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| julio gonzalez ucla: Collisions at the Crossroads Genevieve Carpio, 2019-04-16 There are few places where mobility has shaped identity as widely as the American West, but some locations and populations sit at its major crossroads, maintaining control over place and mobility, labor and race. In Collisions at the Crossroads, Genevieve Carpio argues that mobility, both permission to move freely and prohibitions on movement, helped shape racial formation in the eastern suburbs of Los Angeles and the Inland Empire throughout the nineteenth and twentieth centuries. By examining policies and forces as different as historical societies, Indian boarding schools, bicycle ordinances, immigration policy, incarceration, traffic checkpoints, and Route 66 heritage, she shows how local authorities constructed a racial hierarchy by allowing some people to move freely while placing limits on the mobility of others. Highlighting the ways people of color have negotiated their place within these systems, Carpio reveals a compelling and perceptive analysis of spatial mobility through physical movement and residence. |
| julio gonzalez ucla: Royal Bastards Sara McDougall, 2017 The stigmatization as 'bastards' of children born outside of wedlock is commonly thought to have emerged early in Medieval European history. Christian ideas about legitimate marriage, it is assumed, set the standard for legitimate birth. Children born to anything other than marriage had fewer rights or opportunities. They certainly could not become king or queen. As this volume demonstrates, however, well into the late twelfth century, ideas of what made a child a legitimate heir had little to do with the validity of his or her parents' union according to the dictates of Christian marriage law. Instead a child's prospects depended upon the social status, and above all the lineage, of both parents. To inherit a royal or noble title, being born to the right father mattered immensely, but also being born to the right kind of mother. Such parents could provide the most promising futures for their children, even if doubt was cast on the validity of the parents' marriage. Only in the late twelfth century did children born to illegal marriages begin to suffer the same disadvantages as the children born to parents of mixed social status. Even once this change took place we cannot point to 'the Church' as instigator. Instead, exclusion of illegitimate children from inheritance and succession was the work of individual litigants who made strategic use of Christian marriage law. This new history of illegitimacy rethinks many long-held notions of medieval social, political, and legal history. |
| julio gonzalez ucla: The Divine Charter Jaime E. Rodríguez, Jaime E. Rodríguez O., 2007 Although Mexico began its national life in the 1821 as one of the most liberal democracies in the world, it ended the century with an authoritarian regime. Examining this defining process, distinguished historians focus on the evolution of Mexican liberalism from the perspectives of politics, the military, the Church, and the economy. Based on extensive archival research, the chapters demonstrate that--despite widely held assumptions--liberalism was not an alien ideology unsuited to Mexico's traditional, conservative, and multiethnic society. On the contrary, liberalism in New Spain arose from Hispanic culture, which drew upon a shared European tradition reaching back to ancient Greece. This volume provides the first systematic exploration of the evolution of Mexican liberal traditions in the nineteenth century. The chapters assess the changes in liberal ideology, the nature of federalism, efforts to create stability with a liberal monarchy in the 1860s, the Church's accommodation to the new liberal order, the role of the army and of the civil militias, the liberal tax system, and attempts to modernize the economy in the latter part of the century. Taken together, these essays provide a nuanced and comprehensive analysis of the transformation of liberalism in Mexico. Contributions by: Christon I. Archer, William H. Beezley, Marcello Carmagnani, Manuel Chust, Brian Connaughton, Robert H. Duncan, Aldo Flores-Quiroga, Alicia Hern ndez Ch vez, Sandra Kuntz Ficker, Andr s Res ndez, Jaime E. Rodr guez O., and Jos Antonio Serrano Ortega |
| julio gonzalez ucla: I Speak of the City Mauricio Tenorio-Trillo, 2015-02-24 In this dazzling multidisciplinary tour of Mexico City, Mauricio Tenorio-Trillo focuses on the period 1880 to 1940, the decisive decades that shaped the city into what it is today. Through a kaleidoscope of expository forms, I Speak of the City connects the realms of literature, architecture, music, popular language, art, and public health to investigate the city in a variety of contexts: as a living history textbook, as an expression of the state, as a modernist capital, as a laboratory, and as language. Tenorio’s formal imagination allows the reader to revel in the free-flowing richness of his narratives, opening startling new vistas onto the urban experience. From art to city planning, from epidemiology to poetry, this book challenges the conventional wisdom about both Mexico City and the turn-of-the-century world to which it belonged. And by engaging directly with the rise of modernism and the cultural experiences of such personalities as Hart Crane, Mina Loy, and Diego Rivera, I Speak of the City will find an enthusiastic audience across the disciplines. |
| julio gonzalez ucla: Development and Democracy Sunder Ramaswamy, 2003 An interdisciplinary and cross-cultural conversation about development and democracy worldwide. |
| julio gonzalez ucla: Bruce Nauman Bruce Nauman, 2002-05-29 From the beginning I was trying to see if I could make art that did that. Art that was just there all at once. Like getting hit in the face with a baseball bat. Or better yet, like getting hit in the back of the neck. You never see it coming; it just knocks you down. I like that idea very much: the kind of intensity that doesn't give you any trace of whether you're going to like it or not.—Bruce Nauman Bruce Nauman's art is about heightened awareness, awareness of spaces we usually don't notice (the one under the chair, out of which he made a sculpture) and sounds we don't listen for (the one in the coffin), awareness of emotions we suppress or dread... It's hard to feel indifferent to work like his.—Michael Kimmelman, New York Times One of America's most important artists, Bruce Nauman has worked in a dazzling variety of media since the mid-1960s: sculpture, photography, performance, installation, sound, holography, film, and video. What has been a constant throughout his career, however, is his persistence in exploring both art as an investigation of the self and the power of language to define that self. The latest volume in the acclaimed Art + Performance series is the first book to combine the key critical writings on Nauman with the artist's own writings and interviews with him, as well as images of his work. Bruce Nauman offers a multifaceted portrait of an artist whose determination to experiment with style and form has created a body of work as eclectic and perhaps more influential than that of any other living American artist. |
| julio gonzalez ucla: A King Travels Teofilo F. Ruiz, 2012 A King Travels examines the scripting and performance of festivals in Spain between 1327 and 1620, offering an unprecedented look at the different types of festivals that were held in Iberia during this crucial period of European history. Bridging the gap between the medieval and early modern eras, Teofilo Ruiz focuses on the travels and festivities of Philip II, exploring the complex relationship between power and ceremony, and offering a vibrant portrait of Spain's cultural and political life. Ruiz covers a range of festival categories: carnival, royal entries, tournaments, calendrical and noncalendrical celebrations, autos de fe, and Corpus Christi processions. He probes the ritual meanings of these events, paying special attention to the use of colors and symbols, and to the power relations articulated through these festive displays. Ruiz argues that the fluid and at times subversive character of medieval festivals gave way to highly formalized and hierarchical events reflecting a broader shift in how power was articulated in late medieval and early modern Spain. Yet Ruiz contends that these festivals, while they sought to buttress authority and instruct different social orders about hierarchies of power, also served as sites of contestation, dialogue, and resistance. A King Travels sheds new light on Iberian festive traditions and their unique role in the centralizing state in early modern Castile. |
| julio gonzalez ucla: Object to Be Destroyed Pamela M. Lee, 2001-08-24 In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the right to the city, and the ideologies of progress that have defined modern building programs. Although highly regarded during his short life—and honored by artists and architects today—the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as building cuts. Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. Have art historians written so little about Matta-Clark's work because of its ephemerality, or, as Pamela M. Lee argues, because of its historiographic, political, and social dimensions? What did the activity of carving up a building-in anticipation of its destruction—suggest about the conditions of art making, architecture, and urbanism in the 1970s? What was one to make of the paradox attendant on its making—that the production of the object was contingent upon its ruination? How do these projects address the very writing of history, a history that imagines itself building toward an ideal work in the service of progress? In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the right to the city, and the ideologies of progress that have defined modern building programs. |
| julio gonzalez ucla: Health Systems in Transition Miguel A. González Block, Hortensia Reyes Morales, Lucero Cahuana-Hurtado, Alejandra Balandrán, Edna Méndez, 2021-04-07 This is the first book to fully review the Mexican health system, its organization and governance, health financing, health care provision, health reforms, and health system performance. The book is based on the most recent data and focuses on the three main components that constitute Mexico’s health system: 1) employment-based social insurance programs, 2) public assistance services for the uninsured, and 3) a private sector composed of service providers, insurers, and pharmaceutical and medical device manufacturers and distributors. |
| julio gonzalez ucla: Singular Spaces Jo Farb Hernandez, 2013 Published by leading outsider art imprint Raw Vision, Singular Spaces is a groundbreaking survey of art environments created by self-taught artists from across Spain. The book introduces and examines 45 artists and their idiosyncratic sculptures, gardens and buildings, most of which have never been published. The sites are developed organically, without formal architectural or engineering plans; they are at once evolving and complete. Often highly fanciful and quixotic, the work is frequently characterized by incongruous juxtapositions, an approach that appears impulsive and spontaneous. Director of the organization SPACES (Saving and Preserving Arts and Cultural Environments), Jo Farb Hernández, combines detailed case studies of the artists and their work with contextualized historical and theoretical references to art history, anthropology, architecture, Spanish area studies and folklore. Breaking down the standard compartmentalization of genres, she reveals how most creators of art environments, who are building within their own personal spaces, fuse their creations with their daily lives. |
| julio gonzalez ucla: Black Bride of Christ , 2021-04-30 Teresa de Santo Domingo, born with the name Chicaba, was a slave captured in the territory known to seventeenth- and eighteenth-century Spanish and Portuguese navigators and slave traffickers as La Mina Baja del Oro, the part of West Africa that extends through present-day eastern Ghana, Togo, Benin, and western Nigeria. Upon the death of her Spanish master, Chicaba was freed to enter a convent. The Dominicans of La Penitencia in Salamanca accepted her after she had been rejected by several other monasteries because of her skin color. Even in her own religious community, race put her at a disadvantage in the highly stratified social hierarchy of monastic houses of the era. Her life story is known to us through a document entitled Compendio de la vida ejemplar de la Venerable Madre Sor Teresa Juliana de Santo Domingo, which is the foundational documentary evidence in the case for beatification of this nun, and as such it is the most significant and comprehensive source of information about her. This volume, the first English translation of the Compendio, is a hagiography, an example of a biographical genre that recounts the lives and describes the spiritual practices of saints officially canonized by the Church, respected ecclesiastical leaders, or holy people informally recognized by local devotees. The effort to have Chicaba canonized continues today, as Fra-Molinero and Houchins explore in their introduction to the volume. |
| julio gonzalez ucla: The Displaced Rodrigo Ribera d'Ebre, 2022-06-30 Mikey and Lurch are worlds apart, even if they’re from the same Mexican neighborhood in West Los Angeles. Mikey just graduated from UCLA and is determined to get out. Lurch, the leader of the Culver City gang, loves the hood—its projects, beat-up apartments and crackheads—more than his own life. They hook up with a doctor, who is from the same area. He put himself through medical school selling dope and now is back, running a clinic across from the Mar Vista Gardens housing project. All three notice changes. Suddenly there are outsiders everywhere: white people with beards, wearing V-neck sweaters and plaid shirts, running in jogging outfits or riding bikes with helmets, oblivious to the gangbangers. They’re artists, students, developers and entrepreneurs; a plague, pushing people out of their homes. Old people on fixed incomes start getting evicted or foreclosed on and the residents of the projects are being relocated, but some of the locals aren’t going to sit by without a fight. Soon they are fortifying the housing projects and stockpiling assault weapons! This absorbing novel follows a group of people who are determined to save their homes and neighborhood from gentrification, even if it means turning to violence. Exploring an issue relevant to all major urban cities in the United States, Rodrigo Ribera d’Ebre’s exciting novel shines a light on the impact of rising land and home values that pits a more privileged populace against those who have lived in the area for generations. |
| julio gonzalez ucla: Radical Women Cecilia Fajardo-Hill, Andrea Giunta, Rodrigo Alonso, 2017 This volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Published in association with the Hammer Museum. The exhibition took place from Sep 15, 2017-Dec 31, 2017, in the Hammer Museum, Los Angeles. |
| julio gonzalez ucla: Directory American Musicological Society, 2008 |
| julio gonzalez ucla: Barrio Rhythm Steven Joseph Loza, 1993 The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican-American community in East Los Angeles. With the recent Eastside Renaissance in the area, barrio music has taken on symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to life, demonstrating the music's essential role in the cultural development of East Los Angeles and its influence on mainstream popular culture. Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth century to the present and offers in-depth profiles of nine Mexican-American artists, groups, and entrepreneurs in Southern California from the post-World War II era to the present. His interviews with many of today's most influential barrio musicians, including members of Los Lobos, Eddie Cano, Lalo Guerrero, and Willie chronicle the cultural forces active in this complex urban community. |
| julio gonzalez ucla: Latino Athletes Ian C. Friedman, 2014-05-14 Provides short biographies of more than 175 notable Hispanic American athletes. |
| julio gonzalez ucla: Franklin D. Murphy Sculpture Garden University of California, Los Angeles, 1978 |
| julio gonzalez ucla: The Legal Imagination James Boyd White, 1985-12-15 White extends his theory of law as constitutive rhetoric, asking how one may criticize the legal culture and the texts within it. A fascinating study of the language of the law. . . . This book is to be highly recommended: certainly, for those who find the time to read it, it will broaden the mind, and give lawyers a new insight into their role.—New Law Journal |
| julio gonzalez ucla: Appropriating Theory José Eduardo González, 2017-09-14 Angel Rama (1926-1983) is a major figure in Latin American literary and cultural studies, but little has been published on his critical work. In this study, Jose Eduardo Gonzalez focuses on Rama's response to and appropriation of European critics like Walter Benjamin, Theodor Adorno, and Georg Lukacs. Gonzalez argues that Rama realized the inapplicability of many of their theories and descriptions of cultural modernization to Latin America, and thus reworked them to produce his own discourse that challenged prevailing notions of social and cultural modernization. |
| julio gonzalez ucla: L.A. Xicano Chon A. Noriega, Terecita Romo, Pilar Tompkins Rivas, Pillar Tompkins, Autry National Center, Los Angeles County Museum of Art, 2011 Catalog of exhibitions held at the Autry National Center, Los Angeles, Calif., Oct. 14-2011-Jan. 8, 2012, the Fowler Museum at UCLA, Los Angeles, Calif., Sept. 25, 2011-Feb. 26, 2012 and Oct. 16, 2011-Feb. 26, 2012, and LACMA, Los Angeles, Calif., Oct. 16, 2011-Jan. 22, 2012. |
| julio gonzalez ucla: Annual Bibliography of Modern Art Museum of Modern Art (New York, N.Y.). Library, 2001 |
| julio gonzalez ucla: Prometheus (bound) Paul Todd Makler, 1972 |
| julio gonzalez ucla: PAR EntreMundos Jennifer Ayala, Margarita I. Berta-Ávila, María Elena Torre, 2018 PAR EntreMundos: A Pedagogy of the Américas powerfully engages the theory and practice of participatory action research in ways that revolutionize its potential for critically understanding the particularities and universalisms of the cultural traditions of the Américas. In so doing, the editors of this book bring together a striking collection of educational essays that illustrate the pedagogical and political force of a communal methodology for radically comprehending the beautifully diverse and complex hemisphere that informs our labor as educators and cultural citizens of the world.-Antonia Darder, Leavey Presidential Endowed Chair in Ethics and Moral Leadership at Loyola Marymount University and Distinguished Visiting Professor of Education at the University of Johannesburg |
| julio gonzalez ucla: Bibliographic Guide to Art and Architecture New York Public Library. Art and Architecture Division, 2001 |
| julio gonzalez ucla: Who's who Among American High School Students , 1994 |
| julio gonzalez ucla: Franklin D. Murphy Sculpture Garden, University of California, Los Angeles , 1978 |
| julio gonzalez ucla: The History of Mexico Philip Russell, 2011-04-06 The History of Mexico: From Pre-Conquest to Present traces the last 500 years of Mexican history, from the indigenous empires that were devastated by the Spanish conquest through the election of 2006 and its aftermath. The book offers a straightforward chronological survey of Mexican history from the pre-colonial times to the present, and includes a glossary as well as numerous tables and images for comprehensive study. In lively and engaging prose, Philip Russell guides readers through major themes that still resonate today including: The role of women in society Environmental change The evolving status of Mexico’s indigenous people African slavery and the role of race Government economic policy Foreign relations with the United States and others The companion website provides many useful student tools including multiple choice questions, extra book chapters, and links to online resources, as well as digital copies of the maps from the book. For additional information and classroom resources please visit The History of Mexico companion website at www.routledge.com/textbooks/russell. |
| julio gonzalez ucla: Phantom Sightings Rita González, Howard N. Fox, Chon A. Noriega, 2008 A comprehensive examination of Chicano art in the early twentieth century, exploring the current tendency of experimentation and how the movement has shifted away from painting and political statements, and toward conceptual art, performance, film, photography, and media-based art; includes artist portfolios and a chronology of significant moments in Chicano history. |
| julio gonzalez ucla: Swimming World and Junior Swimmer , 1986 |
| julio gonzalez ucla: A Handbook of Latinx Art Rocío Aranda-Alvarado, Deborah Cullen-Morales, 2025-02-25 A curated selection of key texts and artists’ voices exploring US Latinx art and art history from the 1960s to the present. A Handbook of Latinx Art is the first anthology to explore the rich, deep, and often overlooked contributions that Latinx artists have made to art in the United States. Drawn from wide-ranging sources, this volume includes texts by artists, critics, and scholars from the 1960s to the present that reflect the diversity of the Latinx experience across the nation, from the West Coast and the Mexican border to New York, Miami, and the Midwest. The anthology features essential writings by Mexican American, Puerto Rican, Cuban American, Dominican American, and Central American artists to highlight how visionaries of diverse immigrant groups negotiate issues of participation and belonging, material, style, and community in their own voices. These intersectional essays cut across region, gender, race, and class to lay out a complex emerging field that reckons with different histories, geographies, and political engagements and, ultimately, underscores the importance of Latinx artists to the history of American art. |
| julio gonzalez ucla: The Eighteenth-Century Theatre in Spain Philip B. Thomason, Ceri Byrne, 2013-10-18 Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field. |
| julio gonzalez ucla: Re-reading Jose Martí (1853-1895) Julio Rodriguez-Luis, 1999-06-24 This is one of the very few books on the Cuban political thinker and poet Jose Martí available in English. Written by renowned Latin Americanists, the book explores the man who created the notion of Latin America--Nuestra America--(also the title of Martí's seminal text) as a distinct cultural and racial identity. Martí's influence as a writer in Latin America was almost as great as the one he had as a statesman. An extraordinarily innovative poet and prose writer, he contributed effectively to modernizing Latin American literature, linguistically and thematically. One hundred years after Martí's death, Re-reading Jose Martí (1853-1895) re-evaluates his contribution to Latin America's literature and political evolution. Through his journalistic writings Martí was tremendously influential in shaping the notion of a distinct Latin America as well as in predicting the United States' imperialistic tendencies regarding those countries. Revered in Cuba, Martí, more than any other patriot, stirred nationalistic feelings necessary to organize the war that finally secured Cuba's independence from Spain. Contributors include Ottmar Ette, Cathy L. Jrade, Julio Ramos, Susana Rotker, Lourdes Martinez-Echazabal, Enrico Mario Santi, Rafael Saumell-Munoz, Ivan A. Schulman, and Adalberto Ronda Varona. |
| julio gonzalez ucla: Left Sentence Peripheries in Spanish Andreas Dufter, Álvaro S. Octavio de Toledo y Huerta, 2014-07-31 Since the advent of syntactic cartography, left sentence peripheries have begun to take center stage in linguistic research. Following the lead of Rizzi (1997), much work on left peripheries has been focused on Italian, whereas other Romance languages have attracted somewhat less attention. This volume offers a well-balanced set of articles investigating left sentence peripheries in Spanish. Some articles explore the historical evolution of left dislocation and fronting operations, while others seek to assess the extent – and the limits – of variation found between different geographical varieties and registers of the contemporary language. Moreover, the volume comprises several case studies on the interfaces between syntax, semantics, and information structure, and the implications of these for pragmatic interpretation and the organization of discourse. Cross-linguistic and typological perspectives are also provided in due course in order to position the analyses developed for Spanish within a larger research context. |
| julio gonzalez ucla: Home--so Different, So Appealing Chon A. Noriega, Mari Carmen Ramirez, Pilar Tompkins Rivas, 2017 Home -- signaling a dwelling, residence or place of origin -- embodies one of the most basic concepts for understanding an individual or group within a larger physical and social environment. Yet home has been a little noted, although prevalent, feature in art since the 1950s, a period in which artists challenged the traditional object of the visual arts through the use of material and media culture, new forms, and performative actions and processes. This volume explores works by diverse U.S. Latino and Latin American artists whose engagement with the concept of home provides the basis for an alternative narrative of post-war art. Their work brings together an impressive array of formal languages, conceptual strategies, and art historical references with the varied social concerns characterizing both the postwar period in the Americas and an emerging global economy impacting day-to-day life. The artists featured in this volume engage home as both concept and artifact. This can be seen in the use of building fragments or excisions (Gordon Matta-Clark, Gabriel de la Mora, and Leyla Cárdenas), household furniture (Raphael Montañez Ortiz, Beatriz González, Doris Salcedo, Amalia Mesa-Bains, Guillermo Kuitca), and personal possessions (Carmen Argote, María Teresa Hincapié, Camilo Ontiveros), and also in the use of coca leaves as a material base of the American Dream and its economic exchange with Colombia (Miguel Angel Rojas). Within more representational work, home is the re-creation of fraught domiciles (Abraham Cruzvillegas, Pepón Osorio, Daniel J. Martinez), a collage of spaces, styles, and materials (Antonio Berni, Andrés Asturias, Jorge Pedro Nuñez, Miguel Angel Ríos, Juan Sanchez), and a juxtaposition of bodies and place (Laura Aguilar, Myrna Báez, Johanna Calle, Perla de León, Ramiro Gomez, Jessica Kairé, Vincent Valdez). In more conceptual work, home is all these things reduced to form--a floor plan (Luis Camnitzer, León Ferrari, María Elena González, Guillermo Kuitca), a catalog of objects (Antonio Martorell, Hincapié), or a housing development plan (Livia Corona Benjamin, Martinez). In the end, home is a journey without arrival (Allora y Calzadilla, Luis Cruz Azaceta, Christina Fernandez, Felix Gonzalez-Torres, Julio César Morales, Teresa Serrano). Home--So Different, So Appealing reveals the departures and confluences that continue to shape US Latino and Latin American art and expands our appreciation of these artists and their work. |
| julio gonzalez ucla: Numerical Simulations in the Environmental and Earth Sciences Fernando García-García, 1997-09-28 A wide-ranging account of modelling environmental and earth processes through numerical simulations. |
| julio gonzalez ucla: Waking from the Dream Louise E. Walker, 2013-02-20 When the postwar boom began to dissipate in the late 1960s, Mexico's middle classes awoke to a new, economically terrifying world. And following massacres of students at peaceful protests in 1968 and 1971, one-party control of Mexican politics dissipated as well. The ruling Institutional Revolutionary Party struggled to recover its legitimacy, but instead saw its support begin to erode. In the following decades, Mexico's middle classes ended up shaping the history of economic and political crisis, facilitating the emergence of neo-liberalism and the transition to democracy. Waking from the Dream tells the story of this profound change from state-led development to neo-liberalism, and from a one-party state to electoral democracy. It describes the fraught history of these tectonic shifts, as politicians and citizens experimented with different strategies to end a series of crises. In the first study to dig deeply into the drama of the middle classes in this period, Walker shows how the most consequential struggles over Mexico's economy and political system occurred between the middle classes and the ruling party. |
| julio gonzalez ucla: Directory of Members and Subscribers American Musicological Society, 2007 |
| julio gonzalez ucla: The Search for a Civic Voice Kenneth C. Burt, 2007 The Search for a Civic Voice: California Latino Politics is the story of ordinary people who did extraordinary things. It is a story of firsts. The first appointees to state boardsand commissions, the first judges, the first city council members and state legislators. It is also the story of out lawing school segregation, obtaining old age pensions for non-citizens, and organizing farm workers.--BOOK JACKET. |
| julio gonzalez ucla: A Community Under Siege Rodolfo Acuña, 1984 |
| julio gonzalez ucla: ¡Printing the Revolution! E. Carmen Ramos, 2020-12 Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata. |
Julio Iglesias - Wikipedia
Julio José Iglesias de la Cueva (Spanish: [ˈxuljo jˈɣlesjas]; born 23 September 1943) is a Spanish singer and songwriter. Iglesias is recognized as the most commercially successful Spanish …
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Julio Iglesias | Biography, Songs, & Facts | Britannica
Julio Iglesias, Spanish singer and songwriter whose romantic image, magnetic stage presence, and expressive music made him one of the best-selling artists of all time. In a five-decade …
Julio Iglesias - YouTube Music
Julio Iglesias has sold more than 300 million copies of his 80 albums released worldwide, including original versions in various languages, compilations, and live albums, which makes...
Julio Iglesias - Crazy - YouTube
Watch the official music video for "Crazy" by Julio IglesiasListen to the album “Crazy” by Julio Iglesias: https://JulioIglesias.lnk.to/listenYDSubscribe to ...
Julio Iglesias - Children, Age & Songs - Biography
Aug 13, 2020 · Singer Julio Iglesias reached the height of his success during the 1970s and 1980s. Among his best-known songs are "Hey", "1110 Bel Air Place", "Non Stop", "Starry …
Julio Iglesias Biography - Facts, Childhood, Family Life ...
Julio José Iglesias de la Cueva, popularly known as Julio Iglesias, is a Spanish singer-songwriter. He is one of the most popular Latin singers of the 70s and 80s. He gained worldwide …
Julio | Spanish to English Translation - SpanishDictionary.com
Translate Julio. See 2 authoritative translations of Julio in English with example sentences, phrases and audio pronunciations.
Julio Name Meaning, Origin, History, And Popularity - MomJunction
May 7, 2024 · Julio is a Spanish name for boys. It is the Spanish variant of the Ancient Roman name Julius. Julius is a family name that was possibly derived from the Greek ioulos, meaning …
Julio - Meaning of Julio, What does Julio mean? - BabyNamesPedia
[ 3 syll. ju-lio, jul-io] The baby boy name Julio is sometimes used as a girl name. Its pronunciation is ZH UW-Liy-uw (Portuguese) or HH UW-LYow (Spanish) †. Julio is an English, Hispanic, and …
Julio Iglesias - Wikipedia
Julio José Iglesias de la Cueva (Spanish: [ˈxuljo jˈɣlesjas]; born 23 September 1943) is a Spanish singer and songwriter. Iglesias is recognized as the most commercially successful Spanish …
Ropa de mujer con estilo | Descubre los descuentos | JULIO
¡Nos adelantamos a las rebajas! Explora los descuentos exclusivos de Pre Sale en blusas, vestidos, pantalones, zapatos, joyería y más ropa de mujer.
Julio Iglesias | Biography, Songs, & Facts | Britannica
Julio Iglesias, Spanish singer and songwriter whose romantic image, magnetic stage presence, and expressive music made him one of the best-selling artists of all time. In a five-decade …
Julio Iglesias - YouTube Music
Julio Iglesias has sold more than 300 million copies of his 80 albums released worldwide, including original versions in various languages, compilations, and live albums, which makes...
Julio Iglesias - Crazy - YouTube
Watch the official music video for "Crazy" by Julio IglesiasListen to the album “Crazy” by Julio Iglesias: https://JulioIglesias.lnk.to/listenYDSubscribe to ...
Julio Iglesias - Children, Age & Songs - Biography
Aug 13, 2020 · Singer Julio Iglesias reached the height of his success during the 1970s and 1980s. Among his best-known songs are "Hey", "1110 Bel Air Place", "Non Stop", "Starry …
Julio Iglesias Biography - Facts, Childhood, Family Life ...
Julio José Iglesias de la Cueva, popularly known as Julio Iglesias, is a Spanish singer-songwriter. He is one of the most popular Latin singers of the 70s and 80s. He gained worldwide …
Julio | Spanish to English Translation - SpanishDictionary.com
Translate Julio. See 2 authoritative translations of Julio in English with example sentences, phrases and audio pronunciations.
Julio Name Meaning, Origin, History, And Popularity - MomJunction
May 7, 2024 · Julio is a Spanish name for boys. It is the Spanish variant of the Ancient Roman name Julius. Julius is a family name that was possibly derived from the Greek ioulos, meaning …
Julio - Meaning of Julio, What does Julio mean? - BabyNamesPedia
[ 3 syll. ju-lio, jul-io] The baby boy name Julio is sometimes used as a girl name. Its pronunciation is ZH UW-Liy-uw (Portuguese) or HH UW-LYow (Spanish) †. Julio is an English, Hispanic, and …
