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| is crimson peak based on a book: Crimson Peak: The Official Movie Novelization Nancy Holder, 2015-10-20 When her heart is stolen by a seductive stranger, a young woman is swept away to a house atop a mountain of blood-red clay: a place filled with secrets that will haunt her forever. Between desire and darkness, between mystery and madness, lies the truth behind Crimson Peak. From acclaimed director Guillermo del Toro. |
| is crimson peak based on a book: At the Mountains of Madness H.P. Lovecraft, 2005-06-14 Introduction by China Miéville Long acknowledged as a master of nightmarish visions, H. P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition’s uncanny discoveries–and their encounter with untold menace in the ruins of a lost civilization–is a milestone of macabre literature. This exclusive new edition, presents Lovecraft’s masterpiece in fully restored form, and includes his acclaimed scholarly essay “Supernatural Horror in Literature.” This is essential reading for every devotee of classic terror. |
| is crimson peak based on a book: Stanley Kubrick's the Shining J. W. Rinzler, 2024 In 1966 Stanley Kubrick told a friend that he wanted to make the world's scariest movie. A decade later Stephen King's The Shining landed on the director's desk, and a visual masterpiece was born. This definitive compendium of the film features hundreds of photographs, rare production ephemera, and extensive interviews with the cast and crew. |
| is crimson peak based on a book: Silence for the Dead Simone St. James, 2014-04-01 “Portis House emerged from the fog as we approached, showing itself slowly as a long, low shadow....” In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms. It’s known that the former occupants left abruptly, but where did they go? And why do the patients all seem to share the same nightmare, one so horrific that they dare not speak of it? Kitty finds a dangerous ally in Jack Yates, an inmate who may be a war hero, a madman… or maybe both. But even as Kitty and Jack create a secret, intimate alliance to uncover the truth, disturbing revelations suggest the presence of powerful spectral forces. And when a medical catastrophe leaves them even more isolated, they must battle the menace on their own, caught in the heart of a mystery that could destroy them both. |
| is crimson peak based on a book: The Shape of Water Guillermo del Toro, Daniel Kraus, 2018-03-06 In Cold War-era Baltimore, a government research facility receives an amphibious man captured in the Amazon, and a stirring romance unfolds between him and a mute janitor who uses sign language to communicate. |
| is crimson peak based on a book: Birthday Girl Haruki Murakami, 2019-01-24 Birthday Girl is a beguiling, exquisitely satisfying short story . A taste of master storytelling, published to celebrate Murakami's 70th birthday. She waited on tables as usual that day, her twentieth birthday. She always worked Fridays, but if things had gone according to plan on that particular Friday, she would have had the night off. One rainy Tokyo night, a waitress's uneventful twentieth birthday takes a strange and fateful turn when she's asked to deliver dinner to the restaurant's reclusive owner. Birthday Girl is a beguiling, exquisitely satisfying taste of master storytelling, published to celebrate Murakami's 70th birthday. Birthday Girl is also available in Birthday Stories and Blind Willow, Sleeping Woman. |
| is crimson peak based on a book: On Fire Nancy Holder, 2012-07-17 Based on the hit MTV series Teen Wolf. Scott was just a regular guy until one bite changed his life. Now he struggles to understand who he is and what he might become. Is he more wolf than human--or is it the other way around? Whichever it is, it's not going to be easy. |
| is crimson peak based on a book: The Art and Soul of Dune Tanya Lapointe, 2022-03-22 Immerse yourself in the world of Denis Villeneuve’s Dune and discover the incredible creative journey that brought Frank Herbert’s iconic novel to the big screen. Frank Herbert’s science fiction classic Dune has been brought to life like never before in the breathtaking film adaptation from acclaimed director Denis Villeneuve (Blade Runner 2049, Arrival). Now fans can be part of this creative journey with The Art and Soul of Dune, the official companion to the hugely anticipated movie event. Written by Dune executive producer Tanya Lapointe, this visually dazzling exploration of the filmmaking process gives unparalleled insight into the project’s genesis—from its striking environmental and creature designs to its intricate costume concepts and landmark digital effects. The Art and Soul of Dune also features exclusive interviews with key members of the cast and crew, including Denis Villeneuve, Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, and many more, delivering a uniquely candid account of the hugely ambitious international shoot. Showcasing Villeneuve’s visionary approach to realizing Herbert’s science fiction classic, The Art and Soul of Dune is an essential companion to the director’s latest masterpiece. |
| is crimson peak based on a book: The Death of Jane Lawrence Caitlin Starling, 2021-10-05 ***AN INSTANT BESTSELLER!*** Best Books of 2021 · NPR ALA/The Reading List Best Horror 2021 Pick Longlisted for the Bram Stoker Awards for Superior Achievement in a Novel, 2021 From the Bram Stoker-nominated author of The Luminous Dead comes a gothic fantasy horror—The Death of Jane Lawrence. A jewel box of a Gothic novel. —New York Times Book Review “Delicious.... By the time the book reached that point of no return, I was so invested that I would have followed Jane into the very depths of hell.” —NPR.org “Intense and amazing! It’s like Jonathan Strange and Mr. Norrell meets Mexican Gothic meets Crimson Peak.” —BookRiot Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man—one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him. By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to. Set in a dark-mirror version of post-war England, Caitlin Starling crafts a new kind of gothic horror from the bones of the beloved canon. This Crimson Peak-inspired story assembles, then upends, every expectation set in place by Shirley Jackson and Rebecca, and will leave readers shaken, desperate to begin again as soon as they are finished. |
| is crimson peak based on a book: Contemporary Gothic and Horror Film Keith McDonald, Wayne Johnson, 2021-06-15 This book looks at contemporary Gothic cinema within a transnational approach. With a focus on the aesthetic and philosophical roots which lie at the heart of the Gothic, the study invokes its literary as well as filmic forebears by exploring how these styles informed strands of the modern filmic Gothic: the ghost narrative, folk horror, the vampire movie, cosmic horror and, finally, the zombie film. In recent years, the concept of transnationalism has ‘trans’-cended its original boundaries, perhaps excessively in the minds of some. Originally defined in the wake of the rise of globalisation in the 1990s, as a way to study cinema beyond national boundaries, where the look and the story of a film reflected the input of more than one nation, or region, or culture. It was considered too confining to study national cinemas in an age of internationalization, witnessing the fusions of cultures, and post-colonialism, exile and diasporas. The concept allows us to appreciate the broader range of forces from a wider international perspective while at the same time also engaging with concepts of nationalism, identity and an acknowledgement of cinema itself. |
| is crimson peak based on a book: Guillermo Del Toro Keith McDonald, Roger Clark, 2015-08-27 A critical exploration of one of the most exciting, original and influential figures to emerge in contemporary film, Guillermo del Toro: Film as Alchemic Art is a major contribution to the analysis of Guillermo del Toro's cinematic output. It offers an in-depth discussion of del Toro's oeuvre and investigates key ideas, recurrent motifs and subtle links between his movies. The book explores the sources that del Toro draws upon and transforms in the creation of his rich and complex body of work. These include the literary, artistic and cinematic influences on films such as Pan's Labyrinth, The Devil's Backbone, Cronos and Mimic, and the director's engagement with comic book culture in his two Hellboy films, Blade II and Pacific Rim. As well as offering extensive close textual analysis, the authors also consider del Toro's considerable impact on wider popular culture, including a discussion of his role as producer, ambassador for 'geek' culture and figurehead in new international cinema. |
| is crimson peak based on a book: The Strain Guillermo Del Toro, Chuck Hogan, 2010-06-29 In one week, Manhattan will be gone. In one month, the country. In two months . . . the world. At New York's JFK Airport an arriving Boeing 777 taxiing along a runway suddenly stops dead. All the shades have been drawn, all communication channels have mysteriously gone quiet. Dr. Eph Goodweather, head of a CDC rapid-response team investigating biological threats, boards the darkened plane . . . and what he finds makes his blood run cold. A terrifying contagion has come to the unsuspecting city, an unstoppable plague that will spread like an all-consuming wildfire—lethal, merciless, hungry . . . vampiric. And in a pawnshop in Spanish Harlem an aged Holocaust survivor knows that the war he has been dreading his entire life is finally here . . . |
| is crimson peak based on a book: Guillermo del Toro: At Home with Monsters Guillermo del Toro, 2016-08-30 The perfect companion piece to an enthralling new exhibition on the visionary work and fervent imagination of director Guillermo del Toro. In 2016, a new exhibit on the work of visionary director Guillermo del Toro will begin at the Los Angeles County Museum of Art (LACMA), before moving on to the Art Gallery of Ontario (AGO) and the Minneapolis Museum of Art (MIA). This book will be the perfect accompaniment to the exhibition, which focuses on del Toro’s creative process, including the well-defined themes that he obsessively returns to in all his films, the journals in which he logs his ideas, and the vast and inspiring collection of art and pop culture ephemera that he has amassed at his private “man cave,” Bleak House. Filled with imagery from the exhibit, including favorite pieces of art that del Toro has chosen for the exhibit, and pertinent journal pages, the book will further delve further into the director’s world through exclusive in-depth interviews and commentary from notable figures in the art world. Forming a perfect companion to the exhibition, this book will deliver an engrossing look into the mind of one of the great creative visionaries of our time. |
| is crimson peak based on a book: The Night Eternal Guillermo del Toro, Chuck Hogan, 2013-10-08 From the Golden Globe winning director of The Shape of Water “The most credible and frightening of all the vampire books of the past decade.” —San Francisco Chronicle “Bram Stoker meets Stephen King meets Michael Crichton. It just doesn’t get much better than this.” —Nelson DeMille The stunning New York Times bestselling vampire saga that author Dan Simmons (Drood, The Terror) calls, “an unholy spawn of I Am Legend out of ‘Salem’s Lot,” concludes with The Night Eternal. The magnificent, if monstrously warped brainchild of cinematic horror master Guillermo del Toro (Pan’s Labyrinth, Hellboy) and Chuck Hogan—whose novel Prince of Thieves, was praised as, “one of the 10 best books of the year” by Stephen King—The Night Eternal begins where The Strain and The Fall left off: with the last remnants of humankind enslaved by the vampire masters in a world forever shrouded by nuclear winter. Still, a small band of the living fights on in the shadows, in the final book of the ingenious dark fantasy trilogy that Newsweek says is, “good enough to make us break that vow to swear off vampire stories.” |
| is crimson peak based on a book: Guillermo Del Toro's The Shape of Water Gina McIntyre, 2017 |
| is crimson peak based on a book: Guillermo del Toro's The Devil's Backbone Matt Zoller Seitz, Simon Abrams, 2017-11-28 Explore the creation of Guillermo del Toro’s early masterpiece through this visually stunning and insightful look at the spine-chilling classic. Released in 2001, Guillermo del Toro’s The Devil’s Backbone announced the director as a singular talent with a unique ability to mix the macabre with the sublime. A spiritual companion piece to his Oscar-winning Pan’s Labyrinth (2006), the film shares similar themes and is also set against the backdrop of the Spanish Civil War, a brutal conflict that turned ordinary men into monsters. Through a series of in-depth and extremely candid interviews with the director, this deluxe volume not only explores the shooting of the film but also delves into a range of other topics with del Toro, including his influences, his uniquely nuanced approach to filmmaking, and the traumatic personal events that colored the creation of The Devil’s Backbone. The book also draws on interviews with key contributors in the film’s creation, including cinematographer Guillermo Navarro and composer Javier Navarrete, to give readers an exclusive, behind-the-scenes look at how this gothic horror masterpiece was crafted. Featuring a wealth of exquisite concept art and rare unit photography, Guillermo del Toro’s The Devil’s Backbone is the ultimate behind-the-scenes look at an unforgettable Spanish-language classic. |
| is crimson peak based on a book: Texas Gothic Rosemary Clement-Moore, 2012-08-14 Amy Goodnight knows that the world isn't as simple as it seems. She also understands that normal doesn't mix with magic, and she's worked hard to build a wall between the two worlds. Not only to protect her family, who are all practicing witches, but to protect any hope of ever having a normal life herself. Ranch-sitting for her aunt in Texas should be exactly that: good old ordinary, uneventful hard work. Only, Amy and her sister, Phin, aren't alone. There's someone else in the house with them--and it's not the living, breathing, amazingly hot cowboy from the ranch next door. It's a ghost, and it's more powerful than the Goodnights and all their protective spells combined. It wants something from Amy, and none of her carefully built defenses can hold it back. This is the summer when the wall between Amy's worlds is going to come crashing down. A Kirkus Reviews Best Book of the Year An ALA-YALSA Best Book for Young Adults Praise for Texas Gothic: [Star] You can't get much more Nancy Drew. . . . This engaging mystery has plenty of both paranormal and romance, spiced with loving families and satisfyingly packed with self-sufficient, competent girls.--Kirkus Reviews, Starred [Star] Teens looking for a rollicking adventure filled with paranormal events, dastardly evildoers, and laugh-out-loud moments as Amy and Ben argue and snipe their way to love will adore this book.--School Library Journal, Starred The author mixes suspense, humor, and lots of local flavor. . . . The enjoyable sum is a lively teen ghost story with sex appeal.--The Horn Book A deeply affectionate rendering of Texas landscapes and legends combines with an appealing cast of well-developed characters to give texture to this well-plotted mystery; truly scary moments are balanced by the humorous bumbles of the awkwardly developing romance between Amy and Ben, as well as Phin's sublime cluelessness about the way her eccentricities appear to other people.--The Bulletin |
| is crimson peak based on a book: I Was Flesh Gordon Jason Williams, Derek McCaw, 2018-07-10 Hollywood, the 1970s. Jason Williams, a former college athlete from very conservative Orange County, hopes to become a film actor in a town where everyone's looking for a break. He jumps at the chance for the lead in a science fiction parody, an X-rated (later R) spoof of Flash Gordon. Sure, he has to get naked on camera--but so do lots of cute girls. He has no idea the production will be the start of an odyssey that will take him through the highs and lows of Tinseltown, and make him the most known unknown in movies--Flesh Gordon!. |
| is crimson peak based on a book: Flowers In The Attic V.C. Andrews, 2011-02-08 Celebrate the fortieth anniversary of the enduring gothic masterpiece Flowers in the Attic—the unforgettable forbidden love story that earned V.C. Andrews a fiercely devoted fan base and became an international cult classic. At the top of the stairs there are four secrets hidden—blond, innocent, and fighting for their lives… They were a perfect and beautiful family—until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother. A suspenseful and thrilling tale of family, greed, murder, and forbidden love, Flowers in the Attic is the unputdownable first novel of the epic Dollanganger family saga. The Dollanganger series includes: Flowers in the Attic, Petals in the Wind, If There Be Thorns, Seeds of Yesterday, Garden of Shadows, Beneath the Attic, and Out of the Attic. |
| is crimson peak based on a book: The Alpha's Hybrid Mate Carla Dailey, 2020-06-17 Jaxson Markovic. Alpha of Crimson Peak. Single-father. Did I mention he's hot? He's offered to protect me from my crazy ex. All I have to do is take care of his son. Be his nanny. It sounds simple enough. It should be easy. But things don't go as planned. One touch. One kiss is all it takes to feel the spark. The mate bond. Add in the witches and a Vampire King, plus the fact I'm a werewolf/witch hybrid and it's gonna be hell on Earth. |
| is crimson peak based on a book: By Force Alone Lavie Tidhar, 2020-08-11 A retelling of Arthurian myth from World Fantasy Award-winner Lavie Tidhar, By Force Alone. Everyone thinks they know the story of King Arthur and his knights of the Round Table. The fact is they don't know sh*t. Arthur? An over-promoted gangster. Merlin? An eldritch parasite. Excalibur? A shady deal with a watery arms dealer. Britain? A clogged sewer that Rome abandoned just as soon as it could. A savage and cutting epic fantasy, equally poetic and profane, By Force Alone is a magical adventure and a subversive masterwork. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. |
| is crimson peak based on a book: Great Expectations Charles Dickens, 2008-03-20 Pip starts out as many children in Charles Dickens dożpoor and stifled by adults and circumstance. The beautiful Estella is everything that is unattainable for someone of Pipżs station, but his poverty and Estellażs affluence are inextricably intertwined, and Pip spends the rest of his life trying to prove himself to her. There is no reconciliation of the imperatives of romantic love and social justiceżthere is no learning to love someone for whom he or she is in the clichéd, contemporary sense, as inner reality and material wealth are shown to be tragically and inextricably intertwined, though totally, heart achingly separate. No wonder Dickens was one of Karl Marxżs favorite writers. Despite Estellażs cruelty, Pip isnżt able to overcome his love for her beatific, gilded vision. But unlike Marx, caught up within his Utopian, communist project, Dickens documents individual experience, individual suffering, and individual catharsis and growth within a hopelessly flawed world: a world that is perhaps beautiful and noble because of its flaws. He doesnżt create a simple recipe for change or suggest that change can be foisted on the entirety of human nature. After reading his earlier works, you get the sense that he could have become that sort of man. But he never does, and this is his triumph. |
| is crimson peak based on a book: Julia Peter Straub, 2014-09-23 The #1 New York Times bestselling author of Ghost Story—and the master of American horror—tells the terrifying story of a woman who, in her desperation to flee the past, encounters an inexplicable aura of evil. Julia’s first purchase upon leaving her husband is a large, old-fashioned house in Kensington, where she plans to live by herself, well away from her soon-to-be-ex and the home where their young daughter died. She feels a peculiar affinity for the house right away, a feeling that deepens with each glimpse of a mysterious little girl—blond, like her daughter—in the neighborhood, and even in her dreams But the little girl and the big house have an inexplicable aura of evil. And Julia quickly discovers that escaping her past is not as simple as turning a key. |
| is crimson peak based on a book: Not the Kind of Earl You Marry Kate Pembrooke, 2021-07-27 Fans of Netflix's Bridgerton series will adore this stunning historical romance debut, where a wary wallflower enters a fake engagement with one of London's most eligible bachelors. The one woman in London who doesn’t want to marry him is now his fiancée. William Atherton, Earl of Norwood, is as shocked as the rest of London to discover his betrothal via an announcement in the morning paper. Furious at what appears to be a shrewd marriage trap, William tracks down his alleged fiancée before her plans can affect his campaign for a coveted political post. But then William realizes an engagement, however fake, may benefit them both . . . Miss Charlotte Hurst may be a wallflower, but she’s no shrinking violet. She would never attempt such an underhanded scheme, especially not with a man as haughty or sought-after as Norwood. Yet his suggestion to play along with the betrothal has its merits . . . and the longer they pretend, the more undeniably real their feelings become. But when the true culprit behind their engagement is revealed, can their newfound happiness survive the scandal? |
| is crimson peak based on a book: The Hollow Ones Guillermo del Toro, Chuck Hogan, 2020-08-04 Like a Jack Reacher crime thriller... with a Van Helsing-style demon hunter - The Guardian From the Oscar-winning director of Pan's Labyrinth, The Shape of Water, and Hellboy, and the authors of The Strain comes a new paranormal thriller - X-Files meets Stephen King's The Outsider. ______________________________________ A horrific crime that defies ordinary explanation. A rookie FBI agent in dangerous, uncharted territory. An extraordinary hero for the ages. FBI agent Odessa's life is derailed when she's forced to turn her gun on her partner, who becomes suddenly, inexplicably violent while apprehending a murderer. Devastated, Odessa is placed on desk leave pending a full investigation. But what troubles her most isn't the tragedy itself - it's the shadowy presence she saw fleeing his body after his death. Questioning her future with the FBI, and her sanity, Odessa accepts a low-level assignment to clear out the belongings of a retired agent. What she finds there puts her on the trail of a mysterious figure who claims to have been alive for centuries, and who is either an unhinged lunatic . . . or humanity's best and only defence against unspeakable evil. _______________________________________________________ Praise for THE HOLLOW ONES 'A transporting, page-turning thriller that rips open a brand new universe, filling it with suspense.' Brad Meltzer, #1 NYT bestselling author of The Escape Artist 'Guillermo del Toro and Chuck Hogan have yet another twisted masterpiece on their hands. An enduring new series combining horror, suspense, and fable.' Stephen Chbosky, NYT bestselling author of The Perks of Being a Wallflower and Imaginary Friend 'Inventive and macabre.' Kirkus 'Horrifying . . . The authors keep the tension high throughout. Fans of Douglas Preston and Lincoln Child's Pendergast books will be enthralled' Publishers Weekly, Starred Review |
| is crimson peak based on a book: Lakesedge Lyndall Clipstone, 2021-10-12 A stunningly written, lush dark fantasy perfect for fans of A Curse So Dark and Lonely and Uprooted. There are monsters in the world. Violeta Graceling has spent her life in an isolated cottage, trying to protect herself and her beloved younger brother Arien from their adoptive mother's twisted cruelty. A cruelty driven by the mysterious shadows that unwillingly spill from Arien's hands, spelling dark magic and an even darker underworld. To escape means taking a position at the haunted estate of Rowan Sylvanan—the so-called Monster of Lakesedge—who comes seeking Arien's dark magic. The monster who, it is whispered, stalks the halls of his manor and the shores of the blackened, cursed lake. Yet as Violeta investigates Lakesedge's tragic history, she discovers that its prickly, standoffish lord is far from a monster, but an orphaned boy not much older than she is. As their friendship blossoms, Violeta learns the tragic truth of Rowan's curse and his fateful bargain with the Lord Under. To save Lakesedge, she must make a bargain of her own with the fiendish being who rules over the world Below. |
| is crimson peak based on a book: Mexican Gothic Silvia Moreno-Garcia, 2024-10-10 'You don't read this book so much as surrender to it. A dark and heady swoon' THE GUARDIAN 'As rich is suspense as it is in lush '50s atmosphere' ENTERTAINMENT WEEKLY He is trying to poison me. You must come for me, Noemí. You have to save me. After receiving a frantic letter from her newlywed cousin begging for someone to save her from a mysterious doom, socialite Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She's not sure what she will find - her cousin's husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is more suited for cocktail parties than amateur sleuthing. But she's also tough and smart, with an indomitable will, and she is not afraid: not of her cousin's new alluring, menacing husband; not of his father; and not even of the house itself, which begins to invade Noemi's dreams with dark visions. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire keeps them safe from prying eyes, but as Noemí digs deeper, she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may find it impossible to escape. 'Darkly brilliant and captivating' YANGSZE CHOO, bestselling author of The Fox Wife 'Moreno-Garcia gets it absolutely right' THE TELEGRAPH |
| is crimson peak based on a book: The Monsters of Hellboy II Guillermo del Toro, Mike Mignola, Sergio Sandoval, Francisco Ruis Velasco, 2008-12 Trolls, goblins, beastly tooth fairies, and haunting 'angels' are only part of the grotesque menagerie of otherworldly creatures populating the world of 'Hellboy II'. This book dives into the renowned imaginations of the 'Hellboy' team - from original concept designs to photos of final costumes. |
| is crimson peak based on a book: The Bone Carver Monique Snyman, 2020-08-18 For a small New England town, Shadow Grove has an uncanny ability to attract the worst kind of trouble. Not that the residents are too concerned about the various horrors living among them. As the leaves change color and the weather grows colder, a foul presence is making itself known by leaving peculiar gifts for the students of Ridge Crest High. At first, the presents seem harmless--and a rash of accidents seem coincidental--but when seniors Rachel Cleary and her Scottish cousin, Dougal Mackay, find a boneless body in the boiler room, things take an ominous turn. Something vicious is on the loose in Shadow Grove, but with Orion Nebulius gone, Rachel has little hope of anyone getting out alive. |
| is crimson peak based on a book: The Goddess of Nothing at All TBD, 2021 |
| is crimson peak based on a book: The Haunted Vagina Carlton Mellick, 2006 Steve is madly in love with his eccentric girlfriend, Stacy. Unfortunately, their sex life has been suffering as of late, because Steve is worried about the odd noises that have been coming from Stacy's pubic region. She says that her vagina is haunted. She doesn't think it's that big of a deal. Steve, on the other hand, completely disagrees. When a living corpse climbs out of her during an awkward night of sex, Stacy learns that her vagina is actually a doorway to another world. She persuades Steve to climb inside of her to explore this strange new place. But once inside, Steve finds it difficult to return... especially once he meets an oddly attractive woman named Fig, who lives within the lonely haunted world between Stacy's legs. |
| is crimson peak based on a book: Uncle Silas Illustrated J Sheridan Le Fanu, 2020-01-26 Uncle Silas, subtitled A Tale of Bartram-Haugh, is a Victorian Gothic mystery-thriller novel by the Irish writer J. Sheridan Le Fanu. Despite Le Fanu resisting its classification as such, the novel has also been hailed as a work of sensation fiction by contemporary reviewers and modern critics alike. It is an early example of the locked-room mystery subgenre, rather than a novel of the supernatural (despite a few creepily ambiguous touches), but does show a strong interest in the occult and in the ideas of Emanuel Swedenborg, a Swedish scientist, philosopher and Christian mystic.Like many of Le Fanu's novels, Uncle Silas grew out of an earlier short story, in this case A Passage in the Secret History of an Irish Countess (1839), which he also published as The Murdered Cousin in the collection Ghost Stories and Tales of Mystery (1851). While this earlier story was set in Ireland, |
| is crimson peak based on a book: Art of the Movie Mike Mignola, Guillermo del Toro, 2008 Offering a unique look at filmmaking and the art of graphic novels, del Toro and Mike Mignola bring their world-renowned talents to bear on a new chapter in Hellboy's history--just in time for one of this summer's biggest action-adventure events: Hellboy II. |
| is crimson peak based on a book: Nyctophobia Christopher Fowler, 2014 Newly-married architect Callie and her wealthy husband Mateo move to Hyperion House, a grand old home in southern Spain. It's an eccentric place built in front of a cliff: serene and beautiful, but eerily symmetrical, and cunningly styled so that half the house is flooded with light, and half -- locked up and neglected -- is shrouded in darkness. Unemployed and feeling isolated in a foreign country, Callie determines to research the history of the curious building. But the past is sometimes best left alone. Uncovering the folklore of the house's strange history, Callie is drawn into darkness and delusion. As a teenager Callie was afraid of the dark, and now with her adolescent nyctophobia returning she becomes convinced there's someone in the darkened rooms. Somewhere in the darkness lies the truth about Hyperion House. But some doors should never be opened. |
| is crimson peak based on a book: Willful Monstrosity Natalie Wilson, 2020-01-16 Taking in a wide range of film, television, and literature, this volume explores 21st century horror and its monsters from an intersectional perspective with a marked emphasis on gender and race. The analysis, which covers over 70 narratives, is organized around four primary monstrous figures--zombies, vampires, witches and monstrous women. Arguing that the current horror renaissance is populated with willful monsters that subvert prevailing cultural norms and systems of power, the discussion reads horror in relation to topics of particular import in the contemporary moment--rampant sexual violence, unbridled capitalist greed, brutality against people of color, militarism, and the patriarchy's refusal to die. Examining ground-breaking films and television shows such as Get Out, Us, The Babadook, A Quiet Place, Stranger Things, Penny Dreadful, and The Passage, as well as works by key authors like Justin Cronin, Carmen Maria Machado, Helen Oyeyemi, Margo Lanagan, and Jeanette Winterson, this monograph offers a thorough account of the horror landscape and what it says about the 21st century world. |
| is crimson peak based on a book: Guillermo del Toro Ian Nathan, 2021-11-09 Guillermo del Toro is a complete and intimate study of the life and work of one of modern cinema's most truly unique directors, whose distinct aesthetic and imagination are unmatched in contemporary film. Widely regarded as one of the most imaginative directors working in cinema today, Guillermo del Toro has built up a body of work that has enthralled movie fans with its dark beauty and edge-of-the-seat set pieces. In this book, acclaimed author Ian Nathan charts the progression of a career that has produced some of contemporary cinema’s most revered scenes and idiosyncratic characters. This detailed examination looks at how the strands of del Toro’s career have woven together to create one of modern cinema’s most ground-breaking bodies of work. Delving deep into del Toro's psyche, the book starts by examining his beginnings in Mexico, the creative but isolated child surrounded by ornate catholicism and monster magazines, filming stop motion battles between his toys on a Super-8 film camera. It follows him to film school, where we learn of his influences, from Kafka to Bunuel, and explores his 1993 debut Cronos, the independent horror debut which draws on the religious and occult themes which would recur throughout del Toro's work. It goes on to cover his development as a director with 1997's Mimic, his blockbuster success with the Hellboy films and goes on to study the films which have cemented his status as a legendary auteur, Oscar award winners Pan's Labrynth and The Shape of Water, as well as his sci-fi masterpiece Pacific Rim, as well as looking at his exciting upcoming projects Nightmare Alley and Pinocchio. An enlightening look into the mind of an auteur blessed with a singular creative vision, Guillermo del Toro analyses the processes, themes and narratives that have come to be recognised as distinctly del Toro, from practical effects to an obsession with folklore and paganism. It looks into the narrative techniques, stylistic flourishes and creative decisions which have made him a true master of modern cinema. Presented in a slipcase with 8-page gatefold section, with scores of illuminating photographs of the director at work on set as well as iconic stills from his films and examples of his influences, this stunning package will delight all Guillermo del Toro devotees and movie lovers in general. Unauthorised and Unofficial. |
| is crimson peak based on a book: Gothic Cinema Katharina Rein, 2023-06-29 Gothic Cinema closes a gap in German-language film discourse: for the first time, the volume sheds light on a hitherto little-discussed film context. It considers Gothic Cinema as a form of unofficial historiography that allows a look not only at the history of film and its technique, but also at moral concepts, gender relations, collective fears or aesthetic currents. A delimitation and definition of the term and the central elements of the Gothic are followed by a comprehensive historical overview from 1896 to the present day. Three in-depth analyses of individual post-2015 gothic films and television series round out the review. On the one hand, the examples examined are representative in terms of typical elements, motifs or topoi, and on the other hand, they exhibit peculiarities and breaks that prove fruitful for a cultural and media studies investigation. |
| is crimson peak based on a book: Eating Shakespeare Anne Sophie Refskou, Marcel Alvaro de Amorim, Vinicius Mariano de Carvalho, 2019-05-16 Eating Shakespeare provides a constructive critical analysis of the issue of Shakespeare and globalization and revisits understandings of interculturalism, otherness, hybridity and cultural (in)authenticity. Featuring scholarly essays as well as interviews and conversation pieces with creatives – including Geraldo Carneiro, Fernando Yamamoto, Diana Henderson, Mark Thornton Burnett, Samir Bhamra, Tajpal Rathore, Samran Rathore and Paul Heritage – it offers a timely and fruitful discourse between global Shakespearean theory and practice. The volume uniquely establishes and implements a conceptual model inspired by non-European thought, thereby confronting a central concern in the field of Global Shakespeare: the issue of Europe operating as a geographical and cultural 'centre' that still dominates the study of Shakespearean translations and adaptations from a 'periphery' of world-wide localities. With its origins in 20th-century Brazilian modernism, the concept of 'Cultural Anthropophagy' is advanced by the authors as an original methodology within the field currently understood as 'Global Shakespeare'. Through a broad range of examples drawn from theatre, film and education, and from both within Brazil and beyond, the volume offers illuminating perspectives on what Global Shakespeare may mean today. |
| is crimson peak based on a book: Post-Millennial Gothic Catherine Spooner, 2017-02-23 Surveying the widespread appropriations of the Gothic in contemporary literature and culture, Post-Millennial Gothic shows contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer's Twilight series through Tim Burton's Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, Catherine Spooner argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of 'Happy Gothic'. Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of 21st-century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy and romance in earlier Gothic literature. |
| is crimson peak based on a book: Gothic Afterlives Simon Brown, 2019-09-13 Gothic Afterlives examines the intersections between contemporary Gothic horror and remakes scholarship from various disciplinary perspectives. The essays in the collection cover a wide range of transmedia examples, including literature, film, television, video games, and digital media reimaginings. |
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The government asked a judge to vacate her temporary block on President Donald Trump’s proclamation banning international students from entering the United States on Harvard …
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The Harvard Crimson is the only breakfast-table daily newspaper in Cambridge, Mass. The Crimson publishes every morning, Monday through Friday (except on federal and University …
