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| jameson geopolitical aesthetic: The Geopolitical Aesthetic Fredric Jameson, 1995 No Marketing Blurb |
| jameson geopolitical aesthetic: Signatures of the Visible Fredric Jameson, 2007 In Signatures of the Visible, one of America's most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. |
| jameson geopolitical aesthetic: Allegory and Ideology Fredric Jameson, 2019-05-07 Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about method, but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context. |
| jameson geopolitical aesthetic: The Victorian Geopolitical Aesthetic Lauren M. E. Goodlad, 2015-01-22 How did realist fiction alter in the effort to craft forms and genres receptive to the dynamism of an expanding empire and globalizing world? Do these nineteenth-century variations on the geopolitical aesthetic continue to resonate today? Crossing literary criticism, political theory, and longue durée history, The Victorian Geopolitical Aesthetic explores these questions from the standpoint of nineteenth-century novelists such as Wilkie Collins, George Eliot, Gustave Flaubert, and Anthony Trollope, as well as successors including E. M. Forster and the creators of recent television serials. By looking at the category of sovereignty at multiple scales and in diverse contexts, Lauren M. E. Goodlad shows that the ideological crucible for high realism was not a hegemonic liberalism. It was, rather, a clash of modern liberal ideals struggling to distintricate themselves from a powerful conservative vision of empire while striving to negotiate the inequalities of power which a supposedly universalistic liberalism had helped to generate. The material occasion for the Victorian era's rich realist experiments was the long transition from an informal empire of trade that could be celebrated as liberal to a neo-feudal imperialism that only Tories could warmly embrace. The book places realism's geopolitical aesthetic at the heart of recurring modern experiences of breached sovereignty, forgotten history, and subjective exile. The Coda, titled The Way We Historicize Now, concludes the study with connections to recent debates about surface reading, distant reading, and the hermeneutics of suspicion. |
| jameson geopolitical aesthetic: A Singular Modernity Fredric Jameson, 2014-06-17 The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this intervention, Fredric Jameson-perhaps the most influential and persuasive theorist of postmodernity-excavates and explores these notions in a fresh and illuminating manner.The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the (provisional) disappearance of alternatives to capitalism plays its part in the universal attempt to revive 'modernity' as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well. In this major interpretation of the problematic, Jameson concludes that both concepts are tainted, but nonetheless yield clues as to the nature of the phenomena they purported to theorize. His judicious and vigilant probing of both terms-which can probably not be banished at this late date-helps us clarify our present political and artistic situations. |
| jameson geopolitical aesthetic: Fredric Jameson and Film Theory Keith B. Wagner, Jeremi Szaniawski, Michael Cramer, 2022-01-14 A radical new intervention into film studies and Marxist cultural studies, this book considers the contributions of Fredric Jameson to film Studies, and finds scholars applying, questioning, and developing his ideas in a wide-ranging collection of case studies from around the globe. |
| jameson geopolitical aesthetic: Postmodernism, or, The Cultural Logic of Late Capitalism Fredric Jameson, 1992-01-06 Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature. |
| jameson geopolitical aesthetic: Magic Realism, World Cinema, and the Avant-Garde Felicity Gee, 2021-04-19 This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy. |
| jameson geopolitical aesthetic: The Geopolitical Aesthetic ... Jameson, 1992 |
| jameson geopolitical aesthetic: An American Utopia Fredric Jameson, 2016-07-12 Fredric Jameson's pathbreaking essay An American Utopia radically questions standard leftist notions of what constitutes an emancipated society. Advocated here are-among other things-universal conscription, the full acknowledgment of envy and resentment as a fundamental challenge to any communist society, and the acceptance that the division between work and leisure cannot be overcome. To create a new world, we must first change the way we envision the world. Jameson's text is ideally placed to trigger a debate on the alternatives to global capitalism. In addition to Jameson's essay, the volume includes responses from philosophers and political and cultural analysts, as well as an epilogue from Jameson himself. Many will be appalled at what they will encounter in these pages-there will be blood! But perhaps one has to spill such (ideological) blood to give the Left a chance. |
| jameson geopolitical aesthetic: Film, Theory and Philosophy Felicity Colman, 2014-12-05 Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. Film and Philosophy brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy. Film and Philosophy includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion. |
| jameson geopolitical aesthetic: Surveillance Cinema Catherine Zimmer, 2015-04-03 In Paris, a static video camera keeps watch on a bourgeois home. In Portland, a webcam documents the torture and murder of kidnap victims. And in clandestine intelligence offices around the world, satellite technologies relentlessly pursue the targets of global conspiracies. Such plots represent only a fraction of the surveillance narratives that have become commonplace in recent cinema. Catherine Zimmer examines how technology and ideology have come together in cinematic form to play a functional role in the politics of surveillance. Drawing on the growing field of surveillance studies and the politics of contemporary monitoring practices, she demonstrates that screen narrative has served to organize political, racial, affective, and even material formations around and through surveillance. She considers how popular culture forms are intertwined with the current political landscape in which the imagery of anxiety, suspicion, war, and torture has become part of daily life. From Enemy of the State and The Bourne Series to Saw, Caché and Zero Dark Thirty, Surveillance Cinema explores in detail the narrative tropes and stylistic practices that characterize contemporary films and television series about surveillance. |
| jameson geopolitical aesthetic: Cultures of Uneven and Combined Development , 2019-07-08 Cultures of Uneven and Combined Development seeks to explore and develop Leon Trotsky’s concept of uneven and combined development. In particular, it aims to adapt the political and historical analysis which originated in Trotsky’s Russia for use within the contemporary field of world literature. As such, it draws together the work of scholars from both the field of international relations and the field of literature and the arts. This collection will therefore be of particular interest to anyone who is interested in new ways of understanding world literary texts, or interested in new ways of applying Trotsky’s revolutionary politics to the contemporary world order. Contributors: Alexander Anievas, Gail Day, James Christie, Kamran Matin, Kerem Nisancioglu, Luke Cooper, Michael Niblett, Neil Davidson, Nesrin Degirmencioglu, Robert Spencer, Steve Edwards. |
| jameson geopolitical aesthetic: Fredric Jameson Sean Homer, 2018-12-07 Fredric Jameson has been described as probably the most important cultural critic writing in English today and he is widely acknowledged as the foremost proponent for the tradition of critical theory known as Western Marxism.Yet his work has not been given the systematic review like other contemporary thinkers like Fooucault and Derrida. Fredric Jameson: Marxism,Hermeneutics, Postmodernism is a thoroughly up-to-date, detailed review and analysis of the work of this influential intellectual. Covering Jameson's work and thought from his early projects of form and history to his more recent engagements with postmodernism and cultural politics, this synthesis offers a balanced assessment of his ideas, their development and their continuing influence. |
| jameson geopolitical aesthetic: In/Different Spaces Victor Burgin, 1996-10-31 Book on art and philosophy |
| jameson geopolitical aesthetic: Cinema and Popular Geo-politics Marcus Power, 2013-09-13 With a detailed range of approaches, this new collection investigates how cinematic narratives can and have been used to portray different political 'threats' and 'dangers'. Including a range of chapters with a contemporary focus, it studies issues such as: how the geopolitical world has been constructed through film how cinema can provide explanatory narratives in periods of cultural and political anxiety, uneasiness and uncertainty. Examining the ways in which film impacts upon popular understandings of national identity and the changing geopolitical world, the book looks at how audiences make sense of the (geo)political messages and meanings contained within a variety of films - from the US productions of Hollywood, to Palestinian, Mexican, British, and German cinematic traditions. This thought-provoking book draws on an international range of contributions to discuss and fully investigate world cinema in light of key contemporary issues. This book was previously published as a special issue of Geopolitics. |
| jameson geopolitical aesthetic: Archaeologies of the Future Fredric Jameson, 2020-05-05 In an age of globalization characterized by the dizzying technologies of the First World, and the social disintegration of the Third, is the concept of utopia still meaningful? Archaeologies of the Future, Jameson's most substantial work since Postmodernism, Or, the Cultural Logic of Late Capitalism, investigates the development of this form since Thomas More, and interrogates the functions of utopian thinking in a post-Communist age. The relationship between utopia and science fiction is explored through the representations of otherness . alien life and alien worlds . and a study of the works of Philip K. Dick, Ursula LeGuin, William Gibson, Brian Aldiss, Kim Stanley Robinson and more. Jameson's essential essays, including The Desire Called Utopia, conclude with an examination of the opposing positions on utopia and an assessment of its political value today. |
| jameson geopolitical aesthetic: Towards a Political Aesthetics of Cinema Sulgi Lie, 2020-07-08 Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective rehabilitation of the psychoanalytical concept of suture, whose political core is progressively revealed. In a second step, this rereading of suture-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious. |
| jameson geopolitical aesthetic: Jameson on Jameson Fredric Jameson, 2007-12-26 DIVA collection of interviews with Fredric Jameson over a 20 year period./div |
| jameson geopolitical aesthetic: Raymond Chandler Fredric Jameson, 2016-08-23 The master of literary theory takes on the master of the detective novel Raymond Chandler, a dazzling stylist and portrayer of American life, holds a unique place in literary history, straddling both pulp fiction and modernism. With The Big Sleep, published in 1939, he left an indelible imprint on the detective novel. Fredric Jameson offers an interpretation of Chandler’s work that reconstructs both the context in which it was written and the social world or totality it projects. Chandler’s invariable setting, Los Angeles, appears both as a microcosm of the United States and a prefiguration of its future: a megalopolis uniquely distributed by an unpromising nature into a variety of distinct neighborhoods and private worlds. But this essentially urban and spatial work seems also to be drawn towards a vacuum, an absence that is nothing other than death. With Chandler, the thriller genre becomes metaphysical. |
| jameson geopolitical aesthetic: The Solaris Effect Steven Dillon, 2010-01-01 What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspiration from Andrei Tarkovsky's 1972 film Solaris, a science fiction ghost story that relentlessly explores the relationship between the powers of nature and art. The author argues that American film has the best chance of aesthetic success when it acknowledges that a film is actually a film. The best American movies tell an endless ghost story, as they perform the agonizing nearness and distance of the cinematic image. This groundbreaking commentary examines the rarely seen bridge between select American film directors and their typically more adventurous European counterparts. Filmmakers such as Lynch and Soderbergh are cross-cut together with Tarkovsky and the great French director, Jean-Luc Godard, in order to test the limits and possibilities of American film. Both enthusiastically cinephilic and fiercely critical, this book puts a decade of U.S. film in its global place, as part of an ongoing conversation on nature and art. |
| jameson geopolitical aesthetic: The Political Unconscious Fredric Jameson, 2015-03-03 Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is culturally so different from the past? Marxism lies at the foundation of Jameson's answer, because it conceives of history as a single collective narrative that links past and present; Marxist literary criticism reveals the unity of that uninterrupted narrative. Jameson applies his interpretive theory to nineteenth- and twentieth-century texts, including the works of Balzac, Gissing, and Conrad. Throughout, he considers other interpretive approaches to the works he discusses, assessing the importance and limitations of methods as different as Lacanian psychoanalysis, semiotics, dialectical analysis, and allegorical readings. The book as a whole raises directly issues that have been only implicit in Jameson's earlier work, namely the relationship between dialectics and structuralism, and the tension between the German and the French aesthetic traditions. The Political Unconscious is a masterly introduction to both the method and the practice of Marxist criticism. Defining a mode of criticism and applying it successfully to individual works, it bridges the gap between theoretical speculation and textual analysis. |
| jameson geopolitical aesthetic: Cinema and Experience Miriam Hansen, 2012 Kracauer. Film, medium of a disintegrating world. -- Curious Americanism. -- Benjamin. Actuality, antinomies. -- Aura: the appropriation of a concept. -- Mistaking the moon for a ball. -- Micky-maus. -- Room-for-play. -- Adorno. The question of film aesthetics. -- Kracauer in exile. Theory of film. |
| jameson geopolitical aesthetic: Cinematic Geopolitics Michael J. Shapiro, 2008-10-27 In recent years, film has been one of the major genres within which the imaginaries involved in mapping the geopolitical world have been represented and reflected upon. In this book, one of America's foremost theorists of culture and politics treats those aspects of the geopolitical aesthetic that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy. Beginning with an account of his experience as a juror at film festival’s, Michael J. Shapiro’s Cinematic Geopolitics analyzes the ways in which film festival space and both feature and documentary films function as counter-spaces to the contemporary violent cartography occasioned by governmental policy, especially the current war on terror. Influenced by the cinema-philosophy relationship developed by Gilles Deleuze and the politics of aesthetics thinking of Jacques Ranciere, the book’s chapters examines a range of films from established classics like the Deer Hunter and the Battle of Algiers to contemporary films such as Dirty Pretty Things and the Fog of War. Shapiro’s use of philosophical and theoretical works makes this cutting edge examination of film and politics essential reading for all students and scholars with an interest in film and politics. |
| jameson geopolitical aesthetic: Imagining Marketing Stephen Brown, Anthony Patterson, 2001-02-01 Imagination is a word that is widely used by marketing practitioners but rarely examined by marketing academics. This neglect is largely due to the imagination's 'artistic' connotations, which run counter to the 'scientific' mindset that dominates marketing scholarship. Of late, however, an artistic 'turn' has taken place in marketing research, and |
| jameson geopolitical aesthetic: The Known Economy Colin Danby, 2017-06-26 Why do critics and celebrants of globalization concur that international trade and finance represent an inexorable globe-bestriding force with a single logic? The Known Economy shows that both camps rest on the same ideas about how the world is scaled. Two centuries ago romantic and rationalist theorists concurred that the world was divided into discrete nations, moving at different rates toward a modernity, split between love and money. Though differing over whether this history is tragedy or triumph, they united in projecting an empty international space in which a Moloch-like global capitalism could lurk. The Known Economy tracks the colonial development of national accounting and re-examines the ways gender and heteronormativity are built in to economic representation. It re-interprets the post-WWII spread of standardized economic statistics as the project of international organizations looking over the shoulders of national governments, rather than the expanding power of national governments over populations. |
| jameson geopolitical aesthetic: The Emotional Life of Postmodern Film Pansy Duncan, 2015-11-19 Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of affect theory may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jameson's Postmodernism to David Cronenberg's Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive affect. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it. |
| jameson geopolitical aesthetic: A Dictionary of Critical Theory Ian Buchanan, 2018-02-09 Containing over 750 in-depth entries, this is the most wide-ranging and up-to-date dictionary of critical theory available. This authoritative guide covers the whole range of critical theory, including the Frankfurt school, cultural materialism, cultural studies, gender studies, film studies, literary theory, hermeneutics, historical materialism, and socio-political critical theory. Entries clearly explain complex theoretical discourses such as Marxism, psychoanalysis, structuralism, deconstruction, and postmodernism. There are biographies of hundreds of important figures in the field, with feature entries for those who have heavily influenced areas of the discipline, such as Derrida and Deleuze. This new edition of the dictionary has been updated to extend coverage of diaspora, race and postcolonial theory, including key authors such as C. L. R. James and Paul Gilroy, and of queer and sexuality studies, including notable figures such as Eve Kosofsky Sedgwick. Fully revised to keep up to date with this diverse field, this new edition expands the coverage to include entries such as hyperobject and transgender. Entries are fully cross-referenced and many contain further reading suggestions. Covering all aspects of critical theory from globalization and race studies, to queer theory and feminism, this multidisciplinary A-Z is essential for students in the humanities and social sciences. |
| jameson geopolitical aesthetic: A Glossary of Literary and Cultural Theory Peter Brooker, 2016-12-08 The Glossary of Literary and Cultural Theory provides researchers and students with an up-to-date guide through the vibrant and changing debates in Literary and Cultural Studies. In a field where meanings are frequently complex and ambiguous, this text is remarkable for its clarity and usefulness. This third edition includes 17 entirely new entries and updates to more than a dozen others which address key concepts and contemporary positions in both literary and cultural theory. New entries include: • Actor Network Theory • Anthropocene • Ecocriticism • Digital Humanities • Postcapitalism • World Literature |
| jameson geopolitical aesthetic: Taiwan Film Directors Emilie Yueh-yu Yeh, Darrell William Davis, 2005 The year 2003 marked the fiftieth anniversary of James Watson's and Francis Crick's discovery of the structure of DNA, which began a revolution in the biological sciences and radically altered the way humans view life and themselves. In this poetic account Erwin Fleissner, an eminent cancer researcher and teacher, offers a personal and professional reflection on the most significant developments in molecular genetics and cell biology over the past fifty years. Vital Harmonies is a sweeping look at these crucial scientific advances and an insider's perspective on what scientists have actually learned from them. Contrasting the humanistic side of scientific research with more deterministic or mechanical explanations of life processes, Fleissner discusses everything from natural selection to the tradition of rational inquiry stemming from the Enlightenment. He goes on to describe the structures of macromolecules and their organizing principles as well as cancer genes, stem cells, and the Human Genome Project. He also explores neuronal cells and the emergence of consciousness and how biological evolution is the foundation of our personal reality as well as our global responsibility. Fleissner asserts that scientific investigations cannot negate our essential humanness nor should the public fear them. Taking an optimistic perspective, he argues that a deeper knowledge of ourselves as biological entities will provide us, ultimately, with greater health, serenity, and self-knowledge. Vital Harmonies gives readers, whatever their background, an engaging analysis of some of the most important questions facing humanity today. |
| jameson geopolitical aesthetic: The Order of Forms Anna Kornbluh, 2019-11-20 In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies. |
| jameson geopolitical aesthetic: Crisis and Criticism Benjamin Noys, 2023-12-28 Crisis and Criticism is a series of interventions from 2009 to 2021 engaging with the literary, cultural and political responses to the capitalist crisis of 2007–8. Challenging the tendency to treat crisis as natural and beyond human control, this book interrogates our cultural understanding of crisis and suggests the necessity of ruthless criticism of the existing world. While responses to crisis have retreated from the critical, choosing to inhabit apocalyptic fantasies instead, only a critical understanding of the causes of crisis within capitalism itself can promise their eventual overcoming. |
| jameson geopolitical aesthetic: Biopolitical Screens Pasi Valiaho, 2023-08-15 An investigation of the aesthetics and politics of new visual media under twenty-first-century capitalism, from console games to virtual reality to video installation art. In Biopolitical Screens, Pasi Väliaho charts and conceptualizes the imagery that composes our affective and conceptual reality under twenty-first-century capitalism. Väliaho investigates the role screen media play in the networks that today harness human minds and bodies—the ways that images animated on console game platforms, virtual reality technologies, and computer screens capture human potential by plugging it into arrangements of finance, war, and the consumption of entertainment. Drawing on current neuroscience and political and economic thought, Väliaho argues that these images work to shape the atomistic individuals who populate the neoliberal world of accumulation and war. Väliaho bases his argument on a broad notion of the image as something both visible and sayable, detectable in various screen platforms but also in scientific perception and theoretical ideas. After laying out the conceptual foundations of the book, Väliaho offers focused and detailed investigations of the current visual economy. He considers the imagery of first-person shooter video games as tools of “neuropower”; explores the design and construction of virtual reality technologies to treat post-traumatic stress disorder in veterans of Iraq and Afghanistan; and examines three instances of video installation art that have the power to disrupt the dominant regime of sensibility rather than reinforce it. |
| jameson geopolitical aesthetic: The Epic Film in World Culture Robert Burgoyne, 2010-09-13 With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemporary cinema. This new volume in the AFI Film Readers series explores the rebirth of the epic film genre in the contemporary period, a period marked by heightened and conflicting appeals to national, ethnic, and religious belonging.The orginal essays in this volume explore the tension between the evolving global context of film production and reception and the particular provenance of the epic as an expression of national mythology and aspirations, challenging our understanding of epics produced in the present as well as our perception of epic films from the past. The contributors will explore new critical approaches to contemporary as well as older epic films, drawing on ideas from cultural studies, historiography, classics, and film studies. |
| jameson geopolitical aesthetic: Marxist Criticism of the Hebrew Bible: Second Edition Roland Boer, 2014-12-18 The only large-scale critical introduction to Western Marxism for biblical criticism. Roland Boer introduces the core concepts of major figures in the tradition, specifically Althusser, Gramsci, Deleuze and Guattari, Eagleton, Lefebvre, Lukács, Adorno, Bloch, Negri, Jameson, and Jameson. Throughout, Boer shows how Marxist criticism is relevant to biblical criticism, in terms of approaches to the Bible and in the use of those approaches in the interpretation of specific texts. In this second edition, Boer has added chapters on Deleuze and Guattari, and Negri. Each chapter has been carefully revised to make the book more useful on courses, while maintaining challenges and insights for postgraduate students and scholars. Theoretical material has been updated and sharpened in light of subsequent research and a revised conclusion considers the economies of the ancient world in relation to biblical societies. |
| jameson geopolitical aesthetic: The Case for Reduction Christoph F. E. Holzhey, Jakob Schillinger, 2022-10-11 Critical discourse hardly knows a more devastating charge against theories, technologies, or structures than that of being reductive. Yet, expansion and growth cannot fare any better today. This volume suspends anti-reductionist reflexes to focus on the experiences and practices of different kinds of reduction, their generative potentials, ethics, and politics. Can their violences be contained and their benefits transported to other contexts? |
| jameson geopolitical aesthetic: Antinomies of Art and Culture Okwui Enwezor, Nancy Condee, Terry Smith, 2009-01-16 In this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment. In the volume’s introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their “contemporaneity,” a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri’s analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor’s argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss’s defense of artistic modernism to Jonathan Hay’s characterization of contemporary developments in terms of doubled and even para-modernities. The volume’s centerpiece is a sequence of photographs from Zoe Leonard’s Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind. Contributors: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark |
| jameson geopolitical aesthetic: Culture Control Critique Frida Beckman, 2016-05-03 Culture Control Critique is an attempt to address the current crisis in cultural critique, situate it in relation to what it sees as a powerful tendency toward political allegory in contemporary Anglo-American mainstream culture, and analyse how this tendency can be understood in relation to the totalizing tendencies of control society. |
| jameson geopolitical aesthetic: The Thriller and Northern Ireland since 1969 Aaron Kelly, 2017-03-02 For the past 30 years, the so-called 'Troubles' thriller has been the dominant fictional mode for representing Northern Ireland, leading to the charge that the crudity of this popular genre appropriately reflects the social degradation of the North. Aaron Kelly challenges both these judgments, showing that the historical questions raised by setting a thriller in Northern Ireland disrupt the conventions of the crime novel and allow for a new understanding of both the genre and the country. Two essays on crime fiction by Walter Benjamin and Berthold Brecht appear here for the first time in English translation. By demonstrating the relevance of these theorists as well as other key European thinkers such as Antonio Gramsci, Louis Althusser, and Slavoj Zizek to his interdisciplinary study of Irish culture and the crime novel, Kelly refutes the idea that Northern Ireland is a stagnate anomaly that has been bypassed by European history and remained impervious to cultural transformation. On the contrary, Kelly's examination of authors such as Jack Higgins, Tom Clancy, Gerald Seymour, Colin Bateman, and Eoin McNamee shows that profound historical change and complexity have characterized both Northern Ireland and the thriller form. |
| jameson geopolitical aesthetic: Resisting Neoliberal Capitalism in Chile Juan Pablo Rodríguez, 2019-12-18 This book explores the relationship between recent theoretical debates around the fate of critique of neoliberal capitalism and critical theory, on the one hand, and the critical theories generated in and by social movements in Chile, on the other. By taking the idea of social critique as a field that encompasses both critical social theories and the practices of social criticism carried out by social movements, Resisting Neoliberal Capitalism in Chile explores how the student and the Pobladores movements map, resist and contest neoliberal capitalism in commodified areas such as education and housing in Chile, one of the first ‘neoliberal experiments’ in Latin America and the world. |
Purchase From Us - Jameson Irish Whiskey
Welcome to the home of Jameson Irish Whiskey in the US. Explore the world's best-selling Irish whiskey, whiskey cocktail recipes, distillery experiences and more.
Ruth Jameson, FNP-C - Charlotte Gastroenterology & Hepatology
Ruth Jameson is the BEST! She is so compassionate and willing to do whatever it takes to solve my gastro problems. She is such a good listener!
Jameson Irish Whiskey - Wikipedia
Jameson (/ ˈ dʒ eɪ m ə s ən, ˈ dʒ ɛ m ə s ən /) is a blended Irish whiskey produced by the Irish Distillers subsidiary of Pernod Ricard. Originally one of the six main Dublin whiskeys at the …
The Ultimate Guide to Jameson Whiskey
Jun 9, 2024 · Jameson is the world’s bestselling Irish whiskey brand, renowned for its triple-distilled smooth blend. The Jameson range includes the original blend, double-charred and …
Jameson Irish Whiskey: The Ultimate Bottle Guide
Feb 27, 2023 · Jameson is the most famous and most popular whiskey in the world, and we've got everything you've ever wanted to know about this iconic Irish spirit.
Jameson Price, Sizes & Buying Guide (UPDATED 2025) - DrinkStack
Feb 25, 2023 · Jameson whiskey is a triple distilled blended whiskey that is well balanced and smooth with tastes of nutty and vanilla notes with hints of sweet sherry.
Jameson Irish Whiskey - Total Wine & More
Shop for the best Jameson Irish Whiskey at the lowest prices at Total Wine & More. Explore our wide selection of more than 3,000 spirits. Order online for curbside pickup, in-store pickup or …
What Is Jameson Irish Whiskey? - The Spruce Eats
Sep 29, 2022 · Jameson Irish Whiskey is a brand of Irish blended whiskeys produced at the Midleton distillery in County Cork, Ireland. Appreciated for its smooth, reliable taste, it is one of …
Why Jameson Irish Whiskey Always Tastes The Same, No Matter
1 day ago · Jameson Irish whiskey is the best-selling Irish whiskey around the world, and you don't get that way by being inconsistent. Here's how Jameson remains the same.
Our Family of Irish Whiskeys | Jameson Irish Whiskey
Meet the true original, Jameson Irish Whiskey. Crafted in 1780. It’s the perfect whiskey for all occasions, connecting friends new and old through its triple distilled, twice-as-smooth taste. …
Purchase From Us - Jameson Irish Whiskey
Welcome to the home of Jameson Irish Whiskey in the US. Explore the world's best-selling Irish whiskey, whiskey cocktail recipes, distillery experiences and more.
Ruth Jameson, FNP-C - Charlotte Gastroenterology & Hepatology
Ruth Jameson is the BEST! She is so compassionate and willing to do whatever it takes to solve my gastro problems. She is such a good listener!
Jameson Irish Whiskey - Wikipedia
Jameson (/ ˈ dʒ eɪ m ə s ən, ˈ dʒ ɛ m ə s ən /) is a blended Irish whiskey produced by the Irish Distillers subsidiary of Pernod Ricard. Originally one of the six main Dublin whiskeys at the …
The Ultimate Guide to Jameson Whiskey
Jun 9, 2024 · Jameson is the world’s bestselling Irish whiskey brand, renowned for its triple-distilled smooth blend. The Jameson range includes the original blend, double-charred and …
Jameson Irish Whiskey: The Ultimate Bottle Guide
Feb 27, 2023 · Jameson is the most famous and most popular whiskey in the world, and we've got everything you've ever wanted to know about this iconic Irish spirit.
Jameson Price, Sizes & Buying Guide (UPDATED 2025) - DrinkStack
Feb 25, 2023 · Jameson whiskey is a triple distilled blended whiskey that is well balanced and smooth with tastes of nutty and vanilla notes with hints of sweet sherry.
Jameson Irish Whiskey - Total Wine & More
Shop for the best Jameson Irish Whiskey at the lowest prices at Total Wine & More. Explore our wide selection of more than 3,000 spirits. Order online for curbside pickup, in-store pickup or …
What Is Jameson Irish Whiskey? - The Spruce Eats
Sep 29, 2022 · Jameson Irish Whiskey is a brand of Irish blended whiskeys produced at the Midleton distillery in County Cork, Ireland. Appreciated for its smooth, reliable taste, it is one of …
Why Jameson Irish Whiskey Always Tastes The Same, No Matter
1 day ago · Jameson Irish whiskey is the best-selling Irish whiskey around the world, and you don't get that way by being inconsistent. Here's how Jameson remains the same.
Our Family of Irish Whiskeys | Jameson Irish Whiskey
Meet the true original, Jameson Irish Whiskey. Crafted in 1780. It’s the perfect whiskey for all occasions, connecting friends new and old through its triple distilled, twice-as-smooth taste. …
