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| indian literature an introduction: Indian Literature: An Introduction University of Delhi, 2005 Indian Literature: An Introduction is the first ever bilingual collection that includes some of the most significant writing in Indian Literature from its beginnings more than four thousand years ago to the present. It includes selections from the epics, drama, the novel, poems, a letter, an essay and short stories. The literary encounter is enriched with the juxtaposition of English and Hindi translation which set up a dialogue with the original language and between themselves. |
| indian literature an introduction: Indian Literature An Introduction (du) University Of Delhi, 2005 |
| indian literature an introduction: Indian Literature: An Introduction University of Delhi, 2005-09 |
| indian literature an introduction: The Idea of Indian Literature Preetha Mani, 2022-08-15 Winner of the 2023 Aldo and Jeanne Scaglione Prize for South Asian Studies Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature, written in as well as against English. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. In The Idea of Indian Literature, she explores the paradox that a single canon can be written in multiple languages, each with their own evolving relationships to one another and to English. Hindi, representing national aspirations, and Tamil, epitomizing the secessionist propensities of the region, are conventionally viewed as poles of the multilingual continuum within Indian literature. Mani shows, however, that during the twentieth century, these literatures were coconstitutive of one another and of the idea of Indian literature itself. The writers discussed here—from short-story forefathers Premchand and Pudumaippittan to women trailblazers Mannu Bhandari and R. Chudamani—imagined a pan-Indian literature based on literary, rather than linguistic, norms, even as their aims were profoundly shaped by discussions of belonging unique to regional identity. Tracing representations of gender and the uses of genre in the shifting thematic and aesthetic practices of short vernacular prose writing, the book offers a view of the Indian literary landscape as itself a field for comparative literature. |
| indian literature an introduction: The Vintage Book of Modern Indian Literature Amit Chaudhuri, 2004-11-01 Chaudhuri's extravagant and discerning collection unfurls the full diversity of Indian writing from the 1850s to the present in English, and in elegant new translations from Bengali, Hindi, and Urdu. Among the 38 authors represented are contemporary superstars such as Salman Rushdie, Vikram Seth, and Pankaj Mishra. |
| indian literature an introduction: Indian Literature and the World Rossella Ciocca, Neelam Srivastava, 2017-05-09 This book is about the most vibrant yet under-studied aspects of Indian writing today. It examines multilingualism, current debates on postcolonial versus world literature, the impact of translation on an “Indian” literary canon, and Indian authors’ engagement with the public sphere. The essays cover political activism and the North-East Tribal novel; the role of work in the contemporary Indian fictional imaginary; history as felt and reconceived by the acclaimed Hindi author Krishna Sobti; Bombay fictions; the Dalit autobiography in translation and its problematic international success; development, ecocriticism and activist literature; casteism and access to literacy in the South; and gender and diaspora as dominant themes in writing from and about the subcontinent. Troubling Eurocentric genre distinctions and the split between citizen and subject, the collection approaches Indian literature from the perspective of its constant interactions between private and public narratives, thereby proposing a method of reading Indian texts that goes beyond their habitual postcolonial identifications as “national allegories”. |
| indian literature an introduction: English, August Upamanyu Chatterjee, 2006-04-04 Agastya Sen, known to friends by the English name August, is a child of the Indian elite. His friends go to Yale and Harvard. August himself has just landed a prize government job. The job takes him to Madna, “the hottest town in India,” deep in the sticks. There he finds himself surrounded by incompetents and cranks, time wasters, bureaucrats, and crazies. What to do? Get stoned, shirk work, collapse in the heat, stare at the ceiling. Dealing with the locals turns out to be a lot easier for August than living with himself. English, August is a comic masterpiece from contemporary India. Like A Confederacy of Dunces and The Catcher in the Rye, it is both an inspired and hilarious satire and a timeless story of self-discovery. |
| indian literature an introduction: Native American Perspectives on Literature and History Alan R. Velie, 1995 James Ruppert explores the bicultural nature of Indian writers and discusses strategies they employ in addressing several audiences at once: their tribe, other Indians, and other Americans. Helen Jaskoski analyzes the genre of autoethnography, or Indian historical writing, in an Ottawa writer's account of a smallpox epidemic. Kimberly Blaeser, a Chippewa, writes about how Indian writers reappropriate their history and stories of their land and people. Robert Allen Warrior, an Osage, examines the ideas of the leading Indian philosopher in America, Vine Deloria, Jr., who calls for a return to traditional tribal religions. Robert Berner exposes the incomplete myths and false legends pervading Indian views of American history. Alan Velie discusses the issue of historical objectivity in two Indian historical novels, James Welch's Fools Crow and Gerald Vizenor's The Heirs of Columbus. Kurt M. Peters relates how Laguna Indians retained their culture and identity while living in the boxcars of the Santa Fe Railroad Indian Village at Richmond, California. Juana Maria Rodriguez examines power relations in Gerald Vizenor's narrative of a Dakota Indian accused of murder in 1967, Thomas White Hawk. Finally, Gerald Vizenor, a Chippewa, discusses Indian conceptions of identity in contemporary America, including simulations he calls postindian identity.. |
| indian literature an introduction: Handbook of Twentieth-Century Literatures of India Nalini Natarajan, 1996-09-09 India has a rich literary assemblage produced by its many different regional traditions, religious faiths, ethnic subcultures and linguistic groups. The published literature of the 20th century is a particularly interesting subject and is the focus of this book, as it represents the provocative conjuncture of the transitions of Indian modernity. This reference book surveys the major regional literatures of contemporary India in the context of the country's diversity and heterogeneity. Chapters are devoted to particular regions, and the arrangement of the work invites comparisons of literary traditions. Chapters provide extensive bibliographies of primary works, thus documenting the creative achievement of numerous contemporary Indian authors. Some chapters cite secondary works as well, and the volume concludes with a list of general works providing further information. An introductory essay overviews theoretical concerns, ideological and aesthetic considerations, developments in various genres, and the history of publishing in regional literatures. The introduction provides a context for approaching the chapters that follow, each of which is devoted to the literature of a particular region. Each chapter begins with a concise introductory section. The body of each chapter is structured according to social and historical events, literary forms, or broad descriptive or analytic trends, depending on the particular subject matter. Each chapter then closes with an extensive bibliography of primary works, thus documenting the rich literary tradition of the region. Some chapters also cite secondary sources as an aid to the reader. The final chapters of the book address special topics, such as sub-cultural literatures, or the interplay between literature and film. A list of additional sources of general information concludes the volume. |
| indian literature an introduction: The Individual and Society , 2005-09 |
| indian literature an introduction: The Absolutely True Diary of a Part-time Indian Sherman Alexie, 2008 Tells the story of Junior, a budding cartoonist who leaves his school on the Spokane Indian Reservation to attend an all-white high school. |
| indian literature an introduction: The Way to Rainy Mountain N. Scott Momaday, 1976-09-01 First published in paperback by UNM Press in 1976, The Way to Rainy Mountain has sold over 200,000 copies. The paperback edition of The Way to Rainy Mountain was first published twenty-five years ago. One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth. The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself.--from the new Preface |
| indian literature an introduction: History of Indian Literature Moriz Winternitz, 1963 |
| indian literature an introduction: Postcolonial Literature Pramod K. Nayar, 2008 |
| indian literature an introduction: A Source Book in Indian Philosophy Sarvepalli Radhakrishnan, Charles A. Moore, 2014-07-17 Here are the chief riches of more than 3,000 years of Indian philosophical thought-the ancient Vedas, the Upanisads, the epics, the treatises of the heterodox and orthodox systems, the commentaries of the scholastic period, and the contemporary writings. Introductions and interpretive commentaries are provided. |
| indian literature an introduction: HIST OF INDIAN LITERATURE Albrecht 1825-1901 Weber, John Mann, Theodor 1851-1934 Zachariae, 2016-08-26 |
| indian literature an introduction: The Making of Indian English Literature Subhendu Mund, 2021-07-08 The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, biography, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publishing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka. |
| indian literature an introduction: Ararapíkva Julian Lang, 1994 With text in both Karuk and English, this book offers an indepth experience of the beauties and mysteries of Karuk literature at its best. |
| indian literature an introduction: An Invitation to Indian Cooking Madhur Jaffrey, 2023-11-21 A beautiful fiftieth-anniversary edition of the essential Indian cookbook—the final word on the subject (The New York Times)—featuring a new introduction by the author and a new foreword by Yotam Ottolenghi An instant classic upon publication, this book teaches home cooks perfect renditions of dishes such as Mulligatawny Soup, Whole Wheat Samosas, and Chicken Biryani, alongside Green Beans with Mustard, Khitcherie Unda (scrambled eggs, Indian style), and Nargisi Kofta (large meatballs stuffed with hard-boiled eggs). The “queen of Indian cooking (Saveur), Madhur Jaffrey helped introduce generations of American home cooks to the foods of the subcontinent. In An Invitation to Indian Cooking—widely considered one of the best cookbooks of all time and enshrined in the James Beard Foundation’s Cookbook Hall of Fame—Jaffrey gives readers a sweeping survey of the rich culinary traditions of her home. Living in London and homesick, she was prompted to re-create the dishes of her Delhi childhood. Jaffrey taught herself the art of Indian cuisine and, in this groundbreaking book, she shares those lessons with us all. Featuring more than 160 recipes, the book covers everything from appetizers, soups, vegetables, and meats to fish, chutneys, breads, desserts, and more. From recipes for formal occasions to the making of everyday staples such as dals, pickles, and relishes, Jaffrey’s “invitation” has proved irresistible for generations of American home cooks. Beautifully redesigned—and with a new foreword by the author and a new introduction by superfan, Yotam Ottolenghi—and featuring Jaffrey's own illustrations, this anniversary edition celebrates An Invitation to Indian Cooking’s half a century as the go-to text on Indian cooking. |
| indian literature an introduction: The Nation of India in Contemporary Indian Literature A. Guttman, 2007-10-15 This book investigates representations of the nation of India as characterized by unity and diversity in the works of six contemporary novelists, linking their work to important political, historical and theoretical writings. |
| indian literature an introduction: A Sketch of Anglo-Indian Literature Edward Farley Oaten, 2019-01-15 First published in 1908, Farley pioneering essay on the subject of Anglo Indian literature, by this point had never been attempted to be explored in such detail at the time of winning the coveted Cambridge University Le Bas Prize Essay, 1907. Focusing on prominent Anglo English writers , such as Rudyard Kipling , Farley Oaten and examining the plethora of their work in the context of the British Raj. |
| indian literature an introduction: A Concise History of Indian Literature in English Arvind Krishna Mehrotra, 2008 For anyone interested in the story of English in India, or in the finest English storytellers of India, this is the essential companion. This book is a history of two hundred years of Indian literature in English. It starts by looking at the introduction of English into India s complex language scenario around 1800. It then takes up the canonical poets, novelists, and dramatists, as well as a few unjustly forgotten figures, who have made significant contributions to the evolution of Indian literature in English. The book comprises twenty-four chapters, written by some of India s foremost scholars and critics. Each chapter is devoted either to a single author (Kipling, Tagore, Sri Aurobindo, R.K. Narayan), or to a group of authors (the Dutt family of nineteenth-century Calcutta; the Indian diasporic writers of the twentieth century), or to a genre (beginnings of the Indian novel; poetry since Independence). |
| indian literature an introduction: Song of the Turtle Paula Gunn Allen, 1996 * Sherman Alexie * Paula Gunn Allen * Esther Belin * Betty Louis Bell * Beth Brant * Joseph Bruchac * Michelle Clinton * Robert J. Conely * Dan L. Crank * Michael Dorris * Debra Earling * Louise Erdrich * Diane Glancy * Roxy Gordon * Joy Harjo * Linda Hogan * Dean Ing * Thomas King * Lee Maracle * N. Scott Momaday * Louis Owens * Opal Lee Popkes * Susan Power * D. Renville * Ralph Salisbury * Leslie Marmon Silko * Patricia Clark Smith * Martin Cruz Smith * Mary Randle TallMountain * Luci Tapahonso * Alice Walker * Karen Wallace * Anna Lee Walters * Emma Lee Warrior * James Welch In this stunning collection of American Indian literature, scholar and literary critic Paula Gunn Allen gathers together the best Native writing--indeed, some of the best American writing--from the last two decades. Song of the Turtle creates an eloquent cycle of story and self-exploration from the works of both major writers and emerging talents, and represents a unique survey of contemporary Native American work. In more than thirty luminous stories, American Indian writers explore the ways in which spirituality, ritual, and identity infuse and define the contemporary Native world. Patricia Clark Smith creates an Albuquerque housewife seduced by the music of the Hump Back Flute Player. Louise Erdrich immerses us in danger, conflict, and mystery during an evening of bingo. Michael Dorris tells a droll tale of courtship in a gynocentric Native society. Recent Native fiction is a powerful sign of the sense of renewal and hope emanating from urban neighborhoods, rural communities, and reservations. This sense arises from the collision of despair, rage, laughter, and celebration, the intense meeting ofthe ancient and the not-yet-come. From it Allen has created Song of the Turtle, the canon of the future and an immensely powerful contribution to American literature. |
| indian literature an introduction: North American Indians: A Very Short Introduction Theda Perdue, Michael D. Green, 2010-08-16 When Europeans first arrived in North America, between five and eight million indigenous people were already living there. But how did they come to be here? What were their agricultural, spiritual, and hunting practices? How did their societies evolve and what challenges do they face today? Eminent historians Theda Perdue and Michael Green begin by describing how nomadic bands of hunter-gatherers followed the bison and woolly mammoth over the Bering land mass between Asia and what is now Alaska between 25,000 and 15,000 years ago, settling throughout North America. They describe hunting practices among different tribes, how some made the gradual transition to more settled, agricultural ways of life, the role of kinship and cooperation in Native societies, their varied burial rites and spiritual practices, and many other features of Native American life. Throughout the book, Perdue and Green stress the great diversity of indigenous peoples in America, who spoke more than 400 different languages before the arrival of Europeans and whose ways of life varied according to the environments they settled in and adapted to so successfully. Most importantly, the authors stress how Native Americans have struggled to maintain their sovereignty--first with European powers and then with the United States--in order to retain their lands, govern themselves, support their people, and pursue practices that have made their lives meaningful. Going beyond the stereotypes that so often distort our views of Native Americans, this Very Short Introduction offers a historically accurate, deeply engaging, and often inspiring account of the wide array of Native peoples in America. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam. |
| indian literature an introduction: An Introduction to Classical Indian Literature Subodh Kapoor, 2003 |
| indian literature an introduction: The Indian Partition in Literature and Films Rini Bhattacharya Mehta, Debali Mookerjea-Leonard, 2014-12-17 This book presents an examination of fictional representations, in books and films, of the 1947 Partition that led to the creation of the sovereign nation-states of India and Pakistan. While the process of representing the Partition experience through words and images began in the late 1940s, it is only in the last few decades that literary critics and film scholars have begun to analyse the work. The emerging critical scholarship on the Partition and its aftermath has deepened our understanding of the relationship between historical trauma, collective memory, and cultural processes, and this book provides critical readings of literary and cinematic texts on the impact of the Partition both in the Punjab and in Bengal. The collection assembles studies on Anglophone writings with those on the largely unexplored vernacular works, and those which have rarely found a place in discussions on the Partition. It looks at representations of women’s experiences of gendered violence in the Partition riots, and how literary texts have filled in the lack of the ‘human dimension’ in Partition histories. The book goes on to highlight how the memory of the Partition is preserved, and how the creative arts’ relation to public memory and its place within the public sphere has changed through time. Collectively, the essays present a nuanced understanding of how the experience of violence, displacement, and trauma shaped postcolonial societies and subjectivities in the Indian subcontinent. Mapping the diverse topographies of Partition-related uncertainties and covering both well-known and lesser-known texts on the Partition, this book will be a useful contribution to studies of South Asian History, Asian Literature and Asian Film. |
| indian literature an introduction: The Indian in American Southern Literature Melanie Benson Taylor, 2020-07-16 Explores the abundance of Native American representations in US Southern literature. |
| indian literature an introduction: Surdas Sūradāsa, 1982 Selection from Sūradāsa, 1483?-1563?, Hindi devotional poet. |
| indian literature an introduction: A History of Indian Literature in English Arvind Krishna Mehrotra, 2003 |
| indian literature an introduction: An Introduction to Indian Philosophy Bina Gupta, 2012-04-19 An Introduction to Indian Philosophy offers a profound yet accessible survey of the development of India’s philosophical tradition. Beginning with the formation of Brahmanical, Jaina, Materialist, and Buddhist traditions, Bina Gupta guides the reader through the classical schools of Indian thought, culminating in a look at how these traditions inform Indian philosophy and society in modern times. Offering translations from source texts and clear explanations of philosophical terms, this text provides a rigorous overview of Indian philosophical contributions to epistemology, metaphysics, philosophy of language, and ethics. This is a must-read for anyone seeking a reliable and illuminating introduction to Indian philosophy. |
| indian literature an introduction: Partition Literature and Cinema Jaydip Sarkar, Rupayan Mukherjee, 2020-04-30 This book studies literary and cinematic representations of the Partition of India. It discusses Partition as not just an immediate historical catastrophe but as a lingering cultural presence and consequently a potent trope in literary and visual representations. The volume features essays on key texts -- written and visual -- including Train to Pakistan, Toba Tek Singh, Basti, Garm Hava, Pinjar, among others. Partition Literature and Cinema will be indispensable introductory reading for students and researchers of modern Indian history, Partition studies, literature, film studies, media and cultural studies, popular culture and performance, postcolonial studies, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history. |
| indian literature an introduction: The Great Indian Novel Shashi Tharoor, 2011-09-01 In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence. |
| indian literature an introduction: West Indian Literature Bruce King, 1995 An academic critical history and survey of West Indian literature in English. |
| indian literature an introduction: An Introduction to English Literature Henry Spackman Pancoast, 1894 |
| indian literature an introduction: An Introduction to the Study of Indian History Late Damodar Dharmanand Kosambi, 2019-01-17 The use of scientific methodology, modern techniques of interpretation, and selection and analysis of basic problems make An Introduction to the Study of Indian History a vivid and absorbing read. The author has thrown open new fields for research through this book, which serves as a critical guide to scientific historical thought. It helps the reader gain profound insight into the past by examining monuments, customs and surviving records. At the same time, the present is shown to be the inevitable result of a steady historical development. Complete grasp of the material and mastery of detail shown in the survey of the development from a pre-historic tribal society to the present machine-age make this volume a unique contribution to contemporary historiography. This book is the culmination of patient research and mature reflection of a profoundly original mind and has earned universal recognition and honour over the last few decades. |
| indian literature an introduction: The Invention of Private Life Sudipta Kaviraj, 2015 An acclaimed political thinker traces the intimate experiences of history in the formal experiments of modern literature. |
| indian literature an introduction: Texts, Histories, Geographies P. P. Raveendran, 2009 |
| indian literature an introduction: Sea of Poppies Amitav Ghosh, 2015-04-24 A motley array of sailors and stowaways, coolies and convicts is sailing down the Hooghly aboard the Ibis on its way to Mauritius. As they journey across the Indian Ocean old family ties are washed away, and they begin to view themselves as jahaj-bhais or ship brothers who will build new lives for themselves in the remote islands where they are being taken. A stunningly vibrant and intensely human work, Sea of Poppies, the first book in the Ibis trilogy, confirms Amitav Ghosh’s reputation as a master storyteller. |
| indian literature an introduction: Classic Indian Literature , 2009 |
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