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| introduction to anglo saxon literature beowulf: Beowulf Beowulf, R. K. Gordon, 1992-09-30 Finest heroic poem in Old English celebrates character and exploits of Beowulf, a young nobleman of the Geats, a people of southern Sweden. Narrative combines mythical elements, Christian and pagan sensibilities, actual historical figures and events to create a striking work of great power and beauty. Authoritative translation by R. K. Gordon. Genealogies. |
| introduction to anglo saxon literature beowulf: The Reign of Edward III W. M. Ormrod, 1990-01-01 Beowulf, the primary epic of the English language, is a powerful heroic poem eloquently expressive of the Anglo-Saxon culture that produced it. In this beautiful book a designer, a poet, and a specialist in Anglo-Saxon literature recreate Beowulf for a modern audience. Interweaving evocative images, a new interpretation in verse, and a running commentary that helps clarify the action and setting of the poem as well as the imagery, the book brings new life to this ancient masterpiece. Randolph Swearer's oblique and allusive images create an archaic, mysterious atmosphere by depicting in forms and shadows the world of Germanic antiquity--Scandinavian and Anglo-Saxon art, artifacts, and scenery. At the same time, Raymond Oliver gives Beowulf a world in which to live, filling in the cultural gaps not with a thick matrix of footnotes but with poetry itself. Unlike many translations of Beowulf in existence, Oliver's retelling of the epic uses modern verse forms for poetic effect and includes a wealth of historically authentic descriptions, characterizations, and explanations necessary for modern readers. Marijane Osborn completes the process of restoring context to the poem by supplying a commentary to clarify the historical and geographical dimensions of the story as well as the imagery that accompanies it. All three work together to bring a likeness of an old and elusive tale to today's reader. The book's design and the commentary on it provide a unique visual complement to Oliver's poem... A strange and moving story, compellingly told and seriously interesting to any serious reader of books.--Fred C. Robinson, from the Introduction |
| introduction to anglo saxon literature beowulf: Humour in Anglo-Saxon Literature Jonathan Wilcox, 2000 Humour is rarely seen to raise its indecorous head in the surviving corpus of Old English literature, yet the value of reading that literature with an eye to humour proves considerable when the right questions are asked. Humour in Anglo-Saxon Literature provides the first book-length treatment of the subject. In all new essays, eight scholars employ different approaches to explore humor in such works as Beowulf and The Battle of Maldon, the riddles of the Exeter Book, and Old English saints' lives. An introductory essay provides a survey of the field, while individual essays push towards a distinctive theory of Anglo-Saxon humour. Through its unusual focus, this collection will provide an appealing introduction to both famous and lesser-known works for those new to Old English literature, while those familiar with the usual contours of Old English literary criticism will find here the value of a fresh approach. Contributors: JOHN D. NILES, T.A. SHIPPEY, RAYMOND P. TRIPP JR, E.L. RISDEN, D.K. SMITH, NINA RULON-MILLER, SHARI HORNER, HUGH MAGENNIS. JONATHAN WILCOX is Associate Professor of English at the University of Iowa and editor of the Old English Newsletter. Although the question of humour in the surviving corpus of Old English literature has rarely been discussed, the potential for analyzing this literature in terms of its humor is in fact considerable. In the essays especially commissioned for this volume, the first book-length treatment of Anglo-Saxon humor, eight of the foremost scholars in the field use different approaches to explore humor in the surviving literature of Anglo-Saxon England, in such works as Beowulf and The Battle of Maldon, the riddles of the Exeter book, and Old English saints' lives. The articles are prefaced with an introduction surveying the field. Through its unusual focus, this collection will provide an appealing introduction to both famous and lesser-known works for those new to Old English literature, while those familiar with the usual contours of Old English literary criticism will find here the value of a fresh approach. JONATHAN WILCOX is Associate Professor of English at the University of Iowa and editor of the Old English Newsletter. |
| introduction to anglo saxon literature beowulf: Beowulf and Other Stories Joe Allard, Richard North, 2014-04-23 Beowulf & Other Stories was first conceived in the belief that the study of Old English – and its close cousins, Old Icelandic and Anglo-Norman – can be a genuine delight, covering a period as replete with wonder, creativity and magic as any other in literature. Now in a fully revised second edition, the collection of essays written by leading academics in the field is set to build upon its established reputation as the standard introduction to the literatures of the time. Beowulf & Other Stories captures the fire and bloodlust of the great epic, Beowulf, and the sophistication and eroticism of the Exeter Riddles. Fresh interpretations give new life to the spiritual ecstasy of The Seafarer and to the imaginative dexterity of The Dream of the Rood, andprovide the student and general reader with all they might need to explore and enjoy this complex but rewarding field. The book sheds light, too, on the shadowy contexts of the period, with suggestive and highly readable essays on matters ranging from the dynamism of the Viking Age to Anglo-Saxon input into The Lord of the Rings, from the great religious prose works to the transition from Old to Middle English. It also branches out into related traditions, with expert introductions to the Icelandic Sagas, Viking Religion and Norse Mythology. Peter S. Baker provides an outstanding guide to taking your first steps in the Old English language, while David Crystal provides a crisp linguistic overview of the entire period. With a new chapter by Mike Bintley on Anglo-Saxon archaeology and a revised chapter by Stewart Brookes on the prose writers of the English Benedictine Reform, this updated second edition will be essential reading for students of the period. |
| introduction to anglo saxon literature beowulf: A Companion to Anglo-Saxon Literature Phillip Pulsiano, Elaine M. Treharne, 2001 This acclaimed volume explores and unravels the contexts, readings, genres, intertextualities and debates within Anglo-Saxon studies. Brings together specially-commissioned contributions from a team of leading European and American scholars. Embraces both the literature and the cultural background of the period. Combines the discussion of primary material and manuscript sources with critical analysis and readings. Considers the past, present and future of Anglo-Saxon studies. |
| introduction to anglo saxon literature beowulf: Nonhuman voices in Anglo-Saxon literature and material culture James Paz, 2017-07-07 This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is available as an open access ebook under a CC-BY-NC-ND licence. Nonhuman voices in Anglo-Saxon literature and material culture uncovers the voice and agency possessed by nonhuman things across Anglo-Saxon literature and material culture. It makes a new contribution to ‘thing theory’ and rethinks conventional divisions between animate human subjects and inanimate nonhuman objects in the early Middle Ages. Anglo-Saxon writers and craftsmen describe artefacts and animals through riddling forms or enigmatic language, balancing an attempt to speak and listen to things with an understanding that these nonhumans often elude, defy and withdraw from us. But the active role that things have in the early medieval world is also linked to the Germanic origins of the word, where a þing is a kind of assembly, with the ability to draw together other elements, creating assemblages in which human and nonhuman forces combine. |
| introduction to anglo saxon literature beowulf: The Anglo-Saxon World Kevin Crossley-Holland, 1983 The Anglo-Saxon World introduces the Anglo-Saxons in their own words - their chronicles, laws and letters, charters and charms, and above all their magnificent poems. Most of the greatest surviving poems are printed here in their entirety: the reader will find the whole of Beowulf, The Battle of Maldon, and the haunting elegiac poems. Here is a word picture of a people who came to these islands as pagans, subscribing to the Germanic heroic code, and yet within 200 years had become Christian to such effect that England was the centre of missionary endeavour and, for a time, the heart of European civilisation.Kevin Crossley-Holland places the poems and prose in context with his skilful interpretation of the Anglo-Saxon world; his translations have been widely acclaimed, and of BeowulfCharles Causley has written `the poem has at last found its translator'. The many illustrations draw on the splendours of Anglo-Saxon manuscripts and jewellery and a wealth of archaeological finds.KEVIN CROSSLEY-HOLLAND is a poet and writer who takes a particular interest in the middle ages and in traditional tale: in addition to his translations from the Anglo-Saxon, he is also the author of versions of the Norse myths. |
| introduction to anglo saxon literature beowulf: Beowulf John Lesslie Hall, 1908 |
| introduction to anglo saxon literature beowulf: Anglo-Saxon Community in J. R. R. Tolkien's the Lord of the Rings Deborah A. Higgens, 2014-03-25 Anglo-Saxon Community in J.R.R. Tolkien's The Lord of the Rings by Dr. Deborah A. Higgens, PhD will add to the field of Tolkien scholarship a detailed study of how Tolkien entered into the community of Anglo-Saxon storytellers as a scholar and critic, but also as an insider. Embracing elements of a lifestyle he valued, yet which he viewed as diminishing in modern-day England and in the rest of the world, J.R.R. Tolkien hearkens back to a literary community shrouded in mystery and Faerie, from Beowulf and other Anglo-Saxon poetry to medieval legend. Tolkien enters that community both as a critic, examining lost elements of a heroic society, and as an insider, recasting, as did ancient authors, the elements of Story, to create his own great fairy-story. While much has been written on medievalism in Tolkien's works, this research adds to the field a detailed explanation of the Anglo-Saxon mindset in Tolkien's The Lord of the Rings (LOTR). In his sub-creation, Tolkien draws from the same Cauldron of Story from which the Anglo-Saxon poets drew, as illustrated by an examination of Tolkien's two critical essays: On Fairy-Stories and Beowulf: The Monsters and the Critics. Tolkien discusses the manner in which the Beowulf poet created his poem, and it is evident that the same principles can be applied to demonstrate how Tolkien created his own great fairy-story as he integrates the ancient themes of the Anglo-Saxon mead hall, the lord as gift-giver, and the comitatus bond in his creation of the Rohirrim. In the role of the cup-bearer, Old English poetry predominately reflects aristocratic women, and Tolkien illustrates this aspect in LOTR through the characters of Galadriel and Eowyn. Tolkien's work is as original as that of medieval authors because he built on ancient themes and structure, used their modes and genres, and chose similar mythic elements to weave his own tale. The decline of mead-hall society is reflected in Old English poetry, and Tolkien's fiction embodies a sense of that loss, preserving for his audience, as did the Beowulf poet, this ancient society and its heroic values. |
| introduction to anglo saxon literature beowulf: Basilisks and Beowulf Tim Flight, 2023-07-25 An eye-opening, engrossing look at the central role of monsters in the Anglo-Saxon worldview—now in paperback. This book addresses a simple question: why were the Anglo-Saxons obsessed with monsters, many of which did not exist? Drawing on literature and art, theology, and a wealth of firsthand evidence, Basilisks and Beowulf reveals a people huddled at the edge of the known map, using the fantastic and the grotesque as a way of understanding the world around them and their place within it. For the Anglo-Saxons, monsters helped to distinguish the sacred and the profane; they carried God’s message to mankind, exposing His divine hand in creation itself. At the same time, monsters were agents of disorder, seeking to kill people, conquer their lands, and even challenge what it meant to be human. Learning about where monsters lived and how they behaved allowed the Anglo-Saxons to situate themselves in the world, as well as to apprehend something of the divine plan. It is for these reasons that monsters were at the very center of their worldview. From map monsters to demons, dragons to Leviathan, we neglect these beasts at our peril. |
| introduction to anglo saxon literature beowulf: The Cambridge Introduction to Anglo-Saxon Literature Hugh Magennis, 2011-06-16 Introducing Anglo-Saxon literature in an approachable way, this is an indispensable guide for students to a key literary topic. |
| introduction to anglo saxon literature beowulf: The Deeds of Beowulf John Earle, 1892 |
| introduction to anglo saxon literature beowulf: The Battle of Maldon D. G. Scragg, 1981 |
| introduction to anglo saxon literature beowulf: The Anglo-Saxon Age John Blair, 2000-08-10 First published as part of the best-selling The Oxford Illustrated History of Britain, John Blair's Very Short Introduction to the Anglo-Saxon Age covers the emergence of the earliest English settlements to the Norman victory in 1066. This book is a brief introduction to the political, social, religious, and cultural history of Anglo-Saxon England. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
| introduction to anglo saxon literature beowulf: The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' Edward Pettit, 2020-01-14 The image of a giant sword melting stands at the structural and thematic heart of the Old English heroic poem Beowulf. This meticulously researched book investigates the nature and significance of this golden-hilted weapon and its likely relatives within Beowulf and beyond, drawing on the fields of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and comparative mythology. In Part I, Pettit explores the complex of connotations surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may function as a visual motif in which pre-Christian Germanic concepts and prominent Christian symbols coalesce. In Part II, Pettit investigates the broader Germanic background to this image, especially in relation to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across time. Drawing on an eclectic range of narrative and linguistic evidence from Northern European texts, and on archaeological discoveries, Pettit suggests that the image of the giant sword, and the characters and events associated with it, may reflect an elemental struggle between the sun and the moon, articulated through an underlying myth about the theft and repossession of sunlight. The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' is a welcome contribution to the overlapping fields of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the craft of the Beowulf-poet and inform our understanding of the poem’s major episodes and themes; it further highlights the merits of adopting an interdisciplinary approach alongside a comparative vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists. |
| introduction to anglo saxon literature beowulf: Beowulf and Beyond , 2021-04-01 Beowulf & Beyond is the first and only poetic translation to include not only Beowulf but all the best-known works of Anglo-Saxon literature in one convenient volume. Previously, students have had to buy a separate book to read essential works like The Seafarer, required reading in all courses of early English literature. And even these may miss some of the greatest delights of this period: the wonderful stories from Bede, the charms, sayings, spells and riddles that inspire students to delve deeper into this strange and magical world. These translations, which derive their power from cleaving close to the bone of the original Anglo-Saxon, capture the power and punch of the original in a supple verse that sweeps the reader onward irresistibly. |
| introduction to anglo saxon literature beowulf: The Exeter Book Israel Gollancz, 2018-10-09 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| introduction to anglo saxon literature beowulf: Darkness, Depression, and Descent in Anglo-Saxon England Ruth Wehlau, 2019-05-20 This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Guthlac, The Junius Manuscript, The Wonders of the East, and The Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and perception. The volume investigates the intersection between the burgeoning interest in trauma studies and darkness and the representation of the mind or of emotional experience within Anglo-Saxon literature. |
| introduction to anglo saxon literature beowulf: Deor Kemp Malone, 1949 |
| introduction to anglo saxon literature beowulf: The Anglo Saxon Literature Handbook Mark C. Amodio, 2013-06-04 The Anglo-Saxon Literature Handbook presents an accessible introduction to the surviving works of prose and poetry produced in Anglo-Saxon England, from AD 410-1066. Makes Anglo-Saxon literature accessible to modern readers Helps readers to overcome the linguistic, aesthetic and cultural barriers to understanding and appreciating Anglo-Saxon verse and prose Introduces readers to the language, politics, and religion of the Anglo-Saxon literary world Presents original readings of such works as Beowulf, The Battle of Maldon, The Wanderer, The Seafarer, and The Anglo-Saxon Chronicle |
| introduction to anglo saxon literature beowulf: The Seafarer Ida L. Gordon, 1979 |
| introduction to anglo saxon literature beowulf: Beowulf Robert Nye, 2014 A retelling of the exploits of the Anglo-Saxon warrior, Beowulf, and how he came to defeat the monster Grendel. |
| introduction to anglo saxon literature beowulf: A Far Light Robert DiNapoli, 2016-09-23 This book presents the complete Old English text of Beowulf, the most celebrated poem of the Anglo-Saxon era, in short sections followed by verse translations and extensive commentaries. Above all, it makes the anonymous poet’s extraordinary literary achievement accessible to interested modern readers who are not familiar with the language he employs with such uncanny power. |
| introduction to anglo saxon literature beowulf: The Earliest English Poems Michael Alexander, Michael J. Alexander, 1970 |
| introduction to anglo saxon literature beowulf: The Story of Beowulf Ernest J. B. Kirtlan, 1913 |
| introduction to anglo saxon literature beowulf: Teaching “Beowulf” Larry Swain, Ophelia Eryn Hostetter, 2024-08-19 Beowulf is by far the most popular text of the medieval world taught in American classrooms, at both the high school and undergraduate levels. More students than ever before wrestle with Grendel in the darkness of Heorot or venture into the dragon’s barrow for gold and glory. This increase of attention and interest in the Old English epic has led to a myriad of new and varying translations of the poem published every year, the production of several mainstream film and television adaptations, and many graphic novel versions. More and more teachers in all sorts of classrooms, with varying degrees of familiarity and training are called upon to bring this ancient poem before their students. This practical guide to teaching Beowulf in the twenty-first century combines scholarly research with pedagogical technique, imparting a picture of how the poem can be taught in contemporary American institutions. |
| introduction to anglo saxon literature beowulf: The Junius Manuscript Caedmon, 1941-01-22 The Junius Manuscript |
| introduction to anglo saxon literature beowulf: The Beowulf Reader Peter Stuart Baker, 2000 First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company. |
| introduction to anglo saxon literature beowulf: Introduction to Old English Peter S. Baker, 2012-03-27 Featuring numerous updates and additional anthology selections, the 3rd edition of Introduction to Old English confirms its reputation as a leading text designed to help students engage with Old English literature for the first time. A new edition of one of the most popular introductions to Old English Assumes no expertise in other languages or in traditional grammar Includes basic grammar reviews at the beginning of each major chapter and a 'minitext' feature to aid students in practicing reading Old English Features updates and several new anthology readings, including King Alfred's Preface to Gregory's Pastoral Care |
| introduction to anglo saxon literature beowulf: English Alliterative Verse Eric Weiskott, 2016-10-27 English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth century, when alliterative poetry ceased to be composed. Eric Weiskott draws on the study of meter to challenge the traditional division of medieval English literary history into Old English and Middle English periods. The two halves of the alliterative tradition, divided by the Norman Conquest of 1066, have been studied separately since the nineteenth century; this book uses the history of metrical form and its cultural meanings to bring the two halves back together. In combining literary history and metrical description into a new kind of history he calls 'verse history', Weiskott reimagines the historical study of poetics. |
| introduction to anglo saxon literature beowulf: Anglo-Saxon Literary Landscapes Heide Estes, 2017 Literary scholars have traditionally understood landscapes, whether natural or manmade, as metaphors for humanity instead of concrete settings for people's actions. This book accepts the natural world as such by investigating how Anglo-Saxons interacted with and conceived of their lived environments. Examining Old English poems, such as Beowulf and Judith, as well as descriptions of natural events from the Anglo-Saxon Chronicle and other documentary texts, Heide Estes shows that Anglo-Saxon ideologies that view nature as diametrically opposed to humans, and the natural world as designed for human use, have become deeply embedded in our cultural heritage, language, and more. |
| introduction to anglo saxon literature beowulf: The Humanist Beowulf Andrew Scheil, 2021-08-31 Why should anyone read Beowulf? This book presents a passionate literary argument for Beowulf as a searching, subtle exploration of the human presence. |
| introduction to anglo saxon literature beowulf: Beowulf , 2022 |
| introduction to anglo saxon literature beowulf: Beowulf Burton Raffel, 2012-01-01 Beowulf is the conventional title of an Old English heroic epic poem consisting of 3182 alliterative long lines, set in Scandinavia, commonly cited as one of the most important works of Anglo-Saxon literature. It survives in a single manuscript known as the Nowell Codex. Its composition by an anonymous Anglo-Saxon poet is dated between the 8th and the early 11th century. |
| introduction to anglo saxon literature beowulf: The Mere Wife Maria Dahvana Headley, 2018-07-30 New York Times bestselling author Maria Dahvana Headley’s fierce, feminist retelling of the classic tale of Beowulf. To those who live there, Herot Hall is a paradise. With picket fences, gabled buildings, and wildflowers that seed themselves in ordered rows, the suburb is a self-sustaining community, enclosed and secure. But to those who live secretly along its periphery, Herot Hall is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights. Dylan and Gren live on opposite sides of the perimeter, neither boy aware of the barriers erected to keep them apart. For Dylan and his mother, Willa, life moves at a charmingly slow pace. They flit between mothers’ groups, playdates, cocktail hours, and dinner parties. Gren lives with his mother, Dana, just outside the limits of Herot Hall. A former soldier, Dana didn’t want Gren, didn’t plan Gren, and doesn’t know how she got Gren. But now that she has him, she’s determined to protect him from a world that sees him only as a monster. When Gren crosses the border into Herot Hall and runs off with Dylan, he sets up a collision between Dana’s and Willa’s worlds that echoes the Beowulf story — and gives sharp, startling currency to the ancient epic poem. |
| introduction to anglo saxon literature beowulf: The Cultural World in Beowulf John M. Hill, 1995 In this cross-disciplinary study, John Hill looks at Beowulf from a comparative ethnological point of view. He provides a thorough examination of the socio-cultural dimensions of the text and compares the social milieu of Beowulf to that of similarly organized cultures. |
| introduction to anglo saxon literature beowulf: Beowulf : an introduction to the study of the poem with a discussion of the stories of Offa and Finn Raymond Wilson Chambers, 1959 |
| introduction to anglo saxon literature beowulf: Anglo-Saxon Art Leslie Webster, 2012 The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a dramatic shift from a barbarian society to a recognizably medieval civilization. This book traces the changing nature of that art, the different roles it played in Anglo-Saxon culture, and the various ways it both reflected and influenced the changing context in which it was created. From its first manifestations in the metalwork and ceramics of the early settlers, Anglo-Saxon art displays certain inbuilt and highly distinctive stylistic and iconographic features. Despite the many new influences which were regularly absorbed and adapted by Anglo-Saxon artists and craftsmen, these characteristics continued to resonate through the centuries in the great manuscripts, ivories, metalwork and sculpture of this inventive and creative culture. This book highlights the character, leitmotifs and underlying continuities of Anglo-Saxon art, whilst also placing it firmly in its wider cultural and political context. |
| introduction to anglo saxon literature beowulf: Beowulf (Translated with Annotations by John Lesslie Hall and an Introduction by Kemp Malone) Anonymous, 2017-09-11 Literary scholar, professor, and poet J. Lesslie Hall is best known for his 1897 translation of the Old English epic poem Beowulf. The story focuses on the titular character of Beowulf, a Scandinavian hero who comes to the aid of the Danes to save their land from a human-demon monster named Grendel. After defeating Grendel, Beowulf must then kill Grendel's mother. He returns to Scandinavia with more fame and accord and eventually becomes king. Then fifty years later, a dragon attacks his kingdom, and the hero must fight once again to defend his title and his honor. What makes Beowulf a lasting classic is its depiction of Norse traditions and culture. The people have strong connections inherent within a kinship society; if someone was killed it was the family's duty to exact justice or receive payment for the death. Beowulf also shows an interesting dichotomy between the Norse pagan religion of when the story is set versus the monotheistic Christian storytellers who likely first related the tale during the Middle Ages. Many scholars debate the epic poem's true stance on religion, but the tale gives an accurate depiction of how paganism deteriorated as monotheism flourished. A classic of Anglo-Saxon literature, Beowulf remains one of the greatest epic poems ever written. This edition is printed on premium acid-free paper, includes an introduction by Kemp Malone, and a preface and annotations by the translator, J. Lesslie Hall. |
| introduction to anglo saxon literature beowulf: A Guide to Old English Bruce Mitchell, 1965 |
INTRODUCTION Definition & Meaning - Merriam-Webster
The meaning of INTRODUCTION is something that introduces. How to use introduction in a sentence.
How to Write an Introduction, With Examples | Grammarly
Oct 20, 2022 · An introduction should include three things: a hook to interest the reader, some background on the topic so the reader can understand it, and a thesis statement that clearly …
INTRODUCTION | English meaning - Cambridge Dictionary
INTRODUCTION definition: 1. an occasion when something is put into use or brought to a place for the first time: 2. the act…. Learn more.
What Is an Introduction? Definition & 25+ Examples - Enlightio
Nov 5, 2023 · An introduction is the initial section of a piece of writing, speech, or presentation wherein the author presents the topic and purpose of the material. It serves as a gateway for …
Introduction - definition of introduction by The Free Dictionary
Something spoken, written, or otherwise presented in beginning or introducing something, especially: a. A preface, as to a book. b. Music A short preliminary passage in a larger …
INTRODUCTION Definition & Meaning - Merriam-Webster
The meaning of INTRODUCTION is something that introduces. How to use introduction in a sentence.
How to Write an Introduction, With Examples | Grammarly
Oct 20, 2022 · An introduction should include three things: a hook to interest the reader, some background on the topic so the reader can understand it, and a thesis statement that clearly …
INTRODUCTION | English meaning - Cambridge Dictionary
INTRODUCTION definition: 1. an occasion when something is put into use or brought to a place for the first time: 2. the act…. Learn more.
What Is an Introduction? Definition & 25+ Examples - Enlightio
Nov 5, 2023 · An introduction is the initial section of a piece of writing, speech, or presentation wherein the author presents the topic and purpose of the material. It serves as a gateway for …
Introduction - definition of introduction by The Free Dictionary
Something spoken, written, or otherwise presented in beginning or introducing something, especially: a. A preface, as to a book. b. Music A short preliminary passage in a larger …
