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ingo titze books: Vocology Ingo R. Titze, Katherine Verdolini Abbott, 2012 |
ingo titze books: Principles of Voice Production Ingo R. Titze, 1994 A cross-disciplinary exploration of the physics and physiology of voice production, mechanism, and applied uses and concerns of the voice. Throughout the emphasis is on physical law rather than empirical observation. Key topics include the relation between the physical processes of voice production to other physical processes, inside or outside of the human body, the new field of vocology and clarification of the acoustic and biomechanical laws governing phonation. |
ingo titze books: The Voice Book Kate DeVore, Starr Cookman, 2009-07 Written to save careers one voice at a time through scientifically proven methods and advice, this resource teaches people how to protect and improve one of their most valuable assets: their speaking voice. Simple explanations of vocal anatomy and up-to-date instruction for vocal injury prevention are accompanied by illustrations, photographs, and FAQs. An audio CD of easy-to-follow vocal-strengthening exercises--including Hum and Chew, Puppy Dog Whimper, Sirens, Lip Trills, and Tongue Twisters--is also included, along with information on breathing basics, vocal-cord vibration, and working with students who have medical complications such as asthma, acid reflux, or anxiety. |
ingo titze books: The Solo Singer in the Choral Setting Margaret Olson, 2010-11-04 This handbook offers a unique perspective of choral singing from a soloist's viewpoint, providing a clear outline of several issues facing the solo singer in the choral setting. It discusses concepts as diverse as body position in rehearsal and acoustic sound production, and it offers practical ideas and solutions to these challenges. Teaching examples and case studies help illustrate the problems and potential solutions for handling the challenges of the choral environment. |
ingo titze books: The Myoelastic Aerodynamic Theory of Phonation Ingo R. Titze, Fariborz Alipour, 2006-01-01 |
ingo titze books: The Science of the Singing Voice Johan Sundberg, 1987 Althought there are numerous books dealing with the science and acoustics of speech, there are relatively few that deal with the singing voice as distinct from the speaking voice. Now, Johan Sundberg's The Science of the Singing Voice—illustrated with over a hundred instructive and significant diagrams and drawings—thoroughly describes the structure and functions of the vocal organs in singing, from the aerodynamics of respiration through the dynamics of articulation. |
ingo titze books: The Oxford Handbook of Singing Graham F. Welch, David M. Howard, John Nix, 2019-04-04 Singing has been a characteristic behaviour of humanity across several millennia. Chorus America (2009) estimated that 42.6 million adults and children regularly sing in one of 270,000 choruses in the US, representing more than 1:5 households. Similarly, recent European-based data suggest that more than 37 million adults take part in group singing. The Oxford Handbook of Singing is a landmark text on this topic. It is a comprehensive resource for anyone who wishes to know more about the pluralistic nature of singing. In part, the narrative adopts a lifespan approach, pre-cradle to senescence, to illustrate that singing is a commonplace behaviour which is an essential characteristic of our humanity. In the overall design of the Handbook, the chapter contents have been clustered into eight main sections, embracing fifty-three chapters by seventy-two authors, drawn from across the world, with each chapter illustrating and illuminating a particular aspect of singing. Offering a multi-disciplinary perspective embracing the arts and humanities, physical, social and clinical sciences, the book will be valuable for a broad audience within those fields. |
ingo titze books: Singing Like Callas and Caruso A. S. Karin Wettig, 2012 Behind every weakness hides a talent! is Dr. Karin Wettig's personal revelation. With her divorce came an almost total loss of her speaking voice. When voice therapy didn't heal her, she decided to look for a cure in singing. Mozart Arias & her passion for Belcanto, Maria Callas, Adelina Patti and the divas of Caruso's time found a home in her heart, never to depart. She left her home, her career, her husband, her friends and her business in northern Germany to pursue her dream to be a Belcanto singer. Once settled in Munich, her adventurous journey from a lost speaking voice to becoming a coloratura soprano began. Personal voice trainers, Belcanto teachers & Opera Schools from all over Europe were as disillusioning as her experience in a famous local choir. An inspiring master class with Ann Reynolds gave her the impulse to write her first Belcanto Guide for singing. Still not satisfied with her voice, she started modeling Maria Callas and exploring body therapies such as Alexander Technique, Rolfing, Cantieni and Yoga. The way to her authentic voice was a path paved with lonely nights in dark churches, practicing Belcanto repertoire from Farinelli to Mozart, Bellini, Rossini and Verdi. Studying Belcanto videos, she dove deeply into the physical aspects of opera singing, while her musicological curiosity made her travel to the origins and sources of Belcanto in the Renaissance. Suddenly miracles started happening: Her teeth aligned, her chin and jaw movement became smoother, her stiff tongue melted. In the end, she enjoyed an upright posture, better proportions, 1.5 cm more in height, emotional balance, cured sinusitis and healthy self-esteem. Her efforts were rewarded with a brilliant coloratura soprano voice. Asked for a transcript of her voice classes, she wrote her personal method down. The result is this book: An intuitive, heartfelt, yet practical approach to achieving excellence in Belcanto through effortless singing. Body & voice awareness is the ke |
ingo titze books: Current Issues in the Phonetic Sciences Harry Francis Hollien, Patricia Hollien, 1979-01-01 These papers, from the IPS-77 Congress held in Miami Beach, Florida in 1977, present the state-of-the-art in phonetic science. The volume is subdivided into twelve sections: History of Phonetics, Issues of Method and Theory in Phonetics, Laryngeal Function, Temporal Factors and Intonation, Physiological and Acoustic Phonetics, Speech Production, Neurophonetics and Psychopathology, Speech Perception, Speech and Speaker Recognition, Teaching Phonetics, Children s Speech and Language Acquisition, and Special Issues in Phonetics. |
ingo titze books: A History of Vocal Pedagogy Joseph Talia, 2017 Beginning in 1564, with the first physiological treatise of Giovanni Camillo Maffei and ending with the remarkable development of solo singing, the Italian dictum 'chi sa respirare e pronunciare sa cantare' (He who knows how to breathe and pronounce knows how to sing) has been transformed by science into the most sophisticated and complete vocal paradigm in vocal history. In this ground-breaking work, noted tenor, teacher, researcher, and operatic director, Joseph Talia, takes us on an inspiring journey through 450 years of history tracing such important topics as the development of voice production and vocal science, the transition from the sostegno system of breath management to the appoggio system, the debate on vocal registers as a purely a glottal phenomenon, and the importance of vocal elements such as posture, messa di voce, portamento, trills, and many other coloratura techniques and ornaments. All of these are analyzed through the overarching framework of human emotions and impeccable aesthetic appeal, remembering always Tosi’s dictum that 'the heart is the greatest of teachers'. Within these pages you will find a wealth of knowledge accumulated by the great singing masters of the past such as Bernacchi, Porpora, Tosi, Mancini, the Garcías, the Lampertis, and the Marchesis, as well as the tremendous and assiduous work performed by vocal scientists throughout history by such scientists as Janwillem van den Berg, Vennard, Hirano, Fant, Ingo Titze, and Sundberg to name just a few. This book is a vital resource for voice teachers, vocal researchers, serious vocal students, and vocal connoisseurs. |
ingo titze books: Manual of Singing Voice Rehabilitation Leda Scearce, 2016-04-18 Manual of Singing Voice Rehabilitation: A Practical Approach to Vocal Health and Wellness provides speech-language pathologists and singing teachers with the tools to lay the foundation for working with singers who have voice injuries. Singing voice rehabilitation is a hybrid profession that represents a very specific amalgam of voice pedagogy, voice pathology, and voice science. Becoming a singing voice rehabilitation specialist requires in-depth training and thorough preparation across these fields. This text presents a conceptual and practical basis for interacting with singers in an effective and supportive way, identifying factors to address, structuring singing voice rehabilitation sessions, and ensuring that singers are getting adequate exercise while allowing their injuries to heal, as well as resources and materials to provide to singers to optimize the outcome of their rehabilitation. Each chapter exposes readers to important concepts of singing voice rehabilitation and the elements that need to be addressed in the singing voice rehabilitation process, which include medical factors, emotional factors, vocal hygiene, vocal pacing, and vocal coordination and conditioning. This text contains information for developing exercises and interventions to target specific vocal problems and guidance in customizing vocal exercises based on injury, singing style, skill level, professional level, and the particular vocal demands of each singer. Key features include: * Rehabilitation and therapy exercises * Clinical case studies to illustrate real-life examples and practical application While the intended audience for this book is speech-language pathologists and teachers of singing who are accomplished performers, experienced pedagogues, and clinically and scientifically well-informed, there is information herein that will be of value to all singers, physicians interested in learning more about the behavioral side of singing voice rehabilitation, nonsinging speech-language pathologists, or anyone seeking knowledge about singing health, including music educators, music therapists, conductors, vocal coaches, worship leaders, or music directors. Disclaimer: Please note that ancillary content (such documents, audio, and video) may not be included as published in the original print version of this book. |
ingo titze books: A Spectrum of Voices Elizabeth L. Blades, 2017-12-15 Blades combines insight from great teachers of the past and present to voice students at all levels. A quick-and-handy reference for the studio teacher, this book also serves as a text for vocal pedagogy courses and as a supplement for physiology and vocal mechanics, teachers and student of singing, music educators, and musical theater performers. |
ingo titze books: A Systematic Approach to Voice Kari Ragan, 2020-04-20 A Systematic Approach to Voice: The Art of Studio Application is a professional resource presenting a framework for the integration of science-informed principles of voice production and pedagogical application in the training of singers. Author Dr. Kari Ragan has spent years using this organizational template of the five voice systems—respiration, phonation, registration, articulation, and resonance—to identify technical challenges and design corrective vocal exercises in order to facilitate efficient singing. Each of the voice system chapters contains a brief overview of the mechanics as well as key points for teachers, or “teacher takeaways.” The book’s core offering is vocal exercises which, framed within a systematic approach, provide strategies for the art of studio application. The intent is an approach that leads to technically proficient singing working in service of great artistry. Key Features: * Over 85 vocal exercises for studio application framed within a systematic approach for both a CCM and classical aesthetic * Brief overview of the mechanics of each voice system and relevant “teacher takeaways” * Extensive discussion on semi-occluded vocal tract (SOVT) exercises * Introduction of several kinesthetic singing tools * Eight sample warm-up protocols designed for various levels of singers and both CCM and classical genres * Video demonstrations for each vocal exercise and sample warm-up |
ingo titze books: Lessac-Madsen Resonant Voice Therapy Katherine Verdolini Abbott, 2008 Provides a general overview of Lessac-Madsen Resonant Voice Therapy and demonstration of this voice therapy with a patient. |
ingo titze books: Provenance Stephen F. Austin, 2017-04 The pedagogy of singing is based on long historic precedents, going back many generations. Austin traces these developments back to their roots, using contemporary voice science to confirm the validity of these proven methods |
ingo titze books: Vocal Fold Physiology Ingo R. Titze, Ronald C. Scherer, 1983 |
ingo titze books: Singing with Your Whole Self Samuel H. Nelson, Elizabeth Blades-Zeller, Elizabeth L. Blades, 2002 Singing with Your Whole Self teaches performers to use the Feldenkrais Method to ameliorate problems of tension, muscle strain, and illness in order to obtain optimal vocal performance. It contains an important and unique feature: modularized Feldenkrais Awareness through Movement lessons. These are specifically designed for liberating function in all musicians and in singers in particular. Modularized lessons allow the user to choose between functionally useful short segments or entire lessons. The first part of the book presents the theory explaining why this approach works in an easily understood and concrete fashion. The remaining chapters explore our anatomy by area and explain usage, problems and how these relate to singing; lessons throughout revolve around improving performance. Includes an index both by lesson and by problem, referring performers to the lessons most effective for a specific problem. |
ingo titze books: Vocal Health and Pedagogy Robert Thayer Sataloff, 2017-09-07 Now in one convenient volume, Vocal Health and Pedagogy: Science, Assessment, and Treatment, Third Edition answers every question you've ever had about the voice, from the physics of sounds, to vocal technique, to medications, to performance anxiety. It presents anatomical, physiological, and neurological considerations, as well as covers critical issues related to patient history, laryngeal function, the physical examination, and historical perspectives of vocal pedagogy. The first part of the book introduces basic concepts of voice science, assessment, and training. It focuses on the science behind the common problems that afflict voice users and enables understanding of the medical approach to problem analysis. The second part of the book contains additional information on the specific health and performance conditions that affect the voice and their assessment and treatment. It considers the medical and nonmedical issues affecting the human voice, including diagnosis and treatment of voice problems, the effects of physical injury, posture, pollutants and irritants, psychological effects, voice therapy, medication, and more. New to this edition: New chapters on topics such as pedagogy for children, the importance of studying music, laryngeal issues involving wind instrument performance, high-speed digital imaging, the evolution of technology, pediatric voice disorders, thyroid disorders, the vocal effects of birth control medications, and autoimmune disorders.Many chapters have been extensively revised to update previous content and add new information on material such as choral pedagogy for geriatric singers, World Trade Center syndrome, and laryngeal effects of asbestos exposure.Chapters on medications for performers have been revised to delete medications no longer used frequently and to add various medications and drug classes that were not included previously, as well as information on alternative and complementary medicines.References have been updated throughout to include discussion of new studies and a review of the latest literature, while also retaining the classic literature.Includes the most recent practices and techniques, the latest information on surgical and adjunctive therapy, and important changes in criteria and strategy. Vocal Health and Pedagogy: Science, Assessment, and Treatment, Third Edition is ideal for courses in vocal pedagogy and speech-language pathology. Additionally, it is a valuable resource for professional and amateur performers and their teachers. |
ingo titze books: Vocal Health and Pedagogy Robert Thayer Sataloff, 1998 Provides information applicable to voice pedagogy courses in music schools and voice courses in speech-language pathology programs. Includes substantial information on many common and troublesome medical problems that afflict voice users. Enables students to understand the medical approach to voice problem analysis and standards of care in evaluation and diagnosis--Amazon.com. |
ingo titze books: The History of Voice Pedagogy Rockford Sansom, 2021-03-31 This ambitious publication draws from the knowledge and expertise of leading international figures in voice training in order to examine the history of the voice from an interdisciplinary perspective. The book explores the historical arc of various voice training disciplines and highlights significant people and events within the field. It is written by voice specialists from a variety of backgrounds, including singing, actor training, public speaking, and voice science. These contributors explore how voice pedagogy came to be, how it has organized itself as a profession, how it has dealt with challenges, and how it can develop still. Covering a variety of voice training disciplines, this book will be of interest to those studying voice and speech, as well as researchers from the fields of rhetoric, music and performance. This book was originally published as a special issue of the Voice and Speech Review journal. |
ingo titze books: Securing Baritone, Bass-Baritone, and Bass Voices Richard Miller, 2008-03-19 The first thorough and comprehensive treatment of low male voices, this book draws on techniques and practical advice from Miller's years of professional experience as a performer and pedagogue. Focussing on securing the technical stability of the male voice, the book offers practical advice to students, their teachers, and professional performers, through numerous practical exercises and repertoire suggestions appropriate to various stages of development. Miller synthesizes historic vocal pedagogy with the latest research on the singing voice, always emphasizing the special nature of the male voice and the proper physiological functioning for vocal proficiency. |
ingo titze books: Practical Vocal Acoustics Kenneth Bozeman, 2022 Scientific knowledge of vocal acoustics has grown exponentially in the last eighty years. With sophisticated yet inexpensive sound analysis technology, more voice teachers are curious about the value of vocal acoustics for the studio and see the need to understand it for more efficient, science-informed pedagogy. Kenneth Bozeman distills the most important vocal acoustic principles and insights for contemporary teachers and singers. With concise and easy-to-understand language, the book takes these complex concepts and imparts practical tips and strategies that anyone can use in their teaching and singing. Unlike many other singing texts, this book focuses on the voice as an acoustic phenomenon. Bozeman addresses a myriad of topics including: Bozeman addresses a myriad of topics including: Theories of vocal resonance The pedagogic implications of tube acoustics Formants and their interaction with harmonics Vocal registration Passaggio training The acoustics of belting Acoustic technology useful for the studio Also included are vocal exercises implementing these concepts. li> The acoustics of belting Acoustic technology useful for the studio Also included are vocal exercises implementing these concepts. li> The acoustics of belting Acoustic technology useful for the studio Also included are vocal exercises implementing these concepts. li> The acoustics of belting Acoustic technology useful for the studio Also included are vocal exercises implementing these concepts. |
ingo titze books: Bioreactor Systems for Tissue Engineering Cornelia Kasper, Martijn van Griensven, Ralf Pörtner, 2009-03-17 The editors of this special volume would first like to thank all authors for their excellent contributions. We would also like to thank Prof. Dr. Thomas Scheper, Dr. Marion Hertel and Ulrike Kreusel for providing the opportunity to compose this volume and Springer for organizational and technical support. Tissue engineering represents one of the major emerging fields in modern b- technology; it combines different subjects ranging from biological and material sciences to engineering and clinical disciplines. The aim of tissue engineering is the development of therapeutic approaches to substitute diseased organs or tissues or improve their function. Therefore, three dimensional biocompatible materials are seeded with cells and cultivated in suitable systems to generate functional tissues. Many different aspects play a role in the formation of 3D tissue structures. In the first place the source of the used cells is of the utmost importance. To prevent tissue rejection or immune response, preferentially autologous cells are now used. In particular, stem cells from different sources are gaining exceptional importance as they can be differentiated into different tissues by using special media and supplements. In the field of biomaterials, numerous scaffold materials already exist but new composites are also being developed based on polymeric, natural or xenogenic sources. Moreover, a very important issue in tissue en- neering is the formation of tissues under well defined, controlled and reprod- ible conditions. Therefore, a substantial number of new bioreactors have been developed. |
ingo titze books: Principles of Voice Production Ingo R. Titze, 2000 FEATURES |
ingo titze books: Singing William Vennard, 1967 |
ingo titze books: Bel Canto James Stark, 2003-03-28 In this well documented and highly readable book, James Stark provides a history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late sixteenth and early seventeenth centuries to the present. Using a nineteenth-century treatise by Manuel Garcia as his point of reference, Stark analyses the many sources that discuss singing techniques and selects a number of primary vocal 'problems' for detailed investigation. He also presents data from a series of laboratory experiments carried out to demonstrate the techniques of bel canto. The discussion deals extensively with such topics as the emergence of virtuoso singing, the castrato phenomenon, national differences in singing styles, controversies regarding the perennial decline in the art of singing, and the so-called secrets of bel canto. Stark offers a new definition of bel canto which reconciles historical and scientific descriptions of good singing. His is a refreshing and profound discussion of issues important to all singers and voice teachers. |
ingo titze books: Fascinations with the Human Voice Ingo R. Titze, 2010 Dr. Ingo R. Titze has summarized his lifelong love and knowledge of the vocal arts and the vocal sciences to provide a wealth of knowledge that can be easily read and understood. --from publisher description. |
ingo titze books: German Phonetics and Phonology Mary Grantham O'Brien, Sarah M. B. Fagan, 2016-01-01 8.2.1. Consonants |
ingo titze books: The Functional Unity of the Singing Voice Barbara M. Doscher, 2023-04-04 This expanded edition of Barbara Doscher’s seminal vocal pedagogy work includes a new introduction by John Nix as well as a new appendix with reflections and practical insights from singing teachers. This classic text describes the anatomy and physiology of breathing and phonation and examines acoustics for an understanding of resonation. |
ingo titze books: Springer Handbook of Acoustics Thomas Rossing, 2007-06-21 This is an unparalleled modern handbook reflecting the richly interdisciplinary nature of acoustics edited by an acknowledged master in the field. The handbook reviews the most important areas of the subject, with emphasis on current research. The authors of the various chapters are all experts in their fields. Each chapter is richly illustrated with figures and tables. The latest research and applications are incorporated throughout, including computer recognition and synthesis of speech, physiological acoustics, diagnostic imaging and therapeutic applications and acoustical oceanography. An accompanying CD-ROM contains audio and video files. |
ingo titze books: Speech and Voice Science Alison Behrman, Donald Finan, 2021-08 Speech and Voice Science, Fourth Edition is the only textbook to provide comprehensive and detailed information on both voice source and vocal tract contributions to speech production. In addition, it is the only textbook to address dialectical and nonnative language differences in vowel and consonant production, bias in perception of speaker identity, and prosody (suprasegmental features) in detail. With the new edition, clinical application is integrated throughout the text. Due to its highly readable writing style being user-friendly for all levels of students, instructors report using this book for a wide variety of courses, including undergraduate and graduate courses in acoustic phonetics, speech science, instrumentation, and voice disorders. Heavily revised and updated, this fourth edition offers multiple new resources for instructors and students to enhance classroom learning and active student participation. At the same time, this text provides flexibility to allow instructors to construct a classroom learning experience that best suits their course objectives. Speech and Voice Science now has an accompanying workbook for students by Alison Behrman and Donald Finan! New to the Fourth Edition Sixteen new illustrations and nineteen revised illustrations, many now in color New coverage of topics related to diversity, including: Dialectical and nonnative language differences in vowel and consonant production and what makes all of us have an accent (Chapter 7--Vowels and Chapter 8--Consonants) How suprasegmental features are shaped by dialect and accent (Chapter 9--Prosody) Perception of speaker identity, including race/ethnicity, gender, and accent (Chapter 11- Speech Perception) Increased focus on clinical application throughout each chapter, including three new sections Updated Chapter 4 (Breathing) includes enhanced discussion of speech breathing and new accompanying illustrations. Updated Chapter 10 (Theories of Speech Production) now includes the DIVA Model, motor learning theory, and clinical applications Updated Chapter 11 (Speech Perception) now includes revised Motor Learning theory, Mirror Neurons, and clinical applications Expanded guide for students on best practices for studying in Chapter 1(Introduction) Key Features A two-color interior to provide increased readability Heavily illustrated, including color figures, to enhance information provided in the text Forty-nine spectrogram figures provide increased clarity of key acoustic features of vowels and consonants Fourteen clinical cases throughout the book to help students apply speech science principles to clinical practice The text comes with access to a PluralPlus companion website with many supplementary student study aids and teaching materials. The site includes the following: For students: Study aids such as flashcards and review questions for each chapter A speech science game for a lighthearted way to help study The spectograms from chapters 7, 8 and 9 of the print book allowing students to zoom in and examine specific acoustic features. For instructors: Revised and updated slides for traditional classroom Classroom learning activities, many focused on group work and discussion, to provide more effective learning experiences for both undergraduate and graduate students Eleven laboratory assignments, using free, downloadable acoustic analysis software, to help students learn difficult concepts through experiential learning |
ingo titze books: Vocal Warm-ups Klaus Heizmann, 2019-02-08 What choral conductor or soloist has not looked around for new ideas for warming up the voice? Here are 200 suggestions all at once! And these creative exercises do more than just warm up the voice: they help to relax the body, train the ear and develop an awareness of dynamics and rhythm. Klaus Heizmann's collection is a wonderful new resource of ideas and techniques: practical, varied, challenging, relaxing and stimulating. I am always looking for new ideas, as I like to use a different set of warm-ups at every rehearsal with my choirs, and I tend to choose specific exercises to suit the repertoire for the day. This collection gives us 200 excellent tools-of-the-trade; they are clearly labeled, intelligently set out, well-designed and extremely useful. (Simon Carrington, Director of Choral Activities, New England Conservatory since 2001; Director of Choral Activities, The University of Kansas 1994-2001; Founder and co-director of the King's Singers 1968-1993) |
ingo titze books: From Studio to Stage Barbara Doscher, 2002-06-03 The repertoire files of the late Dr. Barbara Doscher, in which she noted her tips, observations on each particular piece, and notes on how to best teach it, comprise a unique trove of wisdom unmatched by any other source. Laboriously transcribed and annotated by John Nix, one of Doscher's students, the notes are presented here as a companion volume to her best-selling text, The Functional Unity of the Singing Voice. |
ingo titze books: The Musician's Way : A Guide to Practice, Performance, and Wellness Gerald Klickstein, 2009-08-06 In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists. |
ingo titze books: The Professional Voice Robert Thayer Sataloff, Yolanda D. Heman-Ackah, 2007 Led by world-renowned otolaryngologists dedicated to professional voice care, this issue of Otolaryngologic Clinics discusses comprehensive care for professional voice users. Advanced techniques in voice diagnosis, medical care, and voice therapy and surgery are covered in such topics as: Anatomy and Physiology of Voice Production; History and Physical Examination in Voice Professionals; Neurolaryngologic Assessment; Laboratory and Strobovideolaryngoscopic Voice Evaluation; Laryngeal Electromyography; Common Diagnosis and Treatments in Professional Voice Users; Vocal Emergencies; Effects of Medications on the Voice; Vocal Fold Masses; Voice Therapy; Phonomicrosurgery; Vocal Fold Medialization. |
ingo titze books: Integrated Practice Pedro de Alcantara, 2011 To be a musician is to speak music. When you have something to say and the means to say it, your gestures and sounds become both meaningful and free. Offering an innovative, comprehensive approach to musicians' health and wellbeing, Integrated Practice gives you the tools to combine total-body awareness with a deep and practical understanding of the rhythmic structure of the musical language, so that you can use the musical text itself as your guide toward psychophysical and creative freedom. The book shows you how to establish an imaginative dialogue between the relatively inflexible structure of music and your individual personality as a singer, instrumentalist, or conductor, and it explains how you can use the acoustic phenomenon of the harmonic series to make big, beautiful sounds with little muscular effort. Integrated Practice comes with more than a hundred and fifty exercises demonstrated by video and audio clips on an extensive companion website that will inform your daily practice, improvising, rehearsing, and performing. With this array of resources for every learning style, Integrated Practice is the essential handbook to personal achievement in successful, expressive musical performance. |
ingo titze books: Hints on Singing Manuel Garcia, 1894 |
ingo titze books: The Voice Teacher's Cookbook Brian Winnie, 2018-04 (Meredith Music Resource). 57 experts from across the U.S. working as professors, studio teachers, professional singers, choral directors, composers, vocologists, and speech-language pathologists have all contributed to this amazing collection of quick-to-read, yet deeply insightful strategies. It's like finding expert trade secrets all placed in one easy source. With outstanding records of performance, workshop clinics, recordings, research, composition, leadership, and teaching, the authors provide their favorite recipes that will expand your current knowledge and inspire all levels of voice teachers and singers. |
ingo titze books: Choral Pedagogy Brenda Jo Smith, Robert Thayer Sataloff, 1999 Choral Pedagogy is devoted to the relationship between vocal pedagogy, choral conducting, and voice science. This text outlines the essentials of vocal education for choral conductors and singers, presenting the necessary techniques, materials, and methods to help develop and preserve healthy vocalization in choral singing. |
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