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| international blue film video: Film, Video, and Audio Productions Supported by Multiculturalism Programs, 1973-1992 Daniel Woolford, Canada. Multiculturalism and Citizenship Canada, 1992 The purpose of this catalogue is two-fold: to broaden awareness of available audio-visual materials dealing with themes and issues related to Canadian multiculturalism; and to promote the use of these materials by educators, community and social services groups, and the public in general. Resources listed in this catalogue have received financial support, in whole or in part, from the Multiculturalism programs of the Dept. of Multiculturalism and Citizenship. The information for this publication was gathered from audio-visual project files and from consultation with producers and distributors. The catalogue is up-to-date as of Sept. 1992, with some limitations. |
| international blue film video: Film/video Canadiana , 1987 |
| international blue film video: Oregon Blue Book Oregon. Office of the Secretary of State, 1982 |
| international blue film video: Canadian Film and Video Loren R. Lerner, 1997-01-01 This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video. |
| international blue film video: First Cut 2 Gabriella Oldham, 2012-08 This new collection of twelve interviews with award-winning film editorsfiction and documentarydiscusses the art and craft of editing and explores the transition from the age of celluloid to the digital age. |
| international blue film video: The Arts on Television, 1976-1990 Rebecca Krafft, 1991 |
| international blue film video: Sightlines , 1992 |
| international blue film video: Black Men on Race, Gender, and Sexuality Devon Carbado, 1999-07 A groundbreaking anthology of essays providing commentary on gender and sexuality inclusion in the antiracist movement In late 1995, the Million Man March drew hundreds of thousands of black men to Washington, DC, and seemed even to skeptics a powerful sign not only of black male solidarity, but also of black racial solidarity. Yet while generating a sense of community and common purpose, the Million Man March, with its deliberate exclusion of women and implicit rejection of black gay men, also highlighted one of the central faultlines in African American politics: the role of gender and sexuality in antiracist agenda. In this groundbreaking anthology, a companion to the highly successful Critical Race Feminism, Devon Carbado changes the terms of the debate over racism, gender, and sexuality in black America. The essays cover such topics as the legal construction of black male identity, domestic abuse in the black community, the enduring power of black machismo, the politics of black male/white female relationships, racial essentialism, the role of black men in black women's quest for racial equality, and the heterosexist nature of black political engagement. Featuring work by Cornel West, Huey Newton, Henry Louis Gates, Jr., A. Leon Higginbotham, Jr., Houston Baker, Marlon T. Riggs, Dwight McBride, Michael Awkward, Ishmael Reed, Derrick Bell, and many others, Devon Carbado's anthology stakes out new territory in the American racial landscape.—Critical America, A series edited by Richard Delgado and Jean Stephancic |
| international blue film video: Careers in Wildlife Film-Making Piers Warren, 2006-02-09 The unique book by Piers Warren, packed with guidance and advice for aspiring makers of natural history films Foreword by Jeffery Boswall Described as 'long-overdue' and 'much-needed', this is not just an essential book for newcomers and wannabes - the fascinating case studies of well-known individuals, and unique discussion of the future of the industry from top professionals, make this an important read for those already working in the fields of wildlife, underwater and conservation film. There has never been a careers guide to the wildlife film industry before, and this book covers all aspects of working in this genre. Author Piers Warren explains how wildlife films are made, describes the variety of jobs and how to get started, and then supplies information on education and training, wildlife film festivals, organisations and projects. The section 'The Future of the Industry' involves no-holds-barred views from individuals with a wide variety of experience of wildlife films - combining to produce a fascinating and eye-opening vision of the future of wildlife programming. |
| international blue film video: Television and British Cinema Hannah Andrews, 2014-05-07 Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews explores the convergence between the two forms, at industrial, cultural and intermedial levels, and the ways in which the media have also been distinguished from one another through discourse and presentation. |
| international blue film video: International TV & Video Guide , 1985 |
| international blue film video: Department of the Interior and Related Agencies Appropriations for 1989: Justification of the budget estimates, Department of Energy United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1988 |
| international blue film video: Department of the Interior and related agencies appropriations for 1989 United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1988 |
| international blue film video: Transnationalism and Genre Hybridity in New British Horror Cinema Lindsey Decker, 2021-03-01 As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror’s vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies’ focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture. |
| international blue film video: Reference Materials , 2002 |
| international blue film video: Billboard , 1984-11-17 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| international blue film video: The SAGE International Encyclopedia of Mass Media and Society Debra L. Merskin, 2019-11-12 The reference will discuss mass media around the world in their varied forms—newspapers, magazines, radio, television, film, books, music, websites, and social media—and will describe the role of each in both mirroring and shaping society. |
| international blue film video: International Television , 1983 |
| international blue film video: Manufacturing Consent Institute of Policy Alternatives (Montréal, Québec), 1994 Manufacturing Consent Noam Chomsky and the Media, the companion book to the award-winning film, charts the life of America's most famous dissident, from his boyhood days running his uncle's newsstand in Manhattan to his current role as outspoken social critic. A complete transcript of the film is complemented by key excerpts from the writings, interviews and correspondence. Also included are exchanges between Chomsky and his critics, historical and biographical material, filmmakers' notes, a resource guide, more than 270 stills from the film and 18 Philosopher All-Stars Trading Cards! Mark Achbar has applied a wide range of creative abilities and technical skills to over 50 films, videos, and books. He has worked as editor, researcher and production coordinator. A juicily subversive biographical/philosophical documentary bristling and buzzing with ideas.-Washington Post You will see the whole sweep of the most challenging critic in modern political thought.-Boston Globe One of our real geniuses, an excellent introduction.-Village Voice An intellectually challenging crash course in the man's cooly contentious analysis, laying out his thoughts in a package that is clever and accessible.-Los Angeles Times Contents: The Man. Early Influences. Vietnam A Turning Point. On His Role. The Media. Thought Control in Democratic Societies. A Propaganda Model. The Gulf War. A Case Study Cambodia & East Timor. Concision A Structural Constraint. Sports Rap with Noam Chomsky. A Cabal of Anti-Conspiricists. Media in Media, Pennsylvania. Alternative Media. The Linguist. Basic Premises. Nim Chimsky: Chimpanzee. And the Elusive Connection to his Politics. The Social Order. On Education. Anarchism/Libertarian Socialism. Resistance & Critical Analysis. The Critics (Media-Based). William F. Buckley, Jr. Firing Line. David Frum Journalist, Washington Post. Jeff Greenfield Producer, Nightline. Karl E. Meyer Editorial Writer, The New York Times. Peter Worthington Editor, The Ottawa Sun. The Critics (Other Elites). Fritz Bolkestein Former Dutch Minister of Defense. Michel Foucault Philosopher. Yossi Olmert Tel Aviv University. John Silber |
| international blue film video: Media Resource Catalog from the National Audiovisual Center , 1990 |
| international blue film video: The College Blue Book Huber William Hurt, Harriet-Jeanne Hurt, 2002 |
| international blue film video: Billboard , 2001-03-17 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
| international blue film video: British Thrillers, 1950-1979 Franz Antony Clinton, 2020-11-10 The three decades following WWII are considered the golden age of the British thriller film. Newer characters like James Bond, along with established icons such as Sherlock Holmes, Miss Marple and The Saint, all contributed to the era's bountiful array of cinematic mystery, danger, excitement and suspense. For the first time, the extensive output of British thrillers from 1950 to 1979 is covered in one volume. Themed chapters cover a total of 845 films including spy thrillers, mystery thrillers, psychological thrillers, action-adventure thrillers, and crime thrillers. Within these chapters, films appear chronologically, each with a synopsis/review. Additional information provided for each film includes production companies and alternate British and U.S. titles, and the work includes eight useful appendices. |
| international blue film video: American Film , 1982 |
| international blue film video: Disposable Passions David Church, 2016-09-22 Through changes in archival and industrial practices, the very pastness of vintage pornographic cinema becomes a source of both eroticism and cultural conflict. |
| international blue film video: Communicating Ideas with Film, Video, and Multimed , Written for a broad audience of professional informational and corporate filmmakers, film students, technical writers, and clients, this book is an insider's perspective on the informational media industry. The author presents his astute views on the state of the profession and offers sage, constructive advice for the successful design and production of information motion-media. (Midwest). |
| international blue film video: Native Americans on Film M. Elise Marubbio, Eric L. Buffalohead, 2013-02-22 “An essential book for courses on Native film, indigenous media, not to mention more general courses . . . A very impressive and useful collection.” —Randolph Lewis, author of Navajo Talking Picture The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement. “Accomplished scholars in the emerging field of Native film studies, Marubbio and Buffalohead . . . focus clearly on the needs of this field. They do scholars and students of Native film a great service by reprinting four seminal and provocative essays.” —James Ruppert, author of Meditation in Contemporary Native American Literature “Succeed[s] in depicting the complexities in study, teaching, and creating Native film . . . Regardless of an individual’s level of knowledge and expertise in Native film, Native Americans on Film is a valuable read for anyone interested in this topic.” —Studies in American Indian Literatures |
| international blue film video: Directory of Women Business Owners , 1987 |
| international blue film video: The Dance Film and Video Guide Dance Films Association, 1991 |
| international blue film video: PC Mag , 1993-12-07 PCMag.com is a leading authority on technology, delivering Labs-based, independent reviews of the latest products and services. Our expert industry analysis and practical solutions help you make better buying decisions and get more from technology. |
| international blue film video: Catalog of Educational Captioned Films/videos for the Deaf , 1990 |
| international blue film video: International Business and Trade Directories Richard Gottlieb, 2003 |
| international blue film video: Awards, Honors, and Prizes , 2010 |
| international blue film video: Woman, Body, Desire in Post-Colonial India Jyoti Puri, 2002-09-11 First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company. |
| international blue film video: Pulp Fiction to Film Noir William Hare, 2014-01-10 During the Great Depression, pulp fiction writers created a new, distinctly American detective story, one that stressed the development of fascinating, often bizarre characters rather than the twists and turns of clever plots. This new crime fiction adapted brilliantly to the screen, birthing a cinematic genre that French cinema intellectuals following World War II christened film noir. Set on dark streets late at night, in cheap hotels and bars, and populated by the dangerous people who frequented these locales, these films introduced a new antihero, a tough, brooding, rebellious loner, embodied by Humphrey Bogart as Sam Spade in The Maltese Falcon and Philip Marlowe in The Big Sleep. This volume provides a detailed exploration of film noir, tracing its evolution, the influence of such legendary writers as Dashiell Hammett and Raymond Chandler, and the films that propelled this dark genre to popularity in the mid-20th century. |
| international blue film video: All of Me Jos Willems, 2006-04-30 Louis 'Satchmo' Armstrong was not only jazz's greatest musician and innovator, but also arguably its most famous entertainer and the frontal figure in the development of contemporary popular music. Overcoming social and political obstacles, he created a long and impressive career and an enormous musical output. Now, his ground breaking musical career is amassed and detailed in this discography of all his works, from professionally made commercial releases, to amateur and unissued recordings. All of Me is a comprehensive, chronological discography born out of love and admiration for Louis Armstrong, and devotion to years of collecting his musical accomplishments. Author Jos Willems has meticulously compiled all of Satchmo's known recordings_both studio and live performances_and with assistance from internationally renowned specialists, has assembled an impressively detailed, accurate, and complete listing. This volume is superbly formatted and presented, logically organized, and thoroughly indexed by song title and individual. Researchers, collectors, and enthusiasts can easily look up any detail of a recording: issues and releases of particular songs; publishing companies; producers; catalog numbers; dates, times, and locations of recordings; musicians Armstrong played with; and format, be it 78 or 45 RPM records, LPs, CDs, or media appearances. Every detail of Armstrong's career is listed in this impressive volume, shedding light on the enormity of his impact on jazz and popular culture. This is the ultimate reference guide for the complete works of Louis Armstrong. |
| international blue film video: The Video Annual, 1990-1991 Jean T. Kreamer, 1991 |
| international blue film video: International Documentary , 2004 |
| international blue film video: Undercurrent Jim Gabour, 2008-04-01 New Orleans after Hurricane Katrina in 2005 was a devastated city: neglected by the authorities, deprived of basic services, deserted by thousands of its inhabitants, haunted by loss and tragedy. Jim Gabour, film producer, writer and director, decided to stay. In the months after Katrina, he sent www.openDemocracy.net a series of reports and reflections on how he, his family, his neighbours, friends and fellow-citizens were coping with the aftermath and reconstructing their homes and lives. These witty, understated, observant, characterful tales of the city are now collected in the fourth edition of the openDemocracy Quarterly. In Jim Gabour's everyday epics of survival and discovery, the heart and soul of wounded but life-affirming New Orleans quietly unfolds. |
| international blue film video: Paris/Manhattan Peter Wollen, 2004 Peter Wollen is a master in the art of making unexpected connections, and this new book suggests many different ways of writing and thinking about art. |
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