussion on great works of visual art, literature, and cultural representations of political thought in the medieval, early modern, and American eras, it explores the relevance of the nation-state to human freedom and flourishing, as well as the concept of citizenship and statesmanship that it implies, in contrast to that of the ‘global community’. The essays in this volume focus on shifting notions of various core political concepts like citizenship, republicanism, and nationalism from antiquity to the present-day to provide a systematic understanding of their evolving histories through Western Art and literature. It highlights works such as the Bayeux Tapestry, Shakespeare’s Henry V, Henry VI, and A Midsummer Night’s Dream, Twain’s Joan of Arc and Hermann’s Nichts als Gespenster, among several other canonical works of political interest. Further, it questions if we should now look beyond the nation-state to some form of tans-national, global community to pursue the human freedom desired by progressives, or look at smaller forms of community resembling the polis to pursue the friendship and nobility valued by the ancients. The volume will be invaluable to students and teachers of political science, especially political theory and philosophy, visual arts, and world literature. |
| judith hermann: Fraktur Mon Amour Judith Schalansky, 2008-10-03 Accompanying CD-ROM contains ... 150 of these [blackletter] fonts for free private and restricted commercial use.--Page 4 of cover. |
| judith hermann: A Companion to the Works of Hermann Broch Graham Bartram, Sarah McGaughey, Galin Tihanov, 2019 Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered the literary scene late in life with an experimental view of the novel that strove towards totality and vividly depicted Europe's cultural disintegration. As fascism took over and Broch, a Viennese Jew, was forced into exile, his view of literature as transformative was challenged, but his commitment to presenting an ethical view of the crises of his time was unwavering. An important mentor and interlocutor for contemporaries such as Arendt and Canetti as well as a continued inspiration for contemporary authors, Broch wrote to better understand and shape the political and cultural conditions for a postfascist world. This volume covers the major literary works and constitutes the first comprehensive introduction in English to Broch's political, cultural, aesthetic, and philosophical writings. Contributors: Graham Bartram, Brechtje Beuker, Gisela Brude-Firnau, Gwyneth Cliver, Jennifer Jenkins, Kathleen L. Komar, Paul Michael Lützeler, Gunther Martens, Sarah McGaughey, Judith Ryan, Judith Sidler, Galin Tihanov, Sebastian Wogenstein. Graham Bartram retired as Senior Lecturer in German Studies at the University of Lancaster, UK. Sarah McGaughey is Associate Professor of German at Dickinson College, USA. Galin Tihanov is the George Steiner Professor of Comparative Literature at Queen Mary University of London, UK. |
| judith hermann: Thermodynamics of Atmospheres and Oceans Judith A. Curry, Peter J. Webster, 1999-01-20 Basic Concepts: Composition, Structure, and State. First and Second Laws of Thermodynamics. Transfer Processes. Thermodynamics of Water. Nucleation and Diffusional Growth. Moist Thermodynamics Processes in the Atmosphere. Static Stability of the Atmosphere and Ocean. Cloud Characteristics and Processes. Ocean Surface Exchanges of Heat and Freshwater. Sea, Ice, Snow, and Glaciers. Thermohaline Processes in the Ocean. Special Topics: Global Energy and Entropy Balances. Thermodynamics Feedbacks in the Climate System. Planetary Atmospheres and Surface Ice. Appendices. Subject Index. |
| judith hermann: The Vanishing Subject Judith Ryan, 1991-10-08 Is thinking personal? Or should we not rather say, it thinks, just as we say, it rains? In the late nineteenth century a number of psychologies emerged that began to divorce consciousness from the notion of a personal self. They asked whether subject and object are truly distinct, whether consciousness is unified or composed of disparate elements, what grounds exist for regarding today's self as continuous with yesterday's. If the American pragmatist William James declared himself, on balance, in favor of a real and verifiable personal identity which we feel, his Austrian counterpart, the empiricist Ernst Mach, propounded the view that the self is unsalvageable. The Vanishing Subject is the first comprehensive study of the impact of these pre-Freudian debates on modernist literature. In lucid and engaging prose, Ryan traces a complex set of filiations between writers and thinkers over a sixty-year period and restores a lost element in the genesis and development of modernism. From writers who see the self as nothing more or less than a bundle of sensory impressions, Ryan moves to others who hesitate between empiricist and Freudian views of subjectivity and consciousness, and to those who wish to salvage the self from its apparent disintegration. Finally, she looks at a group of writers who abandon not only the dualisms of subject and object, but dualistic thinking altogether. Literary impressionism, stream-of-consciousness and point-of-view narration, and the question of epiphany in literature acquire a new aspect when seen in the context of the psychologies without the self. Rilke's development of a position akin to phenomenology, Henry and Alice James's relation to their psychologist brother, Kafka's place in the modernist movements, Joyce's rewriting of Pater, Proust's engagement with contemporary thought, Woolf's presentation of consciousness, and Musil's projection of a utopian counter-reality are problems familiar to readers and critics: The Vanishing Subject radically revises the way we see them. |
| judith hermann: Africans in Colonial Mexico Herman L. Bennett, 2005-02-23 From secular and ecclesiastical court records, Bennett reconstructs the lives of slave and free blacks, their regulation by the government and by the Church, the impact of the Inquisition, their legal status in marriage and their rights and obligations as Christian subjects. |
| judith hermann: Back When We Were Grownups Anne Tyler, 2015-05-05 Once upon a time, there was a woman who discovered that she had turned into the wrong person. So Anne Tyler opens this irresistible new novel. The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s? On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel. As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser. |
| judith hermann: Unexpected Events Judith Cuffe, 2021-05-17 One wrong decision can shatter everything. At one time, happily married to Frenchman André, and running a wine shop in Ballycross, County Cork, Seren's world feels small yet perfectly formed. Things can change fast. In the aftermath of a devastating unexpected event, Seren loses all faith in life and her future. Tired of letting fate dictate, she takes matters into her own hands and soon learns that fate and faith are two very different things. The discovery of an email destined for her husband shatters her world further. In order to decipher the mystery behind it, Seren leaves behind her comfortable life in Ballycross, to travel to France. Unwittingly she places herself into a dangerous game that she never even knew existed - one where the winner is already determined. Four women. One man. Four very different stories: greed, revenge, love, loss. But who is telling the truth? Just how far is she willing to trust the man she loves? Till death, or beyond the unexpected? |
| judith hermann: German Women's Writing in the Twenty-first Century Hester Baer, Alexandra Merley Hill, 2015 Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived. |
| judith hermann: The Correspondents Judith Mackrell, 2023-02-28 The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. Thrilling from the first page to the last. —Mary Gabriel, author of Ninth Street Women Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories. —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop. |
| judith hermann: A Reunion Of Ghosts Judith Claire Mitchell, 2015-03-24 A NATIONAL JEWISH BOOK AWARD FINALIST “The Alter sisters are mordant, wry, and crystalline in wit and vision; it is a tremendous pleasure to rocket through generations of their family histories with them.” —Lauren Groff, New York Timesbestselling author of Fates and Furies, The Monsters of Templeton, and Arcadia In the waning days of 1999, the last of the Alters—three damaged but wisecracking sisters who share an apartment on Manhattan’s Upper West Side—decide it’s time to close the circle of the family curse by taking their own lives. But first, Lady, Vee, and Delph must explain the origins of that curse and how it has manifested throughout the preceding generations. Unspooling threads of history, personal memory, and family lore, they weave a mesmerizing account that stretches back a century to their great-grandfather, a brilliant scientist whose professional triumph became the terrible legacy that defines them. A suicide note crafted by three bright, funny women, A Reunion of Ghosts is the final chapter of a saga lifetimes in the making—one that is inexorably intertwined with the story of the twentieth century itself. “Mitchell explores the mixed-blessing bonds of family with wry wit. This original tale is black comedy at its best.”—People Book of the Week “A rich portrait of a complicated family, at turns violent and hilarious.”—Emma Straub, New York Timesbestselling author |
| judith hermann: Stories of Five Decades Hermann Hesse, 2013-01-22 This selection of twenty-three stories (twenty available in English for the first time) offers a spectrum of Hesse's writing from 1899 to 1948 that could be matched only by an edition of his poetry, since in no other form--novel, essay, autobiographical reflection--did he span so many years. Here, within the covers of a single volume, the reader can trace Hesse's development from the aestheticism of his youth through the realism and surrealism of the next decades to the classicism of his old age. And the reader who knows Hesse mainly through his major novels of the twenties and thirties will be surprised to encounter him in a variety of new incarnations. Yet the greatest surprise is to see how faithful he remains to his essential self from first to last. Even as he tests and discards literary modes, he consistently rejects external reality for the sake of an inner world created by imagination. All his stories, as Hesse himself realized, are concerned primarily with his own secret dreams, his own bitter anguish. Stories of Five Decades, arranged in chronological order, displays the full range of this storytelling as it blossomed over a lifetime. |
| judith hermann: Morning in the bowl of night Omar Khayam, 2014-07-04 Omar Khayyam's magical poetry with its rich sensual glow and evocative oriental imagery, once again available in Edward Fitzgerald's famous translation. Oen of the great classics of world literature. Large print edition PPERSIAN POETRY |
| judith hermann: The Thousand Autumns of Jacob de Zoet David Mitchell, 2010-06-29 By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize In 2007, Time magazine named him one of the most influential novelists in the world. He has twice been short-listed for the Man Booker Prize. The New York Times Book Review called him simply “a genius.” Now David Mitchell lends fresh credence to The Guardian’s claim that “each of his books seems entirely different from that which preceded it.” The Thousand Autumns of Jacob de Zoet is a stunning departure for this brilliant, restless, and wildly ambitious author, a giant leap forward by even his own high standards. A bold and epic novel of a rarely visited point in history, it is a work as exquisitely rendered as it is irresistibly readable. The year is 1799, the place Dejima in Nagasaki Harbor, the “high-walled, fan-shaped artificial island” that is the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay; the farthest outpost of the war-ravaged Dutch East Indies Company; and a de facto prison for the dozen foreigners permitted to live and work there. To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?” A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author. Praise for The Thousand Autumns of Jacob de Zoet “A page-turner . . . [David] Mitchell’s masterpiece; and also, I am convinced, a masterpiece of our time.”—Richard Eder, The Boston Globe “An achingly romantic story of forbidden love . . . Mitchell’s incredible prose is on stunning display. . . . A novel of ideas, of longing, of good and evil and those who fall somewhere in between [that] confirms Mitchell as one of the more fascinating and fearless writers alive.”—Dave Eggers, The New York Times Book Review “The novelist who’s been showing us the future of fiction has published a classic, old-fashioned tale . . . an epic of sacrificial love, clashing civilizations and enemies who won’t rest until whole family lines have been snuffed out.”—Ron Charles, The Washington Post “By any standards, The Thousand Autumns of Jacob de Zoet is a formidable marvel.”—James Wood, The New Yorker “A beautiful novel, full of life and authenticity, atmosphere and characters that breathe.”—Maureen Corrigan, NPR Look for special features inside. Join the Random House Reader’s Circle for author chats and more. |
| judith hermann: To Be a Man Nicole Krauss, 2020-11-03 “A sustained shot of brilliance” (Boston Globe)—ten globetrotting stories exploring the complex relationships between men and women. A Best Book/Short Story Collection of the Year: O, The Oprah Magazine, Financial Times, Esquire, Lit Hub, Bustle, Electric Literature, Library Journal New York Times Editors’ Choice Nicole Krauss plunges fearlessly into the struggle to understand men and women and the tensions that have existed in all relationships from the beginning of time. Set in our contemporary moment and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and an unnamed country in South America, the stories in To Be a Man feature men as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one another and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and newborn babies; young women’s coming-of-age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. With a fierce, unwavering light To Be a Man illuminates the forces driving human existence: sex, power, violence, passion, self-discovery, aging. Profound, poignant, and brilliant, Krauss’s stories, at once startling and deeply moving, are always revealing of all-too-human weakness and strength. “Superb. . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.” —Molly Antopol, New York Times Book Review ”From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” —Esquire |
| judith hermann: The Cleaner Elisabeth Herrmann, 2017 Judith is a crime scene specialist. She turns crime scenes back into habitable spaces. She is a cleaner. It is at the home of a woman who has been brutally murdered that she is suddenly confronted with her own past. When Judith begins to ask questions, she becomes the target of some powerful enemies. And nothing will ever be the same again. |
| judith hermann: Social Science and the Self Susan Krieger, 1991 . |
| judith hermann: The Holocaust Encyclopedia Walter Laqueur, Judith Tydor Baumel, 2001 Provides hundreds of entries and over 250 photographs of such Holocaust related topics as antisemitism, euthanasia, and mischlinge, including biographical information on such notorious figures as Adolph Hitler, Josef Mengele, and Amon Goeth. |
| judith hermann: Bliss Club Jüne Plã, 2020-11-26 Do you feel like you're missing out on your sexuality? Has the time spent with your lover(s) become a bit predictable and boring? Are you tired of the same old storylines about sex - foreplay, penetrate, ejaculate, repeat? In Bliss Club, Jüne Plã teaches you how to let go of your hang-ups and explore your sexuality at your own pace. You will learn everything there is to know about sex outside of the ‘penetration’ box, regardless of your gender or sexual orientation. With maps of pleasure zones as well as an inventory of moves, it is full of tips and tricks on how to pleasure yourself and your partner, resulting in explosive new experiences. Whether you’re a virgin or sex expert, Bliss Club is perfect for anyone wanting to reinvigorate their sex life. |
| judith hermann: Trauma Practice Anna B. Baranowsky, J. Eric Gentry, 2015 An essential reference and tool-kit for treating trauma survivors - now updated andeven more comprehensive.Trauma Practice, now in its 3rd edition, is back by popular demand! Filled with newresources, this book based on the tri-phasic trauma treatment model is a guide for bothseasoned trauma therapists and newer mental health professionals seeking practicalapproaches that work.Clearly written and detailed, Trauma Practice provides the reader with an array of techniques,protocols and interventions for effectively helping trauma survivors. TraumaPractice will help you address the (cognitive, behavioral, body-oriented, and emotional/relational) aftermath of trauma using impactful care approaches. In addition to presentingthe foundations of CBT trauma treatment, the authors also provide step-bystepexplanations of many popular and effective CBT techniques developed throughthe lens of phased trauma therapy. Interventions include Trigger List Development, 3-6Breath Training, Layering, Systematic Desensitization, Exposure Therapy, Story-TellingApproaches, as well as new approaches inspired by recent research on neuroplasticitysuch as Picture Positive, Corrective Messages from Old Storylines, and Thematic Map.Completely new sections are devoted to forward-facing trauma therapy, and clinicianself-care. This is a manual that you will find useful everyday in your trauma practice. |
| judith hermann: 1000 Coils of Fear Olivia Wenzel, 2022-07-07 'I have more privilege than any person in my family. And I'm still screwed.' From award-winning author Olivia Wenzel comes a captivating and unsettling literary debut about race, politics, feminism, motherhood, nationality and enduring love. A young woman attends a play about the Berlin Wall coming down and is the only Black person in the audience. She is sitting with her boyfriend by a bathing lake and four neo-Nazis show up. In New York, she witnesses Trump's election victory in a strange hotel room and later awakes to panicked messages from friends. Engaging in a witty question and answer with herself, the narrator looks at our rapidly changing times and tells the story of her family: her mother, who was a punk in East Germany and never had the freedom she dreamed of and her absent Angolan father. But in the background of everything is the memory of her twin brother, who died when they were nineteen. Heart-rending, opinionated and wry, Olivia Wenzel's remarkable debut novel is a clear-sighted investigation into origins and belonging, the roles society wants to force us into and why we need to resist them, and the freedoms and fears that being the odd one out brings. 'So exuberant, inventive, brainy, sensitive and hilarious that it's like a pyrotechnic flare illuminating the whole woman, past and present, radiant, unique, a voice and a novel to take with us into the future.' FRANCISCO GOLDMAN, author of Monkey Boy 'Bold and exceptional . . . Her impressive writing, born of a brilliant mind, surprises - stylistically, and by its frankness and associations . . . I rode in the passenger seat, beside the beauty and strangeness of 1000 Coils of Fear.' LYNNE TILLMAN, author of Men and Apparitions and Mothercare 'An audacious and disturbing novel.' MICHELLE DE KRETSER, author of Scary Monsters 'An exciting, confident debut.' Publishers Weekly 'Impressive, relentless, tender.' Faz |
| judith hermann: Domestic Disputes Necia Chronister, 2021-02-08 Domestic Disputes is the first monograph in German studies to offer a critical examination of the home ownership crisis in the former East Germany that resulted from unification policy, taking as its focus news media, made-for-television movies, cinematic releases, and prose fiction that depict property disputes between former East and West Germans. In the cultural productions discussed in this book, anxieties about social disenfranchisement through unification policy are dramatized in narratives in which Westerners acquire, or attempt to acquire, property in the former East Germany. Each chapter addresses a different type of narrative that has emerged to frame those anxieties, including those of neocolonial Western takeover, the engagement with difficult family histories, masculinity crises in the West, and the corporatization of home. Domestic Disputes is the first book-length study to outline the way in which homes were awarded to individuals and families as the former East Germany privatized and to offer in-depth examinations of the narratives that emerged from that social phenomenon. |
| judith hermann: Flower Men Ken Hermann, 2017-09 Flowers are a hugely important part of Indian culture, used in everything from temple rituals to festivals and parties - and Malik Ghat flower market is the largest of its kind in India. Located in Calcutta, next to the Hooghly river, it attracts more than 2,000 sellers each day, who flock to peddle their blooms amid frantic scenes. After having visited Calcutta and its flower market for the first time, Danish photographer Ken Hermann decided to take portraits of the sellers, their magnificent garlands often appearing in stark contrast to their own dusty and sweat-soaked attire. |
| judith hermann: What Doesn't Kill Us Stephen Joseph, 2012-02-02 Research has shown than anywhere from 30 to 90 per cent of people confronted by tragedy, horror and adversity emerge as wiser, more mature and more fulfilled people, sometimes despite great sadness. Relationships become stronger. Perspectives on life change. Inner strengths are found. For the past twenty years, Stephen Joseph has worked with survivors of trauma and sufferers of posttraumatic stress. In this groundbreaking book, he boldly challenges the notion that trauma and its aftermath devastate and destroy the lives. His studies have shown that a wide range of traumatic events - from illness, separation, assault and bereavement to accidents, natural disasters and terrorism - can act as catalysts for positive change, strengthening relationships, changing one's perspective and revealing inner strengths. In What Doesn't Kill Us, Stephen Joseph shares the six steps we can all use to manage our emotions and navigate adversity to find new meaning, purpose and direction in our lives. |
| judith hermann: The Age of Uncertainty Tobias Hürter, 2022-08-30 The epic, page-turning history of how a group of physicists toppled the Newtonian universe in the early decades of the twentieth century. Marie Curie, Max Planck, Niels Bohr, Werner Heisenberg, Ernst Schrödinger, and Albert Einstein didn't only revolutionise physics; they redefined our world and the reality we live in. In The Age of Uncertainty, Tobias Hürter brings to life the golden age of physics and its dazzling, flawed, and unforgettable heroes and heroines. He immerses us in a half century of global turmoil against which some of humankind's greatest and strangest scientific discoveries unfolded, expertly guiding us through the brilliant and mind-bending ideas that turned the world on its head. The work of the twentieth century's most important physicists produced scientific breakthroughs that led to an entirely new view of physics -- and a view of the universe that is still not fully understood today, even as evidence for its accuracy is all around us. The men and women who made these discoveries were intellectual adventurers, renegades, dandies, and nerds, some bound together by deep friendship; others, by bitter enmity. But the age of relativity theory and quantum mechanics was also the age of wars and revolutions. The discovery of radioactivity transformed science ,but also led to the horrors of Hiroshima and Nagasaki. Throughout The Age of Uncertainty, Hürter reminds us about the entanglement of science and world events, for we cannot observe the world without changing it. |
| judith hermann: Winter Adam Gopnik, 2011 Collects the thoughts and perspectives of artists, poets, composers, writers, explorers, and scientists on the season of winter, from reflections on snow and God to the future of northern culture. |
| judith hermann: The Short Story in German in the Twenty-first Century Lyn Marven, Andrew Plowman, Kate Roy, 2020 Since the 1990s, the short story has re-emerged in the German-speaking world as a vibrant literary genre. This volume aims to establish a framework for further research into this rich field. The introduction and six thematic chapters discuss theories of the short-story form, literary-aesthetic questions, and key trends in the twenty-first century. Seven chapters on significant literary figures from Germany, Austria, and Switzerland then offer a range of theoretical and thematic approaches to individual stories and collections. Finally, two original translations showcase contemporary short-story writing in German. |
| judith hermann: Notebooks Paul Valéry, 2000 |
| judith hermann: Allegories of War John P. Hermann, 1989 Explores the intersection of spirituality and violence in Old English poetry using contemporary approaches |
| judith hermann: Género, lenguaje y traducción José Santaemilia, 2003 Recopilación de gran parte de las conferencias y comunicaciones presentadas al Primer Seminario Internacional sobre Género y Lenguaje (el género de la traducción - la traducción del género), celebrado en la Universidad de Valencia, durante los días 16, 17 y 18 de octubre de 2002. Se trataba de la primera vez en que unas reflexiones sobre dicha temática se celebraban en Valencia: unas reflexiones de auténtico carácter internacional, con acercamientos y propuestas diversos. Los artículos incluidos en estas actas van desde la representación de la mujer en la lengua y la cultura hasta la traducción feminista, pasando por el estudio del género en la lengua y el discurso o la enseñanza del género y de la traducción. |
| judith hermann: Deletion phenomena in comparative constructions Julia Bacskai-Atkari , 2018 This book provides a new analysis for the syntax of comparatives, focusing on various deletion phenomena affecting the subclause. In particular, the proposed account shows that Comparative Deletion is merely a surface phenomenon that can be drawn back to the overtness of the comparative operator and the availability of lower copies of a movement chain, and it is thus subject to both language-internal and cross-linguistic variation. The main focus of the book is on English, yet other languages are also discussed for comparative purposes, with the aim of showing what the idiosyncratic properties of English comparatives are. |
| judith hermann: German Women Writers and the Spatial Turn: New Perspectives Carola Daffner, Beth A. Muellner, 2015-07-01 In the last few decades, the phrase “spatial turn” has received increased attention in German Studies, inspired by developments within the discipline of geography. The volume German Women Writers and the Spatial Turn: New Perspectives engages the analytical category of space and the spatial turn in the context of German women’s writing. The collection of essays divides its discussion of spatiality in German literature into sections that reflect privileged sites within the current scholarly debates around space. Essays look to such issues as environmentalism, globalization, migration and immigration, concerns of belonging, points of encounter, spaces and places of (im-)mobility, topographies of departure and arrival, movement, motion, or shifting identities. German Women Writers and the Spatial Turn: New Perspectives continues the challenge to understand the representation of space and place in German language texts by focusing on how spatial theory figures into the realm of feminist thinking and writing. |
Book of Judith - Wikipedia
The Book of Judith is a deuterocanonical book included in the Septuagint and the Catholic and Eastern Orthodox Christian Old Testament of the Bible but excluded from the Hebrew canon and …
The Book of Judith - Bible Gateway
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith, THE BOOK OF JUDITH - USCCB
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith: A Remarkable Heroine - Biblical Archaeology Society
Aug 25, 2024 · The Book of Judith —considered canonical by Roman Catholics, Apocrypha Literature by Protestants, and non-canon by Jews—tells the story of the ignominious defeat of …
JUDITH CHAPTER 1 KJV - King James Bible Online
Why is Judith shown with the King James Bible? 1 In the twelfth year of the reign of Nabuchodonosor, who reigned in Nineve, the great city; in the days of Arphaxad, which reigned …
Topical Bible: Judith
Judith, a devout and beautiful widow, emerges as the heroine of the account. When her town is besieged and the people are on the brink of surrender, Judith steps forward with a bold plan. She …
Biblical literature - Judith, Apocrypha, Heroine | Britannica
Judith is an exemplary Jewish woman. Her deed is probably invented under the influence of the account of the 12th-century- bce Kenite woman Jael (Judg. 5:24–27), who killed the Canaanite …
Book of Judith - New World Encyclopedia
The Book of Judith is a deuterocanonical book, included in the Roman Catholic and Eastern Orthodox Bibles, but excluded by Jews and Protestants. However, it remains a popular and …
Judith (given name) - Wikipedia
Judith is a feminine given name derived from the Hebrew name Yəhūdīt (יְהוּדִית), meaning "praised" and also more literally "Woman of Judea". It is the feminine form of Judah. Judith appeared in the …
The Biblical Meaning of Judith: A Woman of Strength and Faith
In the Bible, the story of Judith is a powerful tale of faith, bravery, and divine intervention. Her name means “Jewish woman” or “woman of Judea,” and she is celebrated for her courage and cunning …
Book of Judith - Wikipedia
The Book of Judith is a deuterocanonical book included in the Septuagint and the Catholic and Eastern Orthodox Christian Old Testament of the Bible but excluded from the Hebrew canon …
The Book of Judith - Bible Gateway
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith, THE BOOK OF JUDITH - USCCB
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith: A Remarkable Heroine - Biblical Archaeology Society
Aug 25, 2024 · The Book of Judith —considered canonical by Roman Catholics, Apocrypha Literature by Protestants, and non-canon by Jews—tells the story of the ignominious defeat of …
JUDITH CHAPTER 1 KJV - King James Bible Online
Why is Judith shown with the King James Bible? 1 In the twelfth year of the reign of Nabuchodonosor, who reigned in Nineve, the great city; in the days of Arphaxad, which …
Topical Bible: Judith
Judith, a devout and beautiful widow, emerges as the heroine of the account. When her town is besieged and the people are on the brink of surrender, Judith steps forward with a bold plan. …
Biblical literature - Judith, Apocrypha, Heroine | Britannica
Judith is an exemplary Jewish woman. Her deed is probably invented under the influence of the account of the 12th-century- bce Kenite woman Jael (Judg. 5:24–27), who killed the Canaanite …
Book of Judith - New World Encyclopedia
The Book of Judith is a deuterocanonical book, included in the Roman Catholic and Eastern Orthodox Bibles, but excluded by Jews and Protestants. However, it remains a popular and …
Judith (given name) - Wikipedia
Judith is a feminine given name derived from the Hebrew name Yəhūdīt (יְהוּדִית), meaning "praised" and also more literally "Woman of Judea". It is the feminine form of Judah. Judith …
The Biblical Meaning of Judith: A Woman of Strength and Faith
In the Bible, the story of Judith is a powerful tale of faith, bravery, and divine intervention. Her name means “Jewish woman” or “woman of Judea,” and she is celebrated for her courage and …
