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| human body museum atlanta: The Body Atlas DK, 2020-09-22 Reveal the inner workings of the human body with this illustrated atlas. How well do you know your body? What happens under your skin? Where exactly is your stomach? What does your liver do? How can ears help your balance? The Body Atlas answers all these questions and many more. This unique visual guide approaches a body as if it were a map, divided into continents (such as parts of the body) and countries (such as organs). You can see inside your body and examine it region by region - for example, the head and neck or the upper torso. These regions enclose vital structures, such as the brain, lungs, and heart, just as continents contain countries. Body systems such as the circulatory system (blood) and nervous system, link the body regions just like mountains and rivers range across countries. The detailed illustrations carefully pull back the layers of the body so you can see inside the hidden interior. All bones, muscles, and organs are clearly labeled with scientific and common names; and there are photos of parts you wouldn't normally be able to see, such as your vocal cords. Packed with amazing facts and illustrations, The Body Atlas takes you on a top-to-toe tour through your own anatomy. Now celebrating its 25th anniversary, this book has been refreshed for a new generation of budding biologists and doctors-in-the-making. |
| human body museum atlanta: Visualizing the invisible with the human body J. Cale Johnson, Alessandro Stavru, 2019-11-05 Physiognomy and ekphrasis are two of the most important modes of description in antiquity and represent the necessary precursors of scientific description. The primary way of divining the characteristics and fate of an individual, whether inborn or acquired, was to observe the patient’s external characteristics and behaviour. This volume focuses initially on two types of descriptive literature in Mesopotamia: physiognomic omens and what we might call ekphrastic description. These modalities are traced through ancient India, Ugaritic and the Hebrew Bible, before arriving at the physiognomic features of famous historical figures such as Themistocles, Socrates or Augustus in the Graeco-Roman world, where physiognomic discussions become intertwined with typological analyses of human characters. The Arabic compendial culture absorbed and remade these different physiognomic and ekphrastic traditions, incorporating both Mesopotamian links between physiognomy and medicine and the interest in characterological ‘types’ that had emerged in the Hellenistic period. This volume offer the first wide-ranging picture of these modalities of description in antiquity. |
| human body museum atlanta: Apocalyptic Bodies Tina Pippin, 2002-03-11 Apocalyptic Bodies traces the biblical notions of the end of the world as represented in ancient and modern texts, art, music and popular culture, for example the paintings of Bosch. Tina Pippin addresses the question of how far we, in the late twentieth century, are capable of reading and responding to the 'signs of the times'. It will appeal not only to those studying religion, but also to those fascinated with interpretations of the end of the world. |
| human body museum atlanta: The Cutaneous Arteries of the Human Body C. Manchot, 2013-12-21 |
| human body museum atlanta: Human Body, Human Spirit Carolyn Elaine Tate, 1993 The human figure forms the core of the pre-Hispanic art of Mexico. In 1993 an exhibiton in Mexico city collected together ancient Mexican figurines representing a wide spectrum of human experience. Presennted here in splendid colour plates, this volume is a useful, beautiful and provocative demonstration of the representation of the human form in ancient Mexican art. With brief captions and introductory essays. |
| human body museum atlanta: Text + Field Sara L. McKinnon, Robert Asen, Karma R. Chávez, Robert Glenn Howard, 2016-06-01 Rhetorical critics have long had a troubled relationship with method, viewing it as at times opening up provocative avenues of inquiry, and at other times as closing off paths toward meaningful engagement with texts. Text + Field shifts scholarly attention from this conflicted history, looking instead to the growing number of scholars who are supplementing text-based scholarship by venturing out into the field, where rhetoric is produced, enacted, and consumed. These field-based practices involve observation, ethnographic interviews, and performance. They are not intended to displace text-based approaches; rather, they expand the idea of method by helping rhetorical scholars arrive at new and complementary answers to long-standing disciplinary questions about text, context, audience, judgment, and ethics. The first volume in rhetoric and communication to directly address the relevance, processes, and implications of using field methods to augment traditional scholarship, Text + Field provides a framework for adapting these new tools to traditional rhetorical inquiry. Aside from the editors, the contributors are Roberta Chevrette, Kathleen M. de Onís, Danielle Endres, Joshua P. Ewalt, Alina Haliliuc, Aaron Hess, Jamie Landau, Michael Middleton, Tiara R. Na’puti, Jessy J. Ohl, Phaedra C. Pezzullo, Damien Smith Pfister, Samantha Senda-Cook, Lisa Silvestri, and Valerie Thatcher. |
| human body museum atlanta: The Heart of Leonardo Francis Wells, 2014-07-08 This book contains all of Leonardo Da Vinci's drawings on the heart and its physiology, accompanied by re-translations of all of the associated notes. All Leonardo's drawings have been interpreted in the light of modern knowledge by a practicing cardiac clinician and anatomist. The veracity of his work is proven against contemporary dissections of cardiac structure and comparison of his illustrations with contemporary images generated by Magnetic Resonance scanners and high definition ultrasound will astound the reader. Perhaps the most interesting element is the re-dissection of the Ox heart set against Leonardo’s own drawings. His place in the greater scheme of anatomical development will be put into context with his ideas of man’s place in the microcosm/macrocosm continuum. |
| human body museum atlanta: The Shattered Gourd Okediji, 2012-05 The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria. In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas. The re-membering of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms. In this book -- the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition -- Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas, a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism. |
| human body museum atlanta: Anthropomorphic Imagery in the Mesoamerican Highlands Brigitte Faugère, Christopher Beekman, 2020-02-15 In Anthropomorphic Imagery in the Mesoamerican Highlands, Latin American, North American, and European researchers explore the meanings and functions of two- and three-dimensional human representations in the Precolumbian communities of the Mexican highlands. Reading these anthropomorphic representations from an ontological perspective, the contributors demonstrate the rich potential of anthropomorphic imagery to elucidate personhood, conceptions of the body, and the relationship of human beings to other entities, nature, and the cosmos. Using case studies covering a broad span of highlands prehistory—Classic Teotihuacan divine iconography, ceramic figures in Late Formative West Mexico, Epiclassic Puebla-Tlaxcala costumed figurines, earth sculptures in Prehispanic Oaxaca, Early Postclassic Tula symbolic burials, Late Postclassic representations of Aztec Kings, and more—contributors examine both Mesoamerican representations of the body in changing social, political, and economic conditions and the multivalent emic meanings of these representations. They explore the technology of artifact production, the body’s place in social structures and rituals, the language of the body as expressed in postures and gestures, hybrid and transformative combinations of human and animal bodies, bodily representations of social categories, body modification, and the significance of portable and fixed representations. Anthropomorphic Imagery in the Mesoamerican Highlands provides a wide range of insights into Mesoamerican concepts of personhood and identity, the constitution of the human body, and human relationships with gods and ancestors. It will be of great value to students and scholars of the archaeology and art history of Mexico. Contributors: Claire Billard, Danièle Dehouve, Cynthia Kristan-Graham, Melissa Logan, Sylvie Peperstraete, Patricia Plunket, Mari Carmen Serra Puche, Juliette Testard, Andrew Turner, Gabriela Uruñuela, Marcus Winter |
| human body museum atlanta: Visible Empire Hannah Pittard, 2019-05-14 From a writer who deserves the attention of anyone in search of today's best fiction* comes an epic novel--based on true events--of wealth, race, grief, and love, charting one sweltering summer in Atlanta that left no one unchanged (*Washington Post) ... It's a humid summer day when the phones begin to ring: disaster has struck. Air France Flight 007, which had been chartered to ferry home more than one hundred of Atlanta's cultural leaders following a luxurious arts-oriented tour of Europe, crashed shortly after takeoff in Paris. In one fell swoop, most of the city's wealthiest residents perished. Left behind were children, spouses, lovers, friends, and a city on the cusp of great change: the Civil Rights movement was at its peak, the hedonism of the 60s was at its doorstep. In Hannah Pittard's dazzling and most ambitious novel yet, she gives us the journeys of those who must now rebuild this place and their lives. Mayor Ivan Allen is tasked with the job of keeping the city moving forward. Nineteen-year-old Piedmont Dobbs, who had been denied admission to an integrated school, senses a moment of opportunity. Robert, a newspaper editor, must decide if he can reconnect with his beloved but estranged wife, Lily, who has learned that her wealthy parents left her penniless. Visible Empire is the story of a single sweltering summer, and of the promise and hope that remains in the wake of crisis. It's the story of a husband and wife--Robert and Lily--who don't truly come to understand each other and their love, until their city's chaos drives them to clarity-- |
| human body museum atlanta: Water and Human Health Frederick Eugene McJunkin, 1983 |
| human body museum atlanta: Sculpture and Social Dynamics in Preclassic Mesoamerica Julia Guernsey, 2012-07-23 This book examines the functions of sculpture during the Preclassic period in Mesoamerica and its significance in statements of social identity. Julia Guernsey situates the origins and evolution of monumental stone sculpture within a broader social and political context and demonstrates the role that such sculpture played in creating and institutionalizing social hierarchies. This book focuses specifically on an enigmatic type of public, monumental sculpture known as the potbelly that traces its antecedents to earlier, small domestic ritual objects and ceramic figurines. The cessation of domestic rituals involving ceramic figurines along the Pacific slope coincided not only with the creation of the first monumental potbelly sculptures, but with the rise of the first state-level societies in Mesoamerica by the advent of the Late Preclassic period. The potbellies became central to the physical representation of new forms of social identity and expressions of political authority during this time of dramatic change. |
| human body museum atlanta: Faithful Bodies Heather Miyano Kopelson, 2019-03-12 In the seventeenth-century English Atlantic, religious beliefs and practices played a central role in creating racial identity. English Protestantism provided a vocabulary and structure to describe and maintain boundaries between insider and outsider. In this path-breaking study, Heather Miyano Kopelson peels back the layers of conflicting definitions of bodies and competing practices of faith in the puritan Atlantic, demonstrating how the categories of “white,” “black,” and “Indian” developed alongside religious boundaries between “Christian” and “heathen” and between “Catholic” and “Protestant.” Faithful Bodies focuses on three communities of Protestant dissent in the Atlantic World: Bermuda, Massachusetts, and Rhode Island. In this “puritan Atlantic,” religion determined insider and outsider status: at times Africans and Natives could belong as long as they embraced the Protestant faith, while Irish Catholics and English Quakers remained suspect. Colonists’ interactions with indigenous peoples of the Americas and with West Central Africans shaped their understandings of human difference and its acceptable boundaries. Prayer, religious instruction, sexual behavior, and other public and private acts became markers of whether or not blacks and Indians were sinning Christians or godless heathens. As slavery became law, transgressing people of color counted less and less as sinners in English puritans’ eyes, even as some of them made Christianity an integral part of their communities. As Kopelson shows, this transformation proceeded unevenly but inexorably during the long seventeenth century. |
| human body museum atlanta: Current Catalog National Library of Medicine (U.S.), 1993 First multi-year cumulation covers six years: 1965-70. |
| human body museum atlanta: Renaissance to Rococo Edgar Peters Bowron, Joseph Baillio, Hilliard Goldfarb, Wadsworth Atheneum Museum of Art, 2004-01-01 The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars.--BOOK JACKET. |
| human body museum atlanta: The Stranger She Loved Shanna Hogan, 2015-03-31 In 2007, Dr. Martin MacNeill—a doctor, lawyer, and Mormon bishop—discovered his wife of 30 years dead in the bathtub of their Pleasant Grove, Utah home, her face bearing the scars of a facelift he persuaded her to undergo just a week prior. At first the death of 50-year-old Michele MacNeill, a former beauty queen and mother of eight, appeared natural. But days after the funeral when Dr. MacNeill moved his much younger mistress into the family home, his children grew suspicious. Conducting their own investigation into their mother's death, the MacNeill's daughters uncovered their father's multiple marital affairs, past criminal record, and falsified college transcripts he used to con his way into medical school. It would take six long years to solve the mystery of Michele's murder and secure a first-degree murder conviction against the once prominent doctor. New York Times bestselling author Shanna Hogan delves into the high-profile case, unmasking the monster beneath the doctor's carefully concocted façade. |
| human body museum atlanta: Human Figuration and Fragmentation in Preclassic Mesoamerica Julia Guernsey, 2020-02-27 Explores the social significance of representation of the human body in Preclassic Mesoamerica. |
| human body museum atlanta: The Body Collected in Australia Eugenia Pacitti, 2024-03-21 Offering insight into nineteenth- and early twentieth-century medical school dissecting rooms and anatomy museums, this book explores how collected human remains have shaped Western biomedical knowledge and attitudes towards the body. To explore the role Australia played in the narrative of Western medical development, Pacitti focuses on how and why Australian anatomists and medical students obtained human body parts. As medical knowledge circulated between Australia and Britain, the colony's physicians conformed to established specimen collecting practices and diverged from them to form a distinct medical identity. Interrogating how these literal and figurative bones of contention have left an indelible mark on the nation's medical profession, collecting institutions, and communities, Pacitti sheds new light on our understanding of Western medical networks and reveals the opportunities and challenges historic specimen collections pose in the present day. The Body Collected in Australia is a cultural history of collectors and collections that deepens our understanding of the ways the living have used the dead to comprehend the intricacies of the human body in illness and good health. |
| human body museum atlanta: Neoliberal Rhetorics and Body Politics Tara Pauliny, 2015-12-17 Articulating how the plastinate exhibits BODY WORLDS and BODIES…The Exhibition offer tangible and rich sites within which to understand neoliberalism’s impact beyond the purview of public policy, this book identifies the rhetorical mechanisms and methodologies that propel neoliberalism's travel. Focusing its analysis on the shows’ rhetorical deployment of necropolitics, biopolitics, intimacy, and affect, it illustrates how a pop-cultural artifact can both reach individual viewers and reflect the transnational and neoliberal relationship between nation-states. |
| human body museum atlanta: Anatomy: Exploring the Human Body Phaidon Editors, 2019-10-16 A stunning tribute to our eternal fascination with the human body - and the latest in the bestselling 'Explorer' Collection Anatomy: Exploring the Human Body is a visually compelling survey of more than 5,000 years of image-making. Through 300 remarkable works, selected and curated by an international panel of anatomists, curators, academics, and specialists, the book chronicles the intriguing visual history of human anatomy, showcasing its amazing complexity and our ongoing fascination with the systems and functions of our bodies. Exploring individual parts of the human body from head to toe, and revealing the intricate functions of body systems, such as the nerves, muscles, organs, digestive system, brain, and senses, this authoritative book presents iconic examples alongside rarely seen, breathtaking works. The 300 entries are arranged with juxtapositions of contrasting and complementary illustrations to allow for thought-provoking, lively, and stimulating reading. |
| human body museum atlanta: Literary Remains Mary Elizabeth Hotz, 2009-02-01 Explores Victorian responses to death and burial in literature, journalism, and legal writing. Literary Remains explores the unexpectedly central role of death and burial in Victorian England. As Alan Ball, creator of HBOs Six Feet Under, quipped, Once you put a dead body in the room, you can talk about anything. So, too, with the Victorians: dead bodies, especially their burial and cremation, engaged the passionate attention of leading Victorians, from sanitary reformers like Edwin Chadwick to bestselling novelists like Charles Dickens, Elizabeth Gaskell, Thomas Hardy, and Bram Stoker. Locating corpses at the center of an extensive range of concerns, including money and law, medicine and urban architecture, social planning and folklore, religion and national identity, Mary Elizabeth Hotz draws on a range of legal, administrative, journalistic, and literary writing to offer a thoughtful meditation on Victorian attitudes toward death and burial, as well as how those attitudes influenced present-day deathway practices. Literary Remains gives new meaning to the phrase that serves as its significant theme: Taught by death what life should be. ...Literary Remains is a fantastic literary companion and is worth reading even if youre not initially interested in burial practices. M/C Reviews Hotz not only contextualizes her readings within a historical framework surrounding the passage of the Burial Acts, the building of large public cemeteries in the suburbs, and the late-century introduction of cremation as a widespread social practice, but offers a perceptive and compelling rhetorical analysis of the sociological, political, and theological discourse about burial. Victorian Studies the painstaking research on debates about funerary reform that Hotz brings together will be valuable for future investigations of death in Victorian culture. Studies in English Literature This is an ambitious, energetic and rigorous attempt to do that very difficult thing, integrate detailed and historically informed analysis of the documents of nineteenth-century burial reform and of major literary texts into a lucid and complex argument that doesnt fight shy of contradiction and difficulty. Mortality Drawing on a vast range of primary sourcesofficial documents, newspapers and periodicals, travel guidesand the work of anthropologists, historians, and the substantial engagements within literary studies dealing with representations of death and the dead, Hotzs perceptive, engaging, and eloquent study will be welcomed by a range of scholars in the humanities and social sciences. CHOICE I read this fascinating book with great pleasure. It makes a valuable contribution to the study of Victorian practices of death and burial and will be an essential supplement to existing studies of the culture of Victorian melancholy and bereavement. Joel Faflak, author of Romantic Psychoanalysis: The Burden of the Mystery |
| human body museum atlanta: The Health Officer , 1936 |
| human body museum atlanta: Monthly Bulletin of the Carnegie Library of Atlanta, Georgia Carnegie Library of Atlanta, 1913 |
| human body museum atlanta: Surgical Anatomy and Technique John E. Skandalakis, Panajiotis N. Skandalakis, Lee J. Skandalakis, 2012-12-06 A good knowledge of anatomy helps surgeons avoid anatomical complications, while masterful technique allows them to proceed rapidly and securely in the operating room. Unlike other pocket-sized surgical texts on the market, Surgical Anatomy and Technique manual provides step-by-step techniques of a wide range of general surgery procedures and reviews the anatomical entities involved in each operation. The book's scope spans the entire body: skin and scalp, neck, breast, abdominal wall and herniae, diaphragm, esophagus, stomach, duodenum, pancreas, small intestines, appendix, colon and anorectum, liver, extrahepatic biliary tract, spleen, adrenal glands, carpal tunnel, and varicosities of the lower extremity. A chapter on laparoscopic surgery is also included. Clear, concise, and generously illustrated, this is a superb quick reference to refresh the memory of the surgical resident before entering the operating room. |
| human body museum atlanta: Dissection Manual with Regions & Applied Anatomy Mercy Navis, 2017-11-30 This three volume set is a complete guide to anatomy and dissection for undergraduate medical students. Volume one (9789386150363) covers the upper extremity and thorax describing in depth each region and its clinical importance. Volume two (9789386150370) discusses the lower extremity, abdomen, pelvis and perineum, including both male and female reproductive organs. Volume three (9789386150387) explains the many regions of the head and neck, and brain, and how they relate and function. Authored by a recognised clinician from Life University, Atlanta, each volume features clinical photographs to enhance learning, as well as interactive DVD ROMs demonstrating cadaver dissection procedures. Key points Complete guide to anatomy and dissection for undergraduates Three volumes cover upper extremity, thorax, lower extremity, abdomen, pelvis, perineum, head and neck, and brain Includes DVD ROMs demonstrating cadaver dissection procedures Recognised author from Life University, Atlanta |
| human body museum atlanta: Cultural Heritage as a Legal Hybrid Alicja Jagielska–Burduk, 2022-07-19 This book examines cultural heritage law in both its public and private modalities, focusing on the search for new solutions in national legislations. Both tangible and intangible cultural heritage pose challenges for national legislation regarding the legal histories of the respective countries, obligations deriving from international law, and the independence of respective national searches for a tailored protection model. Although the concept of cultural heritage transcends civil law regulation and property rights, it must be considered when attempting to establish any coherent cultural heritage protection system. In national legislation, we can now observe an increased interest in leveraging civil law or private law to strengthen cultural heritage protection systems. This book looks beyond public and private law on cultural heritage in order to address its complex status as a legal hybrid. Further, the book shows how current problems in the international debate are mirrored in national legislation. Poland is used as a practical example, while also referring to other countries’ solutions as well as EU and international law instruments. This approach enables the reader to examine the creation of national legislation at the operational level and provides a template for all national lawyers concerning current challenges and emerging trends. The book’s target audience includes researchers and practitioners in the field of cultural heritage law, as well as public and private law experts. The topics covered can also be helpful for law students, art market actors, and all those interested in the challenges of cultural heritage protection. |
| human body museum atlanta: The Annotated Arch Carol Strickland, Amy Handy, 2001-04-11 A crash course in the history of architecture. |
| human body museum atlanta: The Egyptian World Toby Wilkinson, 2007-09-18 The Egyptian World provides an authoritative exploration of Ancient Egyptian civilization. The volume covers seven broad themes, with each section allowing specialists to focus on a particular topic. |
| human body museum atlanta: Shakespeare and the Art of Physiognomy Sibylle Baumbach, 2008-01-01 Sibylle Baumbach's study offers new insight into Shakespeare's modes of characterisation, and his art of performance. In Shakespeare's plays, the human face is a focal point. As an area where expression and impression meet (and, ideally, correspond), its reliability and trustworthiness are frequently put to the test, sparking off a controversy which serves as a significant and highly challenging subtext to the overall plot. |
| human body museum atlanta: The Ethnographer's Magic and Other Essays in the History of Anthropology George W. Stocking, 1992 George Stocking has been widely recognized as the premier historian of anthropology ever since the publication of his first volume of essays, Race, Culture, and Evolution, in 1968. As editor of several publications, including the highly acclaimed History of Anthropology series, he has led the movement to establish the history of anthropology as a recognized research specialization. In addition to the study Victorian Anthropology, his work includes numerous essays covering a wide range of anthropological topics. The eight essays collected in The Ethnographer's Magic consider the emergence of anthropology since the late nineteenth century as an academic discipline grounded in systematic fieldwork. Drawing extensively on unpublished manuscript materials, the essays focus primarily on Franz Boas and Bronislaw Malinowski, the leading figures in the American and the British academic fieldwork traditions. According to George Marcus of Rice University, the essays represent the most informative and insightful writings on Malinowski and Boas and their legacies that are yet available. Beyond their biographical material, the essays here touch upon major themes in the history of anthropology: its powerfully mythic aspect and persistent strain of romantic primitivism; the contradictions of its relationship to the larger sociopolitical sphere; its problematic integration of a variety of natural scientific and humanistic inquiries; and the tension between its scientific aspirations and its subjectively acquired data. To provide an overview against which to read the other essays, Stocking has also included a sketch of the history of anthropology from the ancient Greeks to the present. For this collection, Stocking has written prefatory commentaries for each of the essays, as well as two more extended contextualizing pieces. An introductory essay (Retrospective Prescriptive Reflections) places the volume in autobiographical and historiographical context; the Afterword (Postscriptive Prospective Reflections) reconsiders major themes of the essays in relation to the recent past and present situation of academic anthropology. |
| human body museum atlanta: National Library of Medicine Current Catalog National Library of Medicine (U.S.), 1993 |
| human body museum atlanta: Art and Public History Rebecca Bush, K. Tawny Paul, 2017-05-11 Art and Public History: Approaches, Opportunities, and Challenges examines the relationship between art and public history, outlining opportunities, challenges, and insights drawn from recent initiatives. With a special eye towards audience engagement and challenging historical narratives, all of the case studies and projects combine historical interpretation with contemporary and historical forms of visual art in unique and insightful ways. In addition to emphasizing the kind of practical advice found in the best case studies, this volume also offers a critical discussion of the concepts, tools, skills and technologies that contribute to fruitful interdisciplinary collaboration. These issues are addressed through sections on projects related to historical artworks; contemporary art and artists; and public art and the built environment. It addresses how public historians can incorporate art into their practice by outlining opportunities, challenges, and insights drawn from recent projects in the United States and Britain. These projects have taken place across a variety of platforms, including local and national history museums; art galleries; digital archives; classrooms; historical markers; and public art projects. The case studies incorporate the perspectives of different stakeholders, including public historians, artists, and audiences. The book will provide both public history practitioners and academics with useful guidance on how art can be integrated into public history initiatives, through critical discussion of tools, strategies, and technologies that contribute to fruitful collaboration and audience engagement across a variety of platforms. Readers will walk away with new ideas, strategies, and practical considerations for interdisciplinary projects to attract audiences in new ways. |
| human body museum atlanta: Emma Amos Shawnya Harris, 2021 Born in Atlanta, Georgia, Emma Amos (1937-2020) was a distinguished painter and printmaker. She is best known for her bold and colorful mixed-media paintings that create visual tapestries in which she examines the intersection of race, class, gender and privilege in both the art world and society at large. This survey exhibition and catalogue, published and organized by the Georgia Museum of Art, include approximately 60 works from the beginnings of her career to the end of it, reflecting her experiences as a painter, printmaker, and weaver. Her large-scale canvases often incorporate African fabrics and semiautobiographical content, which are drawn from her personal odyssey as an artist, her interest in icons in art and world history and her sometimes tenuous engagement with these themes as a woman of color-- |
| human body museum atlanta: Atlanta Magazine , 2005-05 Atlanta magazine’s editorial mission is to engage our community through provocative writing, authoritative reporting, and superlative design that illuminate the people, the issues, the trends, and the events that define our city. The magazine informs, challenges, and entertains our readers each month while helping them make intelligent choices, not only about what they do and where they go, but what they think about matters of importance to the community and the region. Atlanta magazine’s editorial mission is to engage our community through provocative writing, authoritative reporting, and superlative design that illuminate the people, the issues, the trends, and the events that define our city. The magazine informs, challenges, and entertains our readers each month while helping them make intelligent choices, not only about what they do and where they go, but what they think about matters of importance to the community and the region. |
| human body museum atlanta: Resources in Education , 1979 |
| human body museum atlanta: Deleuze, Guattari and the Schizoanalysis of the Global Pandemic Saswat Samay Das, Ananya Roy Pratihar, 2023-05-18 A vital response to the COVID-19 pandemic, this volume connects the neoliberal underpinnings of the pandemic to the philosophy of Deleuze and Guattari. By positioning the worst outcomes of the COVID-19 crisis in terms of neoliberal normativity, contributors argue that we need to understand the pandemic rhizomatically. Construed as an event that deterritorializes the globe, the crisis of the pandemic contains within it the potential for creating new assemblages, alliances, and solidarities to offset the power of the state in building regimes of exclusion, insulation and control. Deleuzo-Guattarian attention towards non-human life finds new meaning in the context of the virus, and our understanding of what constitutes life and inorganic life. Crisis, capitalism, and revolution are read anew through the pandemic and core Deleuzo-Guattarian concepts help to situate the proliferation of new models of mutual aid, sustainability, and care in the context of anti-capitalist critique. |
| human body museum atlanta: Gods of Ancient Greece Jan N. Bremmer, 2010-07-30 This collection offers a fresh look at the nature and development of the Greek gods in the period from Homer until Late Antiquity The Greek gods are still very much present in modern consciousness. Although Apollo and Dionysos, Artemis and Aphrodite, Zeus and Hermes are household names, it is much less clear what these divinities meant and stood for in ancient Greece. In fact, they have been very much neglected in modern scholarship. Bremmer and Erskine bring together a team of international scholars with the aim of remedying this situation and generating new approaches to the nature and development of the Greek gods in the period from Homer until Late Antiquity. The Gods of Ancient Greece looks at individual gods, but also asks to what extent cult, myth and literary genre determine the nature of a divinity and presents a synchronic and diachronic view of the gods as they functioned in Greek culture until the triumph of Christianity. |
| human body museum atlanta: Canadian Ceramics Quarterly , 1994 |
| human body museum atlanta: The World To-day , 1905 |
| human body museum atlanta: The Lancet , 1887 |
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Read the terms of use for the Human or Not game. Understand the rules, your rights, and our responsibilities before you start playing.
Human or Not: A Social Turing Game is Back, Play Now
Play a super fun chatroulette game! Try to figure out if you’re talking to a human or an AI bot. Do you think you can spot who's who?
Human or Not: Privacy Policy
Read the privacy policy for the Human or Not game. Understand how we handle your data, your rights, and our responsibilities before you start playing
Chatting About Historical Figures: Human or Bot?
Human or Bot? Two players discuss their admiration for controversial historical leaders like Hitler and Stalin in a casual and insensitive manner. Human or not?
Mysterious Chat Session: Is It A Human Or Chat Bot?
A curious exchange where one party seems to be testing if the other is a chat bot or human, with repeated instructions to stay within limits.
