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| jazz vocabulary words: Developing a Jazz Vocabulary Joe Riposo, 2015-05 Much has been written about the jazz language or the jazz vocabulary. Linguistic references are sensible and proper because, just as we speak in words and phrases derived from the alphabet, so do we improvise jazz in musical phrases derived from notes. In speech, choosing the right words is essential to expressing ourselves properly and making a statement. Likewise, choosing the right notes is essential to properly expressing ourselves and making a musical statement. |
| jazz vocabulary words: Pocket Dictionary of Jazz Terms and Slang Words Patrick L. Williams, 2016-12-27 This pocket essential vocabulary is your ultimate resource in jazz universe. In less than 50 pages, get countless essential jazz terms and slang words right at your fingertips. |
| jazz vocabulary words: 1001 Jazz Licks (Music Instruction) , 2000-05-01 (Guitar Educational). This book presents 1,001 melodic gems played over dozens of the most important chord progressions heard in jazz. This is the ideal book for beginners seeking a well-organized, easy-to-follow encyclopedia of jazz vocabulary, as well as professionals who want to take their knowledge of the jazz language to new heights. |
| jazz vocabulary words: Treat It Gentle Sidney Bechet, 2013-04 The most valuable and moving of all jazz biographies. -Nat Hentoff |
| jazz vocabulary words: The Jazz Saxophone Book Tim Armacost, 2022 A complete method for learning to play jazz on your saxophone |
| jazz vocabulary words: Easy Easy Bebop D. N. Rhythm, 2016-08-01 For years people have asked me to put what I showed them into a book. This book is my contribution to music education. This concept opens up many possibilities of phrasing that develop and flow easily. This concept was developed while living, playing and tutoring in New York City. Bebop licks, lines and phrases are still used in most of today's different forms of music. In this book you'll find licks and phrases you can use for Soul, Funk, Hip Hop Jazz, Cool Jazz, Smooth Jazz and easy Bebop tunes.This book uses words to help give jazz notation easy to remember sound qualities. Just as the famous Cry me a river jazz lick is used to teach a specific bebop lick, this book has many useful jazz licks.Basic Example,Notes = C D E GNumbers = 1 2 3 5Easy to remember words,Words = Play some be - bopNumbers = 1 2 3 5The above example uses the simple first 4 notes of the pentatonic scale to show the notes to words approach. This book uses many of the typical scales used in music. These scales become less simple and more musical in edited and inverted form. Most of the music we hear and play use the same scales and notes. It's usually the syncopation of the rhythm and arrangement of the notes that makes the different styles of music. This book has edited down the scales to the licks, lines and phrases used from BEBOP to FUNK, HIP HOP, NEW JACK SWING, COOL and SMOOTH JAZZ. Most of today's music still has a huge bebop influence, so first think simple bebop when reading the notes and words in this book. Once the sounds are in your ear, they'll come out naturally in other styles of music. Just follow the rhythm of the style of music you're playing. Listen to a drummer and follow his accents and you can usually play a variation of what you like to play. Written music is a good tool to show musicians the notes. Words are used to express the feeling of the music. Rhythm provides the groove and pulse of the music. Take time and try all of the examples in this book. Say the words and play the notes. Find the ones that flow freely from your instrument. This is not a technical struggle. Have fun.This book is my contribution to the Wonderful world of jazz. |
| jazz vocabulary words: Ella Queen of Jazz Helen Hancocks, 2018-10-04 Ella Fitzgerald sang the blues and she sang them good. Ella and her fellas were on the way up! It seemed like nothing could stop her, until the biggest club in town refused to let her play… and all because of her colour. But when all hope seemed lost, little did Ella imagine that a Hollywood star would step in to help. This is the incredible true story of how a remarkable friendship between Ella Fitzgerald and Marilyn Monroe was born – and how they worked together to overcome prejudice and adversity. An inspiring story, strikingly illustrated, about the unlikely friendship between two celebrated female icons of America’s golden age. |
| jazz vocabulary words: Sinful Tunes and Spirituals Dena J. Epstein, 1977 'The songs of a slave are word-pictures of every thing he sees, or hears, or feels.'--John Dixon Long, a Philadelphia clergyman, 1857. The cacophony of clanking chains intruded upon the euphony of human song during the Middle Passage when--at the behest of ships' officers--slaves being transported to the Americas caused the overcrowded ships to echo with the sounds of dancing feet and harmonious voices. That scene is one of the first which Dena J. Epstein skillfully re-creates in her monumental work on the development and emergence of black folk music in the United States. From the plaintive tones of woe emanating from exiled kings and queens of Africa to the spirited worksongs and 'shouts' of freedmen, Epstein traces the course of early black folk music in all its guises. Her meticulous twenty-year search of diaries, letters, travel accounts, slave narratives, reports by plantation owners and ship captains, and other documents has uncovered a wealth of information on what Frederick Douglass called the 'tones loud, long and deep ... the prayer and complaints of souls boiling over with the bitterest anguish.' Epstein demonstrates that secular music--the music which evangelists denounced as 'sinful'--flourished among the exiled Africans to a much greater degree than has been recognized. 'Sinful tunes' and spirituals both were familiar to antebellum blacks. The author discusses the breakup of the closed plantation society which had isolated the slaves, and the introduction of the freedmen to the public at large via Slave Songs of the United States (1867), the first published collection of black music. The fascinating genesis of that seminal work is thoroughly covered, as is hitherto unknown information on the acculturation of African music in the New World, musical style, worksongs, religious music, and the Port Royal experiment (a wartime attempt to demonstrate that blacks could manage their own affairs). Epstein's research proves what many have long suspected: dancing and singing could--and did--coexist with forced labor and bitter suffering, providing slaves with the psychological escape that helped them to survive and to retain much of their cultural heritage.--Dust jacket. |
| jazz vocabulary words: The Jazz Scene Eric Hobsbawm, 2014-11-20 From 1955-65 the historian Eric Hobsbawm took the pseudonym 'Francis Newton' and wrote a monthly column for the New Statesman on jazz - music he had loved ever since discovering it as a boy in 1933 ('the year Adolf Hitler took power in Germany'). Hobsbawm's column led to his writing a critical history, The Jazz Scene (1959). This enhanced edition from 1993 adds later writings by Hobsbawm in which he meditates further 'on why jazz is not only a marvellous noise but a central concern for anyone concerned with twentieth-century society and the twentieth-century arts.' 'All the greats are covered in passing (Louis Armstrong, Billie Holiday), while further space is given to Duke Ellington, Ray Charles, Thelonious Monk, Mahalia Jackson, and Sidney Bechet ... Perhaps Hobsbawm's tastiest comments are about the business side and work ethics, where his historian's eye strips the jazz scene down to its commercial spine.' Kirkus Reviews |
| jazz vocabulary words: 101 Lessons: Vocabulary Words in Context Greg Camden, 2007-01-10 Standards-based lessons show how vocabulary words presented in context help students learn how to use them accurately in their speech and writing. |
| jazz vocabulary words: The Jazz Exiles Bill Moody, 1993 Interviews with famous jazz musicians about their experiences palying abroud. Interviewees include : Garvin Bushell, Bud Freeman, JAy Cameron, BobDorough, Art Farmer, Mark Murphy, Eddie Lockjaw Davis, Phil Woods, Jon Hendricks, NAthan Davis, Red Mitchell, Donald Duck Bailey. |
| jazz vocabulary words: The Drummer's Complete Vocabulary as Taught by Alan Dawson John Ramsay, Alan Dawson, 1998-10 Alan Dawson was a legendary drummer and educator, known for his work with the top artists in jazz as well as for his 18-year association with Berklee College of Music. This new text and online audio combination was put together by John Ramsay, a prominent drummer in his own right and a former student of Dawson's. The book contains all the important techniques and concepts that Alan Dawson embraced in his own playing and subsequently taught to his students. The recordings include some remastered audio examples from actual lessons taught by Dawson himself over the years. This is a highly comprehensive textbook from a jazz master. |
| jazz vocabulary words: Thinking in Jazz Paul F. Berliner, 2009-10-05 A landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker. Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike. |
| jazz vocabulary words: Playing the Changes on the Jazz Metaphor Morris B. Holbrook, 2008 Playing the Changes on the Jazz Metaphor proposes an expanded view of the jazz metaphor in a broadened perspective that embraces a wide range of possibilities in organizational, management, and marketing-related themes. This monograph presents a new Typology of Jazz Musicians based on different kinds of artistic offerings. This typology will combine three key distinctions or dimensions to construct a twelve-fold classification that - when extended to the sphere of organizational behavior and business strategy as a Typology of Management and Marketing Styles - will shed light on different ways in which the jazz metaphor relates to organizational design, business practice, management skills, and marketing opportunities. In order to describe these typologies, the author examines important aspects of a first-level jazz metaphor as it relates to organizational issues involved in shaping the jazz improvisation into a form of collective collaboration. This is followed by attention to a second-level linguistic metaphor based on viewing jazz as a kind of language at the foundation for a collaborative conversation. |
| jazz vocabulary words: The BB Jazz Standards Progressions Book Vol. I mDecks Music, 2018-12-16 (Fake Book). Perfect Binding Edition.This unprecedented, revolutionary collection of jazz standards progressions includes all harmonic progressions with full harmonic analysis, chords, chord-scales and arrows & brackets analysis.Every Jazz Standard analysis was hand-made by well-versed jazz musicians. Every function, chord-scale, modulation and pivot-chord was carefully chosen to create the best possible harmonic interpretation of the progression.All double-page songs are presented side-by-side, so no flipping through pages is necessary.Available for Concert, Bb & Eb Instruments.Volume I has 291 songs including All Blues * Autumn Leaves * All of Me * Blue Trane * Body and Soul * Desafinado * Donna Lee * Girl From Ipanema * It Don't Mean a Thing * Like Someone in Love * Misty * Moment's Notice * My Favorite Things * Prelude to a Kiss * Stella By Starlight * Wave * and hundreds more! |
| jazz vocabulary words: The Jazz Language: A Theory Text for Jazz Composition and Improvisation Dan Haerle, 1980 This text presents all of the materials commonly used by the jazz musician in a logical order dictated both by complexity and need. The book is not intended to be either an arranging or improvisation text, but a pedagogical reference providing the information musicians need to pursue any activity they wish. |
| jazz vocabulary words: Targeting Jason Klobnak, 2011-05 |
| jazz vocabulary words: Jazzology Robert Rawlins, Nor Eddine Bahha, 2005-07-01 (Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more! |
| jazz vocabulary words: The Jazz Theory Book Mark Levine, 2011-01-12 The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc. |
| jazz vocabulary words: Body and Soul -- the Evolution of a Tenor Saxophone Standard Eric Allen, 2016-02 Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter. |
| jazz vocabulary words: Did They Mention the Music? Henry Mancini, 2001-12-17 Best known for the dead-ant theme to the Pink Panther films, Henry Mancini also composed the music to Peter Gunn, Breakfast at Tiffany's, Orson Welles' Touch of Evil, and the Academy Award winning soundtracks to Victor/Victoria and The Days of Wine and Roses. In a career that lasted over thirty years, Mancini amassed twenty Grammy awards and more nominations than any other composer. In his memoir, written with jazz expert Lees, Mancini discusses his close friendships with Blake Edwards, Julie Andrews, and Paul Newman, his professional collaborations with Johnny Mercer, Luciano Pavarotti, and James Galway, and his achievements as a husband, father, and grandfather. A great memoir loaded with equal parts Hollywood glitz and Italian gusto. |
| jazz vocabulary words: The Cambridge Companion to Rhythm Russell Hartenberger, Ryan McClelland, 2020-09-24 An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners. |
| jazz vocabulary words: Chop-Monster, Bk 1 Shelly Berg, 2002-08 Jazz improvisation exercises, lessons, performance pieces, and teaching suggestions. |
| jazz vocabulary words: American Street Ibi Zoboi, 2017-02-14 A National Book Award Finalist with five starred reviews and multiple awards! A New York Times Notable Book * A Time Magazine Best YA Book Of All Time* Publishers Weekly Flying Start * Publishers Weekly Best Book of the Year * ALA Booklist Editors' Choice of 2017 (Top of the List winner) * School Library Journal Best Book of the Year * Kirkus Best Book of the Year * BookPage Best YA Book of the Year An evocative and powerful coming-of-age story perfect for fans of Nicola Yoon and Jason Reynolds In this stunning debut novel, Pushcart-nominated author Ibi Zoboi draws on her own experience as a young Haitian immigrant, infusing this lyrical exploration of America with magical realism and vodou culture. On the corner of American Street and Joy Road, Fabiola Toussaint thought she would finally find une belle vie—a good life. But after they leave Port-au-Prince, Haiti, Fabiola’s mother is detained by U.S. immigration, leaving Fabiola to navigate her loud American cousins, Chantal, Donna, and Princess; the grittiness of Detroit’s west side; a new school; and a surprising romance, all on her own. Just as she finds her footing in this strange new world, a dangerous proposition presents itself, and Fabiola soon realizes that freedom comes at a cost. Trapped at the crossroads of an impossible choice, will she pay the price for the American dream? |
| jazz vocabulary words: Connecting Chords with Linear Harmony Bert Ligon, 1996 (Jazz Book). A study of three basic outlines used in jazz improv and composition, based on a study of hundreds of examples from great jazz artists. |
| jazz vocabulary words: Jazz Drumset Etudes Jake Reed, 2014-08-26 This volume explores a musical approach to developing jazz vocabulary around the drumset, featuring 60 exercises ranging in duration from short passages to extended solos. The book aims to teach a fundamental understanding of the jazz language, with an emphasis on musical components, such as melodicism, articulation, phrasing, texture, dynamics, and much more. Whether a beginner or seasoned pro, rock drummer or classical percussionist, the book will enhance every drummer's ability to play more musically. |
| jazz vocabulary words: Insights In Jazz (e-book) John A. Elliott, |
| jazz vocabulary words: Vocabulary Workshop Norbert Elliot, 1998-08 |
| jazz vocabulary words: Berklee Jazz Guitar Chord Dictionary Rick Peckham, 2007-06-01 (Berklee Guide). This chord dictionary from the assistant chair of Berklee's guitar department includes 100+ chord forms, from basic 7th chords to guide tone chords and triads over bass notes. It is organized to reveal chord relationships and help guitarists learn voicings quickly and thoroughly. Includes notes, fretboard diagrams and tab for each chord. |
| jazz vocabulary words: Glossary of Guitar Terms Collin Bay, 2013-06-06 Glossary of Guitar Terms is an informative addition to any musician's library. Included are a rundown of the parts of the instrument, a variety of helpfuldiagrams, and some of the most important terms and concepts for guitarists to befamiliar with. Glossary of Guitar Terms is an excellent reference tool for players of all levels |
| jazz vocabulary words: Is Jazz Dead? Stuart Nicholson, 2014-05-01 Is Jazz Dead? examines the state of jazz in America at the turn of the twenty-first century. Musicians themselves are returning to New Orleans, Swing, and Bebop styles, while the work of the '60s avant-garde and even '70s and '80s jazz-rock is roundly ignored. Meanwhile, global jazz musicians are creating new and exciting music that is just starting to be heard in the United States, offering a viable alternative to the rampant conservatism here. Stuart Nicholson's thought-provoking book offers an analysis of the American scene, how it came to be so stagnant, and what it can do to create a new level of creativity. This book is bound to be controversial among jazz purists and musicians; it will undoubtedly generate discussion about how jazz should grow now that it has become a recognized part of American musical history. IsJazz Dead? dares to ask the question on all jazz fan's minds: Can jazz survive as a living medium? And, if so, how? |
| jazz vocabulary words: Jazz Theory Resources Bert Ligon, 2001 (Jazz Book). Jazz Theory Resources is a jazz theory text in two volumes. Volume I includes: review of basic theory, rhythm in jazz performance, basic tonal materials, triadic generalization, diatonic harmonic progressions and harmonic analysis, substitutions and turnarounds, common melodic outlines, and an overview of voicings. Volume II includes: modes and modal frameworks, quartal harmony, other scales and colors, extended tertian structures and triadic superimposition, pentatonic applications, coloring outside the lines and beyond, analysis, and expanding harmonic vocabulary. Appendices on chord/scale relationships, elaborations of static harmony, endings, composing tips and theory applications are also included. |
| jazz vocabulary words: The World of Words Barnet Kottler, Martin Light, 1967 |
| jazz vocabulary words: Human Universals Donald Brown, 1991-01-01 This book explores physical and behavioral characteristics that can be considered universal among all cultures, all people. It presents cases demonstrating universals, looks at the history of the study of universals, and presents an interesting study of a hypothetical tribe, The Universal People. |
| jazz vocabulary words: The Cambridge Companion to Duke Ellington Edward Green, Evan Spring, 2014 This comprehensive and accessible Companion is the first collection of essays to provide an in-depth overview of Ellington's career. |
| jazz vocabulary words: Dewdroppers, Waldos, and Slackers Rosemarie Ostler, 2005-09-29 Lists the meanings and backgrounds of thousands of twentieth-century catch phrases, slang terms, and buzzwords, many of which have fallen out of use, in a volume complemented by historical and sociological essays. |
| jazz vocabulary words: Jazz Griots Jean-Philippe Marcoux, 2012-06-27 This study is about how four representative African American poets in the 1960s, Langston Hughes, Umbra’s David Henderson, and the Black Arts Movement’s Sonia Sanchez, and Amiri Baraka engage, in the tradition of African griots, in poetic dialogues with aesthetics, music, politics, and Black History, and in so doing narrate, using jazz as meta-language, genealogies, etymologies, cultural legacies, and Black (hi)stories. In intersecting and complementary ways, Hughes, Henderson, Sanchez, and Baraka fashioned their griotism from theorizations of artistry as political engagement, and, in turn, formulated a Black aesthetic based on jazz performativity –a series of jazz-infused iterations that form a complex pattern of literary, musical, historical, and political moments in constant cross-fertilizing dialogues with one another. This form of poetic call-and-response is essential for it allows the possibility of intergenerational dialogues between poets and musicians as well as dialogical potential between song and politics, between Africa and Black America, within the poems. More importantly, these jazz dialogisms underline the construction of the Black Aesthetic as conceptualized respectively by the griotism of Hughes, of Henderson, and of Sanchez and Baraka. |
| jazz vocabulary words: The Jazz Bubble Dale Chapman, 2018-03-23 Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies. |
| jazz vocabulary words: The Metronome , 1958 |
| jazz vocabulary words: Thesaurus of Scales and Melodic Patterns for Guitar Hal Leonard Publishing Corporation, 2013-03-27 (Music Sales America). This book is a condensed, made-for-guitar version of Nicolas Slonimsky's publication Thesaurus of Scales and Melodic Patterns the book that musicians as diverse as John Coltrane and Frank Zappa used for ideas and inspiration. Musicians familiar with the original Thesaurus know that it contains a daunting amount of information crammed in its over 230 pages. But there is a definite symmetry and logic in these Slonimsky examples. What appear to be random patterns are actually mathematical combinations of some or all of the twelve notes in music. As the musician/student plays through the examples, the patterns will unfold and become more obvious. |
Jazz | Definition, History, Musicians, & Facts | Britannica
4 days ago · Jazz, musical form, often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythms. It is often characterized …
Jazz - Orchestral, Improvisation, Swing | Britannica
May 25, 2025 · Jazz - Orchestral, Improvisation, Swing: It was in the 1920s that the first forms of true orchestral jazz were developed, most significantly by Fletcher Henderson and Duke …
jazz - Kids | Britannica Kids | Homework Help
Jazz grew from a mix of African and European music. Ragtime, a form of piano music, and blues music also influenced jazz. New Orleans, Louisiana, is often called the home of jazz. Many …
Jazz - Ragtime, Blues, Swing | Britannica - Encyclopedia Britannica
May 25, 2025 · Jazz - Ragtime, Blues, Swing: In the early 1930s two bands made important contributions to jazz: Bennie Moten’s, with the recordings of “Toby,” “Lafayette,” and “Prince of …
Jazz-rock | Genre, History & Influences | Britannica
Jazz-rock, popular musical form in which modern jazz improvisation is accompanied by the bass lines, drumming styles, and instrumentation of rock music, with a strong emphasis on …
Jazz dance | Definition, History, Characteristics, Types, & Facts ...
jazz dance, any dance to jazz accompaniments, composed of a profusion of forms. Jazz dance paralleled the birth and spread of jazz itself from roots in Black American society and was …
Improvisation | Jazz, Classical & Creative Techniques | Britannica
In modern times, improvisation survives as one of the chief distinguishing characteristics of jazz. Here, too, the process is usually inspired by, and structured (however loosely) in accordance …
Free jazz | Improvisation, Avant-Garde & Fusion | Britannica
Free jazz, an approach to jazz improvisation that emerged during the late 1950s, reached its height in the ’60s, and remained a major development in jazz thereafter. The main …
Swing | Description, Artists, & Facts | Britannica
swing, in music, both the rhythmic impetus of jazz music and a specific jazz idiom prominent between about 1935 and the mid-1940s—years sometimes called the swing era. Swing music …
Vibraphone | Mallet Percussion, Jazz & Orchestral | Britannica
The vibraphone was invented in about 1920 and was soon common in dance bands and became a prominent jazz instrument. Its foremost jazz practitioners were Lionel Hampton , Milt …
Jazz | Definition, History, Musicians, & Facts | Britannica
4 days ago · Jazz, musical form, often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythms. It is often characterized …
Jazz - Orchestral, Improvisation, Swing | Britannica
May 25, 2025 · Jazz - Orchestral, Improvisation, Swing: It was in the 1920s that the first forms of true orchestral jazz were developed, most significantly by Fletcher Henderson and Duke …
jazz - Kids | Britannica Kids | Homework Help
Jazz grew from a mix of African and European music. Ragtime, a form of piano music, and blues music also influenced jazz. New Orleans, Louisiana, is often called the home of jazz. Many …
Jazz - Ragtime, Blues, Swing | Britannica - Encyclopedia Britannica
May 25, 2025 · Jazz - Ragtime, Blues, Swing: In the early 1930s two bands made important contributions to jazz: Bennie Moten’s, with the recordings of “Toby,” “Lafayette,” and “Prince of …
Jazz-rock | Genre, History & Influences | Britannica
Jazz-rock, popular musical form in which modern jazz improvisation is accompanied by the bass lines, drumming styles, and instrumentation of rock music, with a strong emphasis on …
Jazz dance | Definition, History, Characteristics, Types, & Facts ...
jazz dance, any dance to jazz accompaniments, composed of a profusion of forms. Jazz dance paralleled the birth and spread of jazz itself from roots in Black American society and was …
Improvisation | Jazz, Classical & Creative Techniques | Britannica
In modern times, improvisation survives as one of the chief distinguishing characteristics of jazz. Here, too, the process is usually inspired by, and structured (however loosely) in accordance …
Free jazz | Improvisation, Avant-Garde & Fusion | Britannica
Free jazz, an approach to jazz improvisation that emerged during the late 1950s, reached its height in the ’60s, and remained a major development in jazz thereafter. The main …
Swing | Description, Artists, & Facts | Britannica
swing, in music, both the rhythmic impetus of jazz music and a specific jazz idiom prominent between about 1935 and the mid-1940s—years sometimes called the swing era. Swing music …
Vibraphone | Mallet Percussion, Jazz & Orchestral | Britannica
The vibraphone was invented in about 1920 and was soon common in dance bands and became a prominent jazz instrument. Its foremost jazz practitioners were Lionel Hampton , Milt …
