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| jam session in interview: Inspecting the Interview Carsten Junker, 2024-09-03 Interviews are omnipresent in scholarship and public discourses. They play a crucial role in various spheres, from collecting research data to providing persons in the public eye a platform in print and online media. Interviews do not only capture a dialogue; they provide a framework in which dialogue gets staged. As such a framework, the interview protocols experiential knowledge and personal experience in certain ways, according interlocutors different degrees of authority to speak. The volume contributes state-of-the-art research on what conclusions can be drawn from these and further reflections for a general assessment of the interview as method and form; it offers fundamental conceptualizations of the interview as a structured and mediated site of knowledge production. Theoreticians and practitioners assembled here conceptualize the interview from perspectives in different fields of the humanities and social sciences such as linguistics, literary and cultural studies, musicology, psychology, and philosophy. |
| jam session in interview: Interviewing for Social Scientists Hilary Arksey, Peter T Knight, 1999-08-25 Students at postgraduate, and increasingly at undergraduate, level are required to undertake research projects and interviewing is the most frequently used research method. Interviewing for Social Scientists provides a comprehensive and authoritative introduction to interviewing. It covers all the issues that arise in interview work: theories of interviewing; design; application; and interpretation. Richly illustrated with relevant examples, each chapter includes handy statements of advantages and disadvantages of the approaches discussed. |
| jam session in interview: Guitar King David Dann, 2019-10-15 Named one of the world’s great blues-rock guitarists by Rolling Stone, Mike Bloomfield (1943–1981) remains beloved by fans nearly forty years after his untimely death. Taking readers backstage, onstage, and into the recording studio with this legendary virtuoso, David Dann tells the riveting stories behind Bloomfield’s work in the seminal Paul Butterfield Blues Band and the mesmerizing Electric Flag, as well as the Super Session album with Al Kooper and Stephen Stills, Bob Dylan’s Highway 61 Revisited, and soundtrack work with Peter Fonda and Jack Nicholson. In vivid chapters drawn from meticulous research, including more than seventy interviews with the musician’s friends, relatives, and band members, music historian David Dann brings to life Bloomfield’s worlds, from his comfortable upbringing in a Jewish family on Chicago’s North Shore to the gritty taverns and raucous nightclubs where this self-taught guitarist helped transform the sound of contemporary blues and rock music. With scenes that are as electrifying as Bloomfield’s music, this is the story of a life lived at full volume. |
| jam session in interview: David Baker Monika Herzig, 2011-11-16 A Living Jazz Legend, musician and composer David Baker has made a distinctive mark on the world of music in his nearly 60-year career—as player (chiefly on trombone and cello), composer, and educator. In this richly illustrated volume, Monika Herzig explores Baker's artistic legacy, from his days as a jazz musician in Indianapolis to his long-term gig as Distinguished Professor and Chairman of the Jazz Studies department at Indiana University. Baker's credits are striking: in the 1960s he was a member of George Russell's out there sextet and orchestra; by the 1980s he was in the jazz educator's hall of fame. His compositions have been recorded by performers as diverse as Dexter Gordon and Janos Starker, the Beaux Arts Trio, the Composer's String Quartet and the Czech Philharmonic. Featuring enlightening interviews with Baker and a CD of unreleased recordings and Baker compositions, this book brings a jazz legend into clear view. |
| jam session in interview: Nashville Cats Travis D. Stimeling, 2020-04-01 The Nashville Cats bounced from studio to studio along the city's Music Row, delivering instrumental backing tracks for countless recordings throughout the mid-20th century. Music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy were among this group of extraordinarily versatile session musicians who defined the era of the Nashville Sound, and helped establish the city of Nashville as the renowned hub of the record industry it is today. Nashville Cats: Record Production in Music City is the first account of these talented musicians and the behind-the-scenes role they played to shape the sounds of country music. Many of the genre's most celebrated artists-Patsy Cline, Jim Reeves, Floyd Cramer, and others immortalized in the Country Music Hall of Fame and musicians from outside the genre's ranks, like Bob Dylan and Leonard Cohen, heard the call of the Nashville Sound and followed it to the city's studios, recording song after song that resonated with the brilliance of the Cats. Author Travis D. Stimeling investigates how the Nashville system came to be, how musicians worked within it, and how the desires of an ever-growing and diversifying audience affected the practices of record production. Drawing on a rich array of recently uncovered primary sources and original oral histories,Âinterviews with key players, and close exploration of hit songs, Nashville Cats brings us back into the studios of this famous era, right alongside the remarkable musicians who made it happen. |
| jam session in interview: Making It Up Together Leslie A. Tilley, 2020-04-03 Most studies of musical improvisation focus on individual musicians. But that is not the whole story. From jazz to flamenco, Shona mbira to Javanese gamelan, improvised practices thrive on group creativity, relying on the close interaction of multiple simultaneously improvising performers. In Making It Up Together, Leslie A. Tilley explores the practice of collective musical improvisation cross-culturally, making a case for placing collectivity at the center of improvisation discourse and advocating ethnographically informed music analysis as a powerful tool for investigating improvisational processes. Through two contrasting Balinese case studies—of the reyong gong chime’s melodic norot practice and the interlocking drumming tradition kendang arja—Tilley proposes and tests analytical frameworks for examining collectively improvised performance. At the micro-level, Tilley’s analyses offer insight into the note-by-note decisions of improvising performers; at the macro-level, they illuminate larger musical, discursive, structural, and cultural factors shaping those decisions. This multi-tiered inquiry reveals that unpacking how performers play and imagine as a collective is crucial to understanding improvisation and demonstrates how music analysis can elucidate these complex musical and interactional relationships. Highlighting connections with diverse genres from various music cultures, Tilley’s examinations of collective improvisation also suggest rich potential for cross-genre exploration. The surrounding discussions point to larger theories of communication and interaction, creativity and cognition that will be of interest to a range of readers—from ethnomusicologists and music theorists to cognitive psychologists, jazz studies scholars, and improvising performers. Setting new parameters for the study of improvisation, Making It Up Together opens up fresh possibilities for understanding the creative process, in music and beyond. |
| jam session in interview: Freedom of Expression: Interviews with Women in Jazz Chris Becker, 2015-11-11 Since the arrival of the 21st century, jazz has evolved into a truly cross-generational, multicultural musical art form that is assimilating an unprecedented array of musical styles and techniques. At the same time, the male-dominated paradigm that has defined the historical narrative of jazz is no more. Women are shaking up the music industry while the general public is becoming much more aware of the contributions female musicians have made to jazz. Freedom of Expression: Interviews With Women in Jazz, a collection of interviews with 37 female musicians, musicians of all ages, nationalities, and races, and representing nearly every style of jazz one can imagine, provides evidence of this profound evolution. The interviewees, including Terri Lyne Carrington, Dee Dee Bridgewater, Eliane Elias, Carmen Lundy, Anat Cohen, Diane Schuur, and Sherrie Maricle, speak about their earliest experiences playing music, the years of practice required to become a professional musician, and what jazz means in the new millennium. These interviews will inform and inspire both casual and seasoned fans of this music, as well as young musicians taking their first steps in the journey to master their craft. At long last, an in-depth recognition of the female contributions to jazz. As Dr. Billy Taylor said about the lack of awareness of female musicians: 'If it isn't written down, it didn't happen.' Now everyone will know that it did happen and continues to happen. What a great gift to the history of women and music. - Judy Chaikin, director of The Girls in the Band. The interviewees: Mindi Abair - Saxophones Cheryl Bentyne - Voice Jane Ira Bloom - Soprano Saxophone Samantha Boshnack - Trumpet Dee Dee Bridgewater - Voice Terri Lyne Carrington - Drums Sharel Cassity - Saxophones Anat Cohen - Clarinet, Saxophones Jean Cook - Violin Connie Crothers - Piano Eliane Elias - Piano, Voice Ayelet Rose Gottlieb - Voice Lenae Harris- Cello Val Jeanty - Electronics, Percussion Jan Leder - Flute Jennifer Leitham - Double Bass Carmen Lundy - Voice Sherrie Maricle - Drums Jane Monheit - Voice Jacqui Naylor - Voice Aurora Nealand - Saxophones, Clarinet Iris Ornig - Double Bass Alisha Pattillo - Tenor Saxophone Roberta Piket - Piano Cheryl Pyle - Flute Nicole Rampersaud - Trumpet Sofia Rei - Voice Patrizia Scascitelli - Piano Diane Schuur - Voice Ellen Seeling - Trumpet Helen Sung - Piano Jacqui Sutton - Voice Mazz Swift - Violin, Voice Nioka Workman - Cello Pamela York - Piano Brandee Younger - Harp Malika Zarra - Voice |
| jam session in interview: Chord Changes on the Chalkboard Al Kennedy, 2005-10-20 Using over 90 original interviews, as well as his extensive research in a variety of New Orleans' archives, Dr. Kennedy deftly explores the role public school teachers had in the formative years of jazz, as well as the influence they continue to have on the musical life of one of America's foremost musical cities. As jazz and music mentors, these teachers employed creativity, innovation, and dedication in propelling some of the world's finest musicians forward into brilliant careers. Chord Changes on the Chalkboard includes a foreword by jazz legend Ellis Marsalis, Jr., and is a must for jazz fans and historians, music libraries, and for collections supporting the study of popular culture and African-American history. |
| jam session in interview: King Alpha’s Song in a Strange Land Jason Wilson, 2020-02-14 When Jackie Mittoo and Leroy Sibbles migrated from Jamaica to Toronto in the early 1970s, the musicians brought reggae with them, sparking the flames of one Canada’s most vibrant music scenes. In King Alpha’s Song in a Strange Land, professional reggae musician and scholar Jason Wilson tells the story of how the organic, transnational nature of reggae brought black and white youth together, opening up a cultural dialogue between Jamaican migrants and Canadians along Toronto’s ethnic frontlines. This underground subculture rebelled against the status quo, eased the acculturation process, and made bands such as Messenjah and the Sattalites household names for a brief but important time. By looking at Canada’s golden age of reggae from the perspective of both Jamaican migrants and white Torontonians, Wilson reveals the power of music to break through the bonds of race and ease the hardships associated with transnational migration. |
| jam session in interview: Melodic Banjo Tony Trischka, 2005-03-17 Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde. |
| jam session in interview: The Making of Latin London Patria Roman-Velazquez, 2017-07-05 An examination of how Latin American people and cultural practices have moved from between continents, exploring how Latin Americans experience this process and what part different people play in re-making Latin identities in the neighbourhoods, parks, bars and dance clubs of London. |
| jam session in interview: Chicago Jazz William Howland Kenney, 1994-10-27 The setting is the Royal Gardens Cafe. It's dark, smoky. The smell of gin permeates the room. People are leaning over the balcony, their drinks spilling on the customers below. On stage, King Oliver and Louis Armstrong roll on and on, piling up choruses, the rhythm section building the beat until tables, chairs, walls, people, move with the rhythm. The time is the 1920s. The place is South Side Chicago, a town of dance halls and cabarets, Prohibition and segregation, a town where jazz would flourish into the musical statement of an era. In Chicago Jazz, William Howland Kenney offers a wide-ranging look at jazz in the Windy City, revealing how Chicago became the major center of jazz in the 1920s, one of the most vital periods in the history of the music. He describes how the migration of blacks from the South to Chicago during and after World War I set the stage for the development of jazz in Chicago; and how the nightclubs and cabarets catering to both black and white customers provided the social setting for jazz performances. Kenney discusses the arrival of King Oliver and other greats in Chicago in the late teens and the early 1920s, especially Louis Armstrong, who would become the most influential jazz player of the period. And he travels beyond South Side Chicago to look at the evolution of white jazz, focusing on the influence of the South Side school on such young white players as Mezz Mezzrow (who adopted the mannerisms of black show business performers, an urbanized southern black accent, and black slang); and Max Kaminsky, deeply influenced by Armstrong's electrifying tone, his superb technique, his power and ease, his hotness and intensity, his complete mastery of the horn. The personal recollections of many others--including Milt Hinton, Wild Bill Davison, Bud Freeman, and Jimmy McPartland--bring alive this exciting period in jazz history. Here is a new interpretation of Chicago jazz that reveals the role of race, culture, and politics in the development of this daring musical style. From black-and-tan cabarets and the Savoy Ballroom, to the Friars Inn and Austin High, Chicago Jazz brings to life the hustle and bustle of the sounds and styles of musical entertainment in the famous toddlin' town. |
| jam session in interview: Couldn't Have a Wedding Without the Fiddler Ken Perlman, 2015-04-24 13. The Role of Radio and Recordings -- 14. The Repertoire -- 15. It's Amazing How Quick It Did Go Down--16. If Everybody Does a Little Bit, Great Things Can Happen--17. There's Been a Big Revival of Music on the Island -- Appendix A. Musical Examples -- Appendix B. Lists of Interview Sessions -- Appendix C. Lists of Collected Tunes -- Appendix D. Pronunciation Guide -- Appendix E. Discography and Suggested Listening -- Glossary -- Bibliography -- Index |
| jam session in interview: Come In and Hear the Truth Patrick Burke, 2008-08 Between the mid-1930s and the late '40s the centre of the jazz world was a two-block stretch of 52nd Street in Manhattan. Dozens of crowded basement clubs played host to legends like Charlie Parker and Billie Holiday. These clubs defied the traditional boundaries between art and entertainment, and between the races. |
| jam session in interview: Someone to Watch Over Me Frank Buchmann-Moller, 2010-02-05 For a half century, Ben Webster, one of the big three of swing tenors-along with Coleman Hawkins and Lester Young-was one of the best-known and most popular saxophonists. Early in his career, Webster worked with many of the greatest orchestras of the time, including those led by Willie Bryant, Cab Calloway, Benny Carter, Fletcher Henderson, Andy Kirk, Bennie Moten, and Teddy Wilson. In 1940 Webster became Duke Ellington's first major tenor soloist, and during the next three years he played on many famous recordings, including Cotton Tail. Someone to Watch Over Me tells, for the first time, the complete story of Ben Webster's brilliant and troubled career. For this comprehensive study of Webster, author Frank Büchmann-Møller interviewed more than fifty people in the United States and Europe, and he includes numerous translated excerpts from European periodicals and newspapers, none previously available in English. In addition, the author studies every known Webster recording and film, including many private recordings from Webster's home collection not available to the public. Exhaustively researched, this is a much needed and long overdue study of the life and music of one of jazz's most important artists. |
| jam session in interview: ADVANCED TECHNICAL COMMUNICATION KAVITA TYAGI, PADMA MISRA, 2011-02-04 Businesses use technical writing extensively to communicate both within and outside the organization. And so, it is essential for an individual aspiring to be an executive to master the art of communication. This accessible and compact book on Advanced Technical Communication discusses how students can learn and master not only the basic skills of communication but also complex skills such as soft skills and skills required for preparing technical documents. The book begins with a discussion on the concept of technical communication and then it goes on to describe the differences between technical writing and general writing, and layout and format of business letters and résumé. What is more, it elaborates on technical documents such as technical proposals, reports, and specialized documents like theses, research papers and dissertations, differentiating them adequately. Finally, the text covers many of the soft skills required today, for example, presentation skills, interpersonal skills, and group discussion (GD) skills. This student-friendly book, suffused with practical examples, is primarily intended as a text for the first year students of Engineering (B.Tech.) of Uttarakhand Technical University for their course on Advanced Technical Communication. It will also be of immense benefit to undergraduate students in other universities and engineering colleges/institutes as well as technical professionals. KEY FEATURES : Provides comprehensive coverage of soft skills. Lays emphasis on corporate communication skills required for technical writing and producing technical documents by engineers and managers. Gives a critical evaluation as well as text of George Orwell’s Animal Farm. |
| jam session in interview: International Encyclopedia of Transportation , 2021-05-13 In an increasingly globalised world, despite reductions in costs and time, transportation has become even more important as a facilitator of economic and human interaction; this is reflected in technical advances in transportation systems, increasing interest in how transportation interacts with society and the need to provide novel approaches to understanding its impacts. This has become particularly acute with the impact that Covid-19 has had on transportation across the world, at local, national and international levels. Encyclopedia of Transportation, Seven Volume Set - containing almost 600 articles - brings a cross-cutting and integrated approach to all aspects of transportation from a variety of interdisciplinary fields including engineering, operations research, economics, geography and sociology in order to understand the changes taking place. Emphasising the interaction between these different aspects of research, it offers new solutions to modern-day problems related to transportation. Each of its nine sections is based around familiar themes, but brings together the views of experts from different disciplinary perspectives. Each section is edited by a subject expert who has commissioned articles from a range of authors representing different disciplines, different parts of the world and different social perspectives. The nine sections are structured around the following themes: Transport Modes; Freight Transport and Logistics; Transport Safety and Security; Transport Economics; Traffic Management; Transport Modelling and Data Management; Transport Policy and Planning; Transport Psychology; Sustainability and Health Issues in Transportation. Some articles provide a technical introduction to a topic whilst others provide a bridge between topics or a more future-oriented view of new research areas or challenges. The end result is a reference work that offers researchers and practitioners new approaches, new ways of thinking and novel solutions to problems. All-encompassing and expertly authored, this outstanding reference work will be essential reading for all students and researchers interested in transportation and its global impact in what is a very uncertain world. Provides a forward looking and integrated approach to transportation Updated with future technological impacts, such as self-driving vehicles, cyber-physical systems and big data analytics Includes comprehensive coverage Presents a worldwide approach, including sets of comparative studies and applications |
| jam session in interview: Music for Silenced Voices Wendy Lesser, 2011-03-08 Most previous books about Dmitri Shostakovich have focused on either his symphonies and operas, or his relationship to the regime under which he lived, or both, since these large-scale works were the ones that attracted the interest and sometimes the condemnation of the Soviet authorities. Music for Silenced Voices looks at Shostakovich through the back door, as it were, of his fifteen quartets, the works which his widow characterized as a diary, the story of his soul. The silences and the voices were of many kinds, including the political silencing of adventurous writers, artists, and musicians during the Stalin era; the lost voices of Shostakovich's operas (a form he abandoned just before turning to string quartets); and the death-silenced voices of his close friends, to whom he dedicated many of these chamber works.Wendy Lesser has constructed a fascinating narrative in which the fifteen quartets, considered one at a time in chronological order, lead the reader through the personal, political, and professional events that shaped Shostakovich's singular, emblematic twentieth-century life. Weaving together interviews with the composer's friends, family, and colleagues, as well as conversations with present-day musicians who have played the quartets, Lesser sheds new light on the man and the musician. One of the very few books about Shostakovich that is aimed at a general rather than an academic audience, Music for Silenced Voices is a pleasure to read; at the same time, it is rigorously faithful to the known facts in this notoriously complicated life. It will fill readers with the desire to hear the quartets, which are among the most compelling and emotionally powerful monuments of the past century's music. |
| jam session in interview: On Jazz Alyn Shipton, 2022-05-05 Few musical genres inspire the passionate devotion of jazz. Its mystique goes far beyond the melodies and rhythms, with its key players and singers discussed by aficionados with a respect that borders on reverence. Some books on jazz offer little more than theory or dry facts, thereby relinquishing the 'essence' of the music. This book is different. One of the most influential and internationally known writers on the subject describes, through vivid personal contacts, reminiscences and zesty anecdotes, his life in jazz as a player, broadcaster and observer. Alyn Shipton recalls friendships with legendary musicians, while revealing fresh discoveries about such luminaries as Fats Waller, Louis Armstrong, Count Basie, Duke Ellington, Charlie Parker, Abbey Lincoln and Geri Allen. On Jazz powerfully evokes the atmosphere of clubs and dancehalls, and takes us behind the scenes and up onto the stage, so that this electrifying world is unforgettably spotlighted as never before. |
| jam session in interview: Norman Granz Tad Hershorn, 2011-10-17 Any book on my life would start with my basic philosophy of fighting racial prejudice. I loved jazz, and jazz was my way of doing that, Norman Granz told Tad Hershorn during the final interviews given for this book. Granz, who died in 2001, was iconoclastic, independent, immensely influential, often thoroughly unpleasant—and one of jazz’s true giants. Granz played an essential part in bringing jazz to audiences around the world, defying racial and social prejudice as he did so, and demanding that African-American performers be treated equally everywhere they toured. In this definitive biography, Hershorn recounts Granz’s story: creator of the legendary jam session concerts known as Jazz at the Philharmonic; founder of the Verve record label; pioneer of live recordings and worldwide jazz concert tours; manager and recording producer for numerous stars, including Ella Fitzgerald and Oscar Peterson. |
| jam session in interview: Thelonious Monk Robin D. G. Kelley, 2010-11-02 The first full biography of Thelonious Monk, written by a brilliant historian, with full access to the family's archives and with dozens of interviews. |
| jam session in interview: Pres Luc Delannoy, 1993-07-01 The critic Norman Granz called tenor saxophonist Lester Young the greatest musician I have heard on the instrument. Douglas Ramsey speaks of Young as the gentle bedeviled genius whose vision of beauty found expression even though he was hounded throughout his life by nearly every demon the twentieth century had managed to spawn. This is his story, told with love and candor. |
| jam session in interview: The Lost One Stephen Youngkin, 2005-09-30 Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang’s masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: “He gave one of the best performances in film history and certainly the best in his life.” Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial “graylisting” by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre’s dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. Youngkin examines for the first time Lorre’s pivotal relationship with German dramatist Bertolt Brecht, his experience as an émigré from Hitler’s Germany, his battle with drug addiction, and his struggle with the choice between celebrity and intellectual respectability.Separating the enigmatic person from the persona long associated with one of classic Hollywood’s most recognizable faces, The Lost One is the definitive account of a life triumphant and yet tragically riddled with many failed possibilities. |
| jam session in interview: DownBeat - The Great Jazz Interviews Frank Alkyer, 2009-11-01 (Book). Culled from the DownBeat archives includes in-depth interviews with literally every great jazz artist and personality that ever lived! In honor of its 75th anniversary, DownBeat 's editors have brought together in this one volume the best interviews, insights, and photographs from the illustrious history of the world's top jazz magazine, DownBeat . This anthology includes the greatest of DownBeat 's Jazz Hall of Famers: from early legends like Jelly Roll Morton, Louis Armstrong, Count Basie, Duke Ellington, and Benny Goodman; to bebop heroes like Charlie Parker, Dizzy Gillespie, John Coltrane, Sonny Rollins, and Miles Davis; to truly unique voices like Ornette Coleman, Cecil Taylor, Thelonious Monk, and Rahsaan Roland Kirk; to the pioneers of the electric scene like Chick Corea, Herbie Hancock, Pat Metheny, and Joe Zawinul. The Great Jazz Interviews delivers the legends of jazz, talking about America's music and America itself, in their own words. Features classic photos and magazine covers fron Downbeat 's vast archive. |
| jam session in interview: Dan Levenson Lewis M. Stern, David Brooks, 2023-06-09 This is a biography of Dan Levenson, an old-time banjo and fiddle player from Pittsburgh, Pennsylvania. Between 1987 and 1991, Dan worked for Goose Acres Folk Music Center in Cleveland, Ohio, where he dove deeply into old-time music. In the late 1980s, he formed the Boiled Buzzards; they recorded four albums between 1989 and 1994 and were a consistently active presence at old-time music festivals. He also played with Bob Frank during that time as one-half of the Hotfoot Duo. In 1995, he teamed up with Kim Murley and recorded New Frontier: Instrumentals from China and America. Levenson undertook his first cross-country trip as a solo performer in 1996. His traveling workshop Meet the Banjo ran with the sponsorship of Deering Banjos from the late 1990s to the early 2000s. Dan recorded three projects in the first five years of the 2000s and began editing the quarterly Old Time Way section for Banjo Newsletter in 2005. He continues performing old-time music, teaching fiddle and banjo, writing instructional and repertoire books featuring banjo and fiddle tunes for Mel Bay, and making plans for more old-time music projects. |
| jam session in interview: Live at The Cellar Marian Jago, 2018-10-15 In the 1950s and ’60s, co‐operative jazz clubs such as Vancouver’s Cellar, Edmonton’s Yardbird Suite, and Halifax’s 777 Barrington Street opened their doors in response to new forms of jazz expression emerging after the war and a lack of available performance spaces outside major urban centres. Operated on a not‐for-profit basis by the musicians themselves, these hip new clubs created spaces where young jazz musicians could practise their art close to home. Live at the Cellar looks at this unique period in the development of jazz in Canada. Centered on Vancouver’s legendary Cellar club, and including co-ops in four other cities, it explores the ways in which these clubs functioned as sites for the performance and exploration of jazz as well as magnets for countercultural expression in other arts, such as literature, theatre, and film. Marian Jago’s deft combination of new, original research with archival evidence, interviews, and photographs allows us to witness the beginnings of a pan-Canadian jazz scene as well as the emergence of key Canadian jazz figures, such as P.J. Perry, Don Thompson, and Terry Clarke, and the rise of jazz icons such as Paul Bley and Ornette Coleman. Although the Cellar and other jazz co-ops are long shuttered, in their day they created a new and infectious energy that still reverberates in Canada’s jazz scene today. |
| jam session in interview: Tommy Malboeuf Lewis M. Stern, 2022-08-11 Adopted as a child from the Masonic Home for Children at Oxford, Tommy Malboeuf grew up in Troutman, North Carolina before enlisting in the Navy in the early 1950s. After his military service, Tommy found occasional work surveying and operating heavy equipment, and he also found a personal passion in bluegrass fiddling. He performed and recorded with A.L. Wood and the Smokey Ridge Boys, Roy McMillan's High Country Boys, the Border Mountain Boys, L.W. Lambert and the Blue River Boys, C.E. Ward and his band, Garland Shuping, and Wild Country, among others. In the late 1990s, Tommy began teaching fiddle, maintaining a steady stream of students until at least the early 2000s. He continued to perform as a fiddler, filling in for a variety of local bands and recording cuts on records for bands such as Big Country Bluegrass. This text documents Tommy's life, from his humble beginnings to his lengthy fiddle career. Contextualizing Tommy's work within the Statesville-Troutman bluegrass scene, chapters also explore the local bluegrass culture of the time. Tommy's extensive repertoire is also listed, including his spectacular fiddle contest wins, band recordings, local jam field recordings, and songs recorded for students, all of which highlight his talent and expertise as a fiddler. |
| jam session in interview: The Old-time Herald , 2005 |
| jam session in interview: Cal Tjader S. Duncan Reid, 2020-08-20 Within one of the most complex musical categories yet to surface, Cal Tjader quietly pioneered the genre as a jazz vibraphonist, composer, arranger and bandleader from the 1950s through the 1980s. Reid tells the life story of a humble musician, written in a familiar, conversational tone that reveals Tjader's complex charisma. Tjader left behind a legacy and a labyrinth of influence, attested by his large audience and innovation that would change the course of jazz. Expanded and revised, this intimate biography now includes additional interviews and anecdotes from Tjader's family, bandmates, and community, print research, and rare photographs, presenting a full history of an undervalued musician, as well as a detailed account of the progression of Latin Jazz. |
| jam session in interview: The Birth of Bebop Scott DeVeaux, 2023-09-01 The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a progressive committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible. The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from tha |
| jam session in interview: Jim Scancarelli Lewis M. Stern, 2022-01-24 North Carolina fiddler and banjo player Jim Scancarelli's extensive career as a string band musician began in the early 1960s. A founding member of the Kilocycle Kowboys, one of Charlotte's longest-lived bluegrass bands, he played banjo with the Mole Hill Highlanders, and in the 1980s formed Sanitary Cafe with fiddler Tommy Malboeuf. Through the 1970s, his annual recordings at the Union Grove Fiddlers Convention captured superlative music and performer interviews. Scancarelli also had a successful career as a freelance magazine artist and collaborated on the syndicated comic strips Mutt and Jeff and Gasoline Alley, eventually taking over authorship of the latter in 1986. This biography traces his creative trajectory in music, art, radio and television, and the cartooning industry. |
| jam session in interview: Guitar Greats of Jacksonville Michael Ray Fitzgerald, 2023-02-27 Melt your face off with the guitar greats of Jacksonville. In the 1960s, the electric guitar became for boys what Barbie was for girls. Legions of bands formed, composed of teens making a ruckus in the garage. But who could have guessed how many world-renowned greats would arise from the clangor? Guitar gods came forth from Los Angeles, London, Chicago, Nashville. But there is a southern city often overlooked, an unlikely incubator that produced more than a dozen greats. Legends such as Dickey Betts, Dave Hlubek, Duane Allman, Jeff Carlisi, Mike Campbell and Derek Trucks emerged from Jacksonville, a far-flung city detached from the music hubs. Why did Jacksonville give rise to so many greats? Author Michael Ray FitzGerald explores the origins of this rocking story while paying tribute to the youngsters from Jax who joined the ranks of the guitar gods. |
| jam session in interview: Jimi Hendrix Lothar Trampert, 2025-05-22 No other musician has influenced so many artists of all genres, from Rock to Blues to HipHop and Jazz, with his songs, guitar playing, improvisations, and broad horizons as Jimi Hendrix. Even more than half a century after his untimely death on September 18, 1970, Hendrix remains an icon of pop music, with fans from all styles. ,Jimi Hendrix. Musician Popstar Icon' is a journey through the music of James Marshall Hendrix, through his studio albums and live performances, through videos, books, magazines, and websites, but also through Jimi's collection of instruments - guitars, amplifiers, effects devices - through his musical preferences to his plans, dreams, and ideas, the realization of which was prevented by his early death. A book about music - with the best soundtrack in the guitar world. The author begins by briefly recounting his first encounter with the music of Jimi Hendrix in the 1970s. This is followed by a biography of the artist, then a look at his two most important companions, drummer Mitch Mitchell and bassist Noel Redding. And then it's on to the music - the legendary albums that were released during Hendrix's lifetime and later. After an overview of guitars, amps, sounds, and studio work, and an introduction to important aspects of Jimi Hendrix's playing technique, the book examines various influences: Blues, R&B, Jazz, British rock, American avant-garde... Interview excerpts from important musicians and contemporary witnesses , like rock and blues greats such as Robin Trower, Carlos Santana, Steve Lukather, Michael Landau, Joe Satriani, Albert Collins, Richie Sambora, Billy Corgan, Reeves Gabrels, Jack Bruce, Uli Jon Roth, and Jeff Beck have their say, as do jazz and crossover artists such as Mike Stern, Nguyên Lê, Christy Doran, Hellmut Hattler and Caspar Brötzmann show fans & followers. Finally, the extensive systematic section of this book deals with the music and media that Hendrix left behind - with a comprehensive, highly detailed discography, an overview of official videos and YouTube material, tribute albums & a bibliography. The 40 Hendrix photos in the book, in color and black and white, were taken by Günter Zint, a politically engaged photographer and activist who met Jimi several times in the 1960s at the Star Club in Hamburg, in London, and at the legendary Fehmarn Open Air. You can find out more about Günter Zint in the book and on his foundation's website www.stiftung-guenter-zint.de. |
| jam session in interview: Managing Inter-Organizational Collaborations Jörg Sydow, Hans Berends, 2019-10-04 This volume contains two Open Access chapters. Volume 64 of Research in the Sociology of Organizations takes stock of research on processes of inter-organizational collaboration and explores new topics that call for inquiry. |
| jam session in interview: Nocturnes: Popular Music and the Night Geoff Stahl, Giacomo Bottà, 2019-03-27 The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes: Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse. The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them. |
| jam session in interview: Sound Experiments Paul Steinbeck, 2022-08-03 A groundbreaking study of the trailblazing music of Chicago’s AACM, a leader in the world of jazz and experimental music. Founded on Chicago’s South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. In Sound Experiments, Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association’s leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell. Sound Experiments represents a sonic history, spanning six decades, that affords insight not only into the individuals who created this music but also into an astonishing collective aesthetic. This aesthetic was uniquely grounded in nurturing communal ties across generations, as well as a commitment to experimentalism. The AACM’s compositions broke down the barriers between jazz and experimental music and made essential contributions to African American expression more broadly. Steinbeck shows how the creators of these extraordinary pieces pioneered novel approaches to instrumentation, notation, conducting, musical form, and technology, creating new soundscapes in contemporary music. |
| jam session in interview: Handbook of Health Research Methods: Investigation, Measurement and Analysis Ann Bowling, Shah Ebrahim, 2005-06-16 an ideal set text Angela Scriven, Course Leader, Brunel University Which research method should I use to evaluate services? How do I design a questionnaire? How do I conduct a systematic review of research? This handbook helps researchers to plan, carry out, and analyse health research, and evaluate the quality of research studies. The book takes a multidisciplinary approach to enable researchers from different disciplines to work side-by-side in the investigation of population health, the evaluation of health care, and in health care delivery. Handbook of Health Research Methods is an essential tool for researchers and postgraduate students taking masters courses, or undertaking doctoral programmes, in health services evaluation, health sciences, health management, public health, nursing, sociology, socio-biology, medicine and epidemiology. However, the book also appeals to health professionals who wish to broaden their knowledge of research methods in order to make effective policy and practice decisions. Contributors: Joy Adamson, Geraldine Barrett, Jane P. Biddulph, Ann Bowling, Sara Brookes, Jackie Brown, Simon Carter, Michel P. Coleman, Paul Cullinan, George Davey Smith, Paul Dieppe, Jenny Donovan, Craig Duncan, Shah Ebrahim, Vikki Entwistle, Clare Harries, Lesley Henderson, Kelvyn Jones, Olga Kostopoulou, Sarah J. Lewis, Richard Martin, Martin McKee, Graham Moon, Ellen Nolte, Alan O’Rourke, Ann Oakley, Tim Peters, Tina Ramkalawan, Caroline Sanders, Mary Shaw, Andrew Steptoe, Jonathan Sterne, Anne Stiggelbout, S.V. Subramanian, Kate Tilling, Liz Twigg, Suzanne Wait. |
| jam session in interview: Chicago-style Improv-comedy Amy E. Seham, 1997 |
| jam session in interview: The Lost Lennon Tapes Project , 2010-09 An Unauthorized Guide To The Complete Radio Series 1988 - 1992 All 218 episodes catalogued and researched plus: * complete unreleased tracks index * comparison of Bag Records bootleg tracks and Lost Lennon Tapes broadcast versions * comparison of commercially released tracks and Lost Lennon Tapes broadcast versions |
| jam session in interview: Victory Through Harmony Christina L. Baade, 2013-10 This title tells the story of the BBC's participation in the events of World War II through popular music and jazz broadcasting. Baade argues that the BBC's popular music broadcasting efforts exposed the divergent ideologies, tastes and perspectives of the nation. |
音乐人老说自己jam，是什么意思？jam是什么？ - 知乎
Jam 不一样。在 jam 里，人人都在作曲，同时也在指挥。每一个音都有蝴蝶效应，你弹什么会实时决定跟你搭配的人接下来弹什么。 Jam 有时是针锋相对的比赛，有时是心照不宣的试探。但 …
国内都有什么Game Jam活动？ - 知乎
CiGA Game Jam（简称CGJ）是华语游戏圈最大的线下Game CiGA Game Jam（简称CGJ）是华语游戏圈最大的线下Game Jam活动，近几年来，为了响应开发者们的强烈呼声，CiGA Game …
知乎 - 有问题，就会有答案
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
Steam验证后总是出现会您对 CAPTCHA 的响应似乎无效。请在下 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
如何查看自己电脑的 IP 地址？ - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
第一次报名参加GLOBAL GAMEJAM，需要准备些什么？ - 知乎
注册Global Game Jam账号 队伍和游戏的想法都确定下来后，就可以开始搞定 Global Game Jam 官网上的注册工作了，所有队员都在上面注册一个账号（已经有的不用注册），注册的时候可 …
知乎 - 知乎
有问题，上知乎。知乎，可信赖的问答社区，以让每个人高效获得可信赖的解答为使命。知乎凭借认真、专业和友善的社区氛围，结构化、易获得的优质内容，基于问答的内容生产方式和独特 …
2025年 6月 显卡天梯图（更新RTX 5060） - 知乎
May 30, 2025 · 帧数会根据测试平台不同有一些误差，但误差不会太大。 显卡推荐： 旗舰级别：rtx 5090d
2025年 6月 CPU天梯图（更新锐龙9 9950X3D） - 知乎
May 30, 2025 · cpu天梯图更注重综合性能，只具有参考意义，选择cpu要根据需求选择。 生产力用户更偏重多核性能，可以参考综合性能天梯图
兽圈的各位大多活跃在哪些网站/APP呢w？ - 知乎
Feb 22, 2019 · 除了QQ，知乎，微博twitter之外好像就没再见过了的说..兽圈里有专门的那种网站/APP吗？
音乐人老说自己jam，是什么意思？jam是什么？ - 知乎
Jam 不一样。在 jam 里，人人都在作曲，同时也在指挥。每一个音都有蝴蝶效应，你弹什么会实时决定跟你搭配的人接下来弹什么。 Jam 有时是针锋相对的比赛，有时是心照不宣的试探。但 …
国内都有什么Game Jam活动？ - 知乎
CiGA Game Jam（简称CGJ）是华语游戏圈最大的线下Game CiGA Game Jam（简称CGJ）是华语游戏圈最大的线下Game Jam活动，近几年来，为了响应开发者们的强烈呼声，CiGA Game …
知乎 - 有问题，就会有答案
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
Steam验证后总是出现会您对 CAPTCHA 的响应似乎无效。请在下 …
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
如何查看自己电脑的 IP 地址？ - 知乎
知乎，中文互联网高质量的问答社区和创作者聚集的原创内容平台，于 2011 年 1 月正式上线，以「让人们更好的分享知识、经验和见解，找到自己的解答」为品牌使命。知乎凭借认真、专业 …
第一次报名参加GLOBAL GAMEJAM，需要准备些什么？ - 知乎
注册Global Game Jam账号 队伍和游戏的想法都确定下来后，就可以开始搞定 Global Game Jam 官网上的注册工作了，所有队员都在上面注册一个账号（已经有的不用注册），注册的时候可 …
知乎 - 知乎
有问题，上知乎。知乎，可信赖的问答社区，以让每个人高效获得可信赖的解答为使命。知乎凭借认真、专业和友善的社区氛围，结构化、易获得的优质内容，基于问答的内容生产方式和独特 …
2025年 6月 显卡天梯图（更新RTX 5060） - 知乎
May 30, 2025 · 帧数会根据测试平台不同有一些误差，但误差不会太大。 显卡推荐： 旗舰级别：rtx 5090d
2025年 6月 CPU天梯图（更新锐龙9 9950X3D） - 知乎
May 30, 2025 · cpu天梯图更注重综合性能，只具有参考意义，选择cpu要根据需求选择。 生产力用户更偏重多核性能，可以参考综合性能天梯图
兽圈的各位大多活跃在哪些网站/APP呢w？ - 知乎
Feb 22, 2019 · 除了QQ，知乎，微博twitter之外好像就没再见过了的说..兽圈里有专门的那种网站/APP吗？
