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john williamson and the band played waltzing matilda: And the Band Played Waltzing Matilda Eric Bogle, Bruce Whatley, 2015-02-01 But the band played 'Waltzing Matilda' when we stopped to bury our slain. We buried ours, and the Turks buried theirs; then we started all over again. Eric Bogle's famous and familiar Australian song about the Battle of Gallipoli explores the futility of war with haunting power. Now Bruce Whatley's evocative illustrations bring a heart-rending sense of reality to the tale. A timely story for every generation to share. |
john williamson and the band played waltzing matilda: Once a Jolly Swagman Matthew Richardson, 2006-01-01 'Banjo' Paterson's 'Waltzing Matilda' is the one song that has been bringing people together spontaneously since 1895, and the one song that belongs to all Australians.Generations of experts have argued about the original story that Paterson immortalised, about the origins of the tune, and about what Paterson meant by his almost parodic over-use of Australian colloquialisms.Once a Jolly Swagman takes readers off the score sheet into the story of the song, and tells of its evolution up until the twenty-first century. It tries to answer the riddles within the song, and unpick its inherent contradictions: where's the heroism in a suicidal thief? What was jolly about the jumbuck? Is 'Waltzing Matilda' the key to Australian values? What does it mean that a beloved song about Australia's pioneering past is written by a city lawyer?In this age of economic rationalism and a globalised world, how does a voice from the billabong saying, 'You'll come a waltzing matilda with me' still matter, and what does it tell us about ourselves? |
john williamson and the band played waltzing matilda: Hey True Blue John Williamson, 2014-07-23 The long-awaited life story of John Williamson: an Australian icon, a much-loved legend of the music industry and man of the land. The joy after all is in the journey, or being what you really wanna be . . . The son of a wheat farmer, John Williamson grew up with an appreciation of the land and all things Australian. His career was kickstarted with a self-proclaimed silly song – 'Old Man Emu' – winning TV's New Faces in 1970, but it was a decade of hard slog before he forged his unique place in our musical history. From his love of the bush ('Mallee Boy') and his outrage at environmental destruction ('Rip Rip Woodchip'), to his pride in the Australian character and spirit ('True Blue'), Williamson has been chronicling the subjects and issues that are close to his heart for more than forty years. He has become the voice of Australia, performing his unofficial anthems at all the major events. In his distinctive Aussie style, John Williamson tells it like it is. He takes us behind the scenes on the road and at home, revealing the tough times, the great times, what drives him and what matters. His passion – for preserving our national character and landscape, and to remain true to himself – is as strong now as it has ever been. This is a journey into the heart and soul of Australia. |
john williamson and the band played waltzing matilda: It’s a Long Way from Ferryhill Cliff Atkinson, 2019-01-11 This is a story of how a Coal Miner's son from the north east of England conquered all obstacles by gaining good education and choosing the whole world as his home. |
john williamson and the band played waltzing matilda: Sacred Places K. S. Inglis, Jan Brazier, 2008 Memorials to Australian participation in wars abound in our landscape. From Melbourne's huge Shrine of Remembrance to the modest marble soldier, obelisk or memorial hall in suburb and country town, they mourn and honour Australians who have served and died for their country. Surprisingly, they have largely escaped scrutiny. Ken Inglis argues that the imagery, rituals and rhetoric generated around memorials constitute a civil religion, a cult of ANZAC. Sacred Places traces three elements which converged to create the cult: the special place of war in the European mind when nationalism was at its zenith; the colonial condition; and the death of so many young men in distant battle, which impelled the bereaved to make substitutes for the graves of which history had deprived them. The 'war memorial movement' attracted conflict as well as commitment. Inglis looks at uneasy acceptance, even rejection, of the cult by socialists, pacifists, feminists and some Christians, and at its virtual exclusion of Aborigines. He suggests that between 1918 and 1939 the making, dedication and use of memorials enhanced the power of the right in Australian public life. Finally, he examines a paradox. Why, as Australia's wars recede in public and private memory, and as a once British Australia becomes multicultural, have the memorials and what they stand for become more cherished than ever? Sacred Places spans war, religion, politics, language and the visual arts. Ken Inglis has distilled new cultural understandings from a familiar landscape. |
john williamson and the band played waltzing matilda: Andy's Gone with Cattle Colin Brumby, 1965 |
john williamson and the band played waltzing matilda: Real Life Rock Greil Marcus, 2015 The Washington Post hails Greil Marcus as our greatest cultural critic. Writing in the London Review of Books, D. D. Guttenplan calls him probably the most astute critic of American popular culture since Edmund Wilson. For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice to Artforum, Salon, City Pages, Interview, and The Believer and currently appears in the Barnes & Noble Review. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission. Published to complement the paperback edition of The History of Rock & Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance. |
john williamson and the band played waltzing matilda: The End of an Era John Sergeant Wise, 1899 |
john williamson and the band played waltzing matilda: The Show I'll Never Forget Sean Manning, 2009-02-23 In The Show I'll Never Forget, writer Sean Manning has gathered an amazing array of unforgettable concert memories from a veritable A-list of acclaimed novelists, poets, biographers, cultural critics, and songwriters. Their candid, first-person recollections reveal as much about the writers' lives at the time as they do about the venues where the shows occurred or the artists onstage. Ishmael Reed on Miles Davis Luc Sante on Public Image Ltd. Heidi Julavits on Rush Daniel Handler and Andrew Sean Greer on Metric Diana Ossana on Led Zeppelin Maggie Estep on Einsturzende Neubauten Dani Shapiro on Bruce Springsteen Gary Giddins on Titans of the Tenor! Nick Flynn on Mink DeVille Susan Straight on The Funk Festival Rick Moody on the The Lounge Lizards Jennifer Egan on Patti Smith Harvey Pekar on Joe Maneri Thurston Moore on Glen Branca, Rudolph Grey, and Wharton Tiers Chuck Klosterman on Prince Sigrid Nunez on Woodstock Jerry Stahl on David Bowie Charles R. Cross on Nirvana Marc Nesbitt on The Beastie Boys And many more . . . No matter where your musical taste falls, these often funny, occasionally sad, always thought-provoking essays-all written especially for The Show I'll Never Forget-are sure to connect with anyone who loves, or has ever loved, live music. |
john williamson and the band played waltzing matilda: SPIN , 1998-09 From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks. |
john williamson and the band played waltzing matilda: The Anzacs Patsy Adam-Smith, 2014 Gallipoli was the final resting place for thousands of young Australians. Death struck so fast there was no time for escape or burial. And when Gallipoli was over there was the misery of the European Campaign. Patsy Adam-Smith read over 8000 diaries and letters to write her acclaimed best-seller about the First World War. These are the extraordinary experiences of ordinary men – and they strike to the heart. The Anzacs remains unrivalled as the classic account of Australia's involvement in the First World War. |
john williamson and the band played waltzing matilda: Light Come, Light Go Ralph Nevill, 1909 |
john williamson and the band played waltzing matilda: 101 Australian Songs for Easy Guitar Tom Farncombe, 2009 ARTISTS INCLUDE: AC/DC, Gabriella Cilmi, Missy Higgins, Hunters and Collectors, The Saints, Ed Kuepper, Faker, Grinspoon, John Butler Trio, Delta, Silverchair, Jet. |
john williamson and the band played waltzing matilda: Investigating Iwo Breanne Robertson, 2019 Investigating Iwo encourages us to explore the connection between American visual culture and World War II, particularly how the image inspired Marines, servicemembers, and civilians to carry on with the war and to remember those who made the ultimate sacrifice to ensure victory over the Axis Powers. Chapters shed light on the processes through which history becomes memory and gains meaning over time. The contributors ask only that we be willing to take a closer look, to remain open to new perspectives that can deepen our understanding of familiar topics related to the flag raising, including Rosenthal's famous picture, that continue to mean so much to us today-- |
john williamson and the band played waltzing matilda: Transnational Tourism Experiences at Gallipoli Jim McKay, 2018-05-24 This book offers a fresh account of the Anzac myth and the bittersweet emotional experience of Gallipoli tourists. Challenging the straightforward view of the Anzac obsession as a kind of nationalistic military Halloween, it shows how transnational developments in tourism and commemoration have created the conditions for a complex, dissonant emotional experience of sadness, humility, anger, pride and empathy among Anzac tourists. Drawing on the in-depth testimonies of travellers from Australia and New Zealand, McKay shines a new and more complex light on the history and cultural politics of the Anzac myth. As well as making a ground breaking, empirically-based intervention into the culture wars, this book offers new insights into the global memory boom and transnational developments in backpacker tourism, sports tourism and “dark” or “dissonant” tourism. |
john williamson and the band played waltzing matilda: Pig City Andrew Stafford, 2024-11-02 From cult heroes the Saints and the Go-Betweens to national icons Powderfinger and international stars Savage Garden, Brisbane has produced more than its share of great bands. But behind the music lay a ghost city of malice and corruption. Persecuted by the Bjelke-Petersen government and its toughest enforcers - the police - Brisbane's musicians, radio announcers and political activists braved ignorance, harassment and often violence to be heard. Since its first publication in 2004, Pig City has become a much-loved cult classic, providing an enduring soundtrack and history lesson for a new generation of fans and musicians alike. This edition includes a special Pig City playlist. |
john williamson and the band played waltzing matilda: Forged by War Gina Lennox, 2005 In Forged By War, Australian veterans and their families reveal the experience of combat and how it has changed their lives. These stark first-hand accounts describe the reality of military action and its personal consequences in every major conflict and peacemaking mission since World War II, including the invasion of Iraq. Sometimes the reader is in lockstep with a soldier on patrol, watching as a land mine explodes, or a local militiaman points an AKandndash;47 at Australian peacemakers. Other times, the reader is inside a returned veteran's head, feeling their superfluous adrenalin, their need to control their environment, even at home. With accounts from Peter and Lynne Cosgrove, Graham Edwards, Frank Hunt (I Was Only Nineteen), other veterans of Vietnam, Glenda Humes (daughter of Capt Reginald Saunders), peacemakers and an SAS trooper, this compelling investigation by Gina Lennox in underpinned by the question: where does family fit in a soldier's life? |
john williamson and the band played waltzing matilda: Gallipoli L. A. Carlyon, Les Carlyon, 2003 Account of the campaign. Researched in Turkey, Great Britain and Aust. Recounts the individual experiences of battle. |
john williamson and the band played waltzing matilda: Audio , 1978 |
john williamson and the band played waltzing matilda: The Romance of the Swag Henry Lawson, 1907 |
john williamson and the band played waltzing matilda: True Blue John Williamson, 1995 John Williamson takes us on a tour of the Australia he knows and sings about, through issues and places visited. |
john williamson and the band played waltzing matilda: Currency Companion to Music and Dance in Australia John Whiteoak, 2003 This publication is unique in its comprehensiveness and recognision of cultural diversity and a broad notion of community. It covers the history of concert music, opera, ballet, music teaching, composition, instruments, venues, union activity, Aboriginal music, and all forms of popular and folk music and dance. It embraces the wide variety of immigrant influences from Europe, America and particularly the Pacific. There's sound art, computer music, electroacoustics, belly dance, debutante balls, subcultures, music videos and much more. Over two hundred academics, practitioners and private researchers from all parts of Australia and beyond are among this book's contributors. |
john williamson and the band played waltzing matilda: Old Man Emu John Williamson, 2021-02 This iconic Australian song tells the very funny tale of the emu and its many traits - good and bad- He can't fly, but I'm telling you, he can run the pants off a kangaroo! The story compares the emu to lots of other Australian birds (galah, cockatoo, wedge-tail eagle, kookaburra) and of course to the kangaroo, providing wonderful opportunities for hilarious illustrations. It's the song that launched John Williamson's career way back in 1970. John performed the song on the TV talent quest of the day, 'New Faces' and won first place, which led him to his first recording contract with Fable Records. It still remains one of John Williamson's most popular songs. |
john williamson and the band played waltzing matilda: Waltzing Matilda Andrew Barton Paterson, 2019-12 This famous ballad of the outback wanderer who drowned himself rather than lose his freedom needs no introduction. There is no swagman as legendary as the tragic hero of this tale, and there is no Australian song as well-known throughout the world. Here the famous ballad is given new depth and perspective. Talented illustrator Freya Blackwood has explored the intriguing background behind the writing of this song, and has shown us not just the lively story of a proud outback larrikin, but also a glimpse into the clashes and struggles that were so formative of Australian history. |
john williamson and the band played waltzing matilda: All Quiet Along the Potomac Ethel Lynn Beers, Mrs. Ethelinda Elliot Beers, 1879 |
john williamson and the band played waltzing matilda: Aussie Jingle Bells Colin Buchanan, 2023 |
john williamson and the band played waltzing matilda: Yodelling Boundary Riders: Country Music in Australia since the 1920s Toby Martin, 2015-02-01 This landmark book tells the story of one of the most enduring forms of popular culture in Australia. Prior to the 1950s, country music was called hillbilly music. Hillbilly was the rock ‘n’ roll of its day. The latest craze, straight from America, it was young, exciting and glamorous. This book traces the journey hillbilly took to become country: the rural nationalistic form it is known as today. Yodelling Boundary Riders is the first book to contextualise country music into a broader story about Australian history. Not just concerned with the development of music itself, it is also a history of the ways in which Australians have responded to the rapid rate of change in the twentieth century and the global fascination with “authenticity”. True to its subject matter, the writing is colourful and entertaining. Along the way Martin introduces some wonderful characters and events: yodelling stockmen, singing cowgirls, sentimental cowboys, coo-ees in Nashville, hobos on the mail train, the Sheik of Scrubby Creek and Australia’s craziest hillbillies. |
john williamson and the band played waltzing matilda: APAIS, Australian Public Affairs Information Service , 1983 Vol. for 1963 includes section Current Australian serials; a subject list. |
john williamson and the band played waltzing matilda: Australia, a Cultural History John Rickard, 1988 |
john williamson and the band played waltzing matilda: The 100 Best Australian Albums John O'Donnell, Toby Creswell, Craig Mathieson, 2011-08 Australian music has a proud, colourful and successful history. In 2008, Australian rock and roll turned 50. This book names the best Australian albums of the last 50 years. It places each album in order (from 1 u 100) and discusses why each album deserves its place. It tells the story behind the making of the album, where the album fits in the artist's career and the album's impact on the local and world stage etc. The entries will feature new interviews with the artists and the producers/managers involved in the recording and the release of the album. It wouldn't be a good list if it didn't polarise people and we hope that this list will. We also hope that it will get people sitting around comparing their favourites and discovering or re-discovering these great albums and others. With 70 years of loving and writing about Australian music between us, we shamelessly believe we've earned the right to write this book. And we think we've got it right. Let the debate begin.o u John O'Donnell, April 2010 Finally, here is a much-needed list of argument-starting top 100 seminal/ influential/essential Australian albums of all time. Let the fight begin! |
john williamson and the band played waltzing matilda: Advance Australia Fair Peter Dodds McCormick, 1994 Presents Australia's national anthem and illustrates it with paintings from some of Australia's finest artists including Fred McCubbin, Margaret Preston and Tom Roberts. Each painting depicts an aspect of the Australian landscape and culture and reflects the artist's view of the country. |
john williamson and the band played waltzing matilda: On the Origins of Waltzing Matilda (expression, Lyric, Melody). Harry Hastings Pearce, 1971 |
john williamson and the band played waltzing matilda: Poems of Banjo Paterson Andrew Barton Paterson, 1974 |
john williamson and the band played waltzing matilda: Blues Who's who Sheldon Harris, 1979 Rarely has a book received such unanimous praise as the Blue's Who's Who. Eighteen years of research and writing, most of it done by Sheldon Harris alone, have produced a reference book that has been accepted in the U.S., England, and Europe, as truly indispensable for anyone seriously interested in the history of country, city, folk, and rock blues. Covering all eras and styles, it features detailed biographies of 571 blues artists, 450 photographs, and hundreds of pages of carefully researched facts. |
john williamson and the band played waltzing matilda: The Complete Book of 1940s Broadway Musicals Dan Dietz, 2015 The debut of Oklahoma in 1943 ushered in the modern era of Broadway musicals and was followed by a number of successes that have become beloved classics. Shows produced on Broadway during this decade include Annie Get Your Gun, Brigadoon, Carousel, Finian's Rainbow, Pal Joey, On the Town, and South Pacific. Among the major performers of the decade were Alfred Drake, Gene Kelly, Mary Martin, and Ethel Merman, while other talents who contributed to shows include Irving Berlin, Gower Champion, Betty Comden, Adolph Green, Agnes de Mille, Lorenz Hart, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Oscar Hammerstein II. In The Complete Book of 1940s Broadway Musicals, Dan Dietz examines every musical and revue that opened on Broadway during the 1940s. In addition to providing details on every hit and flop, this book includes revivals and one-man and one-woman shows. Each entry contains the following information: -Opening and closing dates -Plot summary -Cast members -Number of performances -Names of all important personnel, including writers, composers, directors, choreographers, producers, and musical directors -Musical numbers and the names of performers who introduced the songs -Production data, including information about tryouts -Source material -Critical commentary -Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, such as a discography, film versions, published scripts, Gilbert and Sullivan operettas, and non-musical productions that utilized songs, dances, or background music. A treasure trove of information, The Complete Book of 1940s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history. |
john williamson and the band played waltzing matilda: Australians and the First World War Kate Ariotti, James E. Bennett, 2017-08-11 This book contributes to the global turn in First World War studies by exploring Australians’ engagements with the conflict across varied boundaries and by situating Australian voices and perspectives within broader, more complex contexts. This diverse and multifaceted collection includes chapters on the composition and contribution of the Australian Imperial Force, the experiences of prisoners of war, nurses and Red Cross workers, the resonances of overseas events for Australians at home, and the cultural legacies of the war through remembrance and representation. The local-global framework provides a fresh lens through which to view Australian connections with the Great War, demonstrating that there is still much to be said about this cataclysmic event in modern history. |
john williamson and the band played waltzing matilda: Ivory, Horn and Blood Ronald Isaac Orenstein, 2013 Describes the illegal trafficking of elephant ivory and rhinoceros horns and the implications for these endangered animals. |
john williamson and the band played waltzing matilda: The Rough Guide Book of Playlists Mark Ellingham, 2007 This second edition of the Rough Guide Book of Playlistscontains more than 500 lists of which 50 are new to this edition. The lists are recommendations of ten songs (sometimes a couple more, sometimes a couple less), covering artists (Rufus Wainwright to Thelonius Monk, Al Green to Manu Chao, Glenn Gould to Julie Andrews), genres (Bebop Classics to Reggae Toasters to Punk Originals to Hot Club jazz), songs (10 best Dylan covers; 8 classic versions of Summertime; 10 love songs that don't cloy), quirks and silliness (Songs about Chickens and Insects; Who let the frogs out?; Big Pizza Pie crooners; Take this Job and Shove it!). There's even a literary edge with playlists like '10 songs raved about in Murakami novels'. Each of the Playlists has a nugget about the song (why you want it on your iPod), and a listings of where it's from (remember CDs?). |
john williamson and the band played waltzing matilda: Educationally Stimulating OZ Crosswords Intelligent Australia Productions, 2007-01 |
john williamson and the band played waltzing matilda: Fair Dinkum Matilda Richard D. Magoffin, 1973 |
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to ask him who he was. 20 He did not fail to …
John 1 KJV - In the beginning was the Word, and the - Bible Gateway
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible Gateway
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he was simply a witness to tell …
John 1 NKJV - The Eternal Word - In the beginning was - Bible …
John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, that all through him might believe. 8 …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible Gateway
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd of people followed him because they …
John 11 NIV - The Death of Lazarus - Now a man named - Bible …
The Death of Lazarus - Now a man named Lazarus was sick. He was from Bethany, the village of Mary and her sister Martha. (This Mary, whose brother Lazarus now lay sick, was the same …
John 5 NIV - The Healing at the Pool - Some time - Bible Gateway
John 5:4 Some manuscripts include here, wholly or in part, paralyzed—and they waited for the moving of the waters. 4 From time to time an angel of the Lord would come down and stir up …
John 16 NIV - “All this I have told you so that you - Bible Gateway
“All this I have told you so that you will not fall away. They will put you out of the synagogue; in fact, the time is coming when anyone who kills you will think they are offering a service to God. …
JOhn 19 NIV - Jesus Sentenced to Be Crucified - Bible Gateway
Jesus Sentenced to Be Crucified - Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe …
John 8 NIV - but Jesus went to the Mount of Olives. - Bible Gateway
John 8:28 The Greek for lifted up also means exalted. John 8:38 Or presence. Therefore do what you have heard from the Father. John 8:39 Some early manuscripts “If you are Abraham’s …
John 1 NIV - The Word Became Flesh - In the - Bible Gateway
John the Baptist Denies Being the Messiah. 19 Now this was John’s testimony when the Jewish leaders in Jerusalem sent priests and Levites to ask him who he was. 20 He did not fail to …
John 1 KJV - In the beginning was the Word, and the - Bible Gateway
26 John answered them, saying, I baptize with water: but there standeth one among you, whom ye know not; 27 He it is, who coming after me is preferred before me, whose shoe's latchet I …
John 1 NLT - Prologue: Christ, the Eternal Word - In - Bible Gateway
6 God sent a man, John the Baptist, 7 to tell about the light so that everyone might believe because of his testimony. 8 John himself was not the light; he was simply a witness to tell …
John 1 NKJV - The Eternal Word - In the beginning was - Bible …
John’s Witness: The True Light. 6 There was a man sent from God, whose name was John. 7 This man came for a witness, to bear witness of the Light, that all through him might believe. 8 …
John 6 NIV - Jesus Feeds the Five Thousand - Some - Bible Gateway
Jesus Feeds the Five Thousand - Some time after this, Jesus crossed to the far shore of the Sea of Galilee (that is, the Sea of Tiberias), and a great crowd of people followed him because they …
John 11 NIV - The Death of Lazarus - Now a man named - Bible …
The Death of Lazarus - Now a man named Lazarus was sick. He was from Bethany, the village of Mary and her sister Martha. (This Mary, whose brother Lazarus now lay sick, was the same …
John 5 NIV - The Healing at the Pool - Some time - Bible Gateway
John 5:4 Some manuscripts include here, wholly or in part, paralyzed—and they waited for the moving of the waters. 4 From time to time an angel of the Lord would come down and stir up …
John 16 NIV - “All this I have told you so that you - Bible Gateway
“All this I have told you so that you will not fall away. They will put you out of the synagogue; in fact, the time is coming when anyone who kills you will think they are offering a service to God. …
JOhn 19 NIV - Jesus Sentenced to Be Crucified - Bible Gateway
Jesus Sentenced to Be Crucified - Then Pilate took Jesus and had him flogged. The soldiers twisted together a crown of thorns and put it on his head. They clothed him in a purple robe …
John 8 NIV - but Jesus went to the Mount of Olives. - Bible Gateway
John 8:28 The Greek for lifted up also means exalted. John 8:38 Or presence. Therefore do what you have heard from the Father. John 8:39 Some early manuscripts “If you are Abraham’s …