Impressionismus

  impressionismus: Katherine Mansfield and Literary Impressionism Julia Van Gunsteren, 1990
  impressionismus: Impressionism John I. Clancy, 2003 Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.
  impressionismus: Masters of Impressionism Andreas Blühm, 2008 Cologne's oldest museum, the Wallraf-Richartz-Museum & Fondation Corboud - also referred to simply as the Wallraf - is one of the largest classic galleries in Germany, and it possesses the most important collection of Western art from the Middle Ages up to the early twentieth century in western Germany. Indeed, its collection of Impressionist painting is the largest in all of Germany - not lastly due to the works contained in the Fondation Corboud, which were bequeathed to the Wallraf by the Swiss collector Gerard J. Corboud. For the first time, the unique treasures of Impressionism that belong to the Wallraf's store of paintings have been assembled in an illustrated volume. Prominence has been given to works by Claude Monet, Auguste Renoir, Alfred Sisley, and many more of the great masters.--BOOK JACKET.
  impressionismus: Impressionismus. Norma Broude, 2001-08
  impressionismus: The Princeton Encyclopedia of Poetry and Poetics Roland Greene, Stephen Cushman, Clare Cavanagh, Jahan Ramazani, Paul Rouzer, Harris Feinsod, David Marno, Alexandra Slessarev, 2012-08-26 Rev. ed. of: The Princeton encyclopedia of poetry and poetics / Alex Preminger and T.V.F. Brogan, co-editors; Frank J. Warnke, O.B. Hardison, Jr., and Earl Miner, associate editors. 1993.
  impressionismus: Terminologie der Musik im 20. Jahrhundert Hans Heinrich Eggebrecht, 1995 Der Sinn der Sonderb�nde zum Handw�rterbuch der musikalischen Terminologie (HmT) ist es, aus den bereits in 22 Lieferungen erschienen Begriffsmonographien Kompendien zu bestimmten Themen zu ver�ffentlichen. Weil gerade im Umgang mit der Neuen Musik ein besonderer Bedarf an Kl�rung und Klarheit besteht, wied all jenen geholfen, die sich schon immer gerne mit oft gelesenen Themen wie Aleatorik, der absoluten Musik, der Klangfarbenmelodie oder dem Neoklassizismus auseinandergesetzt h�tten. In mehrseitigen Aritkeln und in verst�ndlicher Sprche werden die ,termini technici�ausfuehrlich von allen Perspektiven her beleuchtet. Ein hochwillkommenes Buch! Basler Magazin Aus dem Inhalt: Verzeichnis der in den Monographien dieses Bandes zus�tzlich behandelten Begriffe - Absolute Musik - Aleatorik - Atonalit�t - Autonome Musik - Blues - Cluster - Dauer - Elektronische Musik - Experimentelle Musik - Expressionismus - Funktionale Musik - Gebrauchsmusik - Grundgestalt - Gruppenkompositon - Impressionismus - Jazz - Klangfarbenmelodie - Live-elektronische Musik - Momentum / Moment, instans / instant, Augenblick - Musikalische Prosa - Musique conr�te - Neoklassizismus - Neue Musik - Neue Sachlichkeit- Offene Form - Parameter - Polytonalit�t - Punktuelle Musik - Ragtime - Reihe - Schlager - Serielle Musik - Tonalit�t - Vagierender Akkord - Zw�lftonmusik.
  impressionismus: Dichtung und Malerei im Dialog Elisabeth Hirschberger, 1993
  impressionismus: Cubists and Post-impressionism Arthur Jerome Eddy, 1919
  impressionismus: Englische Studien , 1913
  impressionismus: Monatsschrift Für Das Deutsche Geistesleben , 1927
  impressionismus: Deutsche Stilkunst Eduard Engel, 1922
  impressionismus: Artbibliographies Modern , 1991 Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
  impressionismus: Sociological Impressionism (Routledge Revivals) David Frisby, 2013-09-13 When Sociological Impressionism was first published in 1981, it was the first comprehensive study on Simmel’s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel’s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a formal sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.
  impressionismus: Monet, Or, The Triumph of Impressionism Daniel Wildenstein, 2010 The definitive Monet biography by Daniel Wildenstein, a leading authority on impressionist painting and author of the catalogue raisonné of Monet's works, is lavishly illustrated with 572 reproductions and complementary photographic documents. A visual representation of an extraordinary artistic career, which simultaneously brings to life the spirit of a whole era.
  impressionismus: Jahrhundertwende Gotthart Wunberg, 2001
  impressionismus: German Expressionist Painting , 1957
  impressionismus: Unmasking Ravel Peter Kaminsky, 2011 Collection of critical and analytical scholarly essays on the music of Ravel by prominent scholars. Unmasking Ravel: New Perspectives on the Music fills a unique place in Ravel studies by combining critical interpretation and analytical focus. From the premiere of his works up to the present, Ravel has been associated with masks and the related notions of artifice and imposture. This has led scholars to perceive a lack of depth in his music and, consequently, to discourage investigation of his musical language. This volume balances and interweavesthese modes of inquiry. Part 1, Orientations and Influences, illuminates the sometimes contradictory aesthetic, biographical, and literary strands comprising Ravel's artistry and our understanding of it. Part 2, Analytical Case Studies, engages representative works from Ravel's major genres using a variety of methodologies, focusing on structural process and his complex relation to stylistic convention. Part 3, Interdisciplinary Studies, integratesmusical analysis and art criticism, semiotics, and psychoanalysis in creating novel methodologies. Contributors include prominent scholars of Ravel's and fin-de-siècle music: Elliott Antokoletz, Gurminder Bhogal, Sigrun B. Heinzelmann, Volker Helbing, Steven Huebner, Peter Kaminsky, Barbara Kelly, David Korevaar, Daphne Leong, Michael Puri, and Lauri Suurpää. Peter Kaminsky is Professor of Music at the University of Connecticut, Storrs.
  impressionismus: Approximation Theory Ole Christensen, Khadija Laghrida Christensen, 2004-03-18 This concisely written book gives an elementary introduction to a classical area of mathematics—approximation theory—in a way that naturally leads to the modern field of wavelets. The exposition, driven by ideas rather than technical details and proofs, demonstrates the dynamic nature of mathematics and the influence of classical disciplines on many areas of modern mathematics and applications. Key features and topics: * Description of wavelets in words rather than mathematical symbols * Elementary introduction to approximation using polynomials (Weierstrass’ and Taylor’s theorems) * Introduction to infinite series, with emphasis on approximation-theoretic aspects * Introduction to Fourier analysis * Numerous classical, illustrative examples and constructions * Discussion of the role of wavelets in digital signal processing and data compression, such as the FBI’s use of wavelets to store fingerprints * Minimal prerequisites: elementary calculus * Exercises that may be used in undergraduate and graduate courses on infinite series and Fourier series Approximation Theory: From Taylor Polynomials to Wavelets will be an excellent textbook or self-study reference for students and instructors in pure and applied mathematics, mathematical physics, and engineering. Readers will find motivation and background material pointing toward advanced literature and research topics in pure and applied harmonic analysis and related areas.
  impressionismus: Expressionism as an International Literary Phenomenon Ulrich Weisstein, 1973-01-01 Ulrich Weisstein’s collection of 21 essays offers a comparative study of Expressionism as a Modernist movement whose dynamic core lay in Germany and Austria-Hungary, but which transformed artistic practices in other European countries. The focus, Weisstein argues, “must be strictly and sharply aimed at a specific body of works and opinions—a relatively dense core surrounded by a less clearly defined fringe zone—indigenous to the German speaking countries.” The volume spans an “Expressionist” period extending from roughly 1910 to 1925. Weisstein himself contributes two introductory chapters on problems of definition and a thoughtful analysis of English Vorticism. An ample context is set by comparative essays concerned with international movements such as Futurism that had an impact on German Expressionist drama, prose, and poetry, together with essays on the adaptation of Expressionist forms in countries such as Poland, Russia, Hungary, South Slavic nations and the United States. These essays call attention to representative authors and artists, as well as to periodicals and artistic circles. Reviewers have praised not only the presentation of “literary links and interaction” among national cultures, but especially the “most rewarding” interdisciplinary essays on Dada and on Expressionist painting, music, and film.
  impressionismus: Modern German Literature Jethro Bithell, 2020-01-31 Originally published in 1939 and revised in 1959, this book traces back to their origins the literary movements and phases of German literature of 1880 to 1950 as they occur and shows how and why they pass over into succeeding phases. It closely analyses Naturalism, Impressionism, Neo-romanticism and Expressionism as well as dealing exhaustively with Surrealism, Magic Realism and Existentialism. The book includes discussion of post-war Anglo-American and French literature.
  impressionismus: German Expressionist Prose Augustinus P. Dierick, 1987-12-15 An extreme sensitivity to gathering social crisis, an accompanying angry enthusiasm for artistic experimentation and renewal – this compelling mix in German art, poetry, and drama of the period 1910 to 1925 continues to draw both scholarly attention and intense popular interest. In this book Augustinus Dierick focuses on another significant but hitherto neglected medium of German Expressionist thought – short narrative prose – in order to illuminate and evaluate the contribution of that genre to one of the twentieth century's most powerful artistic movements. Dierick's study includes a thorough analysis of the works of a broad range of Expressionist prose writers, from those of such specialists in the genre as Edschmid, Heym, Benn, Loerke, Frank, Sternheim, Ehrenstein, and 'Mynona' to the shorter prose works of such major figures as Alfred Döblin, Heinrich Mann, Max Brod, and Franz Werfel. Dierick isolates the thematic obsessions common among Expressionist writers: the pathos of the self in confrontation with nature and with God, the tension between self and the institutions of bourgeois society, and the attractions and dangers of eroticism. Throughout Dierick stresses the interrelationship between themes and their formal expression. He examines many apparent excesses in style and tone, many aberrations in structure and generic characteristics, and identifies them not as needless experimentation but as a necessary result of the attempt to find appropriate forms for extreme situations and complex ideas. Dierick's analysis makes clear that Expressionist prose has an intrinsic artistic value and, because of certain nuances and different accents, must be included in any estimation of the nature and importance of Expressionism as a whole.
  impressionismus: Kultur und Denken Der Alten Ägypter Hermann Schneider, 1909
  impressionismus: Studies in Arthur Schnitzler Herbert W. Reichert, Herman Salinger, 2020-05-01 This valuable collection of eight original and penetrating essays by American scholars honors the centenary of the Austrian dramatist’s birth. The contributors are Kurt Bergel, Joseph Dayag, Lore Foltin, Robert Kann, Richard Lawson, Walter Perl, Herbert Reichert, and Robert Donald Spector and they attend to themes from depictions of death to the influence of Nietzsche on Schnitzler’s work and his reception in France.
  impressionismus: The Austrian Mind William M. Johnston, 2023-09-01 Part One of this book shows how bureaucracy sustained the Habsburg Empire while inciting economists, legal theorists, and socialists to urge reform. Part Two examines how Vienna's coffeehouses, theaters, and concert halls stimulated creativity together with complacency. Part Three explores the fin-de-siecle world view known as Viennese Impressionism. Interacting with positivistic science, this reverence for the ephemeral inspired such pioneers ad Mach, Wittgenstein, Buber, and Freud. Part Four describes the vision of an ordered cosmos which flourished among Germans in Bohemia. Their philosophers cultivated a Leibnizian faith whose eventual collapse haunted Kafka and Mahler. Part Five explains how in Hungary wishful thinking reinforced a political activism rare elsewhere in Habsburg domains. Engage intellectuals like Lukacs and Mannheim systematized the sociology of knowledge, while two other Hungarians, Herzel and Nordau, initiated political Zionism. Part Six investigates certain attributes that have permeated Austrian thought, such as hostility to technology and delight in polar opposites. Part One of this book shows how bureaucracy sustained the Habsburg Empire while inciting economists, legal theorists, and socialists to urge reform. Part Two examines how Vienna's coffeehouses, theaters, and concert halls stimulated creativity together wi
  impressionismus: Americana Norvegica, Volume 1 Sigmund Skard, Henry H. Wasser, 2016-11-11 This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
  impressionismus: The Germanic Review , 1926
  impressionismus: Max Liebermann MarionF. Deshmukh, 2017-07-05 Max Liebermann: Modern Art and Modern Germany is the first English-language examination of this German impressionist painter whose long life and career spanned nine decades. Through a close reading of key paintings and by a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion Deshmukh illuminates Liebermann?s importance as a pioneer of German modernism. Critics and admirers alike saw his art as representing aesthetic European modernism at its best. His subjects included dispassionate depictions of the rural Dutch countryside, his colorful garden at the Wannsee, and his many portraits of Germany?s cultural, political, and military elites. Liebermann was the largest collector of French Impressionism in Germany - and his cosmopolitan outlook and his art created strong antipathies towards both by political and cultural conservatives throughout his life.
  impressionismus: Max Liebermann Dr Marion Deshmukh, 2015-10-28 This is the first English-language examination of the German impressionist painter Max Liebermann, whose long life and career spanned nine decades. Through a close reading of key paintings and a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion F. Deshmukh illuminates Liebermann’s importance as a pioneer of German modernism.
  impressionismus: New Perspectives on Br?cke Expressionism Christian Weikop, 2017-07-05 New Perspectives on Br?cke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Br?cke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Br?cke studies by deploying new research combined with innovative interpretative approaches. This is an exciting volume of essays with an interlinking tripartite structure that charts the significance of this pioneering German avant-garde group in relation to various critical themes, namely, 'cultural and material identity', 'collectivity and selfhood', as well as 'defamation and rehabilitation'. The book is unique in the field in that it seeks to excavate specific historical research relating to the activities of the Br?cke as a bohemian yet nonetheless enterprising artists' community, and considers the contributions of the key members in relation to the dynamics of that group rather than simply on an individual basis. It thoroughly explores the historiography of the Br?cke artists' reception throughout the turbulent history of the twentieth century up until the present day.
  impressionismus: The Vanishing Subject Judith Ryan, 1991-10-08 Is thinking personal? Or should we not rather say, it thinks, just as we say, it rains? In the late nineteenth century a number of psychologies emerged that began to divorce consciousness from the notion of a personal self. They asked whether subject and object are truly distinct, whether consciousness is unified or composed of disparate elements, what grounds exist for regarding today's self as continuous with yesterday's. If the American pragmatist William James declared himself, on balance, in favor of a real and verifiable personal identity which we feel, his Austrian counterpart, the empiricist Ernst Mach, propounded the view that the self is unsalvageable. The Vanishing Subject is the first comprehensive study of the impact of these pre-Freudian debates on modernist literature. In lucid and engaging prose, Ryan traces a complex set of filiations between writers and thinkers over a sixty-year period and restores a lost element in the genesis and development of modernism. From writers who see the self as nothing more or less than a bundle of sensory impressions, Ryan moves to others who hesitate between empiricist and Freudian views of subjectivity and consciousness, and to those who wish to salvage the self from its apparent disintegration. Finally, she looks at a group of writers who abandon not only the dualisms of subject and object, but dualistic thinking altogether. Literary impressionism, stream-of-consciousness and point-of-view narration, and the question of epiphany in literature acquire a new aspect when seen in the context of the psychologies without the self. Rilke's development of a position akin to phenomenology, Henry and Alice James's relation to their psychologist brother, Kafka's place in the modernist movements, Joyce's rewriting of Pater, Proust's engagement with contemporary thought, Woolf's presentation of consciousness, and Musil's projection of a utopian counter-reality are problems familiar to readers and critics: The Vanishing Subject radically revises the way we see them.
  impressionismus: Philosophy and psychology pamphlets , 1929
  impressionismus: 2011 , 2013-03-01 Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.
  impressionismus: Painting and Sculpture in Europe 1780-1880 Fritz Novotny, 1995-01-01 From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.
  impressionismus: The Twentieth Century 1890-1945 Raymond Furness, 2020-01-31 Originally published in 1978, this study presents a detailed analysis of the major literary movements in Austria and Germany from the end of the nineteenth century to the collapse of the Third Reich. It examines the plethora of literary genres which marked the transition from the nineteenth to the twentieth century: the short-lived Naturalist movement rapidly giving way to various forms of symbolism and neo-romanticism. The situation in Vienna is studied in detail; the concept of modernism vis-à-vis expressionism with special regard to Rilke and Kafka. The literature of the Weimar period is also analysed, with emphasis on the symphonic novels of the time and the anti-illusionist devices of Brecht. It also draws a comparison between the literary situation in Nazi Germany and the literature of exile, and the positions of Thomas and Heinrich Mann, Brecht and Gottfried Benn are examined.
  impressionismus: German Expressionist Painting Peter Selz, 2023-04-28 Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
  impressionismus: Sozialgeschichte der Kunst und Literatur Arnold Hauser, 1990 Die erste wesentliche Soziologie der Kunst, die wir kennen. Es hiesse eine grosse Landkarte auf das Format einer Briefmarke zurückzuführen, wollte man auch nur die Hauptlinien dieses Buches nachzeichnen. Mit grosser Klarheit und ungewöhnlicher Informiertheit wird hier viel mehr ausgesagt als die scheinbar einfache und banale Behauptung, dass die Kunst auf die Gesellschaft wirke und die Gesellschaft auf die Kunst. Dieses Buch ist ein Wegweiser durch das Labyrinth der Zeiten und Kulturen.
  impressionismus: Poetik und dichterisches Selbstverständnis Sascha Löwenstein, 2004 Der Band untersucht in chronologischer Folge Rainer Maria Rilkes Jugenddichtungen und frühe Werke. Im Unterschied zu anderen Lyrikern seiner Zeit, z.B. George und Hofmannsthal, hat Rilke seine Dichtung nicht in zusammenhängenden theoretischen Abhandlun-gen produktionsästhetisch und literaturgeschichtlich reflektiert. Eine sorgfältige Lektüre lässt aber erkennen, dass ein Großteil der bis 1906 entstandenen Gedichte und Prosatexte ästhetische und poetologische Reflexionen aufweist, die eine schrittweise Entwicklung theoretischer Grundlagen für das eigene Schreiben darstellen und als Suche nach dem Standort als Künstler zu verstehen sind. Ein wichtiges Thema von Rilkes Frühwerk ist sein Reifen als Dichter und die Dichtung selbst. In umfassenden Textanalysen werden die er-sten Schritte des Pragers auf dem Weg zu einem der bedeutendsten Lyriker des 20. Jahrhunderts nachgezeichnet. Dabei geht es auch um die Beziehungen zwischen dem jungen Rilke und traditionellen aber auch zeitgenössischen Kunsttheorien, so dass zugleich eine historisch orientierte Einführung in Rilkes frühe Dichtungen entsteht.
  impressionismus: Fortschreitende Entwicklung Ferenc Lehel, Franz Lehel, 1929
  impressionismus: Haben sie mich gehasst? Kirsten Steffen, 1999
  impressionismus: Umbrüche in der deutschsprachigen Literatur um 1900 Yomb May, 2023-11-17 Kompakt, übersichtlich, vollständig – so präsentiert dieser Band das prüfungsrelevante Wissen zu den Umbrüchen in der deutschsprachigen Literatur um 1900. Vorgestellt werden die sozial- und kulturgeschichtlichen Hintergründe der Zeit, die literaturgeschichtlichen Strömungen vom Naturalismus bis zum Expressionismus, typische und neue Formen des lyrischen Sprechens und Erzählens sowie die zentralen Themen und Motive in der Literatur der Epoche. Checklisten mit den zentralen Begriffen erleichtern die selbständige Erarbeitung und die Lernkontrolle. Damit gelingt die effiziente Vorbereitung für eine erfolgreiche Abiturprüfung!
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