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| isaku yanaihara wiki: Our Laundry, Our Town Alvin Eng, 2022-05-17 With humor and grace, the memoir of a first-generation Chinese American in New York City. Our Laundry, Our Town is a memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene. In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole. As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership. |
| isaku yanaihara wiki: The Studio of Giacometti Jean Genet, Phil King, 2014-09-12 |
| isaku yanaihara wiki: Giacometti James Lord, 1997-10-30 The work of one of the towering creative spirits of the century, Alberto Giacometti's visionary sculptures and paintings from a testament to the artist's intriguing life story. From modest beginnings in a Swiss village, Giacometti went on to flourish in the picturesque milieu of prewar Paris and then to achieve international acclaim in the fifties and sixties. Picasso, Balthus, Samuel Beckett, Stravinsky and Sartre have parts in his story, along with flamboyant art dealers, whores, shady drifters, unscrupulous collectors, poets and thieves. Women were a complex yet important element of his life--particularly his wife, Annette, and his last mistress and model, Caroline--as was the intimate relationship he shared with his brother Diego, who was both Alberto's confidant and collaborator. James Lord was personally acquainted with Giacometti and his entourage, and combines firsthand experience with a unique knowledge gathered during many years of observation and research. In this exceptional biography Lord unfolds the personal history of a man who managed to achieve a heroic destiny by remaining utterly true to himself and to his calling. Giacometti: A Biography was nominated for the National Book Critics Circle Award. James Lord has subsequently published three volumes of memoirs. In recognition of his contribution to French culture he has been made an officer of the Legion of Honour. |
| isaku yanaihara wiki: Alberto Giacometti, Francis Bacon Alberto Giacometti, Valentina Castellani, 2008 This book shows the work of Alberto Giacometti and Francis Bacon which was inspired by Isabel Rawsthorne. Isabel herself was an artist who moved to Paris in the mid-1930s and both the artists had a unique and special relationship with Isabel at different times in their lives. |
| isaku yanaihara wiki: Negative Comparative Law Pierre Legrand, 2024-06-20 Written under the sign of Beckett, this book addresses comparative law's commitment to the deterritorialization of the legal and its attendant claim for the normative relevance of foreign law locally in the fabrication of statutory determinations, judicial opinions, or academic reflections. Wanting to withstand the law's persistent tendency towards nationalist retrenchment and counter comparative law's institutional marginalization, the fifteen essays at hand impart radical and discerning intellectual equipment in order to foster the valorization of the legally foreign and the comparative motion. In particular, the critique informing this manifesto examines pre-eminent topics like culture and difference, understanding and translatability, objectivity and truth, invention and tracing. Harnessing insights from a range of disciplinary discourses, this book contends that comparatists must boldly desist from their field's dominant epistemology and embrace a practice much better attuned to the study of foreignness. |
| isaku yanaihara wiki: Alberto Giacometti Kunstmuseum Wolfsburg, Museum der Moderne (Salzburg), 2010 |
| isaku yanaihara wiki: Alberto Giacometti , 1992 |
| isaku yanaihara wiki: Giacometti Yves Bonnefoy, 2006-02-14 Yves Bonnefoy examines the entire range of Alberto Giacomettis creative production sculpture, painting, drawing, and lithographsin this classic, singular study of the Swiss sculptor. By focusing on the works rather than on the details of the artists life, and by relying on the evidence of Giacomettis important writings and statements, the authora poet, essayist, and friend of the artistprovides a wealth of interpretations of Giacomettis drawings, canvases, and sculptures. Bonnefoys eloquent and incisive text traces Giacomettis artistic developmentfrom his experience with surrealism, to his return to figurative sculpture, to the period of his monumental Walking Man series.The superbly designed and copiously illustrated volume is further enriched with archival photographs of Giacomettis studios and five decades of artistic life in Paris. |
| isaku yanaihara wiki: Arts and Aesthetics in a Globalizing World Raminder Kaur, Parul Dave-Mukherji, 2015-01-29 This is an investigation of arts and aesthetics in their widest senses and experiences, presenting a variety of perspectives which range from the metaphysical to the political. Moving beyond art as an expression of the inner mind and invention of the individual self, the volume bridges the gap between changing perceptions of contemporary art and aesthetics, and maps globalizing currents in a number of contexts and regions. The volume includes an impressive variety of case studies offered by established leaders in the field and original and emerging scholarly talent covering areas in India, Nepal, Indonesia, Iran, Russia, Rwanda, and Germany, as well as providing transnational or diasporic perspectives. From the contradictory demands made on successful artists from the south in the global art world such as Anish Kapoor, to images of war and puppetry created by female political prisoners, the volume compels creative and political interpretations of the ever-changing and globalizing terrain of arts and aesthetics. |
| isaku yanaihara wiki: Alberto Giacometti Silvio Berthoud, Alberto Giacometti, Nadia Schneider, 2009 This publication focuses on the so-called crisis period (after 1935 and during the Second World War). Gathering art-historical essays addressing the crisis in Giacometti's work and modernity in general, as well as more than 100 key works, the editors revisit his work through the notions of a split and non-linearity. Exhibition: Musée d'art et d'histoire, Geneva, November 5, 2009 - February 2, 2010; Museo Cantonale d'arte, Lugano, March 20 - June 20, 2010. |
| isaku yanaihara wiki: Barbara Hepworth Penelope Curtis, Chris Stephens, 2016-05-03 Renowned for her elegantly sleek sculptures in stone, wood, and bronze, Barbara Hepworth (1903-1975) is among Britain's most important modern artists. This groundbreaking new publication focuses on the spaces and contexts, physical and conceptual, in which the artist is positioned. It examines her interest in staging and presenting work--indoors and out--in studio, film, garden, stage, architecture, photography, and print. As well as placing her work alongside her British and international contemporaries, a broad range of distinguished contributors also consider wider technical and intellectual concerns. Richly illustrated with more than 200 color images drawn from her entire career, the catalog represents some of Hepworth's best-known works in addition to introducing some of her less familiar pieces. The book features previously unseen documentary material, including photographs and film stills that cast new light on one of the 20th century's greatest artists. |
| isaku yanaihara wiki: In Giacometti's Studio Michael Peppiatt, 2010 This deeply engaging book focuses on one of the most evocative and influential spaces in twentieth-century art: the tiny, ramshackle studio behind Montparnasse where the great sculptor Alberto Giacometti lived and worked from the late 1926 until his death. For nearly forty years, this chaotic but visually riveting space was the absolute centre of Giacometti's world, as well as a magnet for a whole generation of artists and writers in Paris, from Picasso and Braque to Balthus, from Breton and Sartre to Genet and Beckett.--Dust jacket. |
| isaku yanaihara wiki: How I Discovered Poetry Marilyn Nelson, 2014-01-14 A powerful and thought-provoking Civil Rights era memoir from one of America’s most celebrated poets. Looking back on her childhood in the 1950s, Newbery Honor winner and National Book Award finalist Marilyn Nelson tells the story of her development as an artist and young woman through fifty eye-opening poems. Readers are given an intimate portrait of her growing self-awareness and artistic inspiration along with a larger view of the world around her: racial tensions, the Cold War era, and the first stirrings of the feminist movement. A first-person account of African-American history, this is a book to study, discuss, and treasure. |
| isaku yanaihara wiki: Ellsworth Kelly: Postcards Ian Berry, 2021-11-09 A comprehensive survey of rarely seen collages from the master of abstraction Over the course of more than 50 years, renowned American artist Ellsworth Kelly made approximately 400 postcard collages, some of which served as exploratory musings and others as studies for larger works in other mediums. They range from his first monochrome in 1949 through his last postcard collages of crashing ocean waves, in 2005. Together, these works show an unbounded space of creative freedom and provide an important insight into the way Kelly saw, experienced and translated the world in his art. Many postcards illustrate specific places where he lived or visited, introducing biography and illuminating details that make these pieces unique among his broader artistic production. Ellsworth Kelly: Postcards is the most extensive publication of Kelly's lifelong practice of collaged postcards. Ellsworth Kelly (1923-2015) was born in Newburgh, New York. In 1948 he moved to France, where he came into contact with a wide range of classical and modern art. He returned to New York in 1954 and two years later had his first exhibition at the Betty Parsons Gallery. The Museum of Modern Art, New York, organized his first retrospective in 1973. Subsequent exhibitions have been held at museums around the world, including the Solomon R. Guggenheim Museum in New York, Tate in London, Haus der Kunst in Munich and the Centre Pompidou in Paris. |
| isaku yanaihara wiki: Brooklyn Gang Bruce Davidson, 1998 In 1959, Bruce Davidson read about the teenage gangs of New York City. Connecting with a social worker to make initial contact with a gang in Brooklyn called The Jokers, Davidson became a daily observer and photographer of this alienated youth culture. The Fifties are often considered passive and pale by our standards of urban reality, but Davidson's photographs prove otherwise. Nearly 70 sheet-fed gravure plates show images of tough people, tough lives, tough lovers, all trying to be cool. They are followed by a short recollection by the photographer and a lengthier interview with Bengie, a surviving gang member, who is now a drug counselor.--Magnum Photo. |
| isaku yanaihara wiki: Aimless Love Billy Collins, 2013-10-22 NEW YORK TIMES BESTSELLER “America’s favorite poet.”—The Wall Street Journal From the two-term Poet Laureate of the United States Billy Collins comes his first volume of new and selected poems in twelve years. Aimless Love combines fifty new poems with generous selections from his four most recent books—Nine Horses, The Trouble with Poetry, Ballistics, and Horoscopes for the Dead. Collins’s unmistakable voice, which brings together plain speech with imaginative surprise, is clearly heard on every page, reminding us how he has managed to enrich the tapestry of contemporary poetry and greatly expand its audience. His work is featured in top literary magazines such as The New Yorker, Poetry, and The Atlantic, and he sells out reading venues all across the country. Appearing regularly in The Best American Poetry series, his poems appeal to readers and live audiences far and wide and have been translated into more than a dozen languages. By turns playful, ironic, and serious, Collins’s poetry captures the nuances of everyday life while leading the reader into zones of inspired wonder. In the poet’s own words, he hopes that his poems “begin in Kansas and end in Oz.” Touching on the themes of love, loss, joy, and poetry itself, these poems showcase the best work of this “poet of plenitude, irony, and Augustan grace” (The New Yorker). Envoy Go, little book, out of this house and into the world, carriage made of paper rolling toward town bearing a single passenger beyond the reach of this jittery pen and far from the desk and the nosy gooseneck lamp. It is time to decamp, put on a jacket and venture outside, time to be regarded by other eyes, bound to be held in foreign hands. So off you go, infants of the brain, with a wave and some bits of fatherly advice: stay out as late as you like, don’t bother to call or write, and talk to as many strangers as you can. Praise for Aimless Love “[Billy Collins] is able, with precious few words, to make me cry. Or laugh out loud. He is a remarkable artist. To have such power in such an abbreviated form is deeply inspiring.”—J. J. Abrams, The New York Times Book Review “His work is poignant, straightforward, usually funny and imaginative, also nuanced and surprising. It bears repeated reading and reading aloud.”—The Plain Dealer “Collins has earned almost rock-star status. . . . He knows how to write layered, subtly witty poems that anyone can understand and appreciate—even those who don’t normally like poetry. . . . The Collins in these pages is distinctive, evocative, and knows how to make the genre fresh and relevant.”—The Christian Science Monitor “Collins’s new poems contain everything you've come to expect from a Billy Collins poem. They stand solidly on even ground, chiseled and unbreakable. Their phrasing is elegant, the humor is alive, and the speaker continues to stroll at his own pace through the plainness of American life.”—The Daily Beast “[Collins’s] poetry presents simple observations, which create a shared experience between Collins and his readers, while further revealing how he takes life’s everyday humdrum experiences and makes them vibrant.”—The Times Leader |
| isaku yanaihara wiki: Tokens? Alvin Eng, 1999 This companion book to the Asian American Writers' Workshop's The NuyorAsian Anthology: Asian American Writings on New York City, presents a collection of plays and performance pieces chronicling the struggles of the Asian American artists to find a place in the off-Broadway theater world. |
| isaku yanaihara wiki: Alberto Giacometti Ulf Küster, 2009 SCULPTURE. Alberto Giacometti (1901-1966) was the son of the Swiss painter Giovanni Giacometti. Born and raised in Val Bregaglia, after 1922 he lived primarily inParis following studies in Geneva and Rome . He created a stir among the Surrealists in the thirties, and was active as a lamp and vase designer. He developed his noted late work, extremely thin bronze figures symbolic of human existence, during and after World War II. This volume from the series Art to Read is an outstanding introduction to the life and work of this important and simultaneously puzzling artist, one who decisively influenced our understanding of sculpture in space. |
| isaku yanaihara wiki: Alberto Giacometti Alberto Giacometti, Solomon R. Guggenheim Museum, 1974 Webster J. Duck turns to several animals when he tries to find his mother. |
| isaku yanaihara wiki: Taking Off Emily Dickinson's Clothes Billy Collins, 2000-07-01 A funny and moving collection from one of America's bestselling poets Billy Collins is one of America's best loved poets and comes armed with plaudits from John Updike, E Annie Proulx. He is one of Carol Ann Duffy's favourite living poets and this Selected is the first time he will be published in the UK. From a poem about the relentless barking of next door's dog - Another Reason Why I don't Keep a Gun in the House - to an elegy to The Best Cigarette. Just read one poem and you'll be a committed fan. Billy Collins gets right to the heart of things. He is one of the funniest poets writing today. Billy Collins is a fantastic performer (his readings at the Poetry festival in Aldeburgh were sold out, as were all his US collections) and will hopefully be brought over by the South Bank, London in the Autumn. His readings are unmissable. |
| isaku yanaihara wiki: Cy Twombly Philadelphia Museum of Art, 2018 This revelatory publication provides a comprehensive and multifaceted account of Cy Twombly's ten-painting masterpiece Fifty Days at Iliam (1978), the pinnacle of the artist's lifelong engagement with Homer's Iliad. In his introduction, Carlos Basualdo provides an account of the Philadelphia Museum of Art's acquisition of the paintings in 1989. Richard Fletcher's and Emily Greenwood's essays explore the intertextual dimension of Twombly's project and his adaptation of Homer's literary tropes as a basis for his visual metaphors. Olena Chervonik traces Twombly's engagement with the theme of the Trojan War, which first appeared in the artist's work in the early 1960s, a decade before he made Fifty Days at Iliam. French photographer Annabelle d'Huart is interviewed by Carlos Basualdo about the circumstances of her visit to Twombly's studio in 1978, and her resulting photographs capturing the moment the paintings were being completed. Finally, Nicola Del Roscio, president of the Cy Twombly Foundation, reminisces about the setting and atmosphere of Twombly's studio in Bassano in Teverina, in central Italy, where this painting cycle was created, and addresses the artist's working process and sources of inspiration-- |
| isaku yanaihara wiki: Alberto Giacometti Christian Alandete, Jo Widoff, 2021-01-14 Alberto Giacometti forged a singular path within European Modernism, restlessly seeking a new language for sculpture as the double of reality. His quest brought him into close, face-to-face contact with some of the most influential intellectuals of the twentieth century--including Georges Bataille, Jean Genet, and Samuel Beckett. Tracing how these literary friendships molded the artist's creative development, Alberto Giacometti: Face to Face discovers new continuities among the various strains of modernist thought and develops a fresh approach to Giacometti and his work. This accessible overview of Giacometti's career is illustrated by more than 150 reproductions of his sculptures and paintings as well as excerpts from the literature that shaped his ideas, tracking the evolution of his work from post-cubism through surrealism and into post-war realism. |
| isaku yanaihara wiki: Traces of a Friendship Ernst Scheidegger, 2001 Photographs by Ernst Scheidegger of Alberto Giacometti and his art work. |
| isaku yanaihara wiki: GIACOMETTI PORTRAIT JAMES. LORD, 2018 |
| isaku yanaihara wiki: Co-Illusion David Levi Strauss, 2020-03-31 Reports from America's political crisis, exposing a new “iconopolitics,” in which words and images lose their connection to reality. The political crisis that sneaked up on America—the rise of Trump and Trumpism—has revealed the rot at the core of American exceptionalism. Recent changes in the way words and images are produced and received have made the current surreality possible; communication through social media, by design, maximizes attention and minimizes scrutiny. In Co-Illusion, the noted writer on art, photography, and politics David Levi Strauss bears witness to the new “iconopolitics” in which words and images lose their connection to reality. The collusion that fueled Trump's rise was the secret agreement of voters and media consumers—their “co-illusion”—to set aside the social contract. Strauss offers dispatches from the epicenter of our constitutional earthquake, writing first from the 2016 Democratic and Republican conventions and then from the campaign. After the election, he switches gears, writing in the voices of the regime and of those complicit in its actions—from the thoughts of the President himself (“I am not a mistake. I am not a fluke, or a bug in the system. I am the System”) to the reflections of a nameless billionaire tech CEO whose initials may or may not be M. Z. Finally, Strauss shows us how we might repair the damage to the public imaginary after Trump exits the scene. Photographs by celebrated documentary photographers Susan Meiselas and Peter van Agtmael accompany the texts. |
| isaku yanaihara wiki: Herzog & de Meuron Herzog & de Meuron, 2005 More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall. |
| isaku yanaihara wiki: Adolf Bastian and His Universal Archive of Humanity Manuela Fischer, Peter Bolz, Susan Kamel, 2007 Dieser Band enthält die Beiträge des 2005 im Ethnologischen Museum Berlin abgehaltenen Symposiums aus Anlass des 100. Todestages von Adolf Bastian (1826-1905). Bastian war der Begründer der Ethnologie in Deutschland und der erste Direktor des Königlichen Museums für Völkerkunde in Berlin. Während seiner ersten Weltreise von 1850 bis 1858 stellte Bastian fest, dass die Kultur der indigenen Völker sich veränderte und im Begriff war, zu verschwinden. Er setzte sich zum Ziel, ein {u201E}Menschheitsarchiv2 schaffen, um das Wissen über die Kultur dieser Völker zu erhalten sowie Anschauungsmaterial für spätere Studien bereit zu stellen. Bastian glaubte an die Einheit aller Menschen, unabhängig von kulturellen oder sozialen Differenzierungen. Um der immensen Aufgabe, Informationen und Objekte zu beschaffen, gerecht zu werden, schuf Bastian ein weltweites Netzwerk von Forschern, Sammlern und Reisenden. Die 27 Beiträge erläutern Bastians Persönlichkeit, seine Schriften und seine Nachwirkungen. Sie beschäftigen sich mit den wissenschaftlichen Kreisen in Berlin, seiner Arbeit im Museum und der Arbeit der ihm nachfolgenden Forschergeneration. Ein großer Teil der Beiträge widmet sich seinen Reisen in verschiedene Erdteile, zwei Aufsätze behandeln zudem die Bedeutung der zu seinen Lebzeiten entstandenen Sammlung für die heutigen indigenen Völker. |
| isaku yanaihara wiki: A Thousand Times You Lose Your Treasure Hoa Nguyen, 2021-04-06 2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Hoa Nguyen’s latest collection is a poetic meditation on historical, personal, and cultural pressures pre- and post-“Fall-of-Saigon” and comprises a verse biography on her mother, Diep Anh Nguyen, a stunt motorcyclist in an all-woman Vietnamese circus troupe. Multilayered, plaintive, and provocative, the poems in A Thousand Times You Lose Your Treasure are alive with archive and inhabit histories. In turns lyrical and unsettling, her poetry sings of language and loss; dialogues with time, myth and place; and communes with past and future ghosts. |
| isaku yanaihara wiki: The Force of Law Frederick Schauer, 2023-08-10 |
| isaku yanaihara wiki: Giacometti Reinhold Hohl, 1998 |
| isaku yanaihara wiki: Cy Twombly Heiner Bastian, 1992 |
| isaku yanaihara wiki: Cy Twombly Photographs Cy Twombly, 1993 Matthew Marks is pleased to announce his next exhibition will be Cy Twombly Photographs. The exhibition will consist of twenty-nine color photographs. This is the first time Twombly has exhibited work in this medium.Cy Twombly began experimenting with color photography in the early 1980s. About four years ago he started working with the master printers Michel and Jean-Francois Fresson at the Atelier Fresson in Savigny sur Orge, France. The Fresson technique is a unique photographic printing process carried on exclusively by the Fresson family since 1990. The photographs which result have an unusually rich surface and extraordinary, saturated colors over which the artist is able to maintain exceptional control. Fresson prints are the most permanent photographic color images made today.The subject matter of Twombly's photographs are flowers, trees and ancient Roman sculptures. The majority of the works in the exhibition have been put together by the artist into groups of five or six images. Theirs is similar to the way Twombly has presented his paintings and drawings in the past. While not as abstract as his work in other media, the photographs Twombly will show are close in feeling to his larger scale work and are important to an understanding of his subject matter and working methods.The last exhibition in New York consisting of entirely new work by Cy Twombly was held in 1982. -- Press Release (see link). |
| isaku yanaihara wiki: Dialogue in the Void Matti Megged, 1985 A comparison between the work and ideas of Beckett and Giacometti, focusing on what Megged believes is their common quest to find a dialogue in the void. |
| isaku yanaihara wiki: Cy Twombly Cy Twombly, Edmund De Waal, 2012-11 |
| isaku yanaihara wiki: Double-Tracking Rosanna Mclaughlin, 2019-10-31 To double-track is to be both: counter-cultural and establishment, rich and poor, a bum with the keys to a country retreat, an exotic addition to the dinner table who still knows how to find their way around the silverware. In the 1970s Tom Wolfe located the apex of doubletracking as the art world, but today, it's a cornerstone of the middle classes, and a full-blown commonplace of contemporary life. At root, it's a state of mind born of an ambivalent relationship to privilege, that, when perfected, allows those with financial resources the economic benefits of leaning right, and the cultural benefits of leaning left. It curls around the vocal chords of private school alumni as they drop their consonants, sprays the can of legally sanctioned graffiti on the side of the pop-up container shopping mall, and tones the cores of sweaty executives attending weekly parkour classes, prancing about the concrete furniture of housing estates they do not live on. Comprising essays, fiction and art criticism, this is a merciless, witty satire of the middle classes - a venturesome, intelligent debut which cuts to the very core of our duplicitous lives. |
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