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| just the two of us alto sax: Just the two of us Leo Kraft, 2000 |
| just the two of us alto sax: Just the Way You Are Sheet Music Bruno Mars, 2010-09-01 (Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line. |
| just the two of us alto sax: Fingerpicking Acoustic Rock (Songbook) Hal Leonard Corp., 2006-12-01 (Guitar Solo). The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. Also includes an easy introduction to basic fingerstyle guitar. 14 songs: Angie * Babe, I'm Gonna Leave You * Band on the Run * Bridge over Troubled Water * Every Rose Has Its Thorn * I'd Love to Change the World * Knockin' on Heaven's Door * Landslide * Layla * More Than Words * Norwegian Wood * Seven Bridges Road * Suite: Judy Blue Eyes * Wanted Dead or Alive. |
| just the two of us alto sax: Your Song (Sheet Music) Elton John, 1983-03-01 (Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line. |
| just the two of us alto sax: 25 Great Sax Solos Eric J. Morones, 2008-04-01 (Sax Instruction). From Chuck Rio and King Curtis to David Sanborn and Kenny G, take an inside look at the genesis of pop saxophone. This book/audio pack provides solo transcriptions in standard notation, lessons on how to play them, bios, equipment, photos, history, and much more. The audio features full-band demos of every sax solo in the book. Songs include: After the Love Has Gone * Deacon Blues * Just the Two of Us * Just the Way You Are * Mercy, Mercy Me * Money * Respect * Spooky * Take Five * Tequila * Yakety Sax * and more. |
| just the two of us alto sax: Big Book of Christmas Songs (Songbook) Hal Leonard Corp., 2006-09-01 (Instrumental Folio). An awesome collection of all the best Christmas songs, traditional and contemporary, including: All I Want for Christmas Is You * Angels We Have Heard on High * Auld Lang Syne * Away in a Manger * Blue Christmas * The Chipmunk Song * The Christmas Song (Chestnuts Roasting on an Open Fire) * Christmas Time Is Here * Do They Know It's Christmas? * Feliz Navidad * Frosty the Snow Man * Grandma Got Run over by a Reindeer * I've Got My Love to Keep Me Warm * Last Christmas * Let's Have an Old Fashioned Christmas * Mele Kalikimaka * Miss You Most at Christmas Time * The Most Wonderful Time of the Year * My Favorite Things * Nuttin' for Christmas * Pretty Paper * Santa Baby * Silent Night * Wonderful Christmastime * and more! |
| just the two of us alto sax: 50 Pop Songs for Kids for Alto Sax Hal Leonard Corp., 2021-01-01 (Instrumental Folio). When kids learn to play an instrument, they want to play the songs they know and love! This collection of 50 songs allows them to do just that! It includes 50 contemporary favorites, including: Believer * Don't Stop Believin' * Happy * High Hopes * Let's Get It Started * Ocean Eyes * Perfect * Rewrite the Stars * A Thousand Miles * You Will Be Found * and more. |
| just the two of us alto sax: Alto Saxophone Bruce Pearson, 1996-08 |
| just the two of us alto sax: Foundations for Superior Performance Richard S. Williams, Jeffrey T. King, 1998 Foundations for Superior Performance is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced. |
| just the two of us alto sax: 101 Hit Songs Hal Leonard Corp., 2021-10-01 (Instrumental Folio). This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass * All of Me * Brave * Breakaway * Call Me Maybe * Clocks * Fields of Gold * Firework * Hello * Hey, Soul Sister * Ho Hey * I Gotta Feeling * I Will Remember You * Jar of Hearts * Love Story * 100 Years * Roar * Rolling in the Deep * Royals * Say Something * Shake It Off * Smells like Teen Spirit * Uptown Funk * When You Say Nothing at All * and more. |
| just the two of us alto sax: All Music Guide to Soul Vladimir Bogdanov, 2003 With informative biographies, essays, and music maps, this book is the ultimate guide to the best recordings in rhythm and blues. 20 charts. |
| just the two of us alto sax: Body and Soul -- the Evolution of a Tenor Saxophone Standard Eric Allen, 2016-02 Body & Soul, a song with music by Johnny Green and lyrics by Frank Eyton, Edward Heyman, and Robert Sour, was first published in 1930. It became a popular tune for jazz musicians. This volume presents transcriptions and analyses of recorded solos by Coleman Hawkins, Lester Young, Stan Getz, Sonny Rollins, John Coltrane, Dexter Gordon, Michael Brecker, and Chris Potter. With a foreword by Chris Potter. |
| just the two of us alto sax: Easy Improvisation Hal Leonard Corp., 2017-07-01 (Instrumental). Easy Improvisation is a great way to learn the basics of improvising, on your own, with friends, or with the whole band! Musicians are given guidance to play along in parts, to play along with written-out solos, or to improvise on their own. The audio tracks include demonstration of the music on the page, or just the background rhythms and chords. 30 different styles are included: rock 'n' roll, hip-hop, jazz, EDM, country, Bossa Nova, calypso, cha-cha, reggae, and more. Use sample solos and other tips to start improvising today! |
| just the two of us alto sax: Jazz Conception Jim Snidero, 1999 |
| just the two of us alto sax: All Music Guide Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, 2001 Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre. |
| just the two of us alto sax: Standard of Excellence Bruce Pearson, 1996-08-01 |
| just the two of us alto sax: First 50 Jazz Standards You Should Play on Piano Hal Leonard Publishing Corporation, 2017-02-01 (Easy Piano Songbook). Do you feel you've learned enough piano skills to take on some jazz tunes? This book is designed to let beginners dive into jazz standards with success. The arrangements, although easy, are full enough to make you sound great. Lyrics are also included. This collection features 50 of the best jazz standards ever, including: All the Things You Are * Autumn in New York * Body and Soul * Don't Get Around Much Anymore * Fly Me to the Moon (In Other Words) * Georgia on My Mind * The Girl from Ipanema (Garota De Ipanema) * It Could Happen to You * Misty * My Funny Valentine * Night and Day * Satin Doll * Speak Low * Summertime * The Way You Look Tonight * When I Fall in Love * You Stepped Out of a Dream * and more. |
| just the two of us alto sax: Universal Method for Saxophone Paul DeVille, 2015-06-17 Commonly referred to as The Saxophone Bible, Paul DeVille's Universal Method for Saxophone is considered the trusted training method for aspiring and serious saxophone players. From how to play your first note to mastering advanced concert pieces, Universal Method for Saxophone offers exercises and advice for every stage of learning, making it both an excellent guide for the saxophonist's musical journey and an indispensable tool for instructors. DeVille's work covers everything a dedicated saxophone student needs to learn to develop mastery. He explains the components of the instrument itself, tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more. As the accomplished saxophonist and author Sam Sadigursky wrote in his review of the top saxophone books of all time (in which he rated Universal Method for Saxophone the number one choice), If you look at the first 20 pages of this 320-page book, it appears to be for beginners, but it quickly moves into some of the best technical and musical workouts that exist in any book. There are etudes by countless composers, slow pieces to develop sound and phrasing, short technical exercises that target the thorny parts of the saxophone mechanism, classical arias, pieces in all twelve keys, and rhythmic and articulation exercises. Universal Method for Saxophone has served generations of saxophone players-including some of the greats-well, and it will continue to be relied upon long into the future. Find out why it sets the standard for saxophone education. |
| just the two of us alto sax: Jazz Conception for Saxophone Duets W/cd Lennie Niehaus, 1967-01-01 |
| just the two of us alto sax: Artie Shaw Vladimir Simosko, 2000-01-19 Artie Shaw, the world famous clarinet-playing bandleader who became popular during the Swing Era, was immersed in the music business as a performer for 30 years, from the summer of 1924 when he began to study saxophone until the summer of 1954 when he stopped performing. This period of activity is the focus of this musical biography and discography, a detailed account of Shaw's musical career and recorded output. The book begins with a summary of Shaw's career in the contexts of jazz history and social setting, then moves into more detail. The chronologically arranged sections, mirroring each phase of his career, incorporate contemporary reviews and interview quotes to create an insightful narrative. The discography lists all known recordings and preferred issues of them, and is separate from the text to facilitate easy reference. Includes appendixes and index |
| just the two of us alto sax: You Did What? Ron Brinnon, 2024-12-16 At the fresh age of fifteen, Ron Brinnon launches his professional saxophone career and plays gigs that land him amid a hotbed of Russian missiles, an FBI chase, and a levitation session with Depak Chopra. Performing for greats like Desi Arnaz, Liza Minelli and Henry Mancini, his ultimate dream is to jam with the Tonight Show Band. A rare embouchure problem keeps that goal always one measure away. Follow part one of the upbeat, unpredictable score of Ron’s extraordinary life. |
| just the two of us alto sax: Billboard , 1959-09-28 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| just the two of us alto sax: That Moaning Saxophone Bruce Vermazen, 2004-04-01 Today, the saxophone is an emblem of cool and the instrument most closely associated with jazz. Yet not long ago it was derided as the Siren of Satan, and it was largely ignored in the United States for well over half a century after its invention. When it was first widely heard, it was often viewed as a novelty noisemaker, not a real musical instrument. In only a few short years, however, saxophones appeared in music shops across America and became one of the most important instrumental voices. How did the saxophone get from comic to cool? Bandleader Tom Brown claimed that it was his saxophone sextet, the Six Brown Brothers, who inaugurated the craze. While this boast was perhaps more myth than reality, the group was indisputably one of the most famous musical acts on stage in the early twentieth century. Starting in traveling circuses, small-time vaudeville, and minstrel shows, the group trekked across the United States and Europe, bringing this new sound to the American public. Through their live performances and groundbreaking recordings--the first discs of a saxophone ensemble in general circulation--the Six Brown Brothers played a crucial role in making this new instrument familiar to and loved by a wide audience. In That Moaning Saxophone, author and cornet player Bruce Vermazen sifts fact from legend in this craze and tells the remarkable story of these six musical brothers--William, Tom, Alec, Percy, Vern, and Fred. Vermazen traces the brothers' path through minstrelsy, the circus, burlesque, vaudeville, and Broadway musical comedy. Cleverly weaving together biographical details and the context of the burgeoning entertainment business, the author draws fascinating portraits of the pre-jazz world of American popular music, the theatrical climate of the period, and the long, slow death of vaudeville. Delving into the career of one of the key popularizers of the saxophone, That Moaning Saxophone not only illuminates the history of this novel instrument, but also offers a witty and vivid portrayal of these forgotten musical worlds. |
| just the two of us alto sax: Billboard , 1968-09-28 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| just the two of us alto sax: Paul Whiteman Don Rayno, 2003 v. 1. When Paul Whiteman, the best-known dance band leader of the flapper age, brought his entourage to town it was a big deal. Mayors met him at the train station and presented him with the key to the city, parades and throngs of cheering crowds escorted him to City Hall, and special luncheons were held in his honor. Eventually dubbed the King of Jazz, Whiteman grew into one of the biggest promoters of players, singers, and arrangers of all times. Many well-known musicians got their first big boost in his band including Tommy and Jimmy Dorsey, Bing Crosby, Frank Trumbauer, Bix Beiderbecke, Johnny Mercer, Mildred Bailey, and Ferde Grofé. When it came to jazz, Whiteman was a trailblazer. He invented symphonic jazz and gave the first performance of Gershwin's Rhapsody in Blue, one of the most enduringly popular of all jazz-influenced musical works of the 20th century. He perfected the one-nighter concert tours, traveling across the country by train, from city to city, with his unique brand of music. He was also the first to employ a special arranger to craft tailor-made charts to fit the Whiteman Orchestra's instrumentation and sound. This is the first of a two-volume set that will serve as the definitive work on the life and music of this legendary jazz leader. Covering the early years from 1890 to 1930, the text will entertain and inform the reader about the exciting life of one of the major influencers of jazz music and also provide a nostalgic glimpse of what life was like during the Roaring Twenties. Features: ---Day-by-day chronology 1890-1930 ---Comprehensive discography of recordings 1920-1930 ---Gallery of Whiteman's band members-alphabetical listing from 1918 to 1930 (includes birth and death dates) ---Detailed reference notes with biographical sketches of famous people ---Extensive bibliography and index, including index of songs ---Nearly 60 rare, black and white photos.--Publisher's description. |
| just the two of us alto sax: Billboard , 1965-08-14 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| just the two of us alto sax: Serendib Jim Toner, 2014-03-15 I didn't invite him. The idea was all my father's, my seventy-four-year-old father who had never been outside America and who suddenly thought that Sri Lanka, where I was a Peace Corps volunteer, would be a jolly place to visit. When John Toner, a retired Cleveland judge, decided on a whim in April 1990 to spend a month with his son in war-torn Sri Lanka, he was as much a stranger to his seventh--and last--child as he was to the hardships of life in a Third World country. Serendib chronicles the journey that follows as a father and son who had never been alone together live in close quarters, in the poorest of conditions--and replace awkwardness and distance with understanding and love. Along the way are the stories of John learning to eat with his fingers, bathing in a river alongside cows, and trading his wool trousers for a traditional sarong. We witness his coming face-to-face with a Hindu priest in a loincloth and his first encounter with the everyday violence of a country at war with itself. John watches with awe as students learn without computers, books, or even paper; he bonds with Sri Lankan children and learns, once again, how to give and how to play. Each new experience pushes Toner's father to face his fears--and brings him closer to his youngest son. Serendib offers a colorful, humorous, and touching account of multiple discoveries--of an old man exploring deep within himself, of a father and son finding each other, and of two cultures coming together on uncommon ground and awakening to the joy and hope of the life they share. |
| just the two of us alto sax: The Billboard , 1926 |
| just the two of us alto sax: Melody , 1929 |
| just the two of us alto sax: The Sax & Brass Book Paul Trynka, 2003-06-01 (Book). This is the first illustrated history of the horns that have defined jazz since the 1920s and enhanced more recent pop and rock music with their distinctive, classy sounds. Offering superb, specially commissioned photography and inviting descriptive text, The Sax & Brass Book tells the unique 70-year story of these instruments. Exquisite, color pictorials included throughout enhance detailed historical profiles of master brass and woodwind manufacturers, including Buescher, Buffet, Conn, Holton, King, Leblanc, Martin, Sax, Selmer, Yanagisawa and Yamaha. |
| just the two of us alto sax: The Jazz Masters Peter C. Zimmerman, 2021-11-01 The Jazz Masters: Setting the Record Straight is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians’ actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century’s extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA’s prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman’s deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” |
| just the two of us alto sax: Congressional Record United States. Congress, 1982 The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873) |
| just the two of us alto sax: The New Partridge Dictionary of Slang and Unconventional English Tom Dalzell, Terry Victor, 2015-06-26 Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language. |
| just the two of us alto sax: SPIN , 1987-11 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
| just the two of us alto sax: Terminated for Reasons of Taste Chuck Eddy, 2016-08-25 In Terminated for Reasons of Taste, veteran rock critic Chuck Eddy writes that rock'n'roll history is written by the winners. Which stinks, because the losers have always played a big role in keeping rock interesting. Rock's losers share top billing with its winners in this new collection of Eddy's writing. In pieces culled from outlets as varied as the Village Voice, Creem magazine, the streaming site Rhapsody, music message boards, and his high school newspaper, Eddy covers everything from the Beastie Boys to 1920s country music, Taylor Swift to German new wave, Bruce Springsteen to occult metal. With an encyclopedic knowledge, unabashed irreverence, and a captivating style, Eddy rips up popular music histories and stitches them back together using his appreciation of the lost, ignored, and maligned. In so doing, he shows how pop music is bigger, and more multidimensional and compelling than most people can imagine. |
| just the two of us alto sax: Stardust Melodies Will Friedwald, 2009-07-01 In Stardust Melodies, Will Friedwald takes each of these legendary songs apart and puts it together again, with a staggering wealth of detail and unprecedented understanding. Each chapter gives us an extended history of one song—the circumstances under which it was written and first performed—and then explores its musical and lyric content. Drawing on his vast knowledge of records and the careers of performing artists, Friedwald tells us who was responsible for making these songs famous and discusses in depth the performers who have left their unique marks on them. He writes about variations in performance style, about both classic and obscure versions of the songs, about brilliantly original interpretations and ghastly travesties. And then there’s the completely unexpected, like Stan Freberg’s politically correct “Elderly Man River.” This is a book for all lovers of American song to explore, argue with, and savor. |
| just the two of us alto sax: The Real Gone, Horn Gone Blues Skoot Larson, 2007-11-07 The Real Gone, Horn Gone Blues Skoot Larson _________________________ When alto saxophone legend and San Pedro native Art Pepper was arrested for narcotics possession and sent to San Quentin in 1960, his signature Martin alto saxophone disappeared. Had he pawned it? Was it buried somewhere in the Los Angeles Police Departments vast evidence room? A seller on present day Internet auction site, Net Bid, claims to have Arts horn, and has put it up for grabs, which draws the attention of one Lucien Bezich, a saxophonist in the band of local jazz man turned reluctant detective Lars Lyndstrom. Loose, as hes called, is a musical genius, but rather slow, and easily excitable in his day-to-day life outside jazz. Loose wants Art Peppers axe badly enough to borrow $3,000 from his mother to place a bid on the horn. For his money, however, all Loose gets is a corpse thats been strangled with the cord that goes around the saxophone players neck to steady the instrument, along with his own arrest for the sax-strap murder. When the Net Bid seller disappears as well, The police discover that this same suspect is also being sought for questioning in the theft of over a million dollars worth of container cargo from the Port of Los Angeles. Can Lars untangle this web to save his friend and fellow musician? If so, it will require another satori from Lars to solve this Zen-jazz mystery. |
| just the two of us alto sax: The Metronome , 1926 |
| just the two of us alto sax: Trumpet Story Bill Coleman, 2016-07-27 Bill Coleman was one of the most important jazz trumpeters of the swing era. Born in France in 1909, he moved to New York in 1927. Over the next few years he made his name playing with many of the top bandleaders, including Luis Russell, Benny Carter and Fats Waller. In 1935 he returned to France and performed with Lucky Millinder. He spent the war years in New York, playing with, among others, Andy Kirk, Mary Lou Williams, Sy Oliver and Billy Kyle, before returning to Paris in 1941 to lead his own band. Bill Coleman toured widely and the book contains fascinating anecdotes about his trips to India, Egypt, the Philippines and Japan. He died in 1981 and Trumpet Story was published in French in that year. |
| just the two of us alto sax: The Walker Brothers John Walker & Gary Walker, 2010-10-11 John Maus was the founder member of The Walker Brothers and still tours today. He has a record label, publishing company and operates a recording studio. He lives in California with his wife Cynthia and between them they have three children and three grandchildren.Gary Leeds was born in Glendale, California on 9 March 1942. His only youthful ambition was to be a pilot and fly. His other passion was playing the drums, which led to fame with The Walker Brothers. He has been married for thirty years to Barbara, has a son Michael, and lives in England. |
Just The Two Of Us Sheet Music for Saxophone alto (Solo)
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Just The Two of Us: Alto Saxophone | PDF | Woodwind …
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Just The Two Of Us - Fresh Sheet Music
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Just The Two Of Us Sheet Music for Saxophone alto (Solo)
May 14, 2024 · Download and print in PDF or MIDI free sheet music of just the two of us - Grover Washington Jr. for Just The Two Of Us by Grover Washington Jr. arranged by Emma Vos for …
Just the Two of Us (arr. John Wasson) - Alto Sax 1 - Sheet Music …
Download and Print Just the Two of Us (arr. John Wasson) - Alto Sax 1 sheet music for Jazz Ensemble by Grover Washington Jr. feat. Bill Withers from Sheet Music Direct.
Just The Two of Us: Alto Saxophone | PDF | Woodwind …
This document is a musical score for an alto saxophone arrangement of the song "Just the Two of Us" originally performed by Bill Withers and Grover Washington Jr. The score contains standard …
Just The Two Of Us by Bill Withers Alto Saxophone - Sheet …
Shop and Buy Just The Two Of Us sheet music. Alto Saxophone, Alto Saxophone Solo sheet music book by Bill Withers; Ralph MacDonald; William Salter: Nathan Allen at Sheet Music Plus. …
Just The Two Of Us sheet music for alto saxophone solo (PDF)
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JUST THE TWO OF US - Alto Sax - Musescore.com
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Just The Two Of Us - Fresh Sheet Music
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Just The Two Of Us - Sheet Music Direct
Download and Print Just The Two Of Us sheet music for Alto Sax Solo by Grover Washington Jr. feat. Bill Withers from Sheet Music Direct.
