Jose Rizal Movie

  jose rizal movie: Film Nick Deocampo, 2017-11-09 This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo’s extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo’s scholarly study of cinema’s evolution in the hands of Americans.
  jose rizal movie: El Filibusterismo José Rizal, 1968 José Rizal has a good claim to being the first Asian nationalist. An extremely talented Malay born a hundred years ago in a small town near Manila, educated partly in the Philippines and partly in Europe, Rizal inspired the Filipinos by his writing and example to make the first nationalist revolution in Asia in 1896. Today the Philippines revere Rizal as their national hero, and they regard his two books, The Lost Eden (Noli Me Tangere) and The Subversive (El Filibusterismo) as the gospel of their nationalism.The Subversive, first published in 1891, is strikingly timely today. New nations emerging in Africa and Asia are once again in conflict with their former colonial masters, as were the Filipinos with their Spanish rulers in Rizal's day. The Subversive poses questions about colonialism which are still being asked today: does a civilizing mission justify subjection of a people? Should a colony aim at assimilation or independence? If independence, should it be by peaceful evolution or force of arms?Despite the seriousness of its theme, however, The Subversive is more than a political novel. It is a romantic, witty, satirical portrait of Spanish colonial rule in the Philippines at the end of the nineteenth century, written in the tradition of the great adventure romances. The translation by Leon Ma. Guerrero, Philippine ambassador to the Court of St. James, conveys the immediacy of the original, and makes this important work available to a new generation of readers. His translation of The Lost Eden is also available in the Norton Library.
  jose rizal movie: The Revolution According to Raymundo Mata Gina Apostol, 2021-01-12 Revealing glimpses of the Philippine Revolution and the Filipino writer Jose Rizal emerge despite the worst efforts of feuding academics in Apostol’s hilariously erudite novel, which won the Philippine National Book Award. Gina Apostol’s riotous second novel takes the form of a memoir by one Raymundo Mata, a half-blind bookworm and revolutionary, tracing his childhood, his education in Manila, his love affairs, and his discovery of writer and fellow revolutionary, Jose Rizal. Mata’s 19th-century story is complicated by present-day foreword(s), afterword(s), and footnotes from three fiercely quarrelsome and comic voices: a nationalist editor, a neo-Freudian psychoanalyst critic, and a translator, Mimi C. Magsalin. In telling the contested and fragmentary story of Mata, Apostol finds new ways to depict the violence of the Spanish colonial era, and to reimagine the nation’s great writer, Jose Rizal, who was executed by the Spanish for his revolutionary activities, and is considered by many to be the father of Philippine independence. The Revolution According to Raymundo Mata offers an intoxicating blend of fact and fiction, uncovering lost histories while building dazzling, anarchic modes of narrative.
  jose rizal movie: The Story of José Rizal, the Greatest Man of the Brown Race Austin Craig, 2018-10-15 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  jose rizal movie: Cinemaya , 2000
  jose rizal movie: Cine Nick Deocampo, 2017-11-22 This book fathoms the depths of Philippine cinema as the author ventures into the largely unknown terrain of the country’s history of early cinema. With meticulous scholarship and engaging insights, prize-winning filmmaker and author Nick Deocampo investigates the origin and formation of cinema as it became the Filipinos’ preeminent entertainment and cultural form.
  jose rizal movie: A Dictionary of Film Studies Annette Kuhn, Guy Westwell, 2012-06-21 This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.
  jose rizal movie: Pelikula , 2001
  jose rizal movie: The Social Cancer Jose Rizal, 2016-09-01 We travel rapidly in these historical sketches. The reader flies in his express train in a few minutes through a couple of centuries. The centuries pass more slowly to those to whom the years are doled out day by day. Institutions grow and beneficently develop themselves, making their way into the hearts of generations which are shorter-lived than they, attracting love and respect, and winning loyal obedience; and then as gradually forfeiting by their shortcomings the allegiance which had been honorably gained in worthier periods. We see wealth and greatness; we see corruption and vice; and one seems to follow so close upon the other, that we fancy they must have always co-existed. We look more steadily, and we perceive long periods of time, in which there is first a growth and then a decay, like what we perceive in a tree of the forest. FROUDE, Annals of an English Abbey.
  jose rizal movie: The Lost Eden (Noli Me Tangere) José 1861-1896 Rizal, 2021-09-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
  jose rizal movie: Grammars of Creation George Steiner, 2002-01-01 We have no more beginnings,” George Steiner begins in this, his most radical book to date. A far-reaching exploration of the idea of creation in Western thought, literature, religion, and history, this volume can fairly be called a magnum opus. He reflects on the different ways we have of talking about beginnings, on the core-tiredness” that pervades our end-of-the-millennium spirit, and on the changing grammar of our discussions about the end of Western art and culture. With his well-known elegance of style and intellectual range, Steiner probes deeply into the driving forces of the human spirit and our perception of Western civilization’s lengthening afternoon shadows. Roaming across topics as diverse as the Hebrew Bible, the history of science and mathematics, the ontology of Heidegger, and the poetry of Paul Celan, Steiner examines how the twentieth century has placed in doubt the rationale and credibility of a future tense--the existence of hope. Acknowledging that technology and science may have replaced art and literature as the driving forces in our culture, Steiner warns that this has not happened without a significant loss. The forces of technology and science alone fail to illuminate inevitable human questions regarding value, faith, and meaning. And yet it is difficult to believe that the story out of Genesis has ended, Steiner observes, and he concludes this masterful volume of reflections with an eloquent evocation of the endlessness of beginnings.
  jose rizal movie: Third World Film Making and the West Roy Armes, 1987-07-29 This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema, Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world, where even such basic concepts as nation, national culture, and language are problematic. The first experience of cinema for such countries has invariably been that of imported Western films, which created the audience and, in most cases, still dominate the market today. Thus, Third World film makers have had to ssert their identity against formidable outside pressures. The later sections of the book look at their output from a number of angles: in terms of the stages of overall growth and corresponding stages of cinematic development; from the point of view of regional evolution in Asia, Africa, and Latin America; and through a detailed examination of the work of some of the Third World’s most striking film innovators. In addition to charting the broad outlines of filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresse the role of distribution in defining and limiting production, queries simplistic notions of independent national cinemas, and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makers who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema. Roy Armes, who lives in London, has written nine books on film, his most recent being French Cinema. He spent more than three years researching this volume.
  jose rizal movie: Modern Philippines Patricio N. Abinales, 2022-07-08 This comprehensive thematic encyclopedia focuses on the Philippines, and explores the geography, history, and society of this important island nation. The Philippines is a nation that has experience being ruled by two separate colonial powers, home to a people who have had strong attachments to democratic politics, with a culture that is a rich mix of Chinese, Spanish, and American influences. What are some important characteristics of contemporary daily life and culture in the Philippines today? Thematic chapters examine topics such as government and politics, history, food, etiquette, education, gender, marriage and sexuality, media and popular culture, music, art, and more. Each chapter opens with a general overview of the topic and is followed by alphabetically arranged entries that hone in even closer on the topic. Sidebars and illustrations appear throughout the text, and appendixes cover a glossary, facts and figures, holidays chart, and vignettes that paint a picture of a typical Day in the Life.
  jose rizal movie: Encyclopaedia Britannica Hugh Chisholm, 1910 This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
  jose rizal movie: The Reign of Greed José Rizal, Charles Derbyshire, 1912 Classic story of the last days of Spanish rule in the Philippines.
  jose rizal movie: Early Cinema in Asia Nick Deocampo, 2017-10-09 Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.
  jose rizal movie: The Star-entangled Banner Sharon Delmendo, 2004 During a ceremony held in 1996 to commemorate the fiftieth anniversary of formal Philippine independence, the U.S. flag was being lowered while the Philippine flag was being raised, and the two became entangled. In The Star-Entangled Banner, Sharon Delmendo demonstrates that this incident is indicative of the longstanding problematic relationship between the two countries. When faced with a national crisis or a compelling need to reestablish its autonomy, each nation paradoxically turns to its history with the other to define its place in the world. Each chapter of the book deals with a separate issue in this linked history: the influence of Buffalo Bill's show on the proto-nationalism of José Rizal, who is often described as the First Filipino; the portrayal of the Philippines in American children's books; Back to Bataan, a World War II movie starring John Wayne; the post-independence fiction of F. Sionil José; and the refusal of the U..S military to return the Balangiga Bells, which were taken as war booty during the Philippine-American War. Ultimately, Delmendo demonstrates how the effects of U.S. imperialism in the Philippines continue to resonate in U.S. foreign policy in the post cold war era and the war on terrorism.
  jose rizal movie: Critic After Dark Noel Vera, 2005
  jose rizal movie: Jose Rizal Gregorio F. Zaide, Sonia M. Zaide, 2014
  jose rizal movie: The First Impulse Laurel Fantauzzo, 2017-10-20 The First Impulse is about the still-unsolved murder of Filipino-Canadian film critic Alexis Tioseco and his girlfriend, Slovenian film critic and magazine editor Nika Bohinc, as retold by Laurel Fantauzzo. This book recounts the love and life of Alexis and Nika, the circumstances surrounding their murder in September 2009, the investigations, and what happened for the people related to the couple before and after the incident, aside from some commentary on the Philippine film industry.
  jose rizal movie: A Sacrifice for Friendship D. S. Bauden, 2003-12-01 When Frankie Camarelli begins hearing voices, she travels back 20 years in her dreams to find the girl who is calling out for help. After Frankie returns to the present, her best friend tries to help her validate of her experience.
  jose rizal movie: Twisted Jessica Zafra, 2000
  jose rizal movie: Insurrecto Gina Apostol, 2019-08-20 A bravura performance.—The New York Times Histories and personalities collide in this literary tour-de-force about the Philippines’ present and America’s past by the PEN Open Book Award–winning author of Gun Dealers’ Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.
  jose rizal movie: The Women of Malolos Nicanor G. Tiongson, 2004
  jose rizal movie: Pa(ng)labas Gerard Lico, 2020
  jose rizal movie: Contemporizing the Classics Gregory Sarno, 2005-02 Contemporizing the Classics: Poe, Shakespeare, Doyle is a how-to on the art and craft of transforming a classic into a feature-film screenplay with a modern storyline. The introduction probes an issue that weaves throughout: role of artistic license in balancing fidelity to the original versus dramatic needs of the script. Contemporization of a classic being the most flagrant form of dramatic license, the introduction presents three guidelines for a considered exercise thereof. Each part debuts a feature-film script that resets a classic work(s) in the present. Part One offers a contemporary visualization ofMacbeth, in the process turning an Elizabethan tragedy into a dramatic comedy. Part Two applies the guidelines to several renowned works by Edgar Allan Poe. Arthur Conan Doyle's The Hound of the Baskervilles having frequently screened as a period piece, Part Three gives the hound a twenty-first century twist.
  jose rizal movie: The Appeal of the Philippines José Miguel Díaz Rodríguez, 2018-06-13 This book examines the different means through which Spain has revisited its ex-colony - the Philippines - since 2000. Focusing on several major exhibitions organised in the period 1998-2017, the ‘poetics’ (narratives and meaning) and ‘politics’ (institutional power) of Spanish representations of the Philippines are critically examined. Even though Spain’s intention was to offer a fresh and updated look at the Philippines through the events organised, there was also a tendency to refer to and recreate a colonial past, posing important questions about the continuity of conceptions concerning the old Spanish Empire in the 21st Century. Díaz Rodríguez further analyses Spanish cultural policy concerned with cultural promotion outside Spain and, in particular, in the Philippines. He considers the Spanish official approach to cultural exchange in the Philippines and the consequences of particular intercultural events supported by Spanish institutions in the Philippines. This is evidenced by unique data gathered from a number of interviews conducted by the author with Spanish and Filipino artists and cultural workers. His conclusions contribute to the understanding of the transnational movement of culture, including cultural representation, arts funding, and the links between politics and the arts.
  jose rizal movie: Sanghaya , 2005
  jose rizal movie: CCP Encyclopedia of Philippine Art: Philippine film , 1994
  jose rizal movie: Global Currents Tasha G. Oren, Patrice Petro, 2004 Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences. Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced--it is just as likely that the receiving culture will change the media. Topics covered in the volume include copyright law and surveillance technology, cyber activism in the African Diaspora, transnational monopolies and local television industries, the marketing and consumption of global music, click politics and the war on Afghanistan, the techno-politics of distance education, artificial intelligence and global legal institutions, and traveling and squatting in digital space. Balanced between major theoretical positions and original field research, the selections address the political and cultural meanings that surround and configure new technologies.
  jose rizal movie: Direk Clodualdo Jr del Mundo, Shirley O. Lua, 2019-01-01 Direk, a collection of essays on Filipino filmmakers, presents an accessible and provocative introduction to Philippine cinema. Notable Filipino critics write on the canonical Filipino film directors: Ronald Baytan on Ishmael Bernal; Patrick F Campos on Kidlat Tahimik; Clodualdo Del Mundo, Jr. on Manuel Silos, Eddie Romero, and Lamberto Avellana; Vicente Garcia Groyon on Peque Gallaga; Shirley O. Lua on Fernando Poe, Jr; Gil Quito on Marilou Diaz-Abaya and Lav Diaz; Anne Frances N Sangil on Mike de Leon; Agustin Sotto on Gerardo de Leon; Nicanor G Tiongson on Manuel Conde; Rolando B Tolentino on Lino Brocka; Noel Vera on Mario OHara; and Lito B Zulueta on Brillante Ma Mendoza. A compelling work, the first of its kind, it is filled with insight and critical provocation. The work is essential reading for all who are interested in film making in all its multiple aspects, and provides hitherto unavailable information on Philippine filmmakers and cinema.
  jose rizal movie: Mondo Macabro Pete Tombs, 1998-04-15 The author of Immoral Tales now brings readers into the exotic, erotic, and eccentric international film scene. Fully illustrated, this book includes an Indian song-and-dance version of Dracula; Turkish version of Star Trek and Superman; China's hopping vampire films, and much more. 332 illustrations. of color photos.
  jose rizal movie: Rizal, Philippine Nationalist and Martyr Austin Coates, 1968
  jose rizal movie: Asian Film Journeys Rashmi Doraiswamy, Latika Padgaonkar, 2011-02-02 For lovers of Asian cinema and for those simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid- 80s, Asian Film Journeys is a feast. It presents a selection of articles that appeared in the pages of Cinemaya, The Asian Film Quarterly between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded. The Quarterly remained, for fifteen years, the one and only serious yet lively platform for writing on the cinemas of Asian countries. Given that the writers were mostly Asian-apart from some keen and long-standing followers of Asian cinema from the West-the magazine offered, for the first time, a truly authentic point of view, a look at films from within their cultures. The book gives a bird’s eye view of the style and substance, art and craft of these cinemas and captures some of the Asian air it let in!
  jose rizal movie: The Philippines Damon L. Woods, 2005-12-09 A unique, revealing look at the history and contemporary culture of the Philippine Islands and their multicultural and foreign-influenced facets. Interest in the Philippines has grown substantially over recent years. The Philippines: A Global Studies Handbook provides an all-encompassing introduction to the dramatic history of this intriguing nation as well as the contemporary social, political, economic, religious, and artistic life, written for travelers, business people, researchers, students, or general readers. The author, an award-winning professor of Asian studies, explores the effects of centuries of change and continuity on this fascinating, often contradictory land. It is a locals-eye view that gets straight to the heart of the Filipino experience—a cultural tour that measures the profound impact of the islands' Japanese, Spanish, and American conquerors, as well as the influence of Islam, the Marcos regime, and the People Power revolutions that ousted Ferdinand Marcos and, 15 years later, Joseph Estrada.
  jose rizal movie: Martial Law Melodrama José B. Capino, 2020-01-07 Lino Brocka (1939–1991) was one of Asia and the Global South’s most celebrated filmmakers. A versatile talent, he was at once a bankable director of genre movies, an internationally acclaimed auteur of social films, a pioneer of queer cinema, and an outspoken critic of Ferdinand Marcos’s autocratic regime. José B. Capino examines the figuration of politics in the Filipino director’s movies, illuminating their historical contexts, allegorical tropes, and social critiques. Combining eye-opening archival research with fresh interpretations of over fifteen of Brocka’s major and minor works, Martial Law Melodrama does more than reveal the breadth of his political vision. It also offers a timely lesson about popular cinema’s vital role in the struggle for democracy.
  jose rizal movie: Postmodern Filming of Literature Joyce L. Arriola, 2006
  jose rizal movie: Father & Son Lope Lindio, 2015-04-08 I have recorded in this book happenings and encounters in the first 33 years of my life. I am half expecting that they are, for the most part, of interest only to me, the curious members of my family, and friends, who are either nosy of what I had gone through, or just evoking memories of their own youthful past in 20th Century Philippines. These memories are mostly fragmented recollections of what I heard and saw when growing up in a small village, and while going to school and starting life, after the end of the 2nd World War and the start of Philippine independence. This book is about the unadorned simple life in a village of a newly independent country that was slowly emerging from a backward colonial past and its coming of age after the 2nd World War. At the people level, I have tried to narrate how the young typically responded to the demands of the outside world. Here you will meet family and friends, ordinary people, as well as some of the colorful characters in the 20th century Philippines I encountered from the sidelines of power.
  jose rizal movie: José Rizal: Life, Works and Writings Gregorio F. Zaide, 1970
  jose rizal movie: 第廿七屆香港國際電影節 香港康樂及文化事務署, 2003 Film festival program for the 27th Hong Kong International Film Festival, held in Hong Kong from 8.4.2003 until 23.4.2003. The program contains information on the films that were shown, running times, cast, directorial and production members, language and a synopsis of the films.
jose - npm
JWA, JWS, JWE, JWT, JWK, JWKS for Node.js, Browser, Cloudflare Workers, Deno, Bun, and other Web-interoperable runtimes. Latest version: 6.0.11, last published: a month ago. Start …

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The jose.JWK namespace deals with JWK and JWK-sets. jose.JWK.Key is a logical representation of a JWK, and is the "raw" entry point for various cryptographic operations …

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jws.verify(signature, algorithm, secretOrKey) (Synchronous) Returns true or false for whether a signature matches a secret or key.. signature is a JWS Signature.header.alg must be a value …

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Library for interacting with OAuth 1.0, 1.0A, 2 and Echo. Provides simplified client access and allows for construction of more complex apis and OAuth providers.. Latest version: 0.10.2, last …

jose - npm
JWA, JWS, JWE, JWT, JWK, JWKS for Node.js, Browser, Cloudflare Workers, Deno, Bun, and other Web …

node-jose - npm
The jose.JWK namespace deals with JWK and JWK-sets. jose.JWK.Key is a logical representation of a JWK, and is …

Downloading and installing Node.js and npm | npm Docs
Documentation for the npm registry, website, and command-line interface

jwt-decode - npm
IMPORTANT: This library doesn't validate the token, any well-formed JWT can be decoded. You should validate …

jwks-rsa - npm
Library to retrieve RSA public keys from a JWKS endpoint. Latest version: 3.2.0, last published: 3 months ago. Start …