Advertisement
| jazz styles mark gridley 11th edition: Jazz Styles Mark C. Gridley, 1997 |
| jazz styles mark gridley 11th edition: Jazz Styles Mark C. Gridley, 1991 |
| jazz styles mark gridley 11th edition: Why Jazz Happened Marc Myers, 2019-02-26 Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more. In an absorbing narrative enlivened by the commentary of key personalities, Marc Myers describes the myriad of events and trends that affected the music's evolution, among them, the American Federation of Musicians strike in the early 1940s, changes in radio and concert-promotion, the introduction of the long-playing record, the suburbanization of Los Angeles, the Civil Rights movement, the “British invasion” and the rise of electronic instruments. This groundbreaking book deepens our appreciation of this music by identifying many of the developments outside of jazz itself that contributed most to its texture, complexity, and growth. |
| jazz styles mark gridley 11th edition: The Studio Recordings of the Miles Davis Quintet, 1965-68 Keith Waters, 2011-03-11 The Second Quintet -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the socio-cultural context of the work. Keith Waters' The Studio Recordings of the Miles Davis Quintet, 1965-68 concentrates instead on the music itself, as written, performed, and recorded. Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research into the Shorter archives proves to be of even broader significance and interest, as Waters is able now to demonstrate the composer's original conception of a given piece. Waters also points out errors in the notated versions of the canonical songs as they often appear in the main sources available to musicians and scholars. An indispensible resource, The Miles Davis Quintet Studio Recordings: 1965-1968 is suited for the jazz scholar as well as for jazz musicians and aficionados of all levels. |
| jazz styles mark gridley 11th edition: The Cambridge Companion to Duke Ellington Edward Green, Evan Spring, 2014 This comprehensive and accessible Companion is the first collection of essays to provide an in-depth overview of Ellington's career. |
| jazz styles mark gridley 11th edition: Jazzology Robert Rawlins, Nor Eddine Bahha, 2005-07-01 (Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more! |
| jazz styles mark gridley 11th edition: The Cambridge Companion to Jewish Music Joshua S. Walden, 2015-11-19 A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars. |
| jazz styles mark gridley 11th edition: Jazz Scott DeVeaux, Gary Giddins, 2011-05-31 The #1 text in the market--now in an Essentials Edition. |
| jazz styles mark gridley 11th edition: Listen to This Victor Svorinich, 2015-02-05 Listen to This stands out as the first book exclusively dedicated to Davis's watershed 1969 album, Bitches Brew. Victor Svorinich traces its incarnations and inspirations for ten-plus years before its release. The album arrived as the jazz scene waned beneath the rise of rock-and-roll and as Davis (1926–1991) faced large changes in social conditions affecting the African American consciousness. This new climate served as a catalyst for an experiment that many considered a major departure. Davis's new music projected rock-and-roll sensibilities, the experimental essence of 1960s' counterculture, yet also harsh dissonances of African American reality. Many listeners embraced it, while others misunderstood and rejected the concoction. Listen to This is not just the story of Bitches Brew. It reveals much of the legend of Miles Davis—his attitude and will, his grace under pressure, his bands, his relationship to the masses, his business and personal etiquette, and his response to extraordinary social conditions seemingly aligned to bring him down. Svorinich revisits the mystery and skepticism surrounding the album and places it into both a historical and musical context using new interviews, original analysis, recently found recordings, unearthed session data sheets, memoranda, letters, musical transcriptions, scores, and a wealth of other material. Additionally, Listen to This encompasses a thorough examination of producer Teo Macero's archives and Bitches Brew's original session reels in order to provide the only complete day-to-day account of the sessions. |
| jazz styles mark gridley 11th edition: Jazz/Not Jazz David Ake, Charles Hiroshi Garrett, Daniel Goldmark, 2012-06-12 “Jazz/Not Jazz is an innovative and inspiring investigation of jazz as it is practiced, theorized and taught today. Taking their cues from current debates within jazz scholarship, the contributors to this collection open up jazz studies to a transdisciplinarity that is rich in its diversity of approaches, candid in its appraisals of critical worth, transparent in its ideological suppositions, and catholic in its subjects/objects of inquiry.”—Kevin Fellezs, author of Birds of Fire: Jazz, Rock, Funk and the Creation of Fusion. “This collection is a delight. Each essay opens up some previously ignored aspect of jazz history. Anyone who knows the New Jazz Studies and is wise enough to acquire this book will immediately devour it.”—Krin Gabbard, author of Hotter Than That: The Trumpet, Jazz, and American Culture. “This volume is truly one of a kind, eminently readable and filled with new insights. It will make an extremely important contribution to jazz literature.”—Jeffrey Taylor, Director, H. Wiley Hitchcock Institute for Studies in American Music, Brooklyn College. |
| jazz styles mark gridley 11th edition: Playing Changes Nate Chinen, 2019-07-23 One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come. |
| jazz styles mark gridley 11th edition: Latin Jazz Christopher Washburne, 2020 Jazz has always been a genre built on the blending of disparate musical cultures. Latin jazz illustrates this perhaps better than any other style in this rich tradition, yet its cultural heritage has been all but erased from narratives of jazz history. Told from the perspective of a long-time jazz insider, Latin Jazz: The Other Jazz corrects the record, providing a historical account that embraces the genre's international nature and explores the dynamic interplay of economics, race, ethnicity, and nationalism that shaped it. |
| jazz styles mark gridley 11th edition: Rock and Roll Joe Stuessy, Scott D. Lipscomb, 2012-01 ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase. Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code. Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase. -- Rock and Roll - Changing Society, Evolving History Rock and Roll: Its History and Stylistic Development, 7th edition introduces students to the various elements of music along with the history of rock music. Rock and roll is more than just a musical style, it is an influential social factor. This program gives a thorough historical and musical analysis of rock artists, styles, and events in a clear and accessible language. This new edition includes callouts in the text that links students to the new MySearchLab with eText website, as described in the features section. A better teaching and learning experience This program will provide a better teaching and learning experience- for you and your students. Here's how: Personalize Learning - The new MySearchLab with eText delivers proven results in helping students succeed, provides engaging experiences that personalize learning, and comes from a trusted partner with educational expertise and a deep commitment to helping students and instructors achieve their goals. Improve Active Listening - A Take Note section at the beginning of each chapter poses a series of key questions; each chapter concludes with a corresponding Take Note section that provides brief answers to the earlier questions. Each chapter also begins with a list of key terms. Engage Students - Each chapter includes a set of suggested listening activities to enhance the reader's understanding of the text. Support Instructors - A full Instructor's Manual and Testbank are available. Note: MySearchLab with eText does not come automatically packaged with this text. To purchase MySearchLab with eText, please visit www.mysearchlab.com or you can purchase a ValuePack of the text +MySearchLab with eText: ValuePack ISBN-10: 0205843921 / ValuePack ISBN-13: 9780205843923. |
| jazz styles mark gridley 11th edition: The Scientific Endeavor Jeffrey A. Lee, 2016-08-03 The Scientific Endeavor is an introduction to what science is and how it is done. Many college courses are good at presenting particular disciplines (Biology, Chemistry, etc.), but not the details of science itself. Science literacy for educated citizens and for professional scientists requires an understanding of science itself. Written at an introductory college level, this book provides on overview of what science is, the philosophy of science, how research is done, how scientists interact, ethics and misconduct, scientific thinking, and pseudoscience. It has been used as a supplementary textbook in introductory science classes, as the main text in classes about science, and as background reading to spark discussions in advanced undergraduate and graduate courses. |
| jazz styles mark gridley 11th edition: Where the Dark and the Light Folks Meet Randall Sandke, 2023-06-14 Where the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has s |
| jazz styles mark gridley 11th edition: The Cambridge History of Twentieth-Century Music Nicholas Cook, Anthony Pople, 2004-08-05 Publisher Description |
| jazz styles mark gridley 11th edition: New Orleans Jazz Styles , 2006-02 Beginner Piano/Keyboard Instruction |
| jazz styles mark gridley 11th edition: Inside the Jazzomat Martin Pfleiderer, Jakob Abeßer Frieler, Jakob Abeßer, 2017-12 The Jazzomat Research Project takes up the challenge of jazz research in the age of digitalisation. It intends to open up a new field of analytical exploration by providing computational tools as well as a comprehensive corpus of improvisations with MeloSpyGUI and the Weimar Jazz Database. This volume presents the main concepts and approaches of the ongoing project including several case studies that demonstrate how these approaches can be included in jazz analysis in various ways. |
| jazz styles mark gridley 11th edition: Jazz Styles Mark C. Gridley, 2013-11-01 America's most popular introduction to jazz-now with MyMusicLab For undergraduate courses in Jazz History, Jazz Survey, Evolution of Jazz, Introduction to Jazz, and Jazz Appreciation. America's most widely used introduction to jazz text captures the minds of students by teaching the history of the styles and how to actively listen to jazz. While its chronological format serves as a great resource for beginners, Jazz Styles is applicable to more advanced students because of its in-depth analysis of musical elements and its technical appendices that discuss music theory concepts. This new edition incorporates a rich array of online features--including a full interactive eText, streaming audio, and historic performance video-through MyMusicLab. MyMusicLab was developed to help engage students in course material and assess their understanding of the material. With powerful online learning tools integrated into the book, the online and textbook experience is more seamless than ever before. MyMusicLab provides wonderful interactive resources that the instructor can bring directly into the classroom.Teaching and Learning Experience Personalize Learning- The new MyMusicLab delivers proven results in helping students succeed, provides engaging experiences that personalize learning, and comes from a trusted partner with educational expertise and a deep commitment to helping students and instructors achieve their goals. Improve Active Listening- Jazz Styles is celebrated for its detailed listening guides that take students through the key elements in each performance. Through MyMusicLab, these guides are now integrated with streaming audio for a truly integrated listening experience. Engage Students- In the text, an engaging design, historic photographs, and active listening activities engage students in learning, while streaming audio, historic performances by jazz legends, and a full interactive eText in MyMusicLab engage them online. Support Instructors- Supported by the best instructor resources on the market, including a full Instructor's Manual, Testbank, MyMusicLab, ClassPrep for digital images. |
| jazz styles mark gridley 11th edition: Jim Tully Paul Bauer, Mark Dawidziak, 2011 Jim Tully spent most of his teenage yers in the company of hoboes. Drifting across the country as aroad-kid, he spent those years scrambling into boxcars, sleeping in hobo jungles, avoiding railroad cops, begging meals from back doors, and haunting public libraries. After six years on the road, he jumped off a railfoad car in Kent, Ohio, with wild aspirations of becoming a writer. After moving to Hollywood, Tully quickly established himself as a major American author. - Book jacket. |
| jazz styles mark gridley 11th edition: History of Jazz Tom Collier, 2012 |
| jazz styles mark gridley 11th edition: The Life and Solo Piano Works of the Ukrainian Composer Myroslav Skoryk Victor Radoslav Markiw, 2010 |
| jazz styles mark gridley 11th edition: The Jazz Tradition Martin Williams, 1993-01-14 When it was first published in 1970, this lively and fascinating book was greeted with almost universal acclaim. The American Record Guide called it the best one-volume of jazz we have, and the Jazz Journal praised it as a brilliant study of the whole of jazz. Perhaps the greatest tribute was paid by Louis Armstrong himself who raved: it held Ol' Satch spellbound. Now thoroughly revised and expanded, the new edition of The Jazz Tradition offers readers a unique history of jazz, as seen through its greatest practitioners. An original blend of history and criticism, this book explores the work of nearly two dozen leading musicians and ensembles that have shaped the course of jazz, from King Oliver's Creole Jazz band to the present day. Couched in the same readable, non-technical language that made earlier editions so popular, The Jazz Tradition adds new chapters on some of the more recent giants of jazz, performers like pianist Bill Evans, versatile horn player and saxophonist Eric Dolphy, and the World Saxophone Quartet, and considerably expands the chapter devoted to Count Basie. In addition, a foreword by Richard Crawford introduces the new edition, and the discographies on each performer have been fully brought up to date. Written by an author The Washington Post lauded as the most knowledgeable, open-minded, and perceptive American jazz critic today, The Jazz Tradition belongs in the library of all lovers of this distinctly American sound. |
| jazz styles mark gridley 11th edition: Uptown Conversation Robert G. O'Meally, Brent Hayes Edwards, Farah Jasmine Griffin, 2004-06-30 Jackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define—it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures. Building on Robert G. O'Meally's acclaimed Jazz Cadence of American Culture, these original essays offer new insights in jazz historiography, highlighting the political stakes in telling the story of the music and evaluating its cultural import in the United States and worldwide. Articles contemplating the music's experimental wing—such as Salim Washington's meditation on Charles Mingus and the avant-garde or George Lipsitz's polemical juxtaposition of Ken Burns's documentary Jazz and Horace Tapscott's autobiography Songs of the Unsung—share the stage with revisionary takes on familiar figures in the canon: Thelonious Monk, Miles Davis, Duke Ellington, and Louis Armstrong. |
| jazz styles mark gridley 11th edition: Taking It to the Bridge Nicholas Cook, Richard Pettengill, 2013-05-16 Musicologists and performance studies scholars reach across their disciplines to examine the role of performance in musical culture |
| jazz styles mark gridley 11th edition: Swing to Bop Ira Gitler, 1985-11-07 This indispensable book brings us face to face with some of the most memorable figures in jazz history and charts the rise and development of bop in the late 1930s and '40s. Ira Gitler interviewed more than 50 leading jazz figures, over a 10-year period, to preserve for posterity their recollections of the transition in jazz from the big band era to the modern jazz period. The musicians interviewed, including both the acclaimed and the unrecorded, tell in their own words how this renegade music emerged, why it was a turning point in American jazz, and how it influenced their own lives and work. Placing jazz in historical context, Gitler demonstrates how the mood of the nation in its post-Depression years, racial attitudes of the time, and World War II combined to shape the jazz of today. |
| jazz styles mark gridley 11th edition: Emergency Care and Transportation of the Sick and Injured American Academy of Orthopaedic Surgeons (AAOS) Staff, American Academy of Orthopedic Surgeons, Bruce D Browner, MD Mhcm Facs, Lenworth M Jacobs, 1999-02 |
| jazz styles mark gridley 11th edition: Hearing Harmony Christopher Doll, 2017-05-30 An original, listener-based approach to harmony for popular music from the rock era of the 1950s to the present |
| jazz styles mark gridley 11th edition: Miles, Ornette, Cecil Howard Mandel, 2010-04-26 Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. They remain figures of controversy due to their border-crossing processes. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds. Mandel offers fresh insights into their careers from interviews with all three artists and many of their significant collaborators, as well as a thorough overview of earlier interpretations of their work. |
| jazz styles mark gridley 11th edition: Jazz Pedagogy J. Richard Dunscomb, Willie Hill, 2002 DVD provides over three hours of audio and video demonstrations of rehearsal techniques and teaching methods for jazz improvisation, improving the rhythm section, and Latin jazz styles. |
| jazz styles mark gridley 11th edition: Living with Music Ralph Ellison, 2002-05-14 Before Ralph Ellison became one of America’s greatest writers, he was a musician and a student of jazz, writing widely on his favorite music for more than fifty years. Now, jazz authority Robert O’Meally has collected the very best of Ellison’s inspired, exuberant jazz writings in this unique anthology. |
| jazz styles mark gridley 11th edition: Birds of Fire Kevin Fellezs, 2011-08-08 An analysis of the emergence, reception, and legacy of fusion, experimental music that emerged in the late 1960s and 1970s as musicians combined jazz, rock, and funk in new ways. |
| jazz styles mark gridley 11th edition: Pops Foster George M. Foster, Pops Foster, George Murphy Foster (dit Pops.), George McClelland Foster, Tom Stoddard, 1971-01-01 |
| jazz styles mark gridley 11th edition: Thesaurus Of Scales And Melodic Patterns Nicolas Slonimsky, 2019-04-22 Since its publication in 1947, great musicians and composers of all genres, from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard, have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation. Think about this book as a melodic reference manual or plot wheel. Looking for new material to add to your improvisations? This book has more than you'll ever be able to use. Many serious jazz musicians have a copy of this lying around somewhere. |
| jazz styles mark gridley 11th edition: Jazz Lewis Porter, 2004 Through primary documents, jazz historian Lewis Porter introduces the major topics in the history of jazz. Interviews, articles, and other writings explore the key issues in jazz over the past hundred years, including the struggle to define jazz and to locate its origins; race politics in the 1950s and 1960s; and the more recent debates over Traditionalism and Revivalism. |
| jazz styles mark gridley 11th edition: Early Jazz-rock Jarno Kukkonen, 2009 |
| jazz styles mark gridley 11th edition: Jazz Styles Mark C. Gridley, 2000 Key Benefit: This broad and encompassing survey provides a rich, informative, and chronological study of jazz, with insightful commentaries on its origins, and full descriptions of the various styles of jazz and the personalities that have contributed to this innovative form of music. Key Topics: Discussions of benchmark styles with point-by-point differentiation cover early jazz, swing, bop, hard bop, cool jazz, free jazz, and jazz-rock fusion--highlighting the musical characteristics of each style and contrasting each successive era. Market: For musicians and non-musicians alike--to increase their appreciation and enjoyment of jazz. |
| jazz styles mark gridley 11th edition: Sundiata Djibril Tamsir Niane, 1965 The son of Sogolon, the hunchback princess, and Maghan, known as the handsome, Sundiata grew up to fulfill the prophesies of the soothsayers that he would unite the twelve kingdoms of Mali into one of the most powerful empires ever known in Africa, which at its peak stretched right across the savanna belt from the shores of the Atlantic to the dusty walls of Timbuktu. Retold by generations of griots, the guardians of African culture, this oral tradition has been handed down from the thirteenth century and captures all the mystery and majesty of medieval African kingship. It is an epic tale, part history and part legend. |
| jazz styles mark gridley 11th edition: The Encyclopedia of Jazz Leonard Feather, 1960 Includes over 2000 biographies, over 200 photographs. |
| jazz styles mark gridley 11th edition: The Teaching of Instrumental Music Richard J. Colwell, Michael P. Hewitt, 2024-11-14 The Teaching of Instrumental Music, Sixth Edition, introduces music education majors to basic instrumental pedagogy for the instruments and ensembles commonly found in the elementary and secondary curricula. It focuses on the core competencies required for teacher certification in instrumental music, with the pervasive philosophy to assist teachers as they develop an instrumental music program based on understanding and respecting all types of music. Parts I and II focus on essential issues for a successful instrumental program, presenting first the history and foundations, followed by effective strategies in administrative tasks and classroom teaching. Parts III, IV, and V are devoted to the skills and techniques of woodwind, brass and percussion, and string instruments. In all, The Teaching of Instrumental Music is the complete reference for the beginning instrumental teacher, commonly retained in a student’s professional library for its unique and comprehensive coverage. This Sixth Edition includes: Streamlined language and improved layout throughout, making this edition more concise and accessible to students. Updated content throughout, including insights from current research for curriculum development, coverage of current law and policy changes that impact the classroom, contemporary motivational strategies, and more information on the history of African-American and all-female music ensembles. Updated references, photos, lists of artists, and online resources. |
Jazz | Definition, History, Musicians, & Facts | Britannica
4 days ago · Jazz, musical form, often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythms. It is often …
Jazz - Orchestral, Improvisation, Swing | Britan…
May 25, 2025 · Jazz - Orchestral, Improvisation, Swing: It was in the 1920s that the first forms of true orchestral jazz were developed, most significantly by Fletcher Henderson …
jazz - Kids | Britannica Kids | Homework Help
Jazz grew from a mix of African and European music. Ragtime, a form of piano music, and blues music also influenced jazz. New Orleans, Louisiana, is often called the home …
Jazz - Ragtime, Blues, Swing | Britannica - Encyclopedia Brit…
May 25, 2025 · Jazz - Ragtime, Blues, Swing: In the early 1930s two bands made important contributions to jazz: Bennie Moten’s, with the recordings of “Toby,” “Lafayette,” and “Prince of …
Jazz-rock | Genre, History & Influences | Britannica
Jazz-rock, popular musical form in which modern jazz improvisation is accompanied by the bass lines, drumming styles, and instrumentation of rock music, with a strong …
Jazz | Definition, History, Musicians, & Facts | Britannica
4 days ago · Jazz, musical form, often improvisational, developed by African Americans and influenced by both European harmonic structure and African rhythms. It is often characterized …
Jazz - Orchestral, Improvisation, Swing | Britannica
May 25, 2025 · Jazz - Orchestral, Improvisation, Swing: It was in the 1920s that the first forms of true orchestral jazz were developed, most significantly by Fletcher Henderson and Duke …
jazz - Kids | Britannica Kids | Homework Help
Jazz grew from a mix of African and European music. Ragtime, a form of piano music, and blues music also influenced jazz. New Orleans, Louisiana, is often called the home of jazz. Many …
Jazz - Ragtime, Blues, Swing | Britannica - Encyclopedia Britannica
May 25, 2025 · Jazz - Ragtime, Blues, Swing: In the early 1930s two bands made important contributions to jazz: Bennie Moten’s, with the recordings of “Toby,” “Lafayette,” and “Prince of …
Jazz-rock | Genre, History & Influences | Britannica
Jazz-rock, popular musical form in which modern jazz improvisation is accompanied by the bass lines, drumming styles, and instrumentation of rock music, with a strong emphasis on …
Jazz dance | Definition, History, Characteristics, Types, & Facts ...
jazz dance, any dance to jazz accompaniments, composed of a profusion of forms. Jazz dance paralleled the birth and spread of jazz itself from roots in Black American society and was …
Improvisation | Jazz, Classical & Creative Techniques | Britannica
In modern times, improvisation survives as one of the chief distinguishing characteristics of jazz. Here, too, the process is usually inspired by, and structured (however loosely) in accordance …
Free jazz | Improvisation, Avant-Garde & Fusion | Britannica
Free jazz, an approach to jazz improvisation that emerged during the late 1950s, reached its height in the ’60s, and remained a major development in jazz thereafter. The main …
Swing | Description, Artists, & Facts | Britannica
swing, in music, both the rhythmic impetus of jazz music and a specific jazz idiom prominent between about 1935 and the mid-1940s—years sometimes called the swing era. Swing music …
Vibraphone | Mallet Percussion, Jazz & Orchestral | Britannica
The vibraphone was invented in about 1920 and was soon common in dance bands and became a prominent jazz instrument. Its foremost jazz practitioners were Lionel Hampton , Milt …
