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| it had to be you movie 1989: The Encyclopedia of Film James Monaco, 1991 An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR |
| it had to be you movie 1989: From Saginaw Valley to Tin Pan Alley R. Grant Smith, 1998 From Saginaw Valley to Tin Pan Alley documents the work of more than sixty popular songwriters who hailed from Saginaw, and provides background information and anecdotes about the most famous songwriters and their most famous songs. Among the greatest of the Saginaw songwriters were Charles K. Harris (After the Ball'), Dan Russo (Toot, Toot, Tootsie, Goo'Bye!), Gerald Marks (All of Me), Ange Lorenzo (Sleepy Time Gal), Isham Jones (It Had to Be You), and Ben Weisman (Paper Roses, Honey in the Horn). More than seventy sheet music covers dating from between 1890 and 1955 are interposed with the narrative, adding to the book's charm and historic value. |
| it had to be you movie 1989: Looking for Gatsby Faye Dunaway, 1997-12 From the award-winning actress herself, Faye Dunaway explores her life and loves in this classic autobiography from Simon & Schuster. In an intelligent, take-no-prisoners memoir (Entertainment Weekly), Academy Award-winning actress Faye Dunaway writes candidly of her life, including her many affairs, her two marriages, her professional success, and her poignant failures of photos. |
| it had to be you movie 1989: Encyclopedia of African American Actresses in Film and Television Bob McCann, 2022-09-23 The first work of its kind, this encyclopedia provides 360 brief biographies of African American film and television acPER010000tresses from the silent era to 2009. It includes entries on well-known and nearly forgotten actresses, running the gamut from Academy Award and NAACP Image Award winners to B-film and blaxpoitation era stars. Each entry has a complete filmography of the actress's film, TV, music video or short film credits. The work also features more than 170 photographs, some of them rare images from the Schomburg Center for Research in Black Culture. |
| it had to be you movie 1989: Encyclopedia of Television Film Directors Jerry Roberts, 2009-06-05 From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium. |
| it had to be you movie 1989: The cultural politics of contemporary Hollywood film Chris Beasley, Heather Brook, 2019-01-21 Adopting and developing a ‘cultural politics’ approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. ‘Security’ films present ideas concerning public order and disorder, citizen–state relations and the politics of fear. ‘Relationalities’ films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In ‘socially critical’ films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and ‘soft power’ relations whose reach is both deep and broad. |
| it had to be you movie 1989: The Hollywood Romantic Comedy Leger Grindon, 2011-04-18 The most up-to-date study of the Hollywood romantic comedy film, from the development of sound to the twenty-first century, this book examines the history and conventions of the genre and surveys the controversies arising from the critical responses to these films. Provides a detailed interpretation of important romantic comedy films from as early as 1932 to movies made in the twenty-first century Presents a full analysis of the range of romantic comedy conventions, including dramatic conflicts, characters, plots, settings, and the function of humor Develops a survey of romantic comedy movies and builds a canon of key films from Hollywood's classical era right up to the present day Chapters work as discrete studies as well as within the larger context of the book |
| it had to be you movie 1989: Jacob Have I Loved Katherine Paterson, 1990-02-02 Esau have I hated . . . Sara Louise Bradshaw is sick and tired of her beautiful twin Caroline. Ever since they were born, Caroline has been the pretty one, the talented one, the better sister. Even now, Caroline seems to take everything: Louise's friends, their parents' love, her dreams for the future. For once in her life, Louise wants to be the special one. But in order to do that, she must first figure out who she is . . . and find a way to make a place for herself outside her sister's shadow. |
| it had to be you movie 1989: My Pal, Blaise Richard Leviton, 2012-08 In 2020 angels of a high order started incarnating on Earth as humans. In early 2020 guards at Teotihuacan, an archeological site in Mexico, find eight fat handwritten notebooks on a ledge at the Palace of the Jaguars. They purport to be the journal, and maybe last testament, of an American, age 69, hiding out in the high desert of New Mexico and on the run from intelligence agencies. He sums up his life spent with a most unusual colleague named Blaise. The journal entries span seven months in 2019 then end as 2020 begins, but they cover the history of the Earth. Offered in a matter-of-fact manner, the writer's revelations grow increasingly alarming and hard to credit. Wormholes on the Earth. Pleiadian influence in human evolution. Hyperdimensional Light grids. Clairvoyant scientists. Shapeshifting Ascended Masters. Accounts of planetwide psychic access. An apparitional theater of mythic figures. Angels 60 billion years old on the verge of human incarnation. Yet the journals, written with warmth, fondness, and amusement, read like the memoir of truly one man's best friend, Blaise yet this Blaise is too big, too old, too vast to be a human. What then? And who wrote the journals? He seems untraceable. In 2023 the notebooks passed to Dartmouth College professor Frederick Graham Atkinson, Ph.D., who, starting in 2025, prepared them for publication, adding helpful editorial notes. The journals, though never intended for publication by their author and it's a miracle they survived the desert and years in a dusty unused office, Dr. Atkinson states, offer an unusual, often inspiring, and mostly astonishing report of the inner affairs of planet, culture, myth, humanity, the spiritual world, and where it's all heading. |
| it had to be you movie 1989: Movies on TV and Videocassette, 1991-1992 Steven H. Scheuer, 1990 |
| it had to be you movie 1989: It Had to Be You Susan Elizabeth Phillips, 2013-05-14 The Windy City isn't quite ready for Phoebe Somerville—the outrageous, curvaceous New York knockout who has just inherited the Chicago Stars football team. And Phoebe is definitely not ready for the Stars' head coach, former gridiron legend Dan Calebow, a sexist jock taskmaster with a one-track mind. Calebow is everything Phoebe abhors. And the sexy new boss is everything Dan despises—a meddling bimbo who doesn't know a pigskin from a pitcher's mound. So why is Dan drawn to the shameless sexpot like a heat-seeking missile? And why does the coach's good ol' boy charm leave cosmopolitan Phoebe feeling awkward, tongue-tied . . . and ready to fight? The sexy, heartwarming, and hilarious prequel to This Heart of Mine—Susan Elizabeth Phillips's New York Times bestselling blockbuster—It Had To Be You is an enchanting story of two stubborn people who believe in playing for keeps. |
| it had to be you movie 1989: The Crisis , 1989-12 The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens. |
| it had to be you movie 1989: Film Writers , 2001 |
| it had to be you movie 1989: Movies in American History Philip C. DiMare, 2011-06-17 This provocative three-volume encyclopedia is a valuable resource for readers seeking an understanding of how movies have both reflected and helped engender America's political, economic, and social history. Movies in American History: An Encyclopedia is a reference text focused on the relationship between American society and movies and filmmaking in the United States from the late 19th century through the present. Beyond discussing many important American films ranging from Birth of a Nation to Star Wars to the Harry Potter film series, the essays included in the volumes explore sensitive issues in cinema related to race, class, and gender, authored by international scholars who provide unique perspectives on American cinema and history. Written by a diverse group of distinguished scholars with backgrounds in history, film studies, culture studies, science, religion, and politics, this reference guide will appeal to readers new to cinema studies as well as film experts. Each encyclopedic entry provides data about the film, an explanation of the film's cultural significance and influence, information about significant individuals involved with that work, and resources for further study. |
| it had to be you movie 1989: Warren Beatty Suzanne Finstad, 2006-10-24 The only definitive biography of the legendary Warren Beatty is penned by thecritically acclaimed author of the New York Times bestseller Natasha. |
| it had to be you movie 1989: Variety and Daily Variety Television Reviews, 1993-1994 Prouty, 1996-10 This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time. |
| it had to be you movie 1989: Al Pacino Lawrence Grobel, 2008-09-04 Not only is Al Pacino known as 'one of the greatest actors in all of film history', he is also considered 'one of Hollywood's most notorious bachelors' (imdb.com) as well as being one of the most enigmatic and private celebrities in the world. For the first time, AL PACINO offers a deeply personal and revealing window into everything from his growing up in the South Bronx, where he shared three rooms with nine people, to his fabled studies with Charles Laughton and Lee Strasberg, his father's absence, his mother's early death, and how he bounced through a series of odd jobs until his first paid role at the age of 26. He reveals his childhood dream of becoming a professional baseball player, describes his first drink at 13, and admits his once ate Valium like popcorn at the Academy Awards. Though he has been involved with women like Diane Keaton and Beverly D'Angelo, the mother of his three children, he has never married and here reveals why, and how his feelings have changed. Through it all, he has delivered some of the most seminal performances in film and theatre history and worked with most of its biggest stars. He was nominated for seven Academy Awards before winning Best Actor Oscar for Scent of a Woman. AL PACINO is an intensely personal look at a creative genius at the peak of his powers who, after all these years, still longs to learn more about his art. And for now, it's a close to a memoir as we are likely to get. |
| it had to be you movie 1989: The Essential Jazz Recordings Ross Porter, 2008-11-19 A guide to the all-time must-have jazz recordings by a maven of the genre. Possibly the twentieth century’s greatest musical innovation, jazz is now more popular than it has been for the past fifty years. But with the plethora of new recordings and the phenomenon in jazz of the same standards being recorded seemingly by almost every artist and band or trio, it’s very hard to know where to start or to improve a CD collection. The Essential Jazz Recordings provides a trustworthy, concise guide, heavily skewed to Porter’s personal favourites and showcasing Canadian talent where it’s merited. With background information on the music, the artist, and the recording, Porter explains the unique merits of each recording, from Louis Armstrong to Wynton Marsalis, Billie Holiday to Diana Krall. With this guide, dedicated jazz aficionados can ensure a complete collection and novices can expand their knowledge. Both will hugely enjoy the musical riches in The Essential Jazz Recordings. |
| it had to be you movie 1989: Hollywood Aesthetic Todd Berliner, 2017-03-01 Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthetic experiences, among huge populations, translate into box office success. With that goal in mind, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a massive scale. In Hollywood Aesthetic, Todd Berliner accounts for the chief attraction of Hollywood cinema worldwide: its entertainment value. The book examines films such as City Lights and Goodfellas that have earned aesthetic appreciation from both fans and critics. But it also studies some curious outliers, cult films, and celebrated Hollywood experiments, such as The Killing and Starship Troopers. And it demonstrates that even ordinary popular films, from Tarzan and His Mate to Rocky III, as well as action blockbusters, like Die Hard and The Dark Knight, offer aesthetic pleasure to mass audiences. Hollywood Aesthetic explains how Hollywood engages viewers by satisfying their aesthetic desires. Visit the companion website at www.oup.com/us/hollywoodaesthetic |
| it had to be you movie 1989: Al Pacino , 2008 A portrait based on twenty-five years of interviews explores some of the Hollywood giant's most crucial life periods, from his childhood and adult relationships to his work in the Godfather trilogy and his eight Academy Award nominations. |
| it had to be you movie 1989: Film Actors , 2003 |
| it had to be you movie 1989: CD Review Digest , 1990 |
| it had to be you movie 1989: Jane Campion John Sayles, Jane Campion, 1999 Collected interviews with the New Zealand director of The Piano and Portrait of a Lady |
| it had to be you movie 1989: Leonard Maltin's Movie Encyclopedia Leonard Maltin, 1994 Maltin's long-awaited comprehensive Who's Who of Hollywood is entertaining and informative as only Maltin can make it. A must reference for any moviegoer's bookshelf--and the perfect companion to his bestselling Movie and Video Guide. Satellite TV tour. |
| it had to be you movie 1989: Magill's Cinema Annual Michelle Banks, 2000-08-08 Magill's Cinema Annual provides comprehensive information on the theatrical releases of each year. Featured are extensive essays, cast and character listings, production credits, running time, country of origin, MPAA rating, nine comprehensive indexes and more. |
| it had to be you movie 1989: Film Composers Guide , 1996 |
| it had to be you movie 1989: The Songs of Hollywood Philip Furia, Laurie Patterson, 2010-04-07 From Over the Rainbow to Moon River and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. Extremely well-illustrated with 200 film stills, this delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way. The book focuses on how the songs were presented in the movies, from early talkies where actors portrayed singers performing the songs, to the Golden Age in which characters burst into expressive, integral song--not as a performance but as a spontaneous outpouring of feeling. The book looks at song presentation in 1930s classics with Fred Astaire and Ginger Rogers and in 1940s gems with Judy Garland and Gene Kelly. The authors also look at the decline of the genre since 1960, when most original musicals were replaced by film versions of Broadway hits such as My Fair Lady. |
| it had to be you movie 1989: The Art of Record John Corner, 1996-11-15 This is an overview of the theoretical issues and critical debates around documentary, whose attempts to depict reality and to comment on it have provoked disagreement from the 1920s to the present day. |
| it had to be you movie 1989: Glen Samuel Richardson, 2011-08-02 Biography of Glen Orrin Richardson, son of Justin V. and Hortense Earl Richardson, compiled by Hope R. Barrowes. Cover design and book layout by Samuel Richardson, owner of Silver Storm Imaging and Printing. Contains Glen's journal entries, letters he's written and his achievements. Also contains writing to or about him by his family and friends. Included is a scrapbook of his life. |
| it had to be you movie 1989: American Song Lyricists, 1920-1960 Philip Furia, 2002 Essays on the major American song lyricists who wrote for the Broadway theater, the Hollywood motion-picture musicals, and the sheet music and recording industry collectively known as Tin Pan Alley. The period surveyed is generally regarded as the golden age of American songwriting. Provides historical information on Broadway, movie musicals, original cast LP albums, and the movement toward integration of song and plot in the stage and screen musical. |
| it had to be you movie 1989: Country Music Irwin Stambler, Grelun Landon, 2000-07-14 A comprehensive reference source on the history, impact, and current state of country music, offering portraits of figures in the country music world. |
| it had to be you movie 1989: Gender Meets Genre in Postwar Cinemas Christine Gledhill, 2012-01-19 This remarkable collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and post-feminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as means of putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality come into view as elements fuelling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. Drawing on the intensifying transnational context of film production and on postcolonial thinking, this volume includes essays that explore the transformational transactions between gender and genre as world-circulating Hollywood generic practices intersect with and are stimulated by American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between centre and periphery, between feminism and generic filmmaking, and the supposed gendering of genres, filmmakers and their audiences. Contributors are Ira Bhaskar, Xiangyang Chen, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, and Deborah Thomas. |
| it had to be you movie 1989: All Music Guide Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine, 2001 Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre. |
| it had to be you movie 1989: The Rough Guide to Rock Peter Buckley, 2003 Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap. |
| it had to be you movie 1989: Different Aspects Michael Ball, 2023-10-12 UNLOCK THE MAGIC OF THEATRE THIS CHRISTMAS - GO BEHIND THE CURTAIN WITH WEST END LEGEND, MICHAEL BALL IN HIS FIRST MEMOIR 'Love, laughter and tears abound in this warm, entertaining read' Woman and Home 'Glittering' Daily Mail 'Wonderful' The Sun In 1989, a young Michael Ball landed the lead role in the musical Aspects of Love. It was a moment that changed his life forever. It was the first time he worked with legends of the stage like Andrew Lloyd Webber and Trevor Nunn; the show featured his smash hit song, Love Changes Everything, which rode high in the charts for 15 weeks; it was then, also, that he first met his long-term partner Cathy McGowan and battled back against the stage fright that had threatened his career. Over three decades later, Michael returned to a new production of the same show where he made his name, and with a lifetime's worth of stories to tell. In Different Aspects, Michael takes us backstage inside the making of a West End hit, while also diving back into his memories to share untold anecdotes and explore a glittering career that has made him a household name - from his first stage experiences in Les Misérables and Phantom of the Opera, to delighting and shocking his audiences in equal measure in Hairspray and Sweeney Todd, as well as his chart-topping musical success (and some howlers too!). Exploring Michael's life, career and relationships alongside the pitfalls and pratfalls of modern theatre, Different Aspects is the story of a life lived on the stage. There will be laughter, tears and an abundance of heart. There's even some Roger Moore, though, famously, not quite enough. Take your seats ladies and gentlemen, the lights are dimming, the performance is about to start. Readers are loving Different Aspects... 'A very funny, insightful glimpse of the highs and lows of a musical theatre star' 'If you love Michael Ball, you'll love this' 'His story made me smile' 'Filled with wonderful little stories' 'Interesting, honest and revealing' |
| it had to be you movie 1989: New York Magazine , 1991-01-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| it had to be you movie 1989: The Motion Picture Annual , 1990 |
| it had to be you movie 1989: New York Magazine , 1991-01-14 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| it had to be you movie 1989: Miss May Does Not Exist Carrie Courogen, 2024-06-04 Finalist for the National Book Critics Circle Awards, 2024 Miss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: “Miss May does not exist.” Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be. |
| it had to be you movie 1989: A Biographical Guide to the Great Jazz and Pop Singers Will Friedwald, 2010-11-02 Will Friedwald’s illuminating, opinionated essays—provocative, funny, and personal—on the lives and careers of more than three hundred singers anatomize the work of the most important jazz and popular performers of the twentieth century. From giants like Ella Fitzgerald, Louis Armstrong, Frank Sinatra, and Judy Garland to lesser-known artists like Jeri Southern and Joe Mooney, they have created a body of work that continues to please and inspire. Here is the most extensive biographical and critical survey of these singers ever written, as well as an essential guide to the Great American Songbook and those who shaped the way it has been sung. The music crosses from jazz to pop and back again, from the songs of Irving Berlin and W. C. Handy through Stephen Sondheim and beyond, bringing together straightforward jazz and pop singers (Billie Holiday, Perry Como); hybrid artists who moved among genres and combined them (Peggy Lee, Mel Tormé); the leading men and women of Broadway and Hollywood (Ethel Merman, Al Jolson); yesterday’s vaudeville and radio stars (Sophie Tucker, Eddie Cantor); and today’s cabaret artists and hit-makers (Diana Krall, Michael Bublé). Friedwald has also written extended pieces on the most representative artists of five significant genres that lie outside the songbook: Bessie Smith (blues), Mahalia Jackson (gospel), Hank Williams (country and western), Elvis Presley (rock ’n’ roll), and Bob Dylan (folk-rock). Friedwald reconsiders the personal stories and professional successes and failures of all these artists, their songs, and their performances, appraising both the singers and their music by balancing his opinions with those of fellow musicians, listeners, and critics. This magisterial reference book—ten years in the making—will delight and inform anyone with a passion for the iconic music of America, which continues to resonate throughout our popular culture. |
When do we use “had had” and “have had”? [duplicate]
I have seen several sentences in English where some writers have written had twice in a row. I am a bit confused about when the grammar calls for using had had. For example: I had had …
What does "had had" mean? How does this differ from "had"?
For example, what is the difference between the following two sentences: I had a bad day I had had a bad day
present perfect - When is it necessary to use "have had"?
Feb 10, 2020 · I have come across a few sentences that contain "have had". I would like to know in what kind of situations we should use this combination.
What is the difference between "have had" and "had"?
Feb 12, 2014 · It is used to describe experiences one has had in the past (and that hence influence the experience with which you speak today), changes over time, uncompleted …
如何正确理解 had done、have done、have been doing 这 3 种时 …
如何正确理解 had done、have done、have been doing 这 3 种时态？ 语法书上的那些解释，看来看去都不是很能理解，也谢绝照搬语法书的解释。 看一次，过一段时间又忘了，总不是能很 …
Xiaomi HAD端到端全场景智驾正式发布，有哪些亮点？ - 知乎
Xiaomi HAD端到端全场景智驾正式发布，有哪些亮点？ 36氪获悉，小米董事长兼CEO雷军发布微博表示，Xiaomi HAD端到端全场景智驾正式发布，已开启全量推送。
grammar - had vs. had had - English Language & Usage Stack …
May 15, 2016 · The second one doesn't technically make it clear that you had eaten the chocolates before dinner, but then again it's really the only possible meaning in that context so …
Usage of had in past tense - English Language & Usage Stack …
Being a non native speaker of English I am not sure about the usage of had. In my academics I have learned that had is only used to show that something happened prior to some event in …
grammar - When to use "I was ... " and when "I had been ...
I had worked as a bricklayer for five years before I was promoted. To indicate that an event took place in the past without relating it to another event, you would use the simple past tense.
had与have had有什么区别？ - 知乎
had是have的过去式（一般过去时） have had 是have的 现在完成时 区别： 1、I had a girlfriend. 我有过一个女朋友，是指过去交过女朋友这件事，但现在没有，即使有，也不是之前那个。 2 …
When do we use “had had” and “have had”? [duplicate]
I have seen several sentences in English where some writers have written had twice in a row. I am a bit confused about when the grammar calls for using had had. For example: I had had …
What does "had had" mean? How does this differ from "had"?
For example, what is the difference between the following two sentences: I had a bad day I had had a bad day
present perfect - When is it necessary to use "have had"? - English ...
Feb 10, 2020 · I have come across a few sentences that contain "have had". I would like to know in what kind of situations we should use this combination.
What is the difference between "have had" and "had"?
Feb 12, 2014 · It is used to describe experiences one has had in the past (and that hence influence the experience with which you speak today), changes over time, uncompleted …
如何正确理解 had done、have done、have been doing 这 3 种时 …
如何正确理解 had done、have done、have been doing 这 3 种时态？ 语法书上的那些解释，看来看去都不是很能理解，也谢绝照搬语法书的解释。 看一次，过一段时间又忘了，总不是能很 …
Xiaomi HAD端到端全场景智驾正式发布，有哪些亮点？ - 知乎
Xiaomi HAD端到端全场景智驾正式发布，有哪些亮点？ 36氪获悉，小米董事长兼CEO雷军发布微博表示，Xiaomi HAD端到端全场景智驾正式发布，已开启全量推送。
grammar - had vs. had had - English Language & Usage Stack …
May 15, 2016 · The second one doesn't technically make it clear that you had eaten the chocolates before dinner, but then again it's really the only possible meaning in that context so …
Usage of had in past tense - English Language & Usage Stack …
Being a non native speaker of English I am not sure about the usage of had. In my academics I have learned that had is only used to show that something happened prior to some event in …
grammar - When to use "I was ... " and when "I had been ...
I had worked as a bricklayer for five years before I was promoted. To indicate that an event took place in the past without relating it to another event, you would use the simple past tense.
had与have had有什么区别？ - 知乎
had是have的过去式（一般过去时） have had 是have的 现在完成时 区别： 1、I had a girlfriend. 我有过一个女朋友，是指过去交过女朋友这件事，但现在没有，即使有，也不是之前那个。 2 …
