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| indianness in nissim ezekiel poetry: Studies in Indian Poetry in English U. S. Rukhaiyar, 2002 Contributed articles. |
| indianness in nissim ezekiel poetry: Indian English Poetry Jaydipsinh Dodiya, 2000 Contributed papers at a writers' workshop held in Calcutta, West Bengal. |
| indianness in nissim ezekiel poetry: Collected Poems, 1952-1988 Nissim Ezekiel, 1992 A collection of Nissim Ezekiel's seven individual volumes of verse, together with many uncollected or unpublished poems. Ezekiel has been described as one of India's greatest English-language poets. |
| indianness in nissim ezekiel poetry: Hymns in Darkness Nissim Ezekiel, 1976 |
| indianness in nissim ezekiel poetry: The Poetry of Nissim Ezekiel A. Raghu, 2002 Nissim Ezekiel Is Probably The Most Famous Living Indian Poet In English. Displaying A Dedication Of Heroic Dimensions To His Vocation, He Has Created An Oeuvre Remarkable For Its Range And Depth. He Was Responsible For Spearheading The Modernist Revolution In Indian Poetry In English. All But Divorcing His Wife, Denying His Family Time And Commitment, Creating And Fighting Enemies, Ezekiel Has Served The Muse Indefatigably And Evangelically, And At Great Personal Cost, For He Is As Much Activist For Poetry As Poet. He Has Published The Work Of Others, Edited Journals, Held Offices In Literary Organizations, Selected Poetry For Magazines, Advised Publishing Houses And Helped And Guided Generations Of Poets. Besides, Ezekiel Has Made Significant Contributions As Playwright, Prose Writer, Critic, Translator And Teacher. The Poetry Of Nissim Ezekiel Is A Product Of A. Raghu S Close Familiarity With The Work Of The Poet As Well As His Long Interaction With The Man. The Book Carries Out A Thorough Thematic And Stylistic Analysis Of The Corpus Of Ezekiel, Seeking To Effect A Comprehensive Assessment Of The Same. Efforts Are Made To Foreground The Corpus Against The Tradition Of Indian Poetry In English And To Establish The Work Of Ezekiel As The Main Link Between Pre-Independence Indian Poetry In English And Its Post-Independence Counterpart. Ever Willing To Battle It Out, Raghu Takes On Some Of The Biggest Names In The Contemporary Literary World Of India To Craft A Book Which Is Provocatively Brilliant. The Poetry Of Nissim Ezekiel Will Remain The Book On Ezekiel S Verse For A Very Long Time To Come. |
| indianness in nissim ezekiel poetry: Three Indian Poets Bruce King, 2008 Three Indian Poets introduces the poetry of Nissim Ezekiel, Dom Moraes, and A.K. Ramanujan--three of the best-known and most significant of modern Indian poets who wrote in English--to students and teachers of Indian literature. Considered to be the founders of modern Indian poetry in English, they became the first post-colonial poets writing in English who commanded international attention. This updated edition of Three Indian Poets was brought out after the deaths of Ezekiel and Moraes in 2005. Beginning with a valuable critical introduction, the book then discusses Ezekiel, whose poetry has deeply influenced and expanded the cultural space for modern Indian poetry in English. Next, Bruce King studies the poetry of Ramanujan, who was the only poet among the three who wrote in Indian languages as well. Finally, King analyses the poetry of Moraes, who, in his themes and attitudes, was the most romantic and sentimental, and least concerned with India and Indianness. Three Indian Poets is a comprehensive study of the similarities as well as differences between Ezekiel, Ramanujan, and Moraes. By re-considering and re-presenting the poetry of these diverse poets, the book captures the poetic and literary consciousness of post-colonial India. |
| indianness in nissim ezekiel poetry: Indian Poetry in English Makarand R. Paranjape, 1993 This new anthology features nearly 200 poems by thirty-one poets representing over 160 years of Indian Poetry in English. |
| indianness in nissim ezekiel poetry: Musings on Indian Writing in English: Poetry N Sharada Iyer, 2005 |
| indianness in nissim ezekiel poetry: Indian Angles Mary Ellis Gibson, 2011 Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and re-creates the historical webs of affiliation and resistance that writers in colonial India--writers of British, Indian, and mixed ethnicities--experienced. |
| indianness in nissim ezekiel poetry: Nissim Ezekiel Raj R Rao, 2016-12-10 Nissim Ezekiel is regarded as the father of modern Indian English poetry, and the founder of the Bombay school of poetry. In this meticulously researched biography, R. Raj Rao traces the development of Ezekiel's poetry and life against the background of the intellectual, cultural and political climate in India-from the 1930s to the end of the 20th century. The last section of the book deals with Ezekiel's increasing loneliness and his inability to recognize old friends, and finally being diagnosed with Alzheimer's disease in 1998. Drawing on previously unpublished letters, poems and essays, as well as discussions with the poet and interviews with friends and peers, Rao examines the desires and realities of Ezekiel's life. Rao also provides detailed analyses of Ezekiel's poems. Scholarly, exhaustive and provocative, this is the definitive biography of one of India's foremost poets. |
| indianness in nissim ezekiel poetry: Marginalized: Indian Poetry in English Smita Agarwal, 2014-01-02 Indian writing in English, especially fiction, continues to capture the attention of readers all over the English-speaking world. Conversely, the strong and flourishing tradition of poetry in English from India has not impacted the contemporary world in the same manner as the fiction. This book creates a debate to highlight the well-grounded and confident tradition of Indian Poetry in English which began almost two hundred years ago with the advent of the British. Individual essays on poets before and since the Indian Independence focus on the poetry of Derozio, Tagore, Aurobindo and Naidu right down to the modern and contemporary poets like Ezekiel, Mahapatra, Ramanujan, Kolatkar, Das, Moraes, Daruwalla, de Souza, Jussawalla and Patel who ushered in a change both in terms of subject matter and style. On either side of the Atlantic, this book which includes a substantial Introduction, Select Bibliography and Index is of value to scholars, teachers and researchers on Indian Poetry in English. |
| indianness in nissim ezekiel poetry: A Blue Hand Deborah Baker, In 1961, Allen Ginsberg Left New York By Boat For Bombay. He Brought With Him His Troubled Lover, Peter Orlovsky, And A Plan To Meet Up With Poets Gary Snyder And Joanne Kyger. He Left Behind Not Only Fellow Beats Jack Kerouac, Gregory Corso, And William Burroughs, But Also The Relentless Notoriety That Followed The Publication Of Howl, The Epic Work That Branded Him The Voice Of A Generation. Drawing From Extensive Research, Undiscovered Letters, Journals, And Memoirs, Acclaimed Biographer Deborah Baker Has Woven A Many-Layered Literary Mystery Out Of Ginsberg S Odyssey. A Blue Hand Follows The Poet And His Companions As They Travel From The Ashrams Of The Himalayan Foothills To Delhi Opium Dens And The Burning Pyres Of Benares. They Encounter An India Of Charlatans And Saints, A Country Of Spectacular Beauty And Spiritual Promise And Of Devastating Poverty And Political Unease. In Calcutta, Ginsberg Discovers A Circle Of Hungry Young Writers Whose Outrageousness And Genius Are Uncannily Reminiscent Of His Own Past. Finally, Ginsberg Searches For Hope Savage, The Mysterious And Beautiful Girl Whose Path, Before She Disappeared, Had Crossed His Own In Greenwich Village, San Francisco, And Paris. In Their Restless, Comic And Oft-Times Tortured Search For Meaning, The Beats Looked To India For Answers While India Looked To The West. A Blue Hand Is The Story Of Their Search For God, For Love, And For Peace In The Shadow Of The Atomic Bomb. It Is Also A Story Of India Its Gods And Its Poets, Its Politics And Its Place In The American Imagination. A Fabulous Book Comic, Tragic, And Written With Great Verve And Nerve About The Beats And Their Passage To India Michael Ondaatje A Passionate Account Of The Beats At Home And In The World & A Truly Vivid, Wonderful Book Kiran Desai, Author Of The Inheritance Of Loss A Fascinating History Of The Weirdest Moment In The Long And Ongoing European And American Search For The Answer To It All In India Wendy Doniger, University Of Chicago Baker Evokes Strange Worlds And Distant Times In A Narrative That Never Fails To Flow And That, In The End, Is Admirably Illuminating Kirkus Reviews [A] Thoroughly Compelling Work Of Illuminating Literary And Spiritual History Booklist A Piece Of Devoted Scholarship And Legwork The New York Times |
| indianness in nissim ezekiel poetry: Ten Twentieth-century Indian Poets R. Parthasarathy, 1976 |
| indianness in nissim ezekiel poetry: Contemporary Indian Poetry Kaiser Haq, 1990 |
| indianness in nissim ezekiel poetry: Indian Ethos and Culture in Nissim Ezekiel's Poetry Sandeep K. Thorat, 2018 |
| indianness in nissim ezekiel poetry: The Oxford India Anthology of Twelve Modern Indian Poets Arvind Krishna Mehrotra, 1992 Complete with brief biographical and critical introductions to each poet, this is the definitive anthology of modern Indian poetry in English--Publisher. |
| indianness in nissim ezekiel poetry: Selected Prose Nissim Ezekiel, 1992 Nissim Ezekiel is arguably the most influential modern Indian poet writing in English. Here, for the first time, is a collection of his less well-known, but equally important prose writings. Including essays, journalism, and introductions to other books, these pieces cover a wide range oftopics, including literature, art, television, and philosophy. Written with an underlying unity of style and approach, this selection represents a significant body of work, diverse in subject and rich in ideas. |
| indianness in nissim ezekiel poetry: The Bloodaxe Book of Contemporary Indian Poets Jeet Thayil, 2008 Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for verticality rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future.The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language. |
| indianness in nissim ezekiel poetry: Modern Indian Poetry in English Bruce King, 2005-02-03 This edition is a revision of the classic, which has become the standard work on the subject. Five chapters covering the 1990s have been added with an updated chronlogy. These discuss a number of more recent poets, along with one chapter on the late Agha Shadid Ali. |
| indianness in nissim ezekiel poetry: India on Our Minds Tharman Shanmugaratnam, 2021-01-25 Singapore and India established diplomatic relations in August 1965. However, their ties date as far back as the 10th century. The last half century has seen a blossoming of their relationship. The two countries' warm and substantive friendship is based upon history, economics, defense cooperation and a high degree of mutual trust. The relationship is quite unique because a significant portion of Singapore's population consists of ethnic Indians and an Indian language, Tamil, is one of Singapore's official languages.The book brings together 52 of Singapore's thought leaders. They come from different sectors of the Singapore's society. Each of them has written an essay on India's past or present or future. Each essay is short, easy to read and full of insight and humour. One of the writers is Singapore's Senior Minister, Mr Tharman Shanmugaratnam, a person who is admired both in Singapore and in India. The book includes essays on Nalanda University, Amaravati, India-Singapore Comprehensive Economic Cooperation Agreement and the Regional Comprehensive Economic Partnership. On the lighter side, the book contains two charming essays by Ambassador Karen Tan and Eirliani Abdul Rahman on their time in India.The book's foreword is written by Mr Goh Chok Tong, Singapore's second Prime Minister. It was Mr Goh who overcame prejudice and inertia and launched a new beginning in Singapore-India relations.This publication is a candid reflection of India and India-Singapore relations by Singaporeans who carry the hope that India will rise above its challenges to join the ranks of the great nations of the world. It will be of interest to Singaporeans who are interested in India and Indians who are interested in Singapore. |
| indianness in nissim ezekiel poetry: The Loss of India Zulfikar Ghose, 1964 |
| indianness in nissim ezekiel poetry: 60 Indian Poets Jeet Thayil, 2008-08-08 60 Indian Poets spans fifty-five years of Indian poetry in English, bridging continents and generations, and seeks to expand the definition of 'Indianness'. Beginning in 1952 with selections from Nissim Ezekiel's first volume of poetry which was published in London, it honours the canonical writers who have come to define modern Indian poetry—influential craftsmen such as Nissim Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004—and reinstates neglected or forgotten figures such as Lawrence Bantleman, Gopal Honnalgere, Srinivas Rayaprol and G.S. Sharat Chandra. The collection also introduces an astonishing range of contemporary poets who live and work in various parts of the world and in India. There are writers from Bombay and Berkeley, from New Delhi and New York, from Melbourne, Montana, Aarhus, Allahabad, Hong Kong, Sheffield, Connecticut and Itanagar, among other places—writers who have never shared a stage together but have more in common than their far-flung locations would suggest. Also included in the volume is Bruce King's elegiac essay, '2004: Ezekiel, Moraes, Kolatkar', and Arvind Krishna Mehrotra's meditation on 'What Is an Indian Poem?' An essential feature of 60 Indian Poets is a set of rare and remarkable portraits by Madhu Kapparath. This definitive anthology aims for 'verticality' rather than chronology. Exhaustive, and stunning in its scale and vitality, it represents a community 'separated by the sea' and connected too—in familial ways—by the unlikely histories of a shared English language. |
| indianness in nissim ezekiel poetry: Critical Essays on Post-colonial Literature Bijay Kumar Das, 2007 The Present Book Is An Attempt To Analyse Some Of The Outstanding Post-Colonial Writers Like Arundhati Roy (Booker Prize Winner 1997), Vikram Chandra (Commonwealth Prize Winner 1997), Derek Walcott (Nobel Prize Winner), Margaret Atwood (Booker Prize Winner 2000), Jayanta Mahapatra, Dom Moraes, Nissim Ezekiel, Keki N. Daruwalla, Kamala Das, Shiv K. Kumar, Anita Desai, Shashi Deshpande, Ruskin Bond (All Sahitya Akademi Award Winners) In The Light Of Post-Colonial Theory. Apart From Analysing Individual Authors, An Attempt Has Also Been Made To Show The Trends In Post-Colonial Poetry, Indian English Fiction, Orissan Contribution To Post-Colonial Indian English Literature And Above All, Post-Colonial English Studies In India. |
| indianness in nissim ezekiel poetry: INDIAN POETRY IN ENGLISH : CRITICAL ESSAYS ZINIA MITRA, 2016-07-01 Indian poets who wrote in English—a small middle class minority—were divided from the regional language poets by more than language for long. The English poets had a selected readership, were known unto themselves, in academic circles if they were widely published, but were looked down upon with a kind of derision by regional writers. However, the scenario has changed now. From English being spurned as a colonizer’s tongue that was nobody’s language, it has now become everybody’s language with English medium schools, English movies, ads, soaps and serials. For a generation living in a global village, genuine readership and appreciation of English poetry is no longer an encumbrance. This book, in its second edition, continues to educate the students with diverse and thought-provoking essays that vary from personal to argumentative to objectively discursive English literature and to those who are genuinely interested in Indian English poetry. The Fourteen poets selected in this anthology are Michael Madhusudan Dutt, Toru Dutt, Rabindranath Tagore, Aurobindo Ghosh, Sarojini Naidu, Jibanananda Das, Nissim Ezekiel, Jayanta Mahapatra, A.K. Ramanujan, Arun Kolatkar, Rajagopal Parthasarathy, Kamala Das, and Dilip Chitre. The poets included are all on the syllabi of major universities in India. |
| indianness in nissim ezekiel poetry: Indian English Poetry and Fiction N. Raj Gopal, Suman Sachar, 2000 The Essays In The Volume Are By Very Established As Well As Up-Coming Scholars And The Readers Will Realise The Substantial Values Of The Insights That The Pieces Contain. Most Anthologies Published Carry A Great Load Of Articles On Fiction Writers Who Often Are Already Familiar And Researched. This Anthology Strikes A Balance Between Poetry And Fiction. It Focuses Upon Relatively Unknown Poets Whose Poetry Merits Serious Consideration For Reason Either Of Stylistic Parameters Or Of Thematological Nemesis. Essays On Poetry Carry Comparative, Historical And Formalistic Approaches In Relation To Distinguished Poets Like Rabindranath Tagore, Nissim Ezekiel And Vikram Seth. The Editor S Interview With Charu Sheel Singh Is Added To Bring Variety And Focus Of Perspective To What A Creative Writer Feels About Literature In Question. |
| indianness in nissim ezekiel poetry: An Area of Darkness V. S. Naipaul, 2012-03-15 A classic of modern travel writing, An Area of Darkness is V. S. Naipaul’s profound reckoning with his ancestral homeland and an extraordinarily perceptive chronicle of his first encounter with India. |
| indianness in nissim ezekiel poetry: Second Sight A. K. Ramanujan, 1986 This is a book of poetry by A.K. Ramanujan. |
| indianness in nissim ezekiel poetry: Modern Indian Writing in English N. D. R. Chandra, 2004 Contributed articles. |
| indianness in nissim ezekiel poetry: New Explorations in Indian English Poetry Kanwar Dinesh Singh, 2004 |
| indianness in nissim ezekiel poetry: Yearbook of Indian Poetry in English Vinita Agrawal, Sukrita Paul Kumar, 2022-06-03 The Yearbook of Indian Poetry in English is a series of anthologies published every year, of English poems written by Indian poets and the Indian diaspora. The series is founded jointly by Sukrita Paul Kumar and Vinita Agrawal. The inaugural issue was published in June 2021. The aim of the series is to present quality poems in English published in India and abroad. It is hoped that the exercise of bringing out such anthologies will eventually prove to be a fertile ground for establishing the aesthetics of Indian poetry in English. In the context of instabilities and uncertainties experienced acutely in contemporary life, it is not surprising that many poems in the Yearbook emerge creatively from a special focus on home, house, identity, roots and indeed the question of language which is also deeply linked with the idea of homing. This edition of the Yearbook is also embedded with concerted poems on imperialism, gender (as always!), mental health, childhood traumas, upbringing, Earth, climate change, birds, mining, prostitutes, racism, sensuality and spirituality. |
| indianness in nissim ezekiel poetry: The Absent Traveller , 2008-02-14 The Gathasaptasati is perhaps the oldest extant anthology of poetry from South Asia, containing our very earliest examples of secular verse. Reputed to have been compiled by the Satavahana king Hala in the second century CE, it is a celebrated collection of 700 verses in Maharashtri Prakrit, composed in the compact, distilled gatha form. The anthology has attracted several learned commentaries and now, through Arvind Krishna Mehrotra’s acclaimed translation of 207 verses from the anthology, readers of English at last have access to its poems. The speakers are mostly women and, whether young or old, married or single, they touch on the subject of sexuality with frankness, sensitivity and, every once in a while, humour, which never ceases to surprise. The Absent Traveler includes an elegant and stimulating translator’s note and an afterword by Martha Ann Selby that provides an admirable introduction to Prakrit literature in general and the Gathasaptasati in particular. |
| indianness in nissim ezekiel poetry: Contemporary Indian English Poetry Abhay K, 2015-11-25 Edited by Abhay K this book contains poems by Anju Makhija, Rizio Yohannan Raj,Manohar Shetty, Arundhathi Subramaniam, A.J. Thomas, Sampurna Chattarji, K.Srilata, Mani Rao, Sudeep Sen Kynpham Sing Nongkynrih and others. |
| indianness in nissim ezekiel poetry: The Book of Chocolate Saints Jeet Thayil, 2018-02-27 LONGLISTED FOR THE DSC PRIZE FOR SOUTH ASIAN LITERATURE 2018 'Easily the most original and formally inventive novel to come out of India in years.' Salman Rushdie, Guardian Francis Newton Xavier has lived a wild existence of excess in pursuit of his uncompromising aesthetic vision. His paintings and poems - which embody the flamboyant and decadent jeu d'esprit of his heroes like Baudelaire - have forged his reputation, which is to be celebrated at a new show in Delhi. Approaching middle age in a body ravaged by hard-living, Xavier leaves Manhattan following the 9/11 attacks with his young girlfriend - and his journey home to India becomes a delirious voyage into the past. From his formative years with an infamous school of fin de siècle Bombay poets - as documented by his biographer, Diswas, in these pages - Xavier must move forward into an uncertain future of salvation or damnation. His story results in The Book of Chocolate Saints: an epic novel of contemporary Indian life that probes the mysterious margins where art bleeds into the occult, and celebrates the artist's life itself as a final monument. It is Jeet Thayil's spiritual, passionate, and demented masterpiece. |
| indianness in nissim ezekiel poetry: The English Language Poetry of South Asians Mitali Pati Wong, Syed Khwaja Moinul Hassan, 2013-01-24 In this study, ten independent critical essays and a coda explore the English-language poetry of South Asians in terms of time, place, themes and poetic methodologies. The transnational perspective taken establishes connections between colonial and postcolonial South Asian poetry in English as well as the poetry of the old and new diaspora and the Subcontinent. The poetry analysis covers the relevance of historical allusions as well as underlying concerns of gender, ethnicity and class. Comparisons are offered between poets of different places and time periods, yielding numerous sociopolitical paradigms that surface in the poetry. |
| indianness in nissim ezekiel poetry: Three Plays Nissim Ezekiel, 1969 |
| indianness in nissim ezekiel poetry: Studies in Postcolonial Literature M. Q. Khan, Bijay Kumar Das, 2007 Studies In Postcolonial Literature Contains Twenty-Three Papers And Two Interviews With Two Eminent Writers On Different Genres Poetry, Fiction, Short Fiction And Drama Of Postcolonial Literature. It Deals With Literatures In English Outside The Anglo-American Tradition. The Book Focuses On How Postcolonial Literature Assumes An Identity Of Its Own In Spite Of The Writers Drawn From Different Countries With Distinct National Identities. This Is A Very Useful Book For The Students As Well As The Teachers Who Intend To Do An Extensive Study Of Postcolonial Literature. |
| indianness in nissim ezekiel poetry: English (2022-23 TGT/PGT/LT Grade/GIC/GDC/DIET/DSSSB/RPSC/KVS/NVS/ETC) YCT Expert Team , 2022-23 TGT/PGT/LT Grade/GIC/GDC/DIET/DSSSB/RPSC/KVS/NVS/ETC English Chapter-wise Solved Papers |
| indianness in nissim ezekiel poetry: The Changing World of Contemporary South Asian Poetry in English Mitali P. Wong, M. Yousuf Saeed, 2019-07-02 This international collection of essays examines contemporary English-language poetry from South Asia. The contributors discuss women's issues, the concerns of marginalized groups--such as the Dalit community and the people of Northeastern India--social changes in Sri Lanka, and the changing society of Pakistan. |
| indianness in nissim ezekiel poetry: Writing India, Writing English G. J. V. Prasad, 2014-03-21 The essays in this book look at the interaction between English and other Indian languages and focus on the pressure of languages on writers and on each other. Divided into two parts, the first part of the book deals with the pressure that English language has exerted, and continues to exert, in India and our ideas of connectedness as a nation in the ways in which we deal with this pressure. The essays emphasise on the emergence of the hybrid language in the Tamil cultural world because of the presence of English (and Hindi); on the politics of ‘anthologisation’; and how Karnad’s Tughlaq deals with the idea of the nation, looking at its historical location. The second part of the book focuses on Indian English literature and deals with how it interacts with the idea of representing the Indian nation, sometimes obsessively, seen both in poetry and novels. The book argues that the writer’s location is crucial to the world of imagination, whether in the novel, poetry or drama. The world is inflected by the location of the author, and the struggle between the language dominant in that location and English is part of the creative tension that provides energy and uniqueness to writing. |
| indianness in nissim ezekiel poetry: Bombay Modern Anjali Nerlekar, 2016-05-15 Anjali Nerlekar's Bombay Modern is a close reading of Arun Kolatkar's canonical poetic works that relocates the genre of poetry to the center of both Indian literary modernist studies and postcolonial Indian studies. Nerlekar shows how a bilingual, materialist reading of Kolatkar's texts uncovers a uniquely resistant sense of the local that defies the monolinguistic cultural pressures of the post-1960 years and straddles the boundaries of English and Marathi writing. Bombay Modern uncovers an alternative and provincial modernism through poetry, a genre that is marginal to postcolonial studies, and through bilingual scholarship across English and Marathi texts, a methodology that is currently peripheral at best to both modernist studies and postcolonial literary criticism in India. Eschewing any attempt to define an overarching or universal modernism, Bombay Modern delimits its sphere of study to Bombay and to the post-1960 (the sathottari period) in an attempt to examine at close range the specific way in which this poetry redeployed the regional, the national, and the international to create a very tangible yet transient local. |
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