Advertisement
| john ford eye patch: John Ford Tag Gallagher, 1986 This radical re-reading of Ford's work studies his films in the context of his complex character, demonstrating their immense intelligence and their profound critique of our culture. |
| john ford eye patch: John Ford Scott Eyman, Paul Duncan, 2004 This text takes a critical look at the films of John Ford, including 'Stagecoach', 'The Fugitive' and 'The Quiet Man'. |
| john ford eye patch: Searching for John Ford Joseph McBride, 2011-02-11 John Ford's classic films—such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, The Quiet Man, and The Searchers—have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford, described as definitive by both the New York Times and the Irish Times, surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as “Bull” Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands. |
| john ford eye patch: John Ford Ronald L. Davis, 2014-12-17 John Ford remains the most honored director in Hollywood history, having won six Academy Awards and four New York Film Critics Awards. Drawing upon extensive written and oral history, Ronald L. David explores Ford’s career from his silent classic, The Iron Horse, through the transition to sound, and then into the pioneer years of location filming, the golden years of Hollywood, and the movement toward television. During his career, Ford made such classics as Stagecoach, The Grapes of Wrath, How Green Was My Valley, and The Searchers-136 pictures in all, 54 of them Westerns. The complexity of his personality comes alive here through the eyes of his colleagues, friends, relatives, film critics, and the actors he worked with, including John Wayne, Henry Fonda, Maureen O’Hara, and Katharine Hepburn. |
| john ford eye patch: Women in the Films of John Ford David Meuel, 2014-02-28 While John Ford (1894-1973) remains one of the most influential and revered directors in film history, he is also one of the most frequently misunderstood. One widespread assumption is that he was almost exclusively a man's director, dismissive of, or at best not well attuned to, the stories, perspectives and concerns of women. This book forthrightly challenges such an assumption, giving readers a richer understanding of the director's view of the world and of the women as well as the men who inhabit it. Taking a fresh look at dozens of Ford films, both familiar favorites and under-appreciated gems, it focuses on the complex and diverse female characters in them as well as the actresses who so ably portrayed them. |
| john ford eye patch: John Ford Peter Bogdanovich, 1967 |
| john ford eye patch: John Wayne's America Garry Wills, 2013-05-28 The Pulitzer Prize-winning author of Lincoln at Gettysburg brings his eloquence, wit, and on-target perceptions of American life and politics to this fascinating, well-drawn protrait of a twentieth-century hero. In this work of great originality—the biography of an idea—Garry Wills shows how John Wayne came to embody Amercian values and influenced our cultoure to a degree unmatched by any other public figure of his time. In Wills's hands, Waynes story is tranformed into a compelling narrative about the intersection of popular entertainment and political realities in mid-twentieth-century America. |
| john ford eye patch: The John Ford Encyclopedia Sue Matheson, 2019-12-02 The John Ford Encyclopedia is the first reference volume devoted to one of the greatest directors in American cinema. In addition to highlighting all of the films, entries in this volume include studios, shooting locations, and key personnel associated with Ford’s movies—from stuntmen like Yakima Canutt to iconic actors like John Wayne. |
| john ford eye patch: John Ford Made Westerns Gaylyn Studlar, Matthew Bernstein, 2001-04-22 The Western is arguably the most popular and longlived form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. filmmakers, and on everything from Star Wars to Taxi Driver.In nine majors essays from some of the most prominent scholars of Hollywood film, John Ford Made Westerns: Filming The Legend in The Sound Era situates the sound era westerns of John Ford within contemporary critical contexts and regards them from fresh perspectives. These range from examining Ford's relation to other art forms (most notably literature, painting and music) to exploring the development of the director's public reputation as a director of Westerns. Articles also address the intricacies of Ford's shifting approach to storytelling and the subtle techniques whereby Ford's films guide spectator interpretation and emotional engagement.While giving attention to film style and structure, the volume also explores the ways in which these much loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial and sexual identity. Authors also examine how Ford's sound-era Westerns create a complex relationship to the genre's traditional project of defining an American nation and how they uphold up but also question popular culture depictions of history and nationhood, to offer a commentary that engages with both the past, the present and the future.In addition to new scholarship, the volume also offers a dossier section of out of the way magazine articles that illuminate the issues raised by essays, including the director's tribute to John Wayne as well as a moving posthumous appraisal of the director published by the Director's Guild of America. |
| john ford eye patch: Wayne and Ford Nancy Schoenberger, 2017-10-24 John Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John “Duke” Wayne was a mere stagehand and bit player in “B” Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in Stagecoach, and from there the two men established a close, often turbulent relationship. Their most productive years saw the release of one iconic film after another: Rio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance. But by 1960 the bond of their friendship had frayed, and Wayne felt he could move beyond his mentor with his first solo project, The Alamo. Few of Wayne’s subsequent films would have the brilliance or the cachet of a John Ford Western, but viewed together the careers of these two men changed moviemaking in ways that endure to this day. Despite the decline of the Western in contemporary cinema, its cultural legacy, particularly the type of hero codified by Ford and Wayne—tough, self-reliant, and unafraid to fight but also honorable, trustworthy, and kind—resonates in everything from Star Wars to today’s superhero franchises. Drawing on previously untapped caches of letters and personal documents, Nancy Schoenberger dramatically narrates a complicated, poignant, and iconic friendship and the lasting legacy of that friendship on American culture. |
| john ford eye patch: The Mysteries of Cinema: Movies and Imagination Peter Conrad, 2021-04-20 Ranging from the late nineteenth century to the present day, this exhilarating survey by cultural critic Peter Conrad explores the ways film has changed how we see the world. This is a thematic roller-coaster ride through cinema history, with film expert Peter Conrad in the seat beside you. Thoroughly international, this book ranges from Fay Wray to Satyajit Ray, from Buster Keaton to Kurosawa, from westerns to nouvelle vague. Conrad explores the medium’s relationship to speed, technology, fantasy, horror, dream, color, sound, light, and shadow with reference to scores of films, from the earliest nineteenth-century silent experiments to the latest multisensory Hollywood blockbusters. The author’s insights are amplified by voices from inside and outside the industry: directors and critics are included alongside artists, writers, philosophers, and historians ranging from Leo Tolstoy to Salvador Dalí, Theodor Adorno to Philip Roth. Arranged by topics, such as “Meta-Movie” and “The Physics of Film,” rather than chronological events, The Mysteries of Cinema focuses on film’s otherworldly, hypnotic, and magical qualities. Perfect for both movie fans who will discover new films and directors, and for students of film who will see familiar classics in a new light, this volume is full of unique insights into the genre. Combining his vast knowledge with a forensic eye for a director’s every quirk and mannerism, Conrad offers a fascinating and thrilling exploration of film. |
| john ford eye patch: The Routledge Companion to Philosophy and Film Paisley Livingston, Carl Plantinga, 2008-10-27 The Routledge Companion to Philosophy and Film is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companion features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends • genres • film as philosophy. Part one is a comprehensive section examining key concepts, including chapters on acting, censorship, character, depiction, ethics, genre, interpretation, narrative, reception and spectatorship and style. Part two covers authors and scholars of film and significant theories Part three examines genres such as documentary, experimental cinema, horror, comedy and tragedy. Part four includes chapters on key directors such as Tarkovsky, Bergman and Terrence Malick and on particular films including Memento. Each chapter includes a section of annotated further reading and is cross-referenced to related entries. The Routledge Companion to Philosophy and Film is essential reading for anyone interested in philosophy of film, aesthetics and film and cinema studies. |
| john ford eye patch: Wayne and Ford Nancy Schoenberger, 2018-11-06 John Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John “Duke” Wayne was a mere stagehand and bit player in “B” Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in Stagecoach, and from there the two men established a close, often turbulent relationship. Their most productive years saw the release of one iconic film after another: Rio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance. But by 1960 the bond of their friendship had frayed, and Wayne felt he could move beyond his mentor with his first solo project, The Alamo. Few of Wayne’s subsequent films would have the brilliance or the cachet of a John Ford Western, but viewed together the careers of these two men changed moviemaking in ways that endure to this day. Despite the decline of the Western in contemporary cinema, its cultural legacy, particularly the type of hero codified by Ford and Wayne—tough, self-reliant, and unafraid to fight but also honorable, trustworthy, and kind—resonates in everything from Star Wars to today’s superhero franchises. Drawing on previously untapped caches of letters and personal documents, Nancy Schoenberger dramatically narrates a complicated, poignant, and iconic friendship and the lasting legacy of that friendship on American culture. |
| john ford eye patch: Three Bad Men Scott Allen Nollen, 2013-03-29 These were unique, complex, personal and professional relationships between master director John Ford and his two favorite actors, John Wayne and Ward Bond. The book provides a biography of each and a detailed exploration of Ford's work as it was intertwined with the lives and work of both Wayne and Bond (whose biography here is the first ever published). The book reveals fascinating accounts of ingenuity, creativity, toil, perseverance, bravery, debauchery, futility, abuse, masochism, mayhem, violence, warfare, open- and closed-mindedness, control and chaos, brilliance and stupidity, rationality and insanity, friendship and a testing of its limits, love and hate--all committed by a half-genius, half-Irish cinematic visionary and his two surrogate sons: Three Bad Men. |
| john ford eye patch: Hollywood's Indian Peter Rollins, 2011-01-23 Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life. |
| john ford eye patch: John Ford's Westerns William Darby, 2015-08-01 John Ford's early Westerns reflect an optimistic view of society and individual capacity; as his thematic vision evolved, he became more resigned to the limitations of humanity. His thematic evolution was evident in other films, but was best shown in his Westerns, with their stark depictions of the human condition. Ford's sound Westerns and his major silent films are compared in this work, revealing how his creative genius changed over time. A complete filmography of Ford's Westerns is also provided. |
| john ford eye patch: Five Came Back Mark Harris, 2015-02-24 One of The Hollywood Reporter’s 100 Greatest Film Books of All Time “One of the great works of film history of the decade.” —Slate Now a Netflix original documentary series, also written by Mark Harris: the extraordinary wartime experience of five of Hollywood's most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors—John Ford, George Stevens, John Huston, William Wyler, and Frank Capra—changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America’s war, shaping the public’s collective consciousness of what we’ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood’s role in the war through the life and work of these five men who chose to go, and who came back. |
| john ford eye patch: Theories of Authorship John Caughie, 2013-10-08 The film director or `auteur' has been central in film theory and criticism over the past thirty years. Theories of Authorship documents the major stages in the debate about film authorship, and introduces recent writing on film to suggest important ways in which the debate might be reconsidered. |
| john ford eye patch: Hot Paint Robert S. Levinson, 2003-08-18 L.A. newspaper columnist Neil Gulliver and his ex-wife, Stevie Marriner, chase after priceless art masterpieces stolen more than 70 years ago and believed lost forever. |
| john ford eye patch: Clark Gable Chrystopher J. Spicer, 2002-01-29 Clark Gable is a man de-classed. You can't guess in any way where he came from or what he was. Frank Taylor, producer of Gable's last film, The Misfits (1961), said this of the man who, to many people, will forever be Southern gentleman Rhett Butler of Gone with the Wind. This work tells Gable's life story, from his birth in 1901 in Cadiz, Ohio, to his death in 1960 in Hollywood. It chronicles his stage career, and of course gives information on every one of his films. His family background, his development as a person, the many romances including five marriages, and his relationships with friends and co-workers are all explored in detail. The sources used and the bibliography are fully annotated. |
| john ford eye patch: John Wayne Randy Roberts, 1997-01-01 John Wayne remains a constant in American popular culture. Middle America grew up with him in the late 1920s and 1930s, went to war with him in the 1940s, matured with him in the 1950s, and kept the faith with him in the 1960s and 1970s. . . . In his person and in the persona he so carefully constructed, middle America saw itself, its past, and its future. John Wayne was his country’s alter ego. Thus begins John Wayne: American, a biography bursting with vitality and revealing the changing scene in Hollywood and America from the Great Depression through the Vietnam War. During a long movie career, John Wayne defined the role of the cowboy and soldier, the gruff man of decency, the hero who prevailed when the chips were down. But who was he, really? Here is the first substantive, serious view of a contradictory private and public figure. |
| john ford eye patch: Mything in Action Don Lago, 2006 There are times when nations are no longer sure of what they are and what their purpose is, and for America 2004 was such a time. For 200 years America was the hope and role model of the democratic world, but now America is failing in this role. The national myths-the stories, heroes, self-images, and social values-that have guided America from the beginning are now misleading and failing us. Our heroic self-image tricked us into disasters in Vietnam and Iraq. Our frontier experience has left us refusing to face environmental limits. Our individualistic values have left us unwilling to care about one another as a people. Basic questions of national identity ran strong in the 2004 presidential campaign. Mything in Action uses the campaign to explore America's guiding myths in action in the most iconic places in the American imagination: Lexington and Concord on the 4th of July, Hollywood, Beverly Hills, the Grand Canyon, Las Vegas, a Mark Twain riverboat town, a Wild West town, and John Wayne's hometown. Mything in Action is a unique, literary exploration of American history, culture, and politics, offering a deeper analysis of America's difficulties than the usual partisan polemics. |
| john ford eye patch: I Thought We Were Making Movies, Not History Walter Mirisch, 2008-04-10 This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars—emerging and established—who appeared in his films, including Natalie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy—as Elmore Leonard puts it—as “one of the good guys.” Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association |
| john ford eye patch: Backstory 5 Patrick McGilligan, 2009-10-27 Patrick McGilligan continues his celebrated interviews with exceptional screenwriters in Backstory 5, focusing on the 1990s. The thirteen featured writers—Albert Brooks, Jean-Claude Carrière, Nora Ephron, Ronald Harwood, John Hughes, David Koepp, Richard LaGravenese, Barry Levinson, Eric Roth, John Sayles, Tom Stoppard, Barbara Turner, and Rudy Wurlitzer—are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan’s words, a snapshot of a profession in motion. Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges. Backstory 5 explores how these writers come up with their ideas, how they go about adapting a stage play or work of fiction, how they organize and structure their work, and much more. |
| john ford eye patch: John Ford and the American West Peter Cowie, 2004-11 From his first feature, Straight Shooting (1917), to Cheyenne Autumn (1964), it is especially in his Westerns - including such cinematic gems as Stagecoach, My Darling Clementine, Fort Apache, She Wore a Yellow Ribbon, Wagon Master, and The Searchers - that Ford created a unique personal vision of his country's past, both rooted in and reacting to the aspirations of Manifest Destiny, the supremely self-confident belief that continually propelled American society westward across the continent.. |
| john ford eye patch: Famous Doctors and Famous Patients Diane Cheney, 2024-02-01 Famous Doctors and Famous Patients: Lives in Jeopardy? examines well-known doctors who treated celebrities and describes the successes and failures of patients’ treatments. Featuring well-known public figures such as Humphrey Bogart, John Wayne, Marilyn Monroe, Frank Sinatra, Truman Capote, Cecil B. DeMille, John and Jacqueline Kennedy, Elizabeth Taylor, Billy Wilder, Tennessee Williams, Dan Aykroyd, Johnny Depp, Cary Grant, and Susan Sarandon—descriptions of each patient show the impact of treatment on patients’ lives, for better or worse. Often the mind-altering chemicals that promised patients’ relief imposed problems instead. In documenting and consolidating prominent historical medical case studies, Famous Doctors and Famous Patients enables readers to make better choices for their own medical care. |
| john ford eye patch: Assembly West Point Association of Graduates (Organization)., 2002 |
| john ford eye patch: John Wayne: The Life and Legend Scott Eyman, 2014-04 A revelatory biography of the enduringly popular John Wayne that draws on more than 100 interviews as well as exclusive access to the files of Wayne's film production company to answer the question why he became and remains an iconic American figure-- |
| john ford eye patch: John Ford in Focus Kevin L. Stoehr, Michael C. Connolly, 2007-12-06 This collection of essays offers a comprehensive examination of his life and career. Part one provides an overview of Ford's importance in the early development of cinema. Part two focuses on Ford's personal life. Part three explores theories that explai |
| john ford eye patch: Savages and Saints Bob Herzberg, 2014-01-10 The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture. Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film's production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points. Instructors considering this book for use in a course may request an examination copy here. |
| john ford eye patch: Sal Mineo Michael Gregg Michaud, 2011-10-11 Sal Mineo is probably most well-known for his unforgettable, Academy Award–nominated turn opposite James Dean in Rebel Without a Cause and his tragic murder at the age of thirty-seven. Finally, in this riveting new biography filled with exclusive, candid interviews with both Mineo’s closest female and male lovers and never-before-published photographs, Michael Gregg Michaud tells the full story of this remarkable young actor’s life, charting his meteoric rise to fame and turbulent career and private life. One of the hottest stars of the 1950s, Mineo grew up as the son of Sicilian immigrants in a humble Bronx flat. But by age eleven, he appeared on Broadway in Tennessee Williams’s The Rose Tattoo, and then as Prince Chulalongkorn in the original Broadway production of The King and I starring Yul Brynner and Gertrude Lawrence. This sultry-eyed, dark-haired male ingénue of sorts appeared on the cover of every major magazine, thousands of star-struck fans attended his premieres, and millions bought his records, which included several top-ten hits. His life offstage was just as exhilarating: full of sports cars, motor boats, famous friends, and some of the most beautiful young actresses in Hollywood. But it was fourteen-year-old Jill Haworth, his costar in Exodus—the film that delivered one of the greatest acting roles of his life and earned him another Academy Award nomination and a Golden Globe win—with whom he fell in love and moved to the West Coast. But by the 1960s, a series of professional missteps and an increasingly tumultuous private life reversed his fortunes. By the late sixties and early seventies, grappling with the repercussions of publicly admitting his homosexuality and struggling to reinvent himself from an aging teen idol, Mineo turned toward increasingly self-destructive behavior. Yet his creative impulses never foundered. He began directing and producing controversial off-Broadway plays that explored social and sexual taboos. He also found personal happiness in a relationship with male actor Courtney Burr. Tragically, on the cusp of turning a new page in his life, Mineo’s life was cut short in a botched robbery. Revealing a charming, mischievous, creative, and often scandalous side of Mineo few have known before now, Sal Mineo is an intimate, moving biography of a distinctive Hollywood star. |
| john ford eye patch: Duke Ronald L. Davis, 2012-09-06 Almost two decades after his death, John Wayne is still America’s favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne’s human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength. Davis traces Wayne’s story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his performance in John Ford’s 1939 film Stagecoach. From that point on, his skills and popularity grew as he appeared in such classics as Fort Apache, Red River, She Wore a Yellow Ribbon, The Quiet Man, The Searches, The Man who Shot Liberty Valance, and True Grit. A man’s ideal more than a woman’s, Wayne earned his popularity without becoming either a great actor or a sex symbol. In all his films, whatever the character, John Wayne portrayed John Wayne, a persona he created for himself: the tough, gritty loner whose mission was to uphold the frontier’s--and the nation’s--traditional values. To depict the different facets of Wayne’s life and career, Davis draws on a range of primary and secondary sources, most notably exclusive interviews with the people who knew Wayne well, including the actor’s costar Maureen O’Hara and his widow, Pilar Wayne. The result is a well-balanced, highly engaging portrait of a man whose private identity was eventually overshadowed by his screen persona--until he came to represent America itself. |
| john ford eye patch: John Carradine Tom Weaver, 2024-10-15 Over more than six decades and 200 films, supreme movie villain John Carradine defined the job of the character actor, running the gamut from preacher Casey of The Grapes of Wrath to his classic Count Dracula of House of Frankenstein and House of Dracula. But for every Prisoner of Shark Island or Jesse James, Carradine--who also did great work on Broadway and the classical theater (he produced, directed and starred in Hamlet)--hammed it up in scores of B and C horror and exploitation films, developing the while quite a reputation for scandal. Through it all, though, he remained a survivor and a true professional. This is the first ever work devoted exclusively to the films of John Carradine. In addition to the comprehensive filmography, there is a biography of Carradine (contributed by Gregory Mank), commentary on the man by indie film director Fred Olen Ray (who helmed many latter-day Carradine movies), and an interesting piece by director Joe Dante, who writes about Carradine's involvement in Dante's 1981 werewolf movie The Howling. |
| john ford eye patch: John Wayne Michael Munn, 2005-03-01 A rare behind-the-scenes look at John Wayne: the legend, hero, and Hollywood icon of numerous epic Western films, including an Academy Award-winning performance in True Grit. No legend ever walked taller than “The Duke.” Now, author Michael Munn’s startling new biography of John Wayne sets the record straight on why Wayne didn’t serve in World War II, on director John Ford’s contribution to Wayne’s career, and the mega-star’s highs and lows: three failed marriages, and two desperate battles with cancer. Munn also discloses publicly, for the first time, Soviet dictator Josef Stalin’s plot to assassinate Wayne because of his outspoken, potentially influential anti-Communist views. Drawing on time spent with Wayne on the set of Brannigan—and almost 100 interviews with those who knew him—Munn’s rare, behind-the-scenes look proves this “absolute all-time movie star” was as much a hero in real life as he ever was on-screen. |
| john ford eye patch: The Cinema of John Ford John Baxter, 1971 |
| john ford eye patch: 100 People Who Changed 20th-Century America Mary Cross, 2013-01-07 To what extent does a person's own success result in social transformation? This book offers 100 answers, providing thought-provoking examples of how American culture was shaped within a crucial time period by individuals whose lives and ideas were major agents of change. 100 People Who Changed 20th-Century America provides a two-volume encyclopedia of the individuals whose contributions to society made the 20th century what it was. Comprising contributions from 20 academics and experts in their field, the thought-provoking essays examine the men and women who have shaped the modern American cultural experience—change agents who defined their time period as a result of their talent, imagination, and enterprise. Organized chronologically by the subjects' birthdates, the essays are written to be accessible to the general reader yet provide in-depth information for scholars, ensuring that the work will appeal to many audiences. |
| john ford eye patch: Travelers' Tales, American Southwest Sean O'Reilly, James O'Reilly, 2001 With its vast vistas, splendid sunsets, and rich history, the American Southwest has always inspired superb writing. Travelers' Tales Southwest features a choice selection of some of the best by Tony Hillerman, David Roberts, Barbara Kingsolver, Alex Schoumatoff, Terry Tempest Williams, Edward Abbey, and others. Maps. |
| john ford eye patch: Stop the Wheel, I Want to Get Off! Susan Stafford, 2011-02-22 |
| john ford eye patch: Goal Dust Woody Strode, Sam Young, 1993 Woody Strode's extraordinary career led him from football field to wrestling ring to Hollywood. In 1939 Woody, Jackie Robinson and Kenny Washington led UCLA to its first undefeated football season. After World War II Woody and Kenny Washington became the first blacks to play in the NFL. In 1950 Woody became pro wrestling's first black star, After that it was a small step to Hollywood where he appeared in such films as The Ten Commandments, Spartacus, and The Cotton Club. Sam Young and Woody Strode met while working on a televisions production. Their relationship grew until after three years, countless hours of conversations and interviews, Goal Dust was completed. |
| john ford eye patch: Grace Thilo Wydra, 2014-11-18 Thirty years ago, Grace Kelly was tragically killed when her vehicle tumbled forty meters from the serpentine roads of Monaco. She has since become a myth, a style icon existing between the glamour of Hollywood and the royalty of Monaco. As Hitchcock’s favorite actress to work with, Kelly acted in classic films including Rear Window and To Catch a Thief, opposite actors such as Frank Sinatra and Cary Grant. Yet her private life remained in the shadows. Her marriage to Prince Rainier III was not anchored by love, and her life on the Riviera was more akin to a golden cage. She was an individual torn between illusion and reality, simultaneously idolized by millions. This comprehensive biography draws from previously unreleased photographs and documents from the Grimaldi family archive and, for the first time, access to the letters between Kelly and Hitchcock. It is also based on interviews with Kelly’s companions and relatives, including an exclusive interview with Prince Albert II of Monaco. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home. |
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to ask him who he was. 20 He did not fail to …
John 1 KJV - In the beginning was the Word, and the - Bible Gateway
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible Gateway
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he was simply a witness to tell …
John 1 NKJV - The Eternal Word - In the beginning was - Bible …
John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, that all through him might believe. 8 …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible Gateway
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd of people followed him because they …
John 11 NIV - The Death of Lazarus - Now a man named - Bible …
The Death of Lazarus - Now a man named Lazarus was sick. He was from Bethany, the village of Mary and her sister Martha. (This Mary, whose brother Lazarus now lay sick, was the same …
John 5 NIV - The Healing at the Pool - Some time - Bible Gateway
John 5:4 Some manuscripts include here, wholly or in part, paralyzed—and they waited for the moving of the waters. 4 From time to time an angel of the Lord would come down and stir up …
John 16 NIV - “All this I have told you so that you - Bible Gateway
“All this I have told you so that you will not fall away. They will put you out of the synagogue; in fact, the time is coming when anyone who kills you will think they are offering a service to God. …
JOhn 19 NIV - Jesus Sentenced to Be Crucified - Bible Gateway
Jesus Sentenced to Be Crucified - Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe …
John 8 NIV - but Jesus went to the Mount of Olives. - Bible Gateway
John 8:28 The Greek for lifted up also means exalted. John 8:38 Or presence. Therefore do what you have heard from the Father. John 8:39 Some early manuscripts “If you are Abraham’s …
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to …
John 1 KJV - In the beginning was the Word, and the - Bible …
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible G…
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he …
John 1 NKJV - The Eternal Word - In the beginning was - Bibl…
John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible …
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd …
