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| jean rhys the west indian novels: Jean Rhys Teresa F. O'Connor, 1991 Making use of the unpublished manuscripts and biographical sources of Jean Rhys as well as the published works, this book analyzes the cultural, historical and family influences on the Dominican-born author. journal Rhys kept in the 1930s, which helps to locate the sources of alienation, despair and self-destroying sexuality that were central to the author's life and her literary efforts. Here O'Connor finds important artistic and personal reasons for Rhys's perpetuation of the myth regarding her homeland, and reveals the importance of place in her work. |
| jean rhys the west indian novels: Jean Rhys's Historical Imagination Veronica Marie Gregg, 2017-11-01 As the foremost white West Indian writer of this century and author of the widely acclaimed novel Wide Sargasso Sea, Jean Rhys (1890-1979) has attracted much critical attention, most often from the perspective of gender analysis. Veronica Gregg extends our critical appreciation of Rhys by analyzing the complex relationship between Rhys's identity and the structures of her fiction, and she reveals the ways in which this relationship is connected to the history of British colonization of the West Indies. Gregg focuses on Rhys as a writer--a Creole woman analyzing the question of identity through literary investigations of race, gender, and colonialism. Arguing that history itself can be a site where different narratives collide and compete, she explores Rhys's rewriting of the historical discourses of the West Indies and of European canonical texts, such as Rhys's treatment of Jane Eyre in Wide Sargasso Sea. Gregg's analysis also reveals the precision with which Rhys crafted her work and her preoccupation with writing as performance. |
| jean rhys the west indian novels: Wide Sargasso Sea Jean Rhys, 1992 A considerable tour de force by any standard. ?New York Times Book Review |
| jean rhys the west indian novels: Jean Rhys at "World's End" Mary Lou Emery, 2011-08-15 The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture—colonial vs. native, white vs. black, male conqueror vs. female subject—supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing. Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels—Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight—should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities. These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity. |
| jean rhys the west indian novels: Critical Perspectives on Jean Rhys Pierrette M. Frickey, 1990 Rhys, acclaimed author of Wide Sargasso Sea, Quartet, and other novels treating the alienation of a woman from the Caribbean living in European settings, has been a focus of interest both as a feminist writer and in the context of Caribbean literature. |
| jean rhys the west indian novels: Disturbers of the Peace Kelly Baker Josephs, 2013-10-11 Exploring the prevalence of madness in Caribbean texts written in English in the mid-twentieth century, Kelly Baker Josephs focuses on celebrated writers such as Jean Rhys, V. S. Naipaul, and Derek Walcott as well as on understudied writers such as Sylvia Wynter and Erna Brodber. Because mad figures appear frequently in Caribbean literature from French, Spanish, and English traditions—in roles ranging from bit parts to first-person narrators—the author regards madness as a part of the West Indian literary aesthetic. The relatively condensed decolonization of the anglophone islands during the 1960s and 1970s, she argues, makes literature written in English during this time especially rich for an examination of the function of madness in literary critiques of colonialism and in the Caribbean project of nation-making. In drawing connections between madness and literature, gender, and religion, this book speaks not only to the field of Caribbean studies but also to colonial and postcolonial literature in general. The volume closes with a study of twenty-first-century literature of the Caribbean diaspora, demonstrating that Caribbean writers still turn to representations of madness to depict their changing worlds. |
| jean rhys the west indian novels: Jean Rhys Teresa F. O'Connor, 1986 |
| jean rhys the west indian novels: A View of the Empire at Sunset Caryl Phillips, 2018-05-22 Award-winning author Caryl Phillips presents a biographical novel of the life of Jean Rhys, the author of Wide Sargasso Sea, which she wrote as a prequel to Charlotte Brontë’s Jane Eyre. Caryl Phillips’s A View of the Empire at Sunset is the sweeping story of the life of the woman who became known to the world as Jean Rhys. Born Ella Gwendolyn Rees Williams in Dominica at the height of the British Empire, Rhys lived in the Caribbean for only sixteen years before going to England. A View of the Empire at Sunset is a look into her tempestuous and unsatisfactory life in Edwardian England, 1920s Paris, and then again in London. Her dream had always been to one day return home to Dominica. In 1936, a forty-five-year-old Rhys was finally able to make the journey back to the Caribbean. Six weeks later, she boarded a ship for England, filled with hostility for her home, never to return. Phillips’s gripping new novel is equally a story about the beginning of the end of a system that had sustained Britain for two centuries but that wreaked havoc on the lives of all who lived in the shadow of the empire: both men and women, colonizer and colonized. A true literary feat, A View of the Empire at Sunset uncovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by offering a look into the life of one of the greatest storytellers of the twentieth century and retelling a profound story that is singularly its own. |
| jean rhys the west indian novels: Smile Please Jean Rhys, 2016-11-03 |
| jean rhys the west indian novels: The Blue Hour Lilian Pizzichini, 2010-05-03 Jean Rhys was an artist of brilliance and fury best known for her late literary masterpiece, Wide Sargasso Sea. But she was also a woman in constant psychological turmoil, whose blazing talent rescued her time and time again from the abyss. Lilian Pizzichini follows Rhys from her girlhood in Dominica, through three failed marriages and five misunderstood books, up to her death in 1979. This is an unforgettable portrait of a woman whose writing was both her life and her lifeline. |
| jean rhys the west indian novels: Good Morning, Midnight Jean Rhys, 2020 The last of the four novels Jean Rhys wrote in interwar Paris, Good Morning, Midnight is the culmination of a searing literary arc, which established Rhys as an astute observer of human tragedy. Her everywoman heroine, Sasha, must confront the loves-- and losses-- of her past in this mesmerizing and formally daring psychological portrait. |
| jean rhys the west indian novels: Jean Rhys, the Complete Novels Jean Rhys, 1985 Tells the stories of a chorus girl, an unhappy love affair, a prostitute, a woman no longer able to love, and an English-West Indian marriage |
| jean rhys the west indian novels: Jean Rhys's West Indian Novels Teresa O'Connor, 1996 |
| jean rhys the west indian novels: Jean Rhys, Woman in Passage Helen Nebeker, 1981 |
| jean rhys the west indian novels: Quartet Jean Rhys, 1973 |
| jean rhys the west indian novels: Nationalism and the Formation of Caribbean Literature L. Rosenberg, 2016-04-30 This book tells the story of how intellectuals in the English-speaking Caribbean first created a distinctly Caribbean and national literature. As traditionally told, this story begins in the 1950s with the arrival and triumph of V.S. Naipaul, George Lamming, and their peers in the London literary scene. However, Afro-Caribbeans were writing literature already in the 1840s as part of larger movements for political rights, economic opportunity, and social status. Rosenberg offers a history of this first one hundred years of anglophone Caribbean literature and a critique of Caribbean literary studies that explains its neglect. A historically contextualized study of both canonical and noncanonical writers, this book makes the case that the few well-known Caribbean writers from this earlier period, Claude McKay, Jean Rhys, and C.L.R. James, participated in a larger Caribbean literary movement that directly contributed to the rise of nationalism in the region. This movement reveals the prominence of Indian and other immigrant groups, of feminism, and of homosexuality in the formation of national literatures. |
| jean rhys the west indian novels: Wide Sargasso Sea at 50 Elaine Savory, Erica L. Johnson, 2020-11-03 This book revisits Jean Rhys’s ground-breaking 1966 novel to explore its cultural and artistic influence in the areas of not only literature and literary criticism, but fashion design, visual art, and the theatre as well. Building on symposia that were held in London and New York in 2016 in honour of the novel’s half-century, this collection demonstrates just how timely Rhys’s insights into colonial history, sexual relations, and aesthetics continue to be. The chapters include an extensive interview with novelist Caryl Phillips, who in 2018 published a novel about Rhys’s life, an account of how Wide Sargasso Sea can be read through the lens of the #MeToo Movement, a clothing line inspired by the novel, and new critical directions. As both a celebration and scholarly evaluation, the collection shows how enduring Rhys’s novel is in its continuing literary influence and social commentary. |
| jean rhys the west indian novels: The West Indian Novel and Its Background Kenneth Ramchand, 2004 An account of the emergence of the West Indian novel in English, this work provides valuable insights into the social, cultural and political background, offering concise and focused accounts of the growth of education, the development of literacy, and the formation of West Indian Creole languages. |
| jean rhys the west indian novels: Madness in Anglophone Caribbean Literature Bénédicte Ledent, Evelyn O'Callaghan, Daria Tunca, 2018-11-23 This collection takes as its starting point the ubiquitous representation of various forms of mental illness, breakdown and psychopathology in Caribbean writing, and the fact that this topic has been relatively neglected in criticism, especially in Anglophone texts, apart from the scholarship devoted to Jean Rhys’s Wide Sargasso Sea (1966). The contributions to this volume demonstrate that much remains to be done in rethinking the trope of “madness” across Caribbean literature by local and diaspora writers. This book asks how focusing on literary manifestations of apparent mental aberration can extend our understanding of Caribbean narrative and culture, and can help us to interrogate the norms that have been used to categorize art from the region, as well as the boundaries between notions of rationality, transcendence and insanity across cultures. |
| jean rhys the west indian novels: Making Men Belinda Edmondson, 1999 Explores the gendered subjectivity of West Indian writers and their dependence on models from Victorian England for their narratives of self and nation. |
| jean rhys the west indian novels: Caribbean Women Writers Mary Condé, Thorunn Lonsdale, 1999-02-12 Caribbean Women Writers is a collection of scholarly articles on the fiction of selected Caribbean women writers from Antigua, Barbados, Belize, Dominica, Grenada, Guyana, Jamaica and Trinidad. It includes not only close critical analysis of texts by Erna Brodber, Dionne Brand, Zee Edgell, Jamaica Kincaid, Paule Marshall, Pauline Melville, Jean Rhys and Olive Senior, but also personal statements from the writers Merle Collins, Beryl Gilroy, Vernella Fuller and Velma Pollard. |
| jean rhys the west indian novels: West Indian intellectuals in Britain Bill Schwarz, 2013-07-19 This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first comprehensive discussion of the major Caribbean thinkers who came to Britain. Written in an accessible, lively style, with a range of wonderful and distinguished authors. Key book for thinking about the future of multicultural Britain; study thus far has concentrated on Caribbean literature and how authors ‘write back’ to Britain – this book is the first to consider how they ‘think back’ to Britain. A book of the moment - nothing comparable on the Carribean influence on Britain.. Discusses the influence, amongst others, of C. L. R. James, Una Marson, George Lamming, Jean Rhys, Claude McKay and V. S. Naipaul. |
| jean rhys the west indian novels: Transnational Jean Rhys Juliana Lopoukhine, Frédéric Regard, Kerry-Jane Wallart, 2020-12-10 This volume investigates the frameworks that can be applied to reading Caribbean author Jean Rhys. While Wide Sargasso Sea famously displays overt forms of literary influences, Jean Rhys's entire oeuvre is so fraught with connections to other texts and textual practices across geographical boundaries that her classification as a cosmopolitan modernist writer is due for reassessment. Transnational Jean Rhys argues against the relative isolationism that is sometimes associated with Rhys's writing by demonstrating both how she was influenced by a wide range of foreign – especially French – authors and how her influence was in turn disseminated in myriad directions. Including an interview with Black Atlantic novelist Caryl Phillips, this collection charts new territories in the influences on/of an author known for her dislike of literary coteries, but whose literary communality has been underestimated. |
| jean rhys the west indian novels: Tigers are Better-looking Jean Rhys, 1968 |
| jean rhys the west indian novels: The Collected Short Stories Jean Rhys, 1992 Jean Rhys was one of the twentieth century's foremost writers, a literary artist who made exqusite use of the raw material of her own often turbulent life to create fiction of memorable resonance and poignancy. Here for the first time in one volume are her complete stories. |
| jean rhys the west indian novels: The Routledge Reader in Caribbean Literature Alison Donnell, Sarah Lawson Welsh, 1996 An outstanding compilation of over seventy primary and secondary texts of writing from the Caribbean. The editors demonstrate that these singular voices have emerged out of a wealth of literary tradition and not a cultural void. |
| jean rhys the west indian novels: The Oxford Book of Caribbean Short Stories Stewart Brown, 2001 The Caribbean is the source of one of the richest, most accessible, and yet technically adventurous traditions of contemporary world literature. This collection extends beyond the realm of English-speaking writers, to include stories published in Spanish, French, and Dutch. It brings together contributions from major figures such as V. S. Naipaul, and Gabriel Garcia Marquez, and work from the exciting new generation of Caribbean writers represented by Edwidge Danticat, and Jamaica Kincaid. |
| jean rhys the west indian novels: The Caribbean Short Story Lucy Evans, Mark A. McWatt, Emma Smith, 2011 The short story has been integral to the development of Caribbean literature, and continues to offer possibilities for invention and reinvigoration. As the most comprehensive study of its kind, this important and timely volume explores the significance of the short story form to Caribbean cultural production across the twentieth and twenty-first centuries. The twenty original essays collected here offer a unique set of inquiries and insights into the historical, cultural and stylistic characteristics of Caribbean short story writing. The book draws together diverse critical perspectives from established and emerging scholars, including Shirley Chew, Alison Donnell, James Procter, Raymond Ramcharitar and Elaine Savory. Essays cover the publishing histories of specific islands; intersections of the local, global and diasporic; treatments of race and gender; language, orality and genre; and cultural contexts from tourism to calypso to cricket. Book jacket. |
| jean rhys the west indian novels: Philosophy in the West Indian Novel Earl McKenzie, 2009 Earl McKenzie's pioneering philosophical study of the West Indian novel is based on three main assumptions: first, that philosophy is a reflection on the fundamental questions we can ask about ourselves and our world; second, that literature, particularly the novel, is the best method yet devised to provide a human face to these reflections; and third, Caribbean philosophy is at present embedded in other forms of cultural expression, like literature, and these forms need to be excavated to reveal what lies within. McKenzie examines ten novels by George Lamming, Roger Mais, Wilson Harris, V.S. Naipaul, Orlando Patterson, Jean Rhys, Erna Brodber, Lakshmi Persaud, Earl Lovelace and Jamaica Kincaid, each selected to represent differences in geography, chronology, ethnicity and gender. In this cross-section of novels, McKenzie identifies ancestral influences from the philosophies of Europe, Africa and India, and show how West Indian fiction embodies ideas from several areas of philosophy, including metaphysics, epistemology, philosophy of education, social and political philosophy, ethics, feminist philosophy, and philosophy of literature. Philosophy in the West Indian Novel uncovers sections of the mostly unknown Caribbean philosophical mosaic, and McKenzie's work will encourage further study and refection on philosophical ideas in a Caribbean context. It will be of interest to philosophers, literary critics, educators, social scientists, and anyone interested in Caribbean studies. |
| jean rhys the west indian novels: Snow on the Cane Fields Judith L. Raiskin, 1996 Snow on the Cane Fields was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a probing analysis of creole women's writing over the past century, Judith Raiskin explores the workings and influence of cultural and linguistic colonialism. Tracing the transnational and racial meanings of creole identity, Raiskin looks at four English-speaking writers from South Africa and the Caribbean: Olive Schreiner, Jean Rhys, Michelle Cliff, and Zoë Wicomb. She examines their work in light of the discourses of their times: nineteenth-century race science and imperialistic rhetoric, turn-of-the-century anti-Semitic sentiment and feminist pacifism, postcolonial theory, and apartheid legislation. In their writing and in their multiple identities, these women highlight the gendered nature of race, citizenship, culture, and the language of literature. Raiskin shows how each writer expresses her particular ambivalences and divided loyalties, both enforcing and challenging the proprietary British perspective on colonial history, culture, and language. A new perspective on four writers and their uneasy places in colonial culture, Snow on the Cane Fields reveals the value of pursuing a feminist approach to questions of national, political, and racial identity. Judith Raiskin is assistant professor of women's studies at the University of California, Santa Barbara. |
| jean rhys the west indian novels: Telling West Indian Lives S. Thomas, 2014-07-10 Telling West Indian Lives: Life Narrative and the Reform of Plantation Slavery Cultures 1804-1834 draws historical and literary attention to life story and narration in the late plantation slavery period. Drawing on new archival research, it highlights the ways written narrative shaped evangelical, philanthropic, and antislavery reform projects. |
| jean rhys the west indian novels: Cambridge [university] , 1837 |
| jean rhys the west indian novels: Neither Black Nor White Yet Both Werner Sollors, 1999 Why can a white woman give birth to a black baby, while a black woman can never give birth to a white baby in the United States? What makes racial passing so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making miscegenation appear as if it were incest? Werner Sollors examines these questions and others in Neither Black nor White yet Both, a fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of either-or than for an interracial realm of neither, nor, both, and in-between. From the origins of the term race to the cultural sources of the Tragic Mulatto, and from the calculus of color to the retellings of various plots, Sollors examines what we know about race, analyzing recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry. |
| jean rhys the west indian novels: Rhys Matters M. Wilson, K. Johnson, 2013-08-23 Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies. |
| jean rhys the west indian novels: I, Tituba, Black Witch of Salem Maryse Condé, 2009 CARAF Books: Caribbean and African Literature Translated from FrenchThis book has been supported by a grant from the National Endowment for the Humanities, an independent federal agencY |
| jean rhys the west indian novels: The Nightwatchman's Occurrence Book V. S. Naipaul, 2012-04-02 (includes The Suffrage of Elvira, A Flag on the Island and Mr. Stone and the Knights Companion) Written early in V. S. Naipaul’s prolific career, these three works of fiction — two novels and a collection of stories — are ample evidence of his cosmopolitan reach and his seemingly effortless command of broad comedy and acute observation. |
| jean rhys the west indian novels: Jamaica's Difficult Subjects Sheri-Marie Harrison, 2014 Recognizing that in the contemporary postcolonial moment, national identity and cultural nationalism are no longer the primary modes of imagining sovereignty, Sheri-Marie Harrison argues that postcolonial critics must move beyond an identity-based orthodoxy as they examine problems of sovereignty. In Jamaica's Difficult Subjects: Negotiating Sovereignty in Anglophone Caribbean Literature and Criticism, Harrison describes what she calls ?difficult subjects”?subjects that disrupt essentialized notions of identity as equivalent to sovereignty. She argues that these subjects function as a call for postcolonial critics to broaden their critical horizons beyond the usual questions of national identity and exclusion/inclusion. Harrison turns to Jamaican novels, creative nonfiction, and films from the 1960s to the present and demonstrates how they complicate standard notions of the relationship between national identity and sovereignty. She constructs a lineage between the difficult subjects in classic Caribbean texts like Wide Sargasso Sea by Jean Rhys and The Harder they Come by Perry Henzell and contemporary writing by Marlon James and Patricia Powell. What results is a sweeping new history of Caribbean literature and criticism that reconfigures how we understand both past and present writing. Jamaica's Difficult Subjects rethinks how sovereignty is imagined, organized, and policed in the postcolonial Caribbean, opening new possibilities for reading multiple generations of Caribbean writing. |
| jean rhys the west indian novels: Narratives of Obeah in West Indian Literature Janelle Rodriques, 2019-04-05 This book explores representations of Obeah – a name used in the English/Creole-speaking Caribbean to describe various African-derived, syncretic Caribbean religious practices – across a range of prose fictions published in the twentieth century by West Indian authors. In the Caribbean and its diasporas, Obeah often manifests in the casting of spells, the administration of baths and potions of various oils, herbs, roots and powders, and sometimes spirit possession, for the purposes of protection, revenge, health and well-being. In most Caribbean territories, the practice – and practices that may resemble it – remains illegal. Narratives of Obeah in West Indian Literature analyses fiction that employs Obeah as a marker of the Black ‘folk’ aesthetics that are now constitutive of West Indian literary and cultural production, either in resistance to colonial ideology or in service of the same. These texts foreground Obeah as a social and cultural logic both integral to and troublesome within the creation of such a thing as ‘West Indian’ literature and culture, at once a product of and a foil to Caribbean plantation societies. This book explores the presentation of Obeah as an ‘unruly’ narrative subject, one that not only subverts but signifies a lasting ‘Afro-folk’ sensibility within colonial and ‘postcolonial’ writing of the West Indies. Narratives of Obeah in West Indian Literature will be of interest to scholars and students of Caribbean Literature, Diaspora Studies, and African and Caribbean religious studies; it will also contribute to dialogues of spirituality in the wider Black Atlantic. |
| jean rhys the west indian novels: Jean Rhys Elaine Savory, 1998 Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing. Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts. Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style. Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts. This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers. |
| jean rhys the west indian novels: Caribbean Literature in English Louis James, 2014-07-30 Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama. |
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Jean (female given name) - Wikipedia
Jean is a common female given name in English-speaking countries. It is the Scottish form of Jane (and is sometimes pronounced that way). It is …
Jean - Name Meaning, What does Jean mean? (girl)
Jean as a girls' name (also used more generally as boys' name Jean) is pronounced jeen. It is of Hebrew origin, and the meaning of Jean is "God is …
Jean - Baby Name Meaning, Origin, and Popularity
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JEAN Definition & Meaning - Merriam-Webster
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