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| john hooper the italian: The Italians John Hooper, 2015-01-29 'Hooper has written a fascinating, affectionate and well-researched study that delivers the tantalising flavour of a country as hot, cold, bitter and sweet as an affogato' The Telegraph 'This portrait of a nation is required reading for anyone heading to a Tuscan villa or Puglian beach this summer' Financial Times Sublime and maddening, fascinating yet baffling, Italy is a country of endless paradox and seemingly unanswerable riddles. John Hooper's marvellously entertaining and perceptive book is the ideal companion for anyone seeking to understand contemporary Italy and the unique character of the Italians. Looking at the facts that lie behind - and often belie - the stereotypes, his revealing book sheds new light on many aspects of Italian life: football and Freemasonry, sex, symbolism and the reason why Italian has twelve words for a coat hanger, yet none for a hangover. |
| john hooper the italian: The Italians John Hooper, 2015 John Hooper presents the ideal companion for anyone seeking to understand contemporary Italy and the unique character of the Italians. Digging deep into their history, culture and religion, he offers keys to assessing everything from their bewildering politics to their love of life and beauty |
| john hooper the italian: The Dark Heart of Italy Tobias Jones, 2004 Jones recounts his four-year voyage across the Italian peninsula where, instead of the pastoral bliss he expected, he discovers unfathomable terrorism and deep-seated paranoia. |
| john hooper the italian: Italian Days Barbara Grizzuti Harrison, 2015-07-07 A “contagiously exuberant” celebration of Italian food, culture, and history that “will be the companion of visitors for years to come” (The Washington Post Book World). In an absorbing journey down the Italian peninsula, essayist, journalist, and fiction writer Barbara Grizzuti Harrison, offers a fascinating mixture of history, politics, folklore, food, architecture, arts, and literature, studded with local anecdotes and personal reflections. From fashionable Milan to historic Rome and primitive, brooding Calabria, Harrison reveals her country of origin in all its beauty, peculiarity, and glory. Italian Days is the story of a return home; of friends, family, and faith; and of the search for the good life that propels all of us on our journeys wherever we are. “Harrison’s wonderful journal will make you update your passport and dream of subletting your job, home, etc. . . . With Harrison, you never know with whom you’ll be lunching, or climbing down a ruin. You just know you want to be there.” —Glamour |
| john hooper the italian: A Concise History of Italy Christopher Duggan, 1994-04-21 A concise history of Italy from the fall of the Roman empire in the west to the present day. |
| john hooper the italian: Ciao, America! Beppe Severgnini, 2003-05-13 In the wry but affectionate tradition of Bill Bryson, Ciao, America! is a delightful look at America through the eyes of a fiercely funny guest—one of Italy’s favorite authors who spent a year in Washington, D.C. When Beppe Severgnini and his wife rented a creaky house in Georgetown they were determined to see if they could adapt to a full four seasons in a country obsessed with ice cubes, air-conditioning, recliner chairs, and, of all things, after-dinner cappuccinos. From their first encounters with cryptic rental listings to their back-to-Europe yard sale twelve months later, Beppe explores this foreign land with the self-described patience of a mildly inappropriate beachcomber, holding up a mirror to America’s signature manners and mores. Succumbing to his surroundings day by day, he and his wife find themselves developing a taste for Klondike bars and Samuel Adams beer, and even that most peculiar of American institutions—the pancake house. The realtor who waves a perfect bye-bye, the overzealous mattress salesman who bounces from bed to bed, and the plumber named Marx who deals in illegally powerful showerheads are just a few of the better-than-fiction characters the Severgninis encounter while foraging for clues to the real America. A trip to the computer store proves just as revealing as D.C.’s Fourth of July celebration, as do boisterous waiters angling for tips and no-parking signs crammed with a dozen lines of fine print. By the end of his visit, Severgnini has come to grips with life in these United States—and written a charming, laugh-out-loud tribute. |
| john hooper the italian: The Spaniards John Hooper, 1987 Since Franco's death Spain has become a land of extraordinary paradoxes - a nation where traditional values vie with increased sexual freedom, where the meseta and sierras are becoming deserted while the workers' suburbs are packed with a new, streetwise generation. John Hooper's authoritative study of this new Spain focuses on issues affecting the ordinary Spaniard - housing, education, religion, public and private morality. He illuminates the quirks of a society of police trade unions and wife-swapping bars, a nation in which the king pays tax yet almost tow thirds of the unemployed do not qualify for welfare payments. |
| john hooper the italian: 492 Great Things About Being Italian Boze Hadleigh, 2015-09-15 492 Great Things About Being Italian is fun, informative and catnip for 17 million Italian-Americans. It follows in the footsteps of other successful books aimed at this minority proud of its remarkable—and ongoing!—heritage. It comprises 492 (as in 1492…) individual people, things, places and phenomena that make one proud to be Italian (or half-Italian, which adds millions more to the target market). But one doesn’t have to be Italian to enjoy this book, any more than one has to be Jewish to love rye bread! Italy is Americans’ second-favorite travel destination outside North America, and Italian foods, celebrities, entertainment, etc., are popular with most everyone. It’s also the kind of book that once you peek inside, you won’t be able to read just one entry of the 492—it’s like potato chips! |
| john hooper the italian: Italy Harry Hearder, Jonathan Morris, 2001-12-13 Italy: A Short History is a concise but comprehensive account of Italian history from the Ice Age to the present day. It is intended for both students of Italian history and culture and the general reader, whether tourist, business-person or traveller, with an interest in Italian affairs. Harry Hearder places the main political developments in Italian history in their economic and social context, and shows how these related to the great moments of artistic and cultural endeavour. Amongst key events, he analyses the growth and decline of the Roman Empire, the remarkable cultural achievements of the Renaissance, Italian unification and the contradictions of the fascist dictatorship of Mussolini. Jonathan Morris brings the work up to the present day with an authoritative but colourful history of the corruption scandals that brought down the post-war Italian political system in the 1990s and the new political forces that have emerged in its place. |
| john hooper the italian: La Bella Figura Beppe Severgnini, 2008-11-12 Join the bestselling author of Ciao, America! on a lively tour of modern Italy that takes you behind the seductive face it puts on for visitors—la bella figura—and highlights its maddening, paradoxical true self You won’t need luggage for this hypothetical and hilarious trip into the hearts and minds of Beppe Severgnini’s fellow Italians. In fact, Beppe would prefer if you left behind the baggage his crafty and elegant countrymen have smuggled into your subconscious. To get to his Italia, you’ll need to forget about your idealized notions of Italy. Although La Bella Figura will take you to legendary cities and scenic regions, your real destinations are the places where Italians are at their best, worst, and most authentic: The highway: in America, a red light has only one possible interpretation—Stop! An Italian red light doesn’t warn or order you as much as provide an invitation for reflection. The airport: where Italians prove that one of their virtues (an appreciation for beauty) is really a vice. Who cares if the beautiful girls hawking cell phones in airport kiosks stick you with an outdated model? That’s the price of gazing upon perfection. The small town: which demonstrates the Italian genius for pleasant living: “a congenial barber . . . a well-stocked newsstand . . . professionally made coffee and a proper pizza; bell towers we can recognize in the distance, and people with a kind word and a smile for everyone.” The chaos of the roads, the anarchy of the office, the theatrical spirit of the hypermarkets, and garrulous train journeys; the sensory reassurance of a church and the importance of the beach; the solitude of the soccer stadium and the crowded Italian bedroom; the vertical fixations of the apartment building and the horizontal democracy of the eat-in kitchen. As you venture to these and many other locations rooted in the Italian psyche, you realize that Beppe has become your Dante and shown you a country that “has too much style to be hell” but is “too disorderly to be heaven.” Ten days, thirty places. From north to south. From food to politics. From saintliness to sexuality. This ironic, methodical, and sentimental examination will help you understand why Italy—as Beppe says—“can have you fuming and then purring in the space of a hundred meters or ten minutes.” |
| john hooper the italian: The Pursuit of Italy David Gilmour, 2011-10-25 One of The Economist's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation. |
| john hooper the italian: The Archipelago John Foot, 2018-05-17 'An enjoyable, highly readable history that manages to bring murky, often fiendishly complex events into the light' Sunday Times Italy emerged from the Second World War in ruins. Divided, invaded and economically broken, it was a nation that some people claimed had ceased to exist. And yet, as rural society disappeared almost overnight, by the 1960s, it could boast the fastest-growing economy in the world. In The Archipelago, historian John Foot chronicles Italy's tumultuous history from the post-war period to the present day. From the silent assimilation of fascists into society after 1945 to the artistic peak of neorealist cinema, he examines both the corrupt and celebrated sides of the country. While often portrayed as a failed state on the margins of Europe, Italy has instead been at the centre of innovation and change – a political laboratory. This new history tells the fascinating story of a country always marked by scandal but with the constant ability to re-invent itself. Comprising original research and lively insights, The Archipelago chronicles the crises and modernisations of more than seventy years of post-war Italy, from its fields, factories, squares and housing estates to Rome's political intrigue. |
| john hooper the italian: Delizia! John Dickie, 2008-01-08 Buon appetito! Everyone loves Italian food. But how did the Italians come to eat so well? The answer lies amid the vibrant beauty of Italy's historic cities. For a thousand years, they have been magnets for everything that makes for great eating: ingredients, talent, money, and power. Italian food is city food. From the bustle of medieval Milan's marketplace to the banqueting halls of Renaissance Ferrara; from street stalls in the putrid alleyways of nineteenth-century Naples to the noisy trattorie of postwar Rome: in rich slices of urban life, historian and master storyteller John Dickie shows how taste, creativity, and civic pride blended with princely arrogance, political violence, and dark intrigue to create the world's favorite cuisine. Delizia! is much more than a history of Italian food. It is a history of Italy told through the flavors and character of its cities. A dynamic chronicle that is full of surprises, Delizia! draws back the curtain on much that was unknown about Italian food and exposes the long-held canards. It interprets the ancient Arabic map that tells of pasta's true origins, and shows that Marco Polo did not introduce spaghetti to the Italians, as is often thought, but did have a big influence on making pasta a part of the American diet. It seeks out the medieval recipes that reveal Italy's long love affair with exotic spices, and introduces the great Renaissance cookery writer who plotted to murder the Pope even as he detailed the aphrodisiac qualities of his ingredients. It moves from the opulent theater of a Renaissance wedding banquet, with its gargantuan ten-course menu comprising hundreds of separate dishes, to the thin soups and bland polentas that would eventually force millions to emigrate to the New World. It shows how early pizzas were disgusting and why Mussolini championed risotto. Most important, it explains the origins and growth of the world's greatest urban food culture. With its delectable mix of vivid storytelling, groundbreaking research, and shrewd analysis, Delizia! is as appetizing as the dishes it describes. This passionate account of Italy's civilization of the table will satisfy foodies, history buffs, Italophiles, travelers, students -- and anyone who loves a well-told tale. |
| john hooper the italian: Good Italy, Bad Italy Bill Emmott, 2013-04-20 Not long ago Italy was Europe's highly touted emerging economy, a society that blended dynamism and super-fast growth with a lifestyle that was the envy of all. Now it is viewed as a major threat to the future of the Euro, indeed to the European Union as a whole. Italy's political system is shorn of credibility as it struggles to deal with huge public debts and anemic levels of economic growth. Young people are emigrating in droves, frustrated at the lack of opportunity, while older people stubbornly cling to their rights and privileges, fearful of an uncertain future. In this lively, up-to-the-minute book, Bill Emmott explains how Italy sank to this low point, how Italians feel about it, and what can be done to return the country to more prosperous and more democratic times. With the aid of numerous personal interviews, Emmott analyzes Bad Italy—the land of disgraced Prime Minister Silvio Berlusconi, an inadequate justice system, an economy dominated by special interests and continuing corruption—against its contrasting foil Good Italy, the home of enthusiastic entrepreneurs, truth-seeking journalists, and countless citizens determined to end mafia domination for good. |
| john hooper the italian: Boccaccio and the Invention of Italian Literature Martin Eisner, 2013-09-12 Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions. |
| john hooper the italian: An Italian Wife Ann Hood, 2014-09-02 From the best-selling author of The Obituary Writer, the stirring multigenerational story of an Italian-American family. An Italian Wife is the extraordinary story of Josephine Rimaldi—her joys, sorrows, and passions, spanning more than seven decades. The novel begins in turn-of-the-century Italy, when fourteen-year-old Josephine, sheltered and naïve, is forced into an arranged marriage to a man she doesn't know or love who is about to depart for America, where she later joins him. Bound by tradition, Josephine gives birth to seven children. The last, Valentina, is conceived in passion, born in secret, and given up for adoption. Josephine spends the rest of her life searching for her lost child, keeping her secret even as her other children go off to war, get married, and make their own mistakes. Her son suffers in World War One. One daughter struggles to assimilate in the new world of the 1950s American suburbs, while another, stranded in England, grieves for a lover lost in World War Two. Her granddaughters experiment with the sex, drugs, and rock-and-roll in the 1970s. Poignant, sensual, and deeply felt, An Italian Wife is a sweeping and evocative portrait of a family bound by love and heartbreak. |
| john hooper the italian: American Empire Andrew J. Bacevich, 2004-03-15 Bacevich reconsiders the assumptions and purposes governing the exercise of American global power. Examining the presidencies of George H. W. Bush and Bill Clinton—as well as George W. Bush’s first year in office—he demolishes the view that the United States has failed to devise a replacement for containment as a basis for foreign policy. |
| john hooper the italian: My Two Italies Joseph Luzzi, 2014-07-15 A child of Italian immigrants and scholar of Italian literature paints an intimate portrait that blends together history and the unusual to show how his 'two Italies' join and clash in unexpected ways. |
| john hooper the italian: The Roman Forum David Watkin, 2012-06-01 One of the most visited sites in Italy, the Roman Forum is also one of the best-known wonders of the Roman world. Though a highpoint on the tourist route around Rome, for many visitors the site can be a baffling disappointment. Several of the monuments turn out to be nineteenth- or twentieth-century reconstructions, while the rubble and the holes made by archaeologists have an unclear relationship to the standing remains, and, to all but the most skilled Romanists, the Forum is an unfortunate mess. David Watkin sheds completely new light on the Forum, examining the roles of the ancient remains while revealing what exactly the standing structures embody—including the rarely studied medieval, Renaissance, and Baroque churches, as well as the nearby monuments that have important histories of their own. Watkin asks the reader to look through the veneer of archaeology to rediscover the site as it was famous for centuries. This involves offering a remarkable and engaging new vision of a well-visited, if often misunderstood, wonder. It will be enjoyed by readers at home and serve as a guide in the Forum. |
| john hooper the italian: A Bigger Table John Pavlovitz, 2017-09-22 No one likes to eat alone; to approach a table filled with people, only to be told that despite the open chairs there isn't room for you. The rejection stings. It leaves a mark. Yet this is exactly what the church has been saying to far too many people for far too long: “You're not welcome here. Find someplace else to sit.†How can we extend unconditional welcome and acceptance in a world increasingly marked by bigotry, fear, and exclusion? Pastor John Pavlovitz invites readers to join him on the journey to findâ€or buildâ€a church that is big enough for everyone. He speaks clearly into the heart of the issues the Christian community has been earnestly wrestling with: LGBT inclusion, gender equality, racial tensions, and global concerns. A Bigger Table: Building Messy, Authentic, Hopeful Spiritual Community asks if organized Christianity can find a new way of faithfully continuing the work Jesus began two thousand years ago, where everyone gets a seat. Pavlovitz shares moving personal stories and his careful observations as a pastor to set the table for a new, more loving conversation on these and other important matters of faith. He invites us to build the bigger table Jesus imagined, practicing radical hospitality, total authenticity, messy diversity, and agenda-free community. |
| john hooper the italian: Summary of John Hooper's The Italians Everest Media,, 2022-06-22T22:59:00Z Please note: This is a companion version & not the original book. Sample Book Insights: #1 Porta Pia is one of the least attractive corners of central Rome, but it brings together within a few hundred square meters tangible allusions to the bits of history of which Italians are proudest: the Roman Empire, the Renaissance, and the Risorgimento. #2 Italy has a long and rich history, but the country is also home to many cultural treasures that are rarely seen by tourists. The majority of the people living in Italy today were not alive when the country was ruled by foreigners. #3 Italy is a country that is divided by its geography. The majority of Italians live in the lowlands, while the majority of the country’s land is occupied by mountains. #4 The southern mainland is extremely varied. Between Calabria and Puglia lies Basilicata, one of the most beautiful and least-known corners of Italy. The people of Basilicata are known for their physical and mental toughness. |
| john hooper the italian: Why Do We Quote? Ruth Finnegan, 2011-03-01 Quoting is all around us. But do we really know what it means? How do people actually quote today, and how did our present systems come about? This book brings together a down-to-earth account of contemporary quoting with an examination of the comparative and historical background that lies behind it and the characteristic way that quoting links past and present, the far and the near.Drawing from anthropology, cultural history, folklore, cultural studies, sociolinguistics, literary studies and the ethnography of speaking, Ruth Finnegan 's fascinating study sets our present conventions into crosscultural and historical perspective. She traces the curious history of quotation marks, examines the long tradition of quotation collections with their remarkable recycling across the centuries, and explores the uses of quotation in literary, visual and oral traditions. The book tracks the changing defi nitions and control of quoting over the millennia and in doing so throws new light on ideas such as imitation, allusion, authorship, originality and plagiarism . |
| john hooper the italian: Tales of a Traveller Washington Irving, 1825 |
| john hooper the italian: At War on the Gothic Line Christian Jennings, 2016-03-08 Christian Jennings's At War on the Gothic Line tells the little-known story of the Allied effort to break the German defenses in Northern Italy—told through the eyes of the multi-national force that fought it. In the autumn of 1944, as Patton’s army paraded through Paris, another Allied force was gathering in southern Italy. Spearheaded by over 100,000 American troops, this vast, international army was faced with a grim task—break The Gothic Line, a series of interconnected German fortifications that stretched across the mountains of northern Italy. Striving to reach Europe’s vulnerable underbelly before the Red Army, these Allied soldiers fought uphill against entrenched enemies in some of the final and most brutal battles of the Second World War. In At War on the Gothic Line, veteran war correspondent and historian Christian Jennings provides an unprecedented look inside this unsung but highly significant campaign. Through the eyes of thirteen men and women from seven different countries, Jennings brings history to life as he vividly recounts the courageous acts of valor performed by these soldiers facing overwhelming odds, even as many experienced discrimination at the hands of their allies and superiors. Witness the courage of a young Japanese-American officer willing to die for those under his command. Lie in wait with a troop of Canadian fur trappers turned snipers. Creep along mountain paths with Indian warriors as they assault fortified positions in the dead of night. Learn to fear a one-armed SS-Major guilty of some of the most atrocious war-crimes in the European theater. All these stories and more pack the pages of this faced-paced, action-heavy history, taking readers inside one of the most important, and least discussed, campaigns of World War Two. |
| john hooper the italian: Piazza San Marco Iain Fenlon, 2012-11-19 The Piazza San Marco, one of the most famous and instantly recognizable townscapes in the West, if not the world, has been described as a stage set, as Europe's drawing room, as a painter's canvas. This book traces the changing shape and function of the piazza, from its beginnings in the ninth century to its present day ubiquity in the Venetian, European, as well as global imagination. |
| john hooper the italian: Ruling Culture Fiona Greenland, 2021-03-15 Through much of its history, Italy was Europe’s heart of the arts, an artistic playground for foreign elites and powers who bought, sold, and sometimes plundered countless artworks and antiquities. This loss of artifacts looted by other nations once put Italy at an economic and political disadvantage compared with northern European states. Now, more than any other country, Italy asserts control over its cultural heritage through a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In its efforts to bring their cultural artifacts home, Italy has entered into legal battles against some of the world’s major museums, including the Getty, New York’s Metropolitan Museum, and the Louvre. It has turned heritage into patrimony capital—a powerful and controversial convergence of art, money, and politics. In 2006, the then-president of Italy declared his country to be “the world’s greatest cultural power.” With Ruling Culture, Fiona Greenland traces how Italy came to wield such extensive legal authority, global power, and cultural influence—from the nineteenth century unification of Italy and the passage of novel heritage laws, to current battles with the international art market. Today, Italy’s belief in its cultural superiority is evident through interactions between citizens, material culture, and the state—crystallized in the Art Squad, the highly visible military-police art protection unit. Greenland reveals the contemporary actors in this tale, taking a close look at the Art Squad and state archaeologists on one side and unauthorized excavators, thieves, and smugglers on the other. Drawing on years in Italy interviewing key figures and following leads, Greenland presents a multifaceted story of art crime, cultural diplomacy, and struggles between international powers. |
| john hooper the italian: Bella Figura Kamin Mohammadi, 2018-05-08 “My ideal type of armchair travel: immersive, insightful, seductive. In Bella Figura, Kamin Mohammadi takes us to the year in Florence that changed her life, and gives us the tools to bring the grace of the Italian lifestyle to our own lives.” —National Bestselling Author Stephanie Danler “She walks down the street with a swing in her step and a lift to her head. She radiates allure as if followed by a personal spotlight. She may be tall or short, slim or pneumatically curvaceous, dressed discreetly or ostentatiously—it matters not. Her gait, her composure, the very tilt of her head is an ode to grace and self-possession that makes her beautiful whatever her actual features reveal.” This is the bella figura, the Italian concept of making every aspect of life as beautiful as it can be, that Kamin Mohammadi discovered when she escaped the London corporate media world for a year in Italy. Following the lead of her new neighbors, she soon found a happier, healthier, and more beautiful way of living. The bella figura knows: • That the food that you eat should give you pleasure while eating it. Pause for meals, and set a place, even if you are eating alone. • To seize any opportunity to get moving—be it taking the stairs, doing a coffee run at work, or dancing with abandon. • To drink a spoonful of excellent-quality extra-virgin olive oil four times a day. • To seek out nature, be it a city park, a tree on your street, or some wild place. • And to love yourself. The bella figura—occupies her space, emotionally and physically, with style and entitlement. |
| john hooper the italian: Hawthorn & Child Keith Ridgway, 2013-09-23 A mind-blowing adventure into a literary fourth dimension: part noir, part London snapshot, all unsettlingly amazing Hawthorn and his partner, Child, are called to the scene of a mysterious shooting in North London. The only witness is unreliable, the clues are scarce, and the victim, a young man who lives nearby, swears he was shot by a ghost car. While Hawthorn battles with fatigue and strange dreams, the crime and the narrative slip from his grasp and the stories of other Londoners take over: a young pickpocket on the run from his boss; an editor in possession of a disturbing manuscript; a teenage girl who spends her days at the Tate Modern; a pack of wolves; and a madman who has been infected by the former Prime Minister Tony Blair. Haunting these disparate lives is the shadowy figure of Mishazzo, an elusive crime magnate who may be running the city, or may not exist at all. |
| john hooper the italian: The Arsonist Chloe Hooper, 2020-09-29 The true story of one of the most devastating wildfires in Australian history and the search for the man who started it. On the scorching February day in 2009, a man lit two fires in the Australian state of Victoria, then sat on the roof of his house to watch the inferno. What came to be known as the Black Saturday bushfires killed 173 people and injured hundreds more, making them among the deadliest and most destructive wildfires in Australian history. As communities reeling from unspeakable loss demanded answers, detectives scrambled to piece together what really happened. They soon began to suspect the fires had been deliverately set by an arsonist. The Arsonist takes readers on the hunt for this man, and inside the puzzle of his mind. But this book is also the story of fire in the Anthropocene. The command of fire has defined and sustained us as a species, and now, as climate change normalizes devastating wildfires worldwide, we must contend with the forces of inequality, and desperate yearning for power, that can lead to such destruction. Written with Chloe Hooper’s trademark lyric detail and nuance, The Arsonist is a reminder that in the age of fire, all of us are gatekeepers. |
| john hooper the italian: A Venetian Affair Andrea Di Robilant, 2005 In the attic of their old family palazzo on the Grand Canal, Andrea di Robilant's father had found the love letters of their ancestor Andrea Memmo, one of the last great Venetian statesmen, to a beautiful half-English girl named Giustiniana Wynne. Some of the letters were written in code, which di Robilant and his father cracked to reveal an illicit passion: Giustiniana was not of the elite ruling class and would never have been considered a suitable match for Andrea. But their acts of devotion were startlingly brazen. As their courtship unfolds, they plot elaborate marriage schemes that offend everyone, arrange secret trysts in borrowed rooms, cause trouble for the servants who must ferry their forbidden correspondence, and even weather an unwanted pregnancy, from which Giustiniana, with her wits and ingenuity and some crucial assistance from the infamous Casanova, emerges unscathed. |
| john hooper the italian: The Good Samaritan John Marrs, 2017-12 The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn't want them to hope. She wants them to die. Laura hasn't had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone's on to her -- Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together? The sinister truth is within Ryan's grasp, but he has no idea of the desperate lengths Laura will go to ... Because the best thing about being a Good Samaritan is that you can get away with murder.--Page 4 of cover. |
| john hooper the italian: Wait Until Spring, Bandini John Fante, 2010-05-25 He came along, kicking the snow. Here was a disgusted man. His name was Svevo Bandini, and he lived three blocks down that street. He was cold and there were holes in his shoes. That morning he had patched the holes on the inside with pieces of cardboard from a macaroni box. The macaroni in that box was not paid for. He had thought of that as he placed the cardboard inside his shoes. |
| john hooper the italian: A Brief History of Italy Jeremy Black, 2019-11-26 'Jeremy Black skilfully sketches social, cultural and political trends' - Christina Hardyment, Times audiobook of the week 'A remarkable mixture of cold history, wide culture and personal experience' Ciro Paoletti, Secretary General of the Italian Commission of Military History Despite the Roman Empire's famous 500-year reign over Europe, parts of Africa and the Middle East, Italy does not have the same long national history as states such as France or England. Divided for much of its history, Italy's regions have been, at various times, parts of bigger, often antagonistic empires, notably those of Spain and Austria. In addition, its challenging and varied terrain made consolidation of political control all the more difficult. This concise history covers, in very readable fashion, the formative events in Italy's past from the rise of Rome, through a unified country in thrall to fascism in the first half of the twentieth century right up to today. The birthplace of the Renaissance and the place where the Baroque was born, Italy has always been a hotbed of culture. Within modern Italy country there is fierce regional pride in the cultures and identities that mark out Tuscany, Rome, Sicily and Venice to name just a few of Italy's many famous regions. Jeremy Black draws on the diaries, memoirs and letters of historic travellers to Italy to gain insight into the passions of its people, first chronologically then regionally. In telling Italy's story, Black examines what it is that has given Italians such cultural clout - from food and drink, music and fashion, to art and architecture - and explores the causes and effects of political events, and the divisions that still exist today. |
| john hooper the italian: La Storia Jerre Mangione, Ben Morreale, 1992 The lives of millions of fellow Americans. |
| john hooper the italian: Hooper Genealogy Flora Hooper Collier, 2020 |
| john hooper the italian: Italian Reform and English Reformations, c.1535–c.1585 M. Anne Overell, 2016-05-06 This is the first full-scale study of interactions between Italy's religious reform and English reformations, which were notoriously liable to pick up other people's ideas. The book is of fundamental importance for those whose work includes revisionist themes of ambiguity, opportunism and interdependence in sixteenth century religious change. Anne Overell adopts an inclusive approach, retaining within the group of Italian reformers those spirituali who left the church and those who remained within it, and exploring commitment to reform, whether 'humanist', 'protestant' or 'catholic'. In 1547, when the internationalist Archbishop Thomas Cranmer invited foreigners to foster a bolder reformation, the Italians Peter Martyr Vermigli and Bernardino Ochino were the first to arrive in England. The generosity with which they were received caused comment all over Europe: handsome travel expenses, prestigious jobs, congregations which included the great and the good. This was an entry con brio, but the book also casts new light on our understanding of Marian reformation, led by Cardinal Reginald Pole, English by birth but once prominent among Italy's spirituali. When Pole arrived to take his native country back to papal allegiance, he brought with him like-minded men and Italian reform continued to be woven into English history. As the tables turned again at the accession of Elizabeth I, there was further clamour to 'bring back Italians'. Yet Elizabethans had grown cautious and the book's later chapters analyse the reasons why, offering scholars a new perspective on tensions between national and international reformations. Exploring a nexus of contacts in England and in Italy, Anne Overell presents an intriguing connection, sealed by the sufferings of exile and always tempered by political constraints. Here, for the first time, Italian reform is shown as an enduring part of the Elect Nation's literature and myth. |
| john hooper the italian: Detained Daniel Livermore, 2018-10-08 After the terrorist attacks of September 11, 2001, Canadian agencies willingly collaborated in the War on Terror launched by the United States to destroy Al Qaeda. This partnership went seriously astray, however, amid a series of fundamental errors by Canadian agencies and their misplaced trust in American willingness to abide by both international and US laws against torture. As a result, numerous Canadian citizens and residents were illicitly detained abroad and subjected to suffering and mistreatment. In Detained Daniel Livermore analyzes the emergence of Islamic fundamentalist extremism and its Canadian implications, including the erroneous investigations that targeted Canadians and led to their detentions in Syria, Egypt, Pakistan, Libya, Tunisia, and Sudan. Scrutinizing the most prominent cases, he details the role of Canadian agencies in the imprisonments and relates how subsequent court cases brought the situations to light, resulting in settlements and apologies to Ahmad Abou-El-Maati, Abdullah Almalki, and Maher Arar, among others. Drawing on his experience in Canada's foreign ministry, Livermore explains how an essentially misguided War on Terror emerged and how Canadian-American cooperation went wrong. A gripping blend of memoir and meticulous research, Detained urges a more mature and rational discussion of security and intelligence issues in Canada and greater understanding of the failures of security cooperation in the decade after 9/11. |
| john hooper the italian: Italy's Foreign Policy in the Twenty-first Century Giampiero Giacomello, Bertjan Verbeek, 2011-01-01 Italy's Foreign Policy in the Twenty-First Century: The New Assertiveness of an Aspiring Middle Power, edited by Giampiero Giacomello and Bertjan Verbeek, fills a gap in the middle powers literature in general because of its focus on Italy. Relying on insights from foreign policy analysis, it offers an innovative theoretical inroad into Italian foreign policy by linking European and international factors with domestic processes of status making. Finally, this volume focuses on actors, issues, and policy instruments in vital areas of Italy's foreign policy rather than bilateral relations between Italy and other counties or regions. |
| john hooper the italian: Intelligence in An Insecure World Peter Gill, Mark Phythian, 2018-10-08 Security intelligence continues to be of central importance to the contemporary world: individuals, organizations and states all seek timely and actionable intelligence in order to increase their sense of security. But what exactly is intelligence? Who seeks to develop it and to what ends? How can we ensure that intelligence is not abused? In this third edition of their classic text, Peter Gill and Mark Phythian set out a comprehensive framework for the study of intelligence, discussing how states organize the collection and analysis of information in order to produce intelligence, how it is acted upon, why it may fail and how the process should be governed in order to uphold democratic rights. Fully revised and updated throughout, the book covers recent developments, including the impact of the Snowden leaks on the role of intelligence agencies in Internet and social media surveillance and in defensive and offensive cyber operations, and the legal and political arrangements for democratic control. The role of intelligence as part of ‘hybrid’ warfare in the case of Russia and Ukraine is also explored, and the problems facing intelligence in the realm of counterterrorism is considered in the context of the recent wave of attacks in Western Europe. Intelligence in an Insecure World is an authoritative and accessible guide to a rapidly expanding area of inquiry – one that everyone has an interest in understanding. |
| john hooper the italian: Rendition to Torture Alan W Clarke, 2012-04-26 Universally condemned and everywhere illegal, torture goes on in democracies as well as in dictatorships. Nonetheless, many Americans were surprised following the attacks of 9/11 at how easily the United States embraced torture as well as the supposedly lesser evil of cruel, inhuman, and degrading treatment. Nothing seemed extreme when it came to questioning real and imagined terrorists. Extraordinary rendition—sending people captured in the “war on terror” to nations long counted among the world’s worst human rights violators—hid from the public eye cruel and bloody interrogations. “Torture lite” or “torture without marks” became the norm for those in American custody. In Rendition to Torture, Alan W. Clarke explains how the United States adopted torture as a matter of official policy; how and why it turned to extraordinary rendition as a way to outsource more extreme, mutilating forms of torture; and outlines the steps the United States took to hide its abuses. Many adverse consequences attended American use of torture. False information gleaned from torture was used to justify the Iraq war, adding potency to the charge that the war was illegal under international law. Moreover, European nations and Canada aided, abetted, and became thoroughly enmeshed in U.S.-led torture and renditions, thereby spreading both the problem and the blame for this practice. Clarke offers an extended critique of these activities, placing them in historical and legal context as well as in transnational and comparative perspective. |
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