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| jack nicholson italian: Hollywood Italians Peter E. Bondanella, 2004-01-01 This book is a celebration of nearly a century of images of Italians in American motion pictures and their contribution to popular culture. Hollywood Italians covers the careers of dozens of stars including Rudolph Valentino, Frank Sinatra, Dean Martin, Al Pacino, Robert De Niro, John Travolta, Sylvester Stallone, Marisa Tomei, James Gandolfini, and many others. In addition, the book reviews the work of such Italian American directors as Francis Ford Coppola and Martin Scorsese. In all, Hollywood Italians discusses scores of films with a concentration on the most important, including their literary and European-cinematic roots. The book is capped by a comprehensive examination of The Godfather and its two sequels, as well as the international television phenomenon The Sopranos.--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
| jack nicholson italian: My Italian Country Childhood - A Chef's Journey From the Hills of Abruzzo to the Heart of Soho Aldo Zilli, 2011-01-04 A boy from a dirt-poor farmhouse in the Italian mountains should never have ended up running one of London's most popular restaurants. Aldo Zilli's extraordinary journey began as a cook in a kitchen with no electricity or running water and took him all the way to Soho where he ended up serving royalty.With a passion to please, charm and good humour, Zilli transformed the way London restaurants were run - the famous and the infamous came to eat his food and soon they became his friends.It hasn't always been easy for him. Along the way Zilli has had to survive prison, divorce, health scares and financial collapse. But now he's a happily married, hands-on father determined to work hard and carry on living life to the full.As irrepressible and mischievous as ever, Aldo Zilli has a heart-warming, hilarious story to share. |
| jack nicholson italian: The Italian American Heritage Pellegrino A D'Acierno, 2021-12-12 First published in 1999. The many available scholarly works on Italian-Americans are perhaps of little practical help to the undergraduate or high school student who needs background information when reading contemporary fiction with Italian characters, watching films that require a familiarity with Italian Americans, or looking at works of art that can be fully appreciated only if one understands Italian culture. This basic reference work for non-specialists and students offers quick insights and essential, easy-to-grasp information on Italian-American contributions to American art, music, literature, motion pictures and cultural life. This rich legacy is examined in a collection of original essays that include portrayals of Italian characters in the films of Francis Coppola, Italian American poetry, the art of Frank Stella, the music of Frank Zappa, a survey of Italian folk customs and an analysis of the evolution of Italian-American biography. Comprising 22 lengthy essays written specifically for this volume, the book identifies what is uniquely Italian in American life and examines how Italian customs, traditions, social mores and cultural antecedents have wrought their influence on the American character. Filled with insights, observations and ethnic facts and fictions, this volume should prove to be a valuable source of information for scholars, researchers and students interested in pinpointing and examining the cultural, intellectual and social influence of Italian immigrants and their successors. |
| jack nicholson italian: Hollywood's Italian American Filmmakers Jonathan J. Cavallero, 2011-05-17 [This book] explores the different ways in which Italian American directors from the 1920s to the present have responded to their ethnicity. While some directors have used film to declare their ethnic roots and create an Italian American 'imagined community,' others have ignored or even denied their background . . . Cavallero's exploration of the films of Capra, Scorsese, Savoca, Coppola,and Tarantino demonstrates how immigrant Italians fought prejudice, how later generations positioned themselves in relation to their predecessors, and how the American cinema, usually seen as a cultural instituion that works to assimlate, has also served as a forum where assimilation was resisted. -- Book cover. |
| jack nicholson italian: Historical Dictionary of Italian Cinema Gino Moliterno, 2008-09-29 The Historical Dictionary of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology. |
| jack nicholson italian: Once Upon A Time in the Italian West Howard Hughes, 2006-03-31 The ideal popular guide to the key Spaghetti Westerns - mainly the good but also the bad and the ugly - this is an authoritative, entertaining and comprehensive companion to the films that created the mythical Spaghetti West in the most improbable circumstances. Sergio Leone's Dollars trilogy is covered, with many more major and minor Spaghetti Westerns, including Sergio Corbucci's Navajo Joe, Carlo Lizzani's The Hills Run Red and Duccio Tessari's A Pistol for Ringo. This popular guide explores the films through the biographies and filmographies of key personnel, stories of the films' making, their locations and sets, sources, musical scores, detailed cast information, box office fortunes internationally, with many illustrations, including original posters and stills. |
| jack nicholson italian: Italian Style Eugenia Paulicelli, 2016-09-22 Since its beginning and during periods of great transformations, movie-going for both men and women was akin to going to a fashion parade. Before the explosion of digital technology and its enchanted world, access to fashion was only accessible on the big screen. Fashion and style became reachable for the masses through cinema. And, with the genre of the fashion film, this continues today. Focusing on a number of crucial films and directors from the silent era to the present, this study will offer, for the first time, an in-depth exploration of the interaction between fashion and Italian cinema. The study, however, will privilege the golden age of Italian cinema, especially the crucial decades of the 1950s and 1960s during which, through the marriage of fashion and film, Italian fashion and style were launched globally. Through the lens of fashion, the study will revisit the films of some of Italy's most important film-makers, such as Antonioni, Fellini, Visconti and others and films as old as Mario Oxilia's silent Rapsodia Satanica (1917) to Luca Guadagnino's I am Love (2009). |
| jack nicholson italian: The A to Z of Italian Cinema Gino Moliterno, 2009-10-12 The A to Z of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology. |
| jack nicholson italian: Italian Giallo in Film and Television Roberto Curti, 2022-06-02 Since the release in 1929 of a popular book series with bright yellow covers, the Italian word giallo (yellow) has come to define a whole spectrum of mystery and detective fiction and films. Although most English speakers associate the term giallo with the violent and erotic thrillers popular in the 1960s and 1970s from directors like Mario Bava, Dario Argento, Lucio Fulci and others, the term encompasses a wide range of Italian media such as mysteries, thrillers and detective stories--even comedies and political pamphlets. As films like Blood and Black Lace (1964) and Deep Red (1975) have received international acclaim, giallo is a fluid and dynamic genre that has evolved throughout the decades. This book examines the many facets of the giallo genre --narrative, style, themes, and influences. It explores Italian films, made-for-TV films and miniseries from the dawn of sound cinema to the present, discussing their impact on society, culture and mores. |
| jack nicholson italian: Encyclopedia of Contemporary Italian Culture Gino Moliterno, 2023-06-14 This rigorously compiled A-Z volume offers rich, readable coverage of the diverse forms of post-1945 Italian culture. With over 900 entries by international contributors, this volume is genuinely interdisciplinary in character, treating traditional political, economic, and legal concerns, with a particular emphasis on neglected areas of popular culture. Entries range from short definitions, histories or biographies to longer overviews covering themes, movements, institutions and personalities, from advertising to fascism, and Pirelli to Zeffirelli. The Encyclopedia aims to inform and inspire both teachers and students in the following fields: *Italian language and literature *Arts, Humanities and Social Sciences *European Studies *Media and Cultural Studies *Business and Management *Art and Design It is extensively cross-referenced, has a thematic contents list and suggestions for further reading. |
| jack nicholson italian: Italian Cinema Barry Forshaw, 2017-04-27 Italian cinema is one of the most glorious and energetic celebrations of the medium that any nation has ever offered. For many years, this astonishing legacy was largely unseen, but the DVD revolution is making virtually everything available, from Steve Reeves' muscle epics to long-unseen Italian art house movies. The one characteristic that most of the great (and not so great) Italian movies have in common is the sheer individualism of the directors. This applies to populist moviemakers and the giants of serious cinema. While Fellini, Visconti and Antonioni have rightly assumed their places in the pantheon, so have such talented popular auteurs as Sergio Leone, who was doing something with the Western that no American director would dare do. All the glory of Italian cinema is celebrated here in comprehensive essays, along with every key film in an easy-to-use reference format. |
| jack nicholson italian: From Michelangelo to Mozzarella Stephen J. Spignesi, 2007 Fun, informative and presented in an accessible format, From Michelangelo to Mozzarella challenges readers with dozens of quizzes on everything Italian: the food, history, geography, culture, fashion, movies and famous artists, along with Italian lingo and much more. With over 150 provocative and fun quizzes about Italy, Italian history and Italian culture, this is the ultimate quiz book for anyone interested in all things Italian. |
| jack nicholson italian: Italian Custom Motorcycles Uli Cloesen, 2022-03-22 Many books have been published about Italian motorcycles, but none has focused exclusively on the Italian motorcycle-based chopper ... until now. Featuring stunning photography, this is a great book for Italian bike fans, and fans of the custom bike scene in general. |
| jack nicholson italian: Antonioni, Or, The Surface of the World Seymour Chatman, 1985-11-03 Michelangelo Antonioni is one of the great visual artists of the cinema. The central and distinguishing strength of Antonioni's mature films, Seymour Chatman argues, is narration by a kind of visual minimalism, by an intense concentration on the sheer appearance of things and a rejection of explanatory dialogue. Though traditional audiences have balked at the opacity of Antonioni's films, it is precisely their rendered surface that is so eloquent once one learns to read it. Not despite, but through, their silences the films show a deep concern with the motives, perceptions and vicissitudes of the emotional life. This study covers films not dealt with in any other book on the great director, including Il mistero di Obertwald (1980) and Identificazione di una donna (1982), which have not yet been seen in the U.S. Its coverage of the early documentaries and features, when Antonioni was forging his new and original stylistic language, is especially full. In a free-ranging analysis of the evolution of Antonioni's style that quotes liberally from Antonioni's own highly articulate writings and interviews, Chatman shows how difficult it was for the filmmaker to liberate his art from the conventional means of rendering narrative, especially dialogue, conventional sound effects, and commentative music. From his first efforts to his triumphant achievements in the tetralogy of L'avventura, L'eclisse, and Il deserto rosso, Antonioni's acute sensibility struggled to achieve the mastery that has won him a secure place in film history. Chatman's study is the only complete account of Antonioni's work available in English. Its novel visual approach to the films while attract not only film scholars but also readers interested in painting and architecture—both important elements of Antonioni's work. |
| jack nicholson italian: Italian Americana , 2008 |
| jack nicholson italian: Women, Desire, and Power in Italian Cinema M. Cottino-Jones, 2010-02-15 Women, Desire, and Power in Italian Cinema offers, for the first time in Italian Cinema criticism, a contextual study of the representation of women in twentieth-century Italian films. Marga Cottino-Jones argues that the ways women are depicted on screen reflects a subconscious sexual conservatism typical of an Italian society rooted within a patriarchal ideology. The book then follows the slow but constant process of social awareness in the Italian society through women in film, especially after the 1950s. Comprehensive in scope, this book analyzes the films of internationally known male and female directors, such as Antonioni, Fellini, Rossellini, Visconti, Bertolucci, Benigni, Cavani, Wertmuller, Comencini, and Archibugi. Special consideration is given to the actresses and actors that have become the icons of Italian femininity and masculinity, such as Sofia Loren, Gina Lollobrigida, Silvana Mangano, Gian Carlo Giannini, Marcello Mastroianni, and Alberto Sordi. |
| jack nicholson italian: Jack's Life Patrick McGilligan, 1996-01-26 No male American film star of the post-Brando era has demonstrated the talent, charisma, the larger-than-life audacity, and the string of screen triumphs of Jack Nicholson. Now one of America's finest film historians has produced the definitive biography of this most private and public of stars. Photos. Second serial to Cosmopolitan. |
| jack nicholson italian: The Passenger Mark Peploe, Michelangelo Antonioni, Peter Wollen, 1975 |
| jack nicholson italian: The Antonioni Adventure George Porcari, 2016-08-01 |
| jack nicholson italian: The Italian Political Filmmakers John J. Michalczyk, 1986 Om Francesco Rosi, Pier Paolo Pasolini, Bernardo Bertolucci, Marco Bellocchio, Gillo Pontecorvo, Elio Petri, Lina Wertmüller. |
| jack nicholson italian: La Dolce Morte Mikel J. Koven, 2006-10-02 With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternative approach to studying these films, by approaching them as vernacular cinema—distinct from popular cinema. According to Koven, to look at a film from a vernacular perspective removes the assumptions about what constitutes a good film and how a particular film is in some way artistic. In La Dolce Morte: Vernacular Cinema and the Italian Giallo Film, Koven explores the history and evolution of this aspect of cinema, and places these films within the context of Italian popular filmmaking. He addresses various themes, motifs, and tropes in these films: their use of space, the murders, the role of the detective, the identity of the killer, issues of belief, excess, and the set-piece. |
| jack nicholson italian: A Story Lately Told Anjelica Huston, 2013-11-19 Anjelica Huston's life, once she turned 15 and moved to London, is a who's who of popular culture from the Rolling Stones in late '60s London to the Chelsea Hotel in New York when she was modelling in the early '70s, to Jack Nicholson and Warren Beatty in '70s and '80s Los Angeles, to Hunter Thompson in Aspen. She is a force who has won every possible acting award, working with some of the greatest directors of her time, and a friend to many of the greatest artists, writers, actors and musicians. One could say it was a charmed life, an enviable life, and she would agree. But it is a life also full of so much tragedy and sadness, and Huston writes about both triumph and hardship with extraordinary eloquence and depth. A stunning achievement, her memoir ranks among the best in the genre. |
| jack nicholson italian: The Italian Wife Kate Furnivall, 2015-10-06 The New York Times bestselling author of The Russian Concubine returns with a stunning new novel set in Mussolini’s Italy. Isabella Berotti is an architect, helping to create showpieces that will reflect the glory of her country’s Fascist leaders. She is not a deeply political sort, but designing these buildings of grandiose beauty helps her forget about the pain she’s felt since her husband was murdered years ago. One of her greatest accomplishments is the clock tower in the town of Bellina, outside Rome. But as she is admiring it one day, a woman approaches her, asking her to watch her ten-year-old daughter. Minutes later, to Isabella’s horror, the woman leaps to her death from that very clock tower. There are photos of the woman right after the suicide, taken by Roberto Falco. A propaganda photographer for Il Duce, he is expected to show his nation in the most flattering light. But what Roberto and Isabella have seen reflects a more brutal reality, and in a place where everyone is watching and friends turn on friends to save themselves, their decision to take a closer look may be a dangerous mistake. |
| jack nicholson italian: Antonioni Laura Rascaroli, John David Rhodes, 2019-07-25 This collection of new essays by leading film scholarsaddresses Michelangelo Antonionias apre-eminent figure in European art cinema, explores his continuing influence and legacy, and engages with his ability to both interpret and shape ideas of modernity and modern cinema. |
| jack nicholson italian: A Cinema of Poetry Joseph Luzzi, 2016-03-30 A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the cinema of poetry. While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably Italian? A thought-provoking and well-written investigation of the role of history and realism in Italian cinema and the role played by the centuries-long tradition of poetry (or more precisely, poesis) in this quest.—H-Italy Ambitious, inventive, learned . . . A Cinema of Poetry . . . brilliantly analyzes the art in the art film by showing how Italian cinema uses a chorus or expresses itself through allegory . . . This impressively intelligent re-description of the tradition surely takes its place alongside other necessary histories of Italian cinema.—Choice Joseph Luzzi is a professor of comparative literature at Bard College. He is the author of Romantic Europe and the Ghost of Italy, which received the MLA’s Scaglione Prize for Italian Studies; My Two Italies, a New York Times Book Review Editors' Choice; and In a Dark Wood: What Dante Taught Me about Grief, Healing, and the Mysteries of Love. |
| jack nicholson italian: Blowing the Bloody Doors Off Michael Caine, 2018-10-18 'Wise, funny' Daily Mail 'Chatty and engaging . . . he often comes across as endearingly humble' Sunday Times 'Thoroughly engaging' Sunday Express magazine 'Fabulous storytelling' Prima One of 'the top 25 most compelling Hollywood autobiographies' -Guardian Hollywood legend and British national treasure Sir Michael Caine shares the wisdom, stories, insight and skills that life has taught him in his remarkable career - and now his 85th year. One of our best-loved actors Michael Caine has starred in a huge range of films - including all-time favourites - from the classic British movies Alfie, Zulu and The Italian Job to the Hollywood blockbusting Dark Knight trilogy, Dirty Rotten Scoundrels, Hannah and Her Sisters and Cider House Rules. Caine has excelled in every kind of role - with a skill that's made it look easy. He knows what success takes - he's made it to the top of his profession from the toughest beginning. But as he says 'Small parts can lead to big things. And if you keep doing things right, the stars will align when you least expect it.' Now in his 85th year he wants to share everything he's learned. With brilliant new insight into his life and work and with his wonderful gift for story, this is Caine at his wise and entertaining best. |
| jack nicholson italian: The Postman Always Rings Twice James M. Cain, 2010-11-03 The bestselling sensation—and one of the most outstanding crime novels of the 20th century—that was banned in Boston for its explosive mixture of violence and eroticism, and acknowledged by Albert Camus as the model for The Stranger. The basis for the acclaimed 1946 film. An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution—a solution that only creates other problems that no one can ever solve. First published in 1934, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside and was acknowledged by Albert Camus as the model for The Stranger. |
| jack nicholson italian: The Hackney Stud Book Hackney Horse Society, 1891 |
| jack nicholson italian: La Bella Vita Aminda Leigh, 2010-10-06 Carla Bruni. Giorgio Armani. Luciano Pavarotti. Giada De Laurentiis. Sophia Loren. The Leonardos (Da Vinci e DiCaprio). From fettucine to fashion and back again, nobody does La Bella Vita like the Italians. Whether preparing a meal or sculpting the David, singing an aria or seducing a lover, Italians take their time, and do it right--adagio! In this bellissimo primer, Romans Aminda Leigh and Pietro Pesce show you how to achieve that sensual perfection in everything you do, leading you on a smolderingly hot journey through each of the five senses: Sight (vista): Toss the shabby, shapeless clothes and dress up! Italians take meticulous care of their appearance and are always fashionable. Sound (udito): Act like an Italian and emphasize the positive whenever possible. Touch (tatto): Touch like all Italians do--double-kiss, hold hands, touch other people's arms, and gesticulate! Smell (olfatto): Take a ride on an Italian motorbike and pay attention to the scents of your environment--the sea air, a coffee shop, a flower garden . . . Taste (gusto): Forget inhaling a heavy dinner--eat like Italians and savor a long, leisurely home-cooked meal! From fashion and film to food and language, this book is the crash course in Italian living every Italophile should indulge in, pronto! |
| jack nicholson italian: The Encyclopædia Britannica: Italy-Kyshtym , 1911 |
| jack nicholson italian: Stardom, Italian Style Marcia Landy, 2008 The definitive book on stardom in Italian cinema |
| jack nicholson italian: The Companion to Italian Cinema Geoffrey Nowell-Smith, James Hay, Gianni Volpi, 1996 Essential reading for students and followers of Italian Film, this book is a concise and authoritative work of reference offering comprehensive coverage of Italian cinema through the entire century of its development. Arranged in an accessible A-Z format, it offers key information and insights into the richness and variety of Italian cinema. An historical overview of Italian cinema is followed by over 200 entries on film, critics, festivals, film forms, genres and movements. |
| jack nicholson italian: Untouchable: Robert De Niro Andy Dougan, 2011-05-31 Andy Dougan draws on first-hand interviews with some of De Niro's closest friends and colleagues. The result is a revealing and sometimes startling account of an intensely private man. While previous biographies of De Niro have only scraped the surface of his complex character, this sensitive and perceptive portrayal lays bare the psychological and emotional scars that De Niro has sought to hide for so long. |
| jack nicholson italian: Cooking for Jack (Nicholson) Tommy Baratta, Marylou Baratta, 1999-03 When Jack Nicholson needed to lose the 25 pounds he'd gained to portray the lead character in the film Hoffa in order to star in Wolf, he called on his longtime pal, chef Tommy Baratta. The Jack Nicholson Diet,Ó now on the menu of Baratta's popular Greenwich Village restaurant, Marylou's, is the basis for the simple, low-fat, yet soul-satisfying recipes in this book. He created a powerhouse repertoire of quick, full-flavored dishes that are low in fat & calories. Includes more than 100 of the recipes that keep Jack lean & energized. Complete with festive snacks, appetizers, & side dishes. |
| jack nicholson italian: Alexander Payne Leo Adam Biga, 2016-09 Leo Biga has reported on the career of filmmaker Alexander Payne for 20 years. In this updated collection of essays, the author-journalist-blogger offers the only comprehensive look at Payne's career and creative process. Based in Payne's hometown of Omaha, Nebraska, Biga has been granted access to location shooting for Nebraska and Sideways, the latter filmed in California's wine country. Biga has also been given many exclusive interviews by Payne and his creative collaborators. His insightful analysis of Payne's films and personal journey has been praised by Payne for its honesty, thoughtfulness, and accuracy. The two-time Oscar-winner calls Biga's articles, the most complete and perceptive of any journalist's anywhere. Payne's films are celebrated for their blend of humor and honest look at human relationships. Members of Hollywood's A-List, including George Clooney (The Descendants), Jack Nicholson (About Schmidt), Reese Witherspoon (Election), Paul Giamatti (Sideways), Laura Dern (Citizen Ruth), and Bruce Dern (Nebraska), have starred in his films. |
| jack nicholson italian: Very Special Ships Arthur Nicholson, 2015-10-30 Very Special Ships is the first full-length book about the six Abdiel-class fast minelayers, the fastest and most versatile ships to serve in the Royal Navy in the Second World War. They operated not only as offensive minelayers dashing into enemy waters under cover of darkness but in many other roles, most famously as blockade runners to Malta. In lieu of mines, they transported items as diverse as ammunition, condensed milk, gold, and VIPs. Distinguished by their three funnels, the Abdiels were attractive, well-designed ships, and they were also unique no other navy had such ships, and so they were sought-after commands and blessed with fine captains. To give the fullest picture of this important class of ships, the book details the origins and history of mines, minelayers, and minelaying; covers the origins and design of the class; describes the construction of each of the six ships, and the modified design of the last two; tells in detail of the operational careers of the ships in the second World War, when they played vital roles in the battle of Crete and the siege of Malta, plied the hazardous route to Tobruk, and laid mines off the Italian coast. The post-war careers of the surviving ships is also documented. Written to appeal to naval enthusiasts, students of World War II and modelmakers, the author tells the story of these ships through first-hand accounts, official sources, and specially- commissioned drawings and photographs. |
| jack nicholson italian: New York Magazine , 1979-12-24 New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea. |
| jack nicholson italian: The New Italian Cinema Rick Trader Witcombe, 1982 A readable, authoritative, and critical account of the past two decades of Italian cinema, beginning with the now-classical directors such as Visconti, Fellini, and Rosselini, through the young masters, Pasolini, Antonioni, Bertolucci, and Wertmuller, through the newest generation of directors, Brusati, Tinto Brass and others. Included are discussions of the older artists' new directions, and such specialties as Rossellini's television work. |
| jack nicholson italian: Guiltless Pleasures: A David Sterritt Film Reader David Sterritt, 2005 |
| jack nicholson italian: Visconti Henry Bacon, 1998-03-28 The first thorough study of the Italian filmmaker, Luchino Visconti. |
Jack in the Box
Jack in the Box offers a variety of delicious fast-food options, including burgers, tacos, and breakfast items.
JACK Definition & Meaning - Merriam-Webster
The meaning of JACK is a game played with a set of small objects that are tossed, caught, and moved in various figures. How to use jack in a sentence.
Jack (given name) - Wikipedia
Jack is a given name of English origin, originally a diminutive of John. Alternatively it may commonly be a diminutive of Jacob, its French variant Jacques, or given names like Jackson …
Jack - definition of jack by The Free Dictionary
Define jack. jack synonyms, jack pronunciation, jack translation, English dictionary definition of jack. n. 1. often Jack Informal A man; a fellow. 2. a. One who does odd or heavy jobs; a …
Jack (1996) - IMDb
Jack: Directed by Francis Ford Coppola. With Robin Williams, Diane Lane, Brian Kerwin, Jennifer Lopez. Because of an unusual disorder that has aged him four times faster than a typical …
JACK Definition & Meaning | Dictionary.com
any of various portable devices for raising or lifting heavy objects short heights, using various mechanical, pneumatic, or hydraulic methods. Also called knave. Cards. a playing card bearing …
JACK | English meaning - Cambridge Dictionary
JACK definition: 1. a piece of equipment that can be opened slowly under a heavy object such as a car in order to…. Learn more.
JACK definition in American English | Collins English Dictionary
A jack is a female socket with two or more terminals designed to receive a male plug that either makes or breaks the circuit.
Jack - Wiktionary, the free dictionary
May 18, 2025 · Jack (countable and uncountable, plural Jacks) A unisex given name, also used as a pet form of John or more rarely, Jacob. c. 1593 (date written), William Shakespeare, “ The …
Meaning, origin and history of the name Jack - Behind the Name
Apr 23, 2024 · It is often regarded as an independent name. During the Middle Ages it was very common, and it became a slang word meaning "man", as seen in the terms jack-o'-lantern, …
Jack in the Box
Jack in the Box offers a variety of delicious fast-food options, including burgers, tacos, and breakfast items.
JACK Definition & Meaning - Merriam-Webster
The meaning of JACK is a game played with a set of small objects that are tossed, caught, and moved in various figures. How to use jack in a sentence.
Jack (given name) - Wikipedia
Jack is a given name of English origin, originally a diminutive of John. Alternatively it may commonly be a diminutive of Jacob, its French variant Jacques, or given names like Jackson …
Jack - definition of jack by The Free Dictionary
Define jack. jack synonyms, jack pronunciation, jack translation, English dictionary definition of jack. n. 1. often Jack Informal A man; a fellow. 2. a. One who does odd or heavy jobs; a …
Jack (1996) - IMDb
Jack: Directed by Francis Ford Coppola. With Robin Williams, Diane Lane, Brian Kerwin, Jennifer Lopez. Because of an unusual disorder that has aged him four times faster than a typical …
JACK Definition & Meaning | Dictionary.com
any of various portable devices for raising or lifting heavy objects short heights, using various mechanical, pneumatic, or hydraulic methods. Also called knave. Cards. a playing card bearing …
JACK | English meaning - Cambridge Dictionary
JACK definition: 1. a piece of equipment that can be opened slowly under a heavy object such as a car in order to…. Learn more.
JACK definition in American English | Collins English Dictionary
A jack is a female socket with two or more terminals designed to receive a male plug that either makes or breaks the circuit.
Jack - Wiktionary, the free dictionary
May 18, 2025 · Jack (countable and uncountable, plural Jacks) A unisex given name, also used as a pet form of John or more rarely, Jacob. c. 1593 (date written), William Shakespeare, “ The …
Meaning, origin and history of the name Jack - Behind the Name
Apr 23, 2024 · It is often regarded as an independent name. During the Middle Ages it was very common, and it became a slang word meaning "man", as seen in the terms jack-o'-lantern, …
