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| ingqumbo yeminyanya tv series: Opuliche Pauline Kanene Davids, 2002 |
| ingqumbo yeminyanya tv series: Publishing from the South Sarah Nuttall, Isabel Hofmeyr, 2024-11 In 2022 Wits University Press marked its centenary, making it the oldest, most established university press in sub-Saharan Africa. While in part modelled on scholarly publishers from the global North, it has had to contend with the constraints of working under global South conditions: marginalisation within the university, budgetary limitations, small local markets, unequal access to international sales channels, and the privileging of English language publishing over indigenous languages. This volume explores what the Press has achieved, and what its modes of reinvention might look like. In widening and deepening our understanding of the Press as an example of a global South scholarly publisher, this volume asks how publishing can contribute to a broader understanding of Southern knowledge production. Featuring contributions from scholars, publishers and authors this multi-voiced volume showcases the history of the Press’s publishing activities over 100 years: from documenting its evolution through book covers and giving credence to some of the leading black intellectuals and writers of the early 20th century and the success of those works in spite of their authors’ racial marginalisation, to the role of women, both in publishing and in the spaces afforded to women’s writing on the Press’s list. The collection concludes with essays by contemporary authors who detail not only their experiences of working with Southern publishers, but also the politics and influences governing their decisions to choose the Press over a Northern publisher. Publishing from the South shows the strategies deployed by the Press to professionalise Southern knowledge making, and in the process demonstrating how university presses in the global South support the scholarly missions of their universities for both local and global audiences. |
| ingqumbo yeminyanya tv series: Counter Discourse in African Literature Ce, Chin, Smith, Charles, 2014-04-03 This volume charts the widening frontiers of black literary aesthetics using the prose and dramatic fictions of writers from Africa and the African diaspora. The chapters come in two interactive phases of current critical discourses involving rejoinders from past-present concerns and issues of cultural and contemporary modernity. These studies stress the argument that African literature is hardly discussed outside contemporary history and that the reason for the apparent disconnection among groups in Africa and the diaspora can be traced to the disparate elements within the continent and diaspora. |
| ingqumbo yeminyanya tv series: The Palgrave Handbook of Screenwriting Studies Rosamund Davies, Paolo Russo, Claus Tieber, 2023-07-27 This book provides an overview of the growing field of screenwriting research and is essential reading for both those new to the field and established screenwriting scholars. It covers topics and concepts central to the study of screenwriting and the screenplay in relation to film, television, web series, animation, games and other interactive media, and includes a range of approaches, from theoretical perspectives to in-depth case studies. 44 scholars from around the globe demonstrate the range and depths of this new and expanding area of study. As the chapters of this Handbook demonstrate, shifting the focus from the finished film to the process of screenwriting and the text of the screenplay facilitates valuable new insights. This Handbook is the first of its kind, an indispensable compendium for both academics and practitioners. |
| ingqumbo yeminyanya tv series: Drum , 2004 |
| ingqumbo yeminyanya tv series: Xhosa Literature Jeff Opland, 2018 Xhosa Literature consists of fourteen essays addressing Xhosa literature in three media-the spoken word, newspapers, and books. Literary critics tend to focus on Xhosa literature published in books with some attention paid to Xhosa oral poetry and tales, but by and large the contribution of newspapers to the development of Xhosa literature has been overlooked. This book explores aspects of Xhosa literature in all three media, and their interconnections. Six of the essays treat historical narratives (amabali) and praise poetry (izibongo), setting out the social and ritual function of poetry and the poet (imbongi), mapping changes in the izibongo of three poets as South Africa moved towards democracy in the 1990s, and analyzing recordings of two poems recited by S.E.K. Mqhayi. Three essays are devoted to the first Xhosa novel, Mqhayi's U-Samson (1907), to the publication of the greatest novel in Xhosa, A.C. Jordan's Ingqumbo yeminyanya (1940), and to the first published poem in praise of Nelson Mandela, D.L.P. Yali-Manisi's 'UNkosi Rolihlahla Nelson Mandela' (1954). There follow accounts of Xhosa literature in the nineteenth century and the appropriation of the press by Xhosa editors towards the end of that century, of Nontsizi Mgqwetho's fiery poetry published in Umteteli wa Bantu, and of poems by Mgqwetho and Mqhayi published in Abantu-Batho, two Johannesburg newspapers. The volume concludes with an exposition of an imaginative response to David Yali-Manisi and his poetry. (Series: Publications of the Opland Collection of Xhosa Literature, Vol. 6) [Subject: African Studies, Politics, Sociology, Xhosa Literature] |
| ingqumbo yeminyanya tv series: Pace , 1991 |
| ingqumbo yeminyanya tv series: Arts & Humanities Citation Index , 1997 |
| ingqumbo yeminyanya tv series: Guide to the Performing Arts , 1960 |
| ingqumbo yeminyanya tv series: The Black Mind Oscar Ronald Dathorne, 1976 |
| ingqumbo yeminyanya tv series: Broken River Tent Mputhumi Ntabeni, 2018-01-01 The Broken River Tent is a novel that marries imagination with history. It is about the life and times of Maqoma, the Xhosa chief who was at the forefront of fighting British colonialism in the Eastern Cape during the nineteenth century. The story is told through the eyes of a young South African, Phila, who suffers from what he calls triple 'N' condition--neurasthenia, narcolepsy and cultural ne plus ultra. This makes him feel far removed from events happening around him but gives him access to the analeptic memory of his people. After being under immense mental pressure, he crosses the mental divide between the living and the dead and is visited by Maqoma. They engage in different conversations about cultural history, literature, religion, the past and contemporary South African life. |
| ingqumbo yeminyanya tv series: Movies, Moguls, Mavericks Johan Blignaut, 1992 |
| ingqumbo yeminyanya tv series: The Rise of the African Novel Mukoma Wa Ngugi, 2018-03-27 Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition |
| ingqumbo yeminyanya tv series: South African Literary Cultural Nationalism—Abalobi beSizwe eMzansi—1918-45 Nicholas M. Creary, 2018-04-18 This book is an intellectual history that uses Amílcar Cabral’s theory of the “return to the source,” to examine Sol Plaatje’s Mhudi, B.W. Vilakazi’s poetry, and A.C. Jordan’s The Wrath of the Ancestors within the broader context of African cultural nationalisms in the early twentieth century African Atlantic World. It shows the development of the idea of African equality with Whites in the face of prevailing ideas of White supremacy during Union-era South Africa. These authors were part of the New African Movement, which was one of eight literary movements among Africans and peoples of African descent in the Americas between 1915 and 1945, including the Harlem Renaissance, Négritude, Claridade in Cape Verde, and similar movements in Cuba, Haiti, Brazil, and Belize. The text presents new models for interpreting Union-era African literature, and recasts understanding of the nature of interactions between Africans and Europeans, including Western Syphilization, Chiral Interdiscursivity, and the relationship between history and memory informed by a neurobiological analysis of memory. |
| ingqumbo yeminyanya tv series: The African Image. -- Ezekiel Mphahlele, 2021-09-10 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| ingqumbo yeminyanya tv series: The African Novel in English M. Keith Booker, 1998 In this volume Keith Booker provides an introduction to eight African novels written in English. |
| ingqumbo yeminyanya tv series: South Africa Michael Brett, Brian Johnson Barker, Mariëlle Renssen, 2005 The guides that show you what others only tell you! Whether it's the wine, the wildlife or the watersports that draw you to South Africa, make sure you see it all with this essential guide. Explore the Palace of the Lost City and plan your trip to Kruger National Park using the unique 3D models and maps. With tips on where to sample traditional or fusion cuisine you can soak up the true South African experience with the locals. |
| ingqumbo yeminyanya tv series: South African Literature and Culture Njabulo Simakahle Ndebele, 1994 Described as a prophet of the post-apartheid condition, Njabulo Ndebele is a prize-winning author, poet and critic and one of the leading lights in South Africa's literary world. These essays, beginning in 1984, were written over the storm years of the democratic struggle and are reprinted here with a new introduction by Graham Pechey. |
| ingqumbo yeminyanya tv series: Xhosa Oral Poetry Jeff Opland, 1983-12-30 This book, first published in 1983, was the first detailed study of the Xhosa oral poetry tradition. |
| ingqumbo yeminyanya tv series: Out of Darkness, Shining Light Petina Gappah, 2019-09-10 “Engrossing, beautiful, and deeply imaginative” (Yaa Gyasi, author of Homegoing), this epic novel about the explorer David Livingstone and the extraordinary group of Africans who carry his body across impossible terrain “illuminates the agonies of colonialism and blind loyalty” (O, The Oprah Magazine). “This is how we carried out of Africa the poor broken body of...David Livingstone, so that he could be borne across the sea and buried in his own land.” So begins Petina Gappah’s “searing…poignant” (Star Tribune, Minneapolis) novel of exploration and adventure in 19th-century Africa—the captivating story of the African men and women who carried explorer and missionary Dr. Livingstone’s body, papers, and maps, fifteen hundred miles across the continent of Africa, so his remains could be returned home to England and his work preserved there. Narrated by Halima, the doctor’s sharp-tongued cook, and Jacob Wainwright, his rigidly pious secretary, this is a “powerful novel, beautifully told” (Jesmyn Ward, author of Sing, Unburied, Sing) that encompasses all of the hypocrisy of slavery and colonization—the hypocrisy of humanity—while celebrating resilience, loyalty, and love. |
| ingqumbo yeminyanya tv series: Xhosa Poets and Poetry Jeff Opland, 2017 [The book] contains fourteen essays originally published between 1974 and 1996. Based on fieldwork conducted between 1969 and 1985, and on extensive archival research, the first six essays examine the social function of poetry in the community, the element of improvisation in the production of poetry, especially in the poetry of the imbongi, and the structural principles of his poetry. Individual poets are then presented, among them D.L.P. Yali-Manisi, Melikaya Mbutuma, Peter Mtuze and Nontsizi Mgqwetho, the first woman to produce a substantial body of poetry. The concluding four essays are thematic, treating issues introduced by the medium of print: the role of newspapers in fostering literature; censorship and control of the press; the damaging effects of changes in Xhosa spelling and the demand for books for school prescription; and, finally, the suspicion in which Xhosa poets held books and writing.--Back cover. |
| ingqumbo yeminyanya tv series: The Tenth Man (Classic Reprint) Paddy Chayefsky, 2017-10-25 Excerpt from The Tenth Man May my daughter-in-law live to be a hundred and twenty, and may she have to live all her years in her daughter - ih - law's house. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. |
| ingqumbo yeminyanya tv series: Efuru Flora Nwapa, 2023-11 |
| ingqumbo yeminyanya tv series: The Super-Afrikaners Ivor Wilkins, Hans Strydom, 2012-08-28 The Super-Afrikaners, originally published in South Africa in 1978, scandalised a nation as it exposed the secret workings of a powerful Afrikaner organisation called the Broederbond. Out of print for over three decades, this new edition is available for a new generation and includes an introduction by Max du Preez. Formed in Johannesburg in 1918 by a group of young Afrikaners disillusioned by their role as dispossessed people in their own country, the first triumph of this remarkable organisation was the fact that it was largely responsible for welding together dissident factions within Afrikanerdom and thereby ensuring the accession of the National Party to power in 1948. This highly organised clique of Super-Afrikaners, by sophisticated political intrigue, waged a remarkable campaign to harness political, social and economic forces in South Africa to its cause ... and succeeded. Political journalists Hans Strydom and Ivor Wilkins traced, at great personal risk, its development from its earliest days. The book includes the most comprehensive list of Broeders ever published. |
| ingqumbo yeminyanya tv series: D.L.P. Yali-Manisi Imbongi Entsha D. L. P. Yali-Manisi, 2015 David Livingstone Phakamile Yali-Manisi (1926-99) was a Thembu imbongi, the most powerful exponent of the art of praise poetry in the Xhosa language, in the second half of the twentieth century. His literary career, however, was blighted by circumstances beyond his control, and he died in total obscurity. A supporter of the African National Congress, he was the author of the earliest poem in praise of Nelson Mandela (1954). |
| ingqumbo yeminyanya tv series: Hungry Earth Maishe Maponya, Devon Sanders, a private investigator known for his efficiency and discretion, is determined to become a master wizard. He returns to the paranormal university ready to learn magic and uncover the history of the castle. Unfortunately, life at Quintessence is never that easy. When a student dies of no apparent cause, the search for a witness leads Devon to discover there are more secrets buried under Quintessence than he ever realized. To save the paranormal world he is now part of, he will face an enemy that can use his own power against him. Devon must rely on more than his exceptional intuition to solve this case. Magic is elemental. |
| ingqumbo yeminyanya tv series: Recognition David Medalie, 2017 |
| ingqumbo yeminyanya tv series: Xhosa E. Einhorn, 1990 |
| ingqumbo yeminyanya tv series: Blame Me on History Willam 'Bloke' Modisane, 2023-09-05 'Modisane's book, read today by all South Africans, will expose our raw pasts, private and public in their nature, which are still present in many forms as unacknowledged antecedents ... Engrossed and fascinated, I turned the pages of Blame Me on History as fast as I could.' – Njabulo S Ndebele Feeling an exile in the country of his birth, the talented journalist and leading black intellectual Bloke Modisane left South Africa in 1959. It was shortly after the apartheid government had bulldozed Sophiatown, the township of his childhood. His biting indictment of apartheid, Blame Me on History, was published in 1963 – and banned shortly afterwards. Modisane offers a harrowing account of the degradation and oppression faced daily by black South Africans. His penetrating observations and insightful commentary paint a vivid picture of what it meant to be black in apartheid South Africa. At the same time, his evocative writing transports the reader back to a time when Sophiatown still teemed with life. This 60th-anniversary edition of Modisane's autobiography serves as an example of passionate resistance to the scourge of racial discrimination in our country, and is a reminder not to forget our recent past. |
| ingqumbo yeminyanya tv series: When A Man Cries Siphiwo Mahala, 2014-08-01 Themba Limba is a family man who is caught between his flourishing career as a teacher and municipal councillor in the township of Sekunjalo, and his overriding sexual interests. Despite his attempts to maintain his status in the community, his actions eventually lead to his downfall. What follows is an account - sometimes tragic, occasionally humorous, and always compelling - of Themba's efforts to regain his dignity and pride in the eyes of his family and community. *When a Man cries *is an uncompromising and engrossing novel about the challenges of manhood in contemporary South African society. It interrogates the dynamics of township life and the human and socio-economic realities of the most impoverished communities in post-apartheid South Africa. |
| ingqumbo yeminyanya tv series: Criticism and Ideology Kirsten Holst Petersen, 1988 |
| ingqumbo yeminyanya tv series: Four African Literatures: Xhosa, Sotho, Zulu, Amharic Albert S. Gérard, 1971 |
| ingqumbo yeminyanya tv series: Have You Seen Zandile? Gcina Mhlophe, 2002 Zandile is snatched away from her grandmother's loving care and taken to live with her matriarcal family in rural Transkei. Moving, funny and convincing, full of Zandile's shrewd, youthful insights, the play offers an illuminating window onto the 1960s with its issues of white dominance, rural hardship and black female repression. |
| ingqumbo yeminyanya tv series: Praise-poems of Tswana Chiefs Isaac Schapera, 1988 |
| ingqumbo yeminyanya tv series: A Life's Mosaic Phyllis Ntantala, 1993-01-01 Like Trotsky, I did not leave home with the proverbial one-and-six in my pocket. I come from a family of landed gentry . . . [and] could have chosen the path of comfort and safety, for even in apartheid South Africa, there is still that path for those who will collaborate. But I chose the path of struggle and uncertainty.--from the Preface Born into the small social elite of black South Africa, Phyllis Ntantala did not face the grinding poverty so familiar to other South African blacks. Instead, her struggle was that of a creative, articulate woman seeking fulfillment and justice in a land that tried to deny her both. The widow of Xhosa writer and historian A.C. Jordan and mother of African National Congress leader Z. Pallo Jordan, she and her family experienced a period of tremendous change in South Africa and also in the United States, where they moved during the 1960s. She discovers similarities in the two countries, including the arrogance of power. Anchored in history and culture, A Life's Mosaic sharply reveals the world and the people of South Africa. As the story of a political exile, it represents the dislocations that have caused universal suffering in the second half of the twentieth century. Phyllis Ntantala discusses the cruelty of racism, the cynicism of political solutions, and the hopes of those who live in both a world of exile and a world of dreams. |
| ingqumbo yeminyanya tv series: Paradise Redecorated Koos Kombuis, 1990 |
| ingqumbo yeminyanya tv series: English-Xhosa Dictionary , 2012 Answering a long-felt need for a comprehensive English-Xhosa dictionary, this work has been compiled to meet the needs of both Xhosa-speakers learning English, and English-speakers learning Xhosa. Plus: a guide to Xhosa noun classes in the front of the dictionary helps you understand a vital part of Xhosa grammar and how to use your dictionary effectively. Around 15,000 entries comprehensively cover everyday, technical and subject-specific English. The class system of Xhosa nouns is clearly shown to help you avoid making grammar mistakes. |
| ingqumbo yeminyanya tv series: A Book of Homage to Shakespeare Sir Israel Gollancz, 2018-10-14 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| ingqumbo yeminyanya tv series: KAFIR-ENGLISH DICT Albert Kropf, Robert Godfrey, 2016-08-27 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| ingqumbo yeminyanya tv series: Fine Lines from the Box Njabulo Simakahle Ndebele, 2007 |
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