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| judith weston classes: Directing Actors Judith Weston, 1996 Demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong and more. |
| judith weston classes: Surviving Production Deborah S. Patz, 1997 |
| judith weston classes: Film Directing Shot by Shot Steven Douglas Katz, 1991 An instant classic since its debut in 1991, Film Directing: Shot By Shot and its famous blue cover is one of the most well-known books on directing in the business, and is a favorite of professional directors as an on-set quick reference guide. |
| judith weston classes: Making Movies Sidney Lumet, 2010-09-01 Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic. |
| judith weston classes: Changing Direction: A Practical Approach to Directing Actors in Film and Theatre Lenore DeKoven, 2006-02-07 This approach, honed after years of on-set experience and from teaching at UCLA, NYU, and Columbia, and endorsed by many in the industry, including director Ang Lee (Brokeback Mountain and Crouching Tiger, Hidden Dragon) and producer/actor Edward Asner, aims to provide a helpful reference and resource for directors and actors alike. It combines underlying theory with dozens of exercises designed to reveal the actor's craft. There is material on constructing the throughline; analyzing the script; character needs; the casting and rehearsal processes; film vs. theater procedures as well as the actor and the camera. Distilling difficult concepts and a complex task to their simplest form, the author explains how to accurately capture and portray human behavior. The author's discussion of creative problems she has encountered or anticipated after years of experience, and her suggested solutions and exercises, are immediately useful. Additionally, hear what the actors have to say in excerpts from interviews with such acclaimed actors as Meryl Streep, Denzel Washington, Glenn Close, Robert Redford, Christopher Walken, Julianne Moore, and Michael Douglas (to name a few) who discuss their work with directors, what inspires them, and what they really want from the director. |
| judith weston classes: Film Directing Fundamentals Nicholas Proferes, 2012-08-06 Visualize your films before shooting! |
| judith weston classes: Kazan on Directing Elia Kazan, 2009-04-21 Elia Kazan was the twentieth century’s most celebrated director of both stage and screen, and this monumental, revelatory book shows us the master at work. Kazan’s list of Broadway and Hollywood successes—A Streetcar Named Desire, Death of a Salesman, On the Waterfront, to name a few—is a testament to his profound impact on the art of directing. This remarkable book, drawn from his notebooks, letters, interviews, and autobiography, reveals Kazan’s method: how he uncovered the “spine,” or core, of each script; how he analyzed each piece in terms of his own experience; and how he determined the specifics of his production. And in the final section, “The Pleasures of Directing”—written during Kazan’s final years—he becomes a wise old pro offering advice and insight for budding artists, writers, actors, and directors. |
| judith weston classes: An Introduction to Film Genres Lester D. Friedman, David Desser, Sarah Kozloff, Martha Nochimson, Stephen Prince, 2014 An Introduction to Film Genres, written by leading film scholars specifically for undergraduates who are new to the study of film, provides an introduction that helps students see thirteen film genres in a new light---to help them identify the themes, iconography, and distinctive stylistic traits of each genre. |
| judith weston classes: Directing Actors - 25th Anniversary Edition - Case Bound Judith Weston, 2021-04-06 Collaborating with actors is, for many filmmakers, the last frontier―the scariest part and the part they long for―the human part, the place where connection happens. Directing Actors: 25th Anniversary Edition covers the challenges of the actor-director relationship―the pitfalls of result direction; breaking down a script; how to prepare for casting sessions; when, how and whether to rehearse―but with updated references, expanded ideas, more detailed chapters on rehearsal and script analysis (using a scene from The Matrix)―and a whole new chapter on directing children. For twenty-five years the industry standard for instilling confidence in filmmakers, Directing Actors perseveres in its mission―to bring directors, actors and writers deeper into the exhilarating task of creating characters the world will not forget. |
| judith weston classes: Directing Michael Rabiger, 2013-04-02 Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises. The third edition emphasizes the connection between knowing and doing, with every principle realizable through projects and exercises. Much has been enhanced and expanded, notably: aspects of dramaturgy; beats and dramatic units; pitching stories and selling one's work; the role of the entrepreneurial producer; and the dangers of embedded moral values. Checklists are loaded with practical recommendations for action, and outcomes assessment tables help the reader honestly gauge his or her progress. Entirely new chapters present: preproduction procedures; production design; script breakdown; procedures and etiquette on the set; shooting location sound; continuity; and working with a composer. The entire book is revised to capitalize on the advantages offered by the revolutionary shift to digital filmmaking. |
| judith weston classes: Freckle Juice Judy Blume, 2024-11-05 More than anything in the world, Andrew wants freckles. His classmate Nicky has freckles -- they cover his face, his ears, and the whole back of his neck. (Once sitting behind him in class, Andrew counted eighty-six of them, and that was just a start! One day after school, Andrew screws up enough courage to ask Nicky where he got his freckles. And, as luck would have it, who should overhear him but giggling, teasing Sharon (who makes frog faces at everybody!) Sharon offers Andrew her secret freckle juice recipe -- for fifty cents. That's a lot of money to Andrew -- five whole weeks allowance! He spends a sleepless night, torn between his desire for freckles and his reluctance to part with such a substantial sum of money. Finally, the freckles win, and Andrew decides to accept Sharon's offer. After school, Andrew rushes home (with the recipe tucked into his shoe for safekeeping). He carefully begins to mix the strange combination of ingredients -- and immediately runs into some unforeseen problems. How Andrew finally manages to achieve a temporary set of freckles -- and then isn't sure he really wants them -- makes a warm and hilarious story. |
| judith weston classes: How To Audition On Camera: A Hollywood Insider's Guide for Actors Sharon Bialy, 2016-09-27 First Time in Print Updated and expanded To win a role in a movie or on network or cable TV, you must make a strong first impression in your brief, crucial audition—and the first person you have to impress is the casting director. In How to Audition On Camera, Casting Director Sharon Bialy answers the twenty-five questions actors ask most frequently about how to nail an audition. What is the casting director looking for? If you mess up, can you start over? What is the most common mistake experienced actors make? Should you audition off book or can you look at the page? Should you dress in character? How much can you improvise? Actors—both novice and professional—are often misled by myths and outdated prescriptions. This guide replaces such misinformation with concise and accurate advice from someone who is in the room helping to make the decision on who gets the job. Bialy gets readers started immediately on the road to screen acting success. |
| judith weston classes: Book of Sides II: Original, Two-Page Scenes for Actors and Directors Dave Kost, 2017-07-20 Book of Sides II: Original, Two-Page Scenes for Actors and Directors is the second book in the Book of Sides series by Dave Kost, featuring original, two-page, two-character scenes for use in acting, directing, and auditioning classes. While shorter than the traditional three-to-six-page scenes commonly used in classes, Book of Sides II features longer scenes than the first Book of Sides with greater character development, more reversals, and stronger climaxes. Balanced, structured scenes designed specifically for educational use challenge both actors and directors equally with objectives, obstacles, tactics, and subtext; Two-page length is ideal for high-intensity exercises and faster-paced workshops; Printed in easy-to-read film-script format with plenty of room for notes; Scenes are completely original and unencumbered by copyright, so students may film and post legally on the internet; Universally castable, so all roles can be played by actors of any gender, appearance, skill level, or ethnicity; Accessibly-written for modern students, helping them to focus on the fundamentals of performance and directing; Simple and conducive to performing in a classroom without sets, costumes, or special props. This book was written by an educator for educators and designed for use in the classroom. Never search for scenes again! |
| judith weston classes: Queer Kinship Teagan Bradway, Elizabeth Freeman, 2022-08-08 The contributors to this volume assert the importance of queer kinship to queer and trans theory and to kinship theory. In a contemporary moment marked by the rising tides of neoliberalism, fascism, xenophobia, and homo- and cis-nationalism, they approach kinship as both a horizon and a source of violence and possibility. The contributors challenge dominant theories of kinship that ignore the devastating impacts of chattel slavery, settler colonialism, and racialized nationalism on the bonds of Black and Indigenous people and people of color. Among other topics, they examine the “blood tie” as the legal marker of kin relations, the everyday experiences and memories of trans mothers and daughters in Istanbul, the outsourcing of reproductive labor in postcolonial India, kinship as a model of governance beyond the liberal state, and the intergenerational effects of the adoption of Indigenous children as a technology of settler colonialism. Queer Kinship pushes the methodological and theoretical underpinnings of queer theory forward while opening up new paths for studying kinship. Contributors. Aqdas Aftab, Leah Claire Allen, Tyler Bradway, Juliana Demartini Brito, Judith Butler, Dilara Çalışkan, Christopher Chamberlin, Aobo Dong, Brigitte Fielder, Elizabeth Freeman, John S. Garrison, Nat Hurley, Joseph M. Pierce, Mark Rifkin, Poulomi Saha, Kath Weston |
| judith weston classes: What’s the Story? The Director Meets Their Screenplay Peter Markham, 2020-09-07 A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life. |
| judith weston classes: How Not to Make a Short Film Roberta Marie Munroe, 2009-01-09 Anyone can make a short film, right? Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right? Wrong. Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call action) from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make--so that you don't have to make them yourself. |
| judith weston classes: The Art of the Hollywood Backdrop Richard M. Isackes, Karen L. Maness, 2016-11 Once a guarded cinematic secret, this definitive history reveals for the first time the art and craft of Hollywood's hand painted-backdrops, and pays homage to the scenic artists who brought them to the big screen. -- Slipcase. |
| judith weston classes: Undoing Gender Judith Butler, 2004-10-22 Undoing Gender constitutes Judith Butler's recent reflections on gender and sexuality, focusing on new kinship, psychoanalysis and the incest taboo, transgender, intersex, diagnostic categories, social violence, and the tasks of social transformation. In terms that draw from feminist and queer theory, Butler considers the norms that govern--and fail to govern--gender and sexuality as they relate to the constraints on recognizable personhood. The book constitutes a reconsideration of her earlier view on gender performativity from Gender Trouble. In this work, the critique of gender norms is clearly situated within the framework of human persistence and survival. And to do one's gender in certain ways sometimes implies undoing dominant notions of personhood. She writes about the New Gender Politics that has emerged in recent years, a combination of movements concerned with transgender, transsexuality, intersex, and their complex relations to feminist and queer theory. |
| judith weston classes: The Art of Directing Actors Ernest Goodman, 2015-06-23 This is second edition of The Art of Directing Actors book. The book may look like other books you have seen, but there are some important differences which will make it easier and more helpful:This handbook- concentrates on the most common mistakes made by film and theater directors and actors (20 examples of the result-oriented and general directions). We sought to keep the guide complete enough to answer all your questions without becoming thick enough to become a doorstop. The Art of Directing Actors has all the tools you need to effectively direct actors and to create memorable performances.- presents directing actors as a practical psychology: the art of managing human behavior.- explains modern and classic methods of directing actors (17 methods or tools of the director and actors). You will have a complete and versatile toolbox for use in any film or theater production. You need not look in other books to find these tools.- presents a comprehensive source-book for directors and actors. It contains a full list of action verbs with a thesaurus and a classification of action verbs, examples of a full script breakdown with spines, needs, objectives, actions and adjustments.- gives the practical application of the tools (The Bear, The importance of being earnest). You will have the script breakdown of the classic plays of Anton Chekhov and Oscar Wilde.- offers exercises in a useful format. In order to apply your understanding of various methods of directing actors, explore the relevant exercises. |
| judith weston classes: On Directing Film David Mamet, 1992-01-01 A masterclass on the art of directing from the Pulitzer Prize-winning (and Oscar and Tony-nominated) writer of Glengarry Glen Ross, Speed the Plow, The Verdict, and Wag the Dog Calling on his unique perspective as playwright, screenwriter, and director of his own critically acclaimed movies like House of Games, State and Main, and Things Change, David Mamet illuminates how a film comes to be. He looks at every aspect of directing—from script to cutting room—to show the many tasks directors undertake in reaching their prime objective: presenting a story that will be understood by the audience and has the power to be both surprising and inevitable at the same time. Based on a series of classes Mamet taught at Columbia University's film school, On Directing Film will be indispensible not only to students but to anyone interested in an overview of the craft of filmmaking. Passion, clarity, commitment, intelligence—just what one would expect from Mamet. —Sidney Lumet, Academy Award-nominated director of 12 Angry Men, Dog Day Afternoon, Network, and The Verdict |
| judith weston classes: Prominent Families of New York Lyman Horace Weeks, 1898 |
| judith weston classes: Women, Race, & Class Angela Y. Davis, 2011-06-29 From one of our most important scholars and civil rights activist icon, a powerful study of the women’s liberation movement and the tangled knot of oppression facing Black women. “Angela Davis is herself a woman of undeniable courage. She should be heard.”—The New York Times Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work. |
| judith weston classes: A Practical Handbook for the Actor , 2007 |
| judith weston classes: Film Directing: Shot by Shot - 25th Anniversary Edition Steve D. Katz, 2019 Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from this book. This book blends story analysis with compositional strategies, citing examples then illustrated with the storyboards used for the actual films. |
| judith weston classes: Dust City Robert Paul Weston, 2010-09-30 Ever since his father's arrest for the murder of Little Red Riding Hood, teen wolf Henry Whelp has kept a low profile in a Home for Wayward Wolves . . . until a murder at the Home leads Henry to believe his father may have been framed. Now, with the help of his kleptomaniac roommate, Jack, and a daring she-wolf named Fiona, Henry will have to venture deep into the heart of Dust City: a rundown, gritty metropolis where fairydust is craved by everyone and controlled by a dangerous mob of Water Nixies and their crime boss leader, Skinner. Can Henry solve the mystery of his family's sinister past? Or, like his father before him, is he destined for life as a big bad wolf? |
| judith weston classes: Directors on Directing Helen Krich Chinoy, Toby Cole, 2013-07 Now that directors such as Stephen Spielberg, George Lucas, and Francis Ford Coppola are celebrated along-side movie stars, it is hard to imagine that little more than a century ago the director was a nameless, faceless entity-an overseer of workflow in the shuffle of shadows offstage. In surveying the pioneers who transformed theater into the dynamic art form it is today, Directors on Directing presents a timeless collection of writings offering insight into what it means to direct and how to better appreciate theatrical performances. |
| judith weston classes: The Best of the Best Rubén A. Gaztambide-Fernández, 2010-01-30 For two years, Rubén Gaztambide-Fernández shared the life of what he calls the Weston School, an elite New England boarding school. Vividly describing the pastoral landscape and graceful buildings, the rich variety of classes and activities, and the official and unofficial rules that define the school, The Best of the Best reveals a small world of deeply ambitious, intensely pressured students. For Gaztambide-Fernández, Weston is daunting yet strikingly bucolic, inspiring but frustratingly incurious, and sometimes - especially for young women - a gilded cage for a gilded age. |
| judith weston classes: Teaching at Its Best Linda B. Nilson, 2010-04-09 This expanded and updated edition of the best-selling handbook is an essential toolbox, full of hundreds of practical teaching techniques, classroom activities and exercises, for the new or experienced college instructor. This new edition includes updated information on the Millennial student, more research from cognitive psychology, a focus on outcomes maps, the latest legal options on copyright issues, and more. It will also include entirely new chapters on matching teaching methods with learning outcomes, inquiry-guide learning, and using visuals to teach, as well as section on the Socratic method, SCALE-UP classrooms, and more. |
| judith weston classes: So You Want to be President? Judith St. George, 2000 Presents an assortment of facts about the qualifications and characteristics of U.S. presidents, from George Washington to Bill Clinton. |
| judith weston classes: Paradoxes of Gender Judith Lorber, 1994 This feminist works draws from a wide range of critical, social and historical research to suggest that today's gender system is a constructed institution - designed to produce a subordinate class (women) to be exploited as workers, sexual partners, childbearers, and nurturers. |
| judith weston classes: MacArthur Park Judith Freeman, 2021-10-12 A captivating, emotionally taut novel about the complexities of a friendship between two women—and how it shapes, and reshapes, both of their lives Filled with gorgeous prose and deep emotion . . . Explores what it means to be an artist, delves into the vicissitudes of life and death, and takes us on journey through the splendor (and sometimes ugliness) of the American West—with dollops of Flaubert, Faulkner, Chekhov, Collette, and Chandler along the way.—Lisa See, author of The Island of Sea Women Jolene and Verna share complicated ties that have crystallized over time. Beginning when they were girls discovering their needs and desires, their ongoing stories have been inextricably linked. But when Verna marries Vincent, Jolene’s ex-husband, their paths may have finally, permanently diverged. A successful and provocative feminist artist, Jolene travels the world, attracting attention wherever she goes. Verna, a writer, works from her home near MacArthur Park in Los Angeles, where she and Vincent plan to spend the rest of their lives in a contemplative, intimate routine. Then Jolene asks one more favor of Verna—to take a road trip with her to their small hometown in Utah. It’s a journey that will force them to confront both the truths and falsehoods of their memories of each other and of the very beginnings of their friendship, and to reckon with the meaning of love, of time itself, of the bonds that matter most to us, and with what we owe one another. |
| judith weston classes: Relative Values Sarah Franklin, Susan McKinnon, 2002-02-22 The essays in Relative Values draw on new work in anthropology, science studies, gender theory, critical race studies, and postmodernism to offer a radical revisioning of kinship and kinship theory. Through a combination of vivid case studies and trenchant theoretical essays, the contributors—a group of internationally recognized scholars—examine both the history of kinship theory and its future, at once raising questions that have long occupied a central place within the discipline of anthropology and moving beyond them. Ideas about kinship are vital not only to understanding but also to forming many of the practices and innovations of contemporary society. How do the cultural logics of contemporary biopolitics, commodification, and globalization intersect with kinship practices and theories? In what ways do kinship analogies inform scientific and clinical practices; and what happens to kinship when it is created in such unfamiliar sites as biogenetic labs, new reproductive technology clinics, and the computers of artificial life scientists? How does kinship constitute—and get constituted by—the relations of power that draw lines of hierarchy and equality, exclusion and inclusion, ambivalence and violence? The contributors assess the implications for kinship of such phenomena as blood transfusions, adoption across national borders, genetic support groups, photography, and the new reproductive technologies while ranging from rural China to mid-century Africa to contemporary Norway and the United States. Addressing these and other timely issues, Relative Values injects new life into one of anthropology's most important disciplinary traditions. Posing these and other timely questions, Relative Values injects an important interdisciplinary curiosity into one of anthropology’s most important disciplinary traditions. Contributors. Mary Bouquet, Janet Carsten, Charis Thompson Cussins, Carol Delaney, Gillian Feeley-Harnik, Sarah Franklin, Deborah Heath, Stefan Helmreich, Signe Howell, Jonathan Marks, Susan McKinnon, Michael G. Peletz, Rayna Rapp, Martine Segalen, Pauline Turner Strong, Melbourne Tapper, Karen-Sue Taussig, Kath Weston, Yunxiang Yan |
| judith weston classes: Gender in Real Time Kath Weston, 2002 First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. |
| judith weston classes: An Illini Place Lex Tate, John Franch, 2017-04-17 Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings. |
| judith weston classes: The Coffee Break Screenwriter Pilar Alessandra, 2016 'The Coffee Break Screenwriter' keeps it focused and simple. Writers -- from novice to professional -- benefit at every stage of the writing process with a relaxed, ten minutes at a time method--Page 4 of cover. |
| judith weston classes: Teaching Physical Education Muska Mosston, Sara Ashworth, 1994 The definitive source for the groundbreaking ideas of the Spectrum of Teaching Styles introduced by Mosston and Ashworth and developed during 35 years in the field. This book offers teachers a foundation for understanding the decision-making structures that exist in all teaching/learning environments and for recognizing the variables that increase effectiveness while teaching physical education. In this thoroughly revised and streamlined edition, all chapters have been updated to include hundreds of real-world examples, concise charts, practical forms, and concrete suggestions for deliberate teaching so that teachers can understand their classrooms' flow of events, analyze decision structures, implement adjustments that are appropriate for particular classroom situations, and deliberately combine styles to achieve effective variations. As in prior editions, individual chapters describe the anatomy of the decision structure as it relates to teachers and learners, the objectives (O-T-L-O) of each style, and the application of each style to various activities and educational goals. For physical education teachers. |
| judith weston classes: On the Inconvenience of Other People Lauren Berlant, 2022 Lauren Berlant continues to explore our affective engagement with the world, focusing on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. |
| judith weston classes: Sexual Misconduct of the Middle Classes Hannah Moscovitch, 2021-04-26 The archetypal student-teacher romance is cleverly turned on its head for the post-#MeToo era in this striking new play by the acclaimed author of What a Young Wife Ought to Know and Bunny. Jon, a star professor and author, is racked with self-loathing after his third marriage crumbles around him when he finds himself admiring a student--a girl in a red coat. The girl, nineteen-year-old Annie, is a big fan of his work, and also happens to live down the street. From their doorways to his office to hotel rooms, their mutual admiration and sexual tension escalates under Jon's control to a surprising conclusion that will leave you wanting to go back and question your perceptions of power as soon as you finish. |
| judith weston classes: Unconscious Bias in Schools Tracey A. Benson, Sarah Edith Fiarman, 2019 In Unconscious Bias in Schools, two seasoned educators describe the phenomenon of unconscious racial bias and how it negatively affects the work of educators and students in schools. Regardless of the amount of effort, time, and resources education leaders put into improving the academic achievement of students of color, the authors write, if unconscious racial bias is overlooked, improvement efforts may never achieve their highest potential. In order to address this bias, the authors argue, educators must first be aware of the racialized context in which we live. Through personal anecdotes and real-life scenarios, Unconscious Bias in Schools provides education leaders with an essential roadmap for addressing these issues directly. The authors draw on the literature on change management, leadership, critical race theory, and racial identity development, as well as the growing research on unconscious bias in a variety of fields, to provide guidance for creating the conditions necessary to do this work--awareness, trust, and a learner's stance. Benson and Fiarman also outline specific steps toward normalizing conversations about race; reducing the influence of bias on decision-making; building empathic relationships; and developing a system of accountability. All too often, conversations about race become mired in questions of attitude or intention-But I'm not a racist! This book shows how information about unconscious bias can help shift conversations among educators to a more productive, collegial approach that has the potential to disrupt the patterns of perception that perpetuate racism and institutional injustice. Tracey A. Benson is an assistant professor of educational leadership at the University of North Carolina at Charlotte. Sarah E. Fiarman is the director of leadership development for EL Education, and a former public school teacher, principal, and lecturer at Harvard Graduate School of Education. |
| judith weston classes: Casting Revealed Hester Schell, 2017 Casting is an essential component of any film or video project, but the core skill-set needed to cast effectively is little understood. Casting Revealed: A Guide for Film Directors is a straightforward manual on the art and craft of casting. Here, director Hester Schell offers her insider perspective on casting workflows, industry standards, finding actors, running auditions, what to look for in a performance, contracts, and making offers. This new edition has been updated with fresh interviews with casting directors, full color head shots, new information about online video submissions, and a companion website featuring forms, contracts, and sample scenes for auditions. Gain a fuller understanding of the misunderstood art and craft of casting actors for film and video production. Learn to find the right actors for any production, run auditions, interview actors, effectively judge performances and video submissions, evaluate suitability for a role, discover what it is you need from an actor, view headshots, draft contracts, make offers, and navigate current industry standards, unions, and procedures. This new edition has been updated to include full color sample head shots, new content on online video submissions, listings of casting wesbites, film resources, and film commissions and a companion website featuring interviews with celebrated casting directors from New York, Portland, Boston and Austin, necessary forms, sign-in sheets, contracts, and sample scenes for auditions. |
Book of Judith - Wikipedia
The Book of Judith is a deuterocanonical book included in the Septuagint and the Catholic and Eastern Orthodox Christian Old Testament of the Bible but excluded from the Hebrew canon …
The Book of Judith - Bible Gateway
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith, THE BOOK OF JUDITH - USCCB
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith: A Remarkable Heroine - Biblical Archaeology Society
Aug 25, 2024 · The Book of Judith —considered canonical by Roman Catholics, Apocrypha Literature by Protestants, and non-canon by Jews—tells the story of the ignominious defeat of …
JUDITH CHAPTER 1 KJV - King James Bible Online
Why is Judith shown with the King James Bible? 1 In the twelfth year of the reign of Nabuchodonosor, who reigned in Nineve, the great city; in the days of Arphaxad, which …
Topical Bible: Judith
Judith, a devout and beautiful widow, emerges as the heroine of the account. When her town is besieged and the people are on the brink of surrender, Judith steps forward with a bold plan. …
Biblical literature - Judith, Apocrypha, Heroine | Britannica
Judith is an exemplary Jewish woman. Her deed is probably invented under the influence of the account of the 12th-century- bce Kenite woman Jael (Judg. 5:24–27), who killed the Canaanite …
Book of Judith - New World Encyclopedia
The Book of Judith is a deuterocanonical book, included in the Roman Catholic and Eastern Orthodox Bibles, but excluded by Jews and Protestants. However, it remains a popular and …
Judith (given name) - Wikipedia
Judith is a feminine given name derived from the Hebrew name Yəhūdīt (יְהוּדִית), meaning "praised" and also more literally "Woman of Judea". It is the feminine form of Judah. Judith …
The Biblical Meaning of Judith: A Woman of Strength and Faith
In the Bible, the story of Judith is a powerful tale of faith, bravery, and divine intervention. Her name means “Jewish woman” or “woman of Judea,” and she is celebrated for her courage and …
Book of Judith - Wikipedia
The Book of Judith is a deuterocanonical book included in the Septuagint and the Catholic and Eastern Orthodox Christian Old Testament of the Bible but excluded from the Hebrew canon …
The Book of Judith - Bible Gateway
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith, THE BOOK OF JUDITH - USCCB
The Book of Judith relates the story of God’s deliverance of the Jewish people. This was accomplished “by the hand of a female”—a constant motif (cf. 8:33; 9:9, 10; 12:4; 13:4, 14, 15; …
Judith: A Remarkable Heroine - Biblical Archaeology Society
Aug 25, 2024 · The Book of Judith —considered canonical by Roman Catholics, Apocrypha Literature by Protestants, and non-canon by Jews—tells the story of the ignominious defeat of …
JUDITH CHAPTER 1 KJV - King James Bible Online
Why is Judith shown with the King James Bible? 1 In the twelfth year of the reign of Nabuchodonosor, who reigned in Nineve, the great city; in the days of Arphaxad, which …
Topical Bible: Judith
Judith, a devout and beautiful widow, emerges as the heroine of the account. When her town is besieged and the people are on the brink of surrender, Judith steps forward with a bold plan. …
Biblical literature - Judith, Apocrypha, Heroine | Britannica
Judith is an exemplary Jewish woman. Her deed is probably invented under the influence of the account of the 12th-century- bce Kenite woman Jael (Judg. 5:24–27), who killed the Canaanite …
Book of Judith - New World Encyclopedia
The Book of Judith is a deuterocanonical book, included in the Roman Catholic and Eastern Orthodox Bibles, but excluded by Jews and Protestants. However, it remains a popular and …
Judith (given name) - Wikipedia
Judith is a feminine given name derived from the Hebrew name Yəhūdīt (יְהוּדִית), meaning "praised" and also more literally "Woman of Judea". It is the feminine form of Judah. Judith …
The Biblical Meaning of Judith: A Woman of Strength and Faith
In the Bible, the story of Judith is a powerful tale of faith, bravery, and divine intervention. Her name means “Jewish woman” or “woman of Judea,” and she is celebrated for her courage and …
