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i love a mystery film: From Radio to the Big Screen Hal Erickson, 2014-05-23 There was a time when American popular entertainment referred only to radio and motion pictures. With the coming of talking pictures, Hollywood cashed in on the success of big-time network radio by bringing several of the public's favorite broadcast personalities and programs to the screen. The results, though occasionally successful, often proved conclusively that some things are better heard than seen. Concentrating primarily on radio's Golden Age (1926-1962), this lively history discusses the cinematic efforts of airwave stars Rudy Vallee, Amos 'n' Andy, Fred Allen, Joe Penner, Fibber McGee & Molly, Edgar Bergen, Lum & Abner, and many more. Also analyzed are the movie versions of such radio series as The Shadow, Dr. Christian and The Life of Riley. In addition, two recent films starring contemporary radio headliners Howard Stern and Garrison Keillor are given their due. |
i love a mystery film: Mystery Movie Series of 1940s Hollywood Ron Backer, 2014-01-10 Many of the 20th century's most celebrated fictional sleuths appeared in Hollywood movie mystery series of the forties. This volume focuses on 19 series (146 films): The Saint, The Lone Wolf, Sherlock Holmes, The Shadow, Nick Carter, Michael Shayne, Ellery Queen, Boston Blackie, The Falcon, Mr. District Attorney, Wally Benton, Crime Doctor, The Whistler, Inner Sanctum, Dick Tracy, Philip Marlowe, Jack Packard and Doc Long, Steve Wilson and Lorelei Kilbourne and John J. Malone. For each series, there is an overview of the source material, the individual films, and the performers who acted in them. An overall review of each film is included, with a critique of the film's quality and the cohesiveness of its plot. For movies based on written works, a comparison between the film and its literary original is offered. |
i love a mystery film: Fearing the Dark Edmund G. Bansak, 2003-10-09 Cat People (1942) and I Walked with a Zombie (1943) established Val Lewton’s hauntingly graceful style where suggestion was often used in place of explicit violence. His stylish B thrillers were imitated by a generation of filmmakers such as Richard Wallace, William Castle, and even Walt Disney in his animated Adventures of Ichabod and Mr. Toad (1949). Through interviews with many of Lewton’s associates (including his wife and son) and extensive research, his life and output are thoroughly examined. |
i love a mystery film: Encyclopedia of Film Themes, Settings and Series Richard B. Armstrong, Mary Willems Armstrong, 2015-07-11 The first editon was called the most valuable film reference in several years by Library Journal. The new edition published in hardcover in 2001 includes more than 670 entries. The current work is a paperback reprint of that edition. Each entry contains a mini-essay that defines the topic, followed by a chronological list of representative films. From the Abominable Snowman to Zorro, this encyclopedia provides film scholars and fans with an easy-to-use reference for researching film themes or tracking down obscure movies on subjects such as suspended animation, viral epidemics, robots, submarines, reincarnation, ventriloquists and the Olympics (Excellent said Cult Movies). The volume also contains an extensive list of film characters and series, including B-movie detectives, Western heroes, made-for-television film series, and foreign film heroes and villains. |
i love a mystery film: Columbia Noir Gene Blottner, 2015-03-31 This filmography covers Columbia Pictures' noir titles released in the classic noir era, October 1940 to June 1962. All sub-genres are covered including British, western and science fiction. Included are the great Columbia films Gilda, Lady from Shanghai, All the Kings Men, In a Lonely Place, On the Waterfront, Anatomy of a Murder and Experiment in Terror. The films are examined in detail, with release dates, cast and production credits, production dates, synopses, reviews, notes and commentary on each film, the author's summation and the publicity tag lines. |
i love a mystery film: Radio Mystery and Adventure and Its Appearances in Film, Television and Other Media Jim Harmon, 2011-01-14 From the 1920s to the 1950s, radio was the entertainment source for millions. Two of the primary themes of radio serials were mysteries and adventure. This is a detailed analysis of the important programs in these genres--Jack Armstrong, The Green Hornet, Sergeant Preston, Tom Mix, and more. Each entry includes type of series, broadcast days, air dates, sponsors, network, cast and production credits, and a comprehensive essay. When, as often happened, the series landed in other media, that is examined as well. |
i love a mystery film: Ida Lupino William Donati, 2023-01-31 British-born actress, singer, director, and producer Ida Lupino (1918-1995) cut one of the most alluring profiles of any Hollywood persona during the forties and fifties. The star of classic films such as They Drive by Night (1940), High Sierra (1941), and Road House (1948), she was a stalwart of the screen throughout her early career and frequently received top billing ahead of stars such as Humphrey Bogart. While her talent was undeniable, her insistence on taking only roles she felt would challenge her professionally often put her at odds with the demands of studio executives. It was in those periods of frustration and suspension as an actor that Lupino fostered a talent for the filmmaking process. In a bold decision for a woman of the era, she founded her own independent production company where she became widely regarded as one of the most prolific filmmakers working at the height of the Hollywood studio system. She has been described by fellow directors such as Martin Scorsese as resilient, with a remarkable empathy for the fragile and heartbroken. William Donati's Ida Lupino: A Biography chronicles the dramatic life of one of Hollywood's most substantive and innovative artists who lived her life unapologetically both behind and in front of the camera. Now considered a classic biography of an amazing talent, Vanity Fair praised the book as masterful. Celebrating 27 years in print, this edition has a new cover, all new photographs, and a poignant preface by the author. |
i love a mystery film: Hardboiled in Hollywood David E. Wilt, 1991 Covers the film careers of five screenwriters, who were crime and mystery writers for the famous Black mask pulp magazine. Also shows how these five writers applied their pulp writing expertise to the movies. |
i love a mystery film: Radio Crime Fighters Jim Cox, 2015-06-14 In the early days of radio, producers, directors and scriptwriters were well aware of the listening public's fascination with subject matter tinged with wrongdoing. Stories of right and wrong, crime and punishment, and law and order kept audiences of every age hooked for more than thirty years. This work covers 300+ syndicated radio mystery and adventure serials that aired in the early or middle twentieth century. To be included, a series must have had one or more regularly appearing characters who fought against espionage, theft, murder and other crimes. Each entry includes series name, air dates, sponsor, extant episodes, cast information and synopsis. |
i love a mystery film: Serial Film Stars Buck Rainey, 2024-10-18 Pearl White, William Duncan, William Desmond, Ben Wilson, Walter Miller, Francis Ford, Charles Hutchinson, Jack Dougherty, and Eddie Polo are just a few of the stars to start up a whirlwind of enthusiasm among serial devotees. They offered a thrill-a-minute world of ridiculous plots, weird disguises, hair-raising escapes, hidden treasures, diabolic scientific devices, wild animals, depraved men, runaway trains, and an endless procession of knock-down, drag-out fights. Who could resist? This reference work highlights 446 serial performers who thrilled generations. Each entry includes the performer's birth and death dates, serial credits, major films and details of life before and after the movies. |
i love a mystery film: My Name's Friday Michael J. Hayde, 2001 A history of the police drama Dragnet and its creator and producer Jack Webb, from its beginnings as a successful radio show to its acclaimed run on television in the 1950s and later color version in the 1960s. |
i love a mystery film: Fantastic Monsters of the Films Complete Collection , 2017-02-21 Horror guaranteed to shock you dead or your life refunded! The cult classic monster magazine is back. All of the horror, all of the madness, all of the monsters, all together in one complete collection for the first time ever! Delve back in to the nostalgia of the golden age of horror in a time before the internet if you wanted the latest scoop on your favorite monsters and how they were created you got Fantastic Monsters of the Films, featuring the Devil’s Work Shop and Monster of the Month. Over 450 pages of ghoulish delight the time has come to go back to the grave and resurrect the forgotten past of monster movie history. |
i love a mystery film: The Lost One Stephen D. Youngkin, 2005-09-30 Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang's masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: He gave one of the best performances in film history and certainly the best in his life. Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial graylisting by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre's dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. Youngkin examines for the first time Lorre's pivotal relationship with German dramatist Bertolt Brecht, his experience as an émigré from Hitler's Germany, his battle with drug addiction, and his struggle with the choice between celebrity and intellectual respectability.Separating the enigmatic person from the persona long associated with one of classic Hollywood's most recognizable faces, The Lost One is the definitive account of a life triumphant and yet tragically riddled with many failed possibilities. |
i love a mystery film: Scaring Us to Death Michael R. Collings, 1997-01-01 In this revised and expanded edition of The Stephen King Phenomenon, Dr. Michael R. Collings re-examines the impact of Stephen King on popular culture. |
i love a mystery film: Reinventing Hollywood David Bordwell, 2017-10-02 Introduction: the way Hollywood told it -- The frenzy of five fat years; Interlude: Spring 1940: lessons from our town |
i love a mystery film: Columbia Pictures Movie Series, 1926-1955 Gene Blottner, 2011-12-22 Blondie, Boston Blackie, Ellery Queen, The Lone Wolf, Gasoline Alley, Jungle Jim... There were 27 film series produced and released by Columbia Pictures from 1926 through 1955. This reference book covers the origins of the popular fictional characters featured, as well as their appearances in other media (comics, novels, radio and television). Also provided are thumbnail biographies of the actors who brought these characters to life. The films themselves are examined in detail, with release dates, cast and production credits, synopses, reviews, the author's summation, the publicity tag lines, and the songs heard. Additionally, most of the outdoor locations used in filming such Columbia western series as Wild Bill Saunders and The Durango Kid are identified. |
i love a mystery film: Columbia Pictures Horror, Science Fiction and Fantasy Films, 1928-1982 Michael R. Pitts, 2014-01-10 From 1928 through 1982, when Columbia Pictures Corporation was a traded stock company, the studio released some of the most famous and popular films dealing with horror, science fiction and fantasy. This volume covers more than 200 Columbia feature films within these genres, among them Close Encounters of the Third Kind, The 7th Voyage of Sinbad, Earth vs. the Flying Saucers and The Revenge of Frankenstein. Also discussed in depth are the vehicles of such horror icons as Boris Karloff, Bela Lugosi, and John Carradine. Additionally highlighted are several of Columbia's lesser known genre efforts, including the Boston Blackie and Crime Doctor series, such individual features as By Whose Hand?, Cry of the Werewolf, Devil Goddess, Terror of the Tongs and The Creeping Flesh, and dozens of the studio's short subjects, serials and made-for-television movies. |
i love a mystery film: Screen World Presents the Encyclopedia of Hollywood Film Actors: From the silent era to 1965 Barry Monush, 2003 (Applause Books). For decades, Screen World has been the film professional's, as well as the film buff's, favorite and indispensable annual screen resource, full of all the necessary statistics and facts. Now Screen World editor Barry Monush has compiled another comprehensive work for every film lover's library. In the first of two volumes, this book chronicles the careers of every significant film actor, from the earliest silent screen stars Chaplin, Pickford, Fairbanks to the mid-1960s, when the old studio and star systems came crashing down. Each listing includes: a brief biography, photos from the famed Screen World archives, with many rare shots; vital statistics; a comprehensive filmography; and an informed, entertaining assessment of each actor's contributions good or bad! In addition to every major player, Monush includes the legions of unjustly neglected troupers of yesteryear. The result is a rarity: an invaluable reference tool that's as much fun to read as a scandal sheet. It pulsates with all the scandal, glamour, oddity and glory that was the lifeblood of its subjects. Contains over 1,000 photos! |
i love a mystery film: To Kill a Mockingbird Samuel D. G. Heath, 2007-05 American society has taught children that no one cares for them, that society is indifferent to them. Dill's folks didn't beat or mistreat him. What they did was tell him: All right, we bought you all the toys. Now, go play with them and leave us alone! This is America! We have bought our children all the toys and then told them: Now, go away and leave us alone! When a child is made to feel he or she is of no consequence, is not loved, is not even wanted, that child has all the potential for becoming a monster, a curse rather than a blessing. Don't expect a child to understand what is adult responsibility. America has failed miserably, as a nation, to cherish its young, and as Atticus Finch warned: The bill is coming due! When any society condones, and even encourages violence, particularly violence against children, that society will pay the price. When a society teaches children that there are no moral absolutes, that perversion is acceptable and approved by society, that all manner of violence and perversion is approved and called entertainment, children know such a society has no real concern for them, that such a society is really INDIFFERENT! to them. |
i love a mystery film: Box Office , 1945 |
i love a mystery film: Fantasy Femmes of Sixties Cinema Tom Lisanti, 2010-09-23 Elvis Presley musicals, beach romps, biker flicks, and alienated youth movies were some of the most popular types of drive-in films during the sixties. The actresses interviewed for this book (including Celeste Yarnall, Lana Wood, Linda Harrison, Pamela Tiffin, Deanna Lund, Diane McBain, Judy Pace, and Chris Noel) all made their mark in these genres. These fantastic femmes could be found either twisting on the shores of Malibu, careening down the highway on a chopper, being serenaded by Elvis, or taking on the establishment as hip coeds. As cult figures, they contributed greatly to that period of filmmaking aimed at the teenage audience who frequented the drive-ins of America. They frolicked, screamed, and danced their way into B-movie history in such diverse films as Eve, Teenage Millionaire, The Girls on the Beach, Dr. Goldfoot and the Bikini Machine, Three in the Attic, Wild in the Streets, and Paradise, Hawaiian Style. This book is a celebration of the actresses' careers. They have for the most part been overlooked in other publications documenting the history of film. Fantasy Femmes addresses their film and television careers, focusing on their view of the above genres, their candid comments and anecdotes about their films, the people they worked with, and their feelings in general regarding their lives and the choices they made. The book is well illuminated and contains a complete list of film and television credits. |
i love a mystery film: Radio Stars Thomas A. DeLong, 2024-10-14 From the time Westinghouse started commercial broadcasting in 1920 through the end of the radio soap operas in the early 1960s, hundreds of men and women performed on radio. Day after day, week after week, these performers (e.g., Jack Benny, Bing Crosby, Kate Smith, Lowell Thomas, Kay Kyser, and Bob Hope) became familiar voices and welcomed guests in the homes of millions of Americans. Actors, comedians, singers, commentators, announcers, emcees, newscasters, preachers and various other artists all gave voice to radio and 953 of them are covered in this unique reference work. Performers Fran Allison, Les Paul, Johnny Desmond, Alec Templeton, Don Wilson, Jerry Colonna and soap opera favorites Virginia Payne, Betty Garde, Macdonald Carey, David Gothard, Page Gilman, and Jan Miner are included herein, as well as Ezra Stone, Groucho Marx, Will Rogers, Frank Sinatra and hundreds more. For each, there is a listing of radio programs, birth and death dates (where appropriate) and a biography that focuses on work in radio. Heavily illustrated. |
i love a mystery film: The Great Radio Soap Operas Jim Cox, 2015-06-14 This reference work contains exhaustive histories of 31 of network radio's most durable soap operas on the air between 1930 and 1960. The soap operas covered are Aunt Jenny's Real Life Stories, Backstage Wife, Big Sister, The Brighter Day, David Harum, Front Page Farrell, The Guiding Light, Hilltop House, Just Plain Bill, Life Can Be Beautiful, The Light of the World, Lora Lawton, Lorenzo Jones, Ma Perkins, One Man's Family, Our Gal Sunday, Pepper Young's Family, Perry Mason, Portia Faces Life, The Right to Happiness, Road of Life, The Romance of Helen Trent, Rosemary, The Second Mrs. Burton, Stella Dallas, This Is Nora Drake, Today's Children, Wendy Warren and the News, When a Girl Marries, Young Doctor Malone, and Young Widder Brown. Included for each series are the drama's theme and story line, an in-depth focus on the major characters, and a listing of producers, directors, writers, announcers, casts, sponsors, ratings, and broadcast dates, times and networks. Profiles of 158 actors, actresses, creators and others who figured prominently in a serial's success are also provided. |
i love a mystery film: Immortal Films Barbara Klinger, 2022-11-15 Introduction : the cultural biography of a film -- Listening to Casablanca : radio adaptations and sonic Hollywood -- Back in theaters : postwar repertory houses and cult cinema -- Everyday films : broadcast television, reruns, and canonizing old Hollywood -- Movie valentines : holiday cult and the romantic canon in VHS video culture -- Happy anniversaries : classic cinema on DVD/Blu-ray in the conglomerate age -- Epilogue : streaming Casablanca and afterthoughts -- Appendix one : Casablanca's first appearances on US platforms/formats -- Appendix two : Casablanca's physical format video rereleases. |
i love a mystery film: Dad Made Dirty Movies Jordan Todorov, Joe Blevins, 2020-09-18 Strippers, zombies, fugitives and jewel thieves. These were just some of the characters who inhabited the weird, wild films of director Stephen C. Apostolof in the 1960s and 1970s. But Apostolof's own life was every bit as improbable as the plots of his lurid movies. Escaping the clutches of the communists in his native Bulgaria, he came to America in 1952 and decided on a whim to reinvent himself as a Hollywood filmmaker, right down to the cigars, sunglasses and Cadillacs. He produced a string of memorable sexploitation classics, including the infamous Orgy of the Dead. Along the way, he married three times, fathered five children and forged a personal and professional relationship with the notorious Ed Wood, Jr. Drawing on rare archival material and interviews with those who knew him best, this first biography of Apostolof chronicles the life and career of a cult film legend. |
i love a mystery film: The Shape of Things to Come Greil Marcus, 2007-08-21 Sample text. |
i love a mystery film: Obituaries in the Performing Arts, 2018 Harris M. Lentz III, 2019-05-30 The entertainment world lost many notable talents in 2018, including movie icon Burt Reynolds, Queen of Soul Aretha Franklin, celebrity chef and food critic Anthony Bourdain, bestselling novelist Anita Shreve and influential Chicago blues artist Otis Rush. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2018 are included. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers. |
i love a mystery film: Turner Classic Movies Presents Leonard Maltin's Classic Movie Guide Leonard Maltin, 2015-09-29 The definitive guide to classic films from one of America's most trusted film critics Thanks to Netflix and cable television, classic films are more accessible than ever. Now co-branded with Turner Classic Movies, Leonard Maltin’s Classic Movie Guide covers films from Hollywood and around the world, from the silent era through 1965, and from The Maltese Falcon to Singin’ in the Rain and Godzilla, King of the Monsters! Thoroughly revised and updated, and featuring expanded indexes, a list of Maltin’s personal recommendations, and three hundred new entries—including many offbeat and obscure films—this new edition is a must-have companion for every movie lover. |
i love a mystery film: Sylvia Plath Day by Day, Volume 1 Carl Rollyson, 2023-08-14 Since Sylvia Plath’s death in 1963, she has become the subject of a constant stream of books, biographies, and articles. She has been hailed as a groundbreaking poet for her starkly beautiful poems in Ariel and as a brilliant forerunner of the feminist coming-of-age novel in her semiautobiographical The Bell Jar. Each new biography has offered insight and sources with which to measure Plath’s life and influence. Sylvia Plath Day by Day, a two-volume series, offers a distillation of this data without the inherent bias of a narrative. Volume 1 commences with Plath’s birth in Boston in 1932, records her response to her elementary and high school years, her entry into Smith College, and her breakdown and suicide attempt, and ends on February 14, 1955, the day she wrote to Ruth Cohen, principal of Newnham College, Cambridge, to accept admission as an “affiliated student at Newnham College to read for the English Tripos.” Sylvia Plath Day by Day is for readers of all kinds with a wide variety of interests in the woman and her work. The entries are suitable for dipping into and can be read in a minute or an hour. Ranging over several sources, including Plath’s diaries, journals, letters, stories, and other prose and poetry—including new material and archived material rarely seen by readers—a fresh kaleidoscopic view of the writer emerges. |
i love a mystery film: The Illustrated Guide to Film Directors David Quinlan, 1983-01-01 To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com. |
i love a mystery film: What Ought to Scare You H. Marshall Leicester, 2024-06-27 Using the Hollywood studio system (1931-1960) as a historical center, this book performs close readings of classic horror films (such as Frankenstein and Cat People) while asking the following three questions: What about this movie is weird? What does this movie think ought to scare you? If there weren't monsters in this movie, what would be wrong with these people's lives? These questions guide readers toward the uniqueness of horror films in relation to the way they are classified and the feeling of horror that they offer. The horror genre is a collection of culturally-shared elements--words, images, or themes used to signify or evoke horror, because they have been used that way before. Instead of treating movies as examples of the horror genre through how they evoke feelings from viewers, this book locates the meaning of horror within individual films and shows how movies make their own genealogies and complicate their own scares in an evolution of the genre. It argues that classic horror movies are forms of reception of--and resistance to--the ideas of horror that were current in their historical period. Working historically, the author traces movies' interactions with their precursors and co-conspirators to show how they are the agents of historical changes in the genre and in what we take to be horror. |
i love a mystery film: Catalog of Copyright Entries Library of Congress. Copyright Office, 1972 |
i love a mystery film: Film Directors Michael Singer, 2002 |
i love a mystery film: Running from the Hunter Harold Lee Prosser, 1996-01-01 Charles Beaumont (1929-1967) burst upon the science fiction scene in the 1950s, writing award-winning short stories, teleplays for The Twilight Zone and other TV programs, and screenplays for The Seven Faces of Dr. Lao, Burn Witch Burn!, The Premature Burial, and many others. This reprint of the 1996 edition provides a comprehensive survey of the author's work, with chronology, bibliography, and index. |
i love a mystery film: The Complete Index to Literary Sources in Film Alan Goble, 2011-09-08 No detailed description available for The Complete Index to Literary Sources in Film. |
i love a mystery film: Encyclopedia of Radio 3-Volume Set Christopher H. Sterling, 2004-03-01 Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined. |
i love a mystery film: Famous Movie Detectives II Michael R. Pitts, 1991 A sequel to the 1979 offering investigates such celluloid gumshoes as Mike Hammer, Miss Jane Marple, Philip Marlowe, Perry Mason, The Shadow, Sherlock Holmes, and The Whistler, as well as those with brief careers, including Kitty O'Day, Tony Rome, and Lord Peter Whimsey. Reveals the characters, the actors, the films, and the literary works that set off the whole chain of events. Includes dozens of movie stills and corrections to the base volume. Annotation copyrighted by Book News, Inc., Portland, OR |
i love a mystery film: Billboard , 1957-02-02 In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends. |
i love a mystery film: Rendezvous Robert D'Artagnan, 2000-08-25 H4Lost love, lost reputation... Max O'Fallon, as pilot of the world's first time machine, has a chance at recapturing these along the way towards opening a window on the greatest murder mystery of all time. But when things go wrong, can he find a way to complete the mission...and against all odds, fight his way back to the 21st Century? And what about the X factor? The unexpected twist that lurks in the shadows of the human mind and can change everything? |
i love a mystery film: First Class Murder Robin Stevens, 2017-04-04 A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in this third novel of the Wells & Wong Mystery series. Hazel Wong and Daisy Wells are taking a vacation across Europe on world-famous passenger train, the Orient Express—and it’s clear that each of their fellow first-class travelers has something to hide. Even more intriguing: There’s rumor of a spy in their midst. Then, during dinner, a bloodcurdling scream comes from inside one of the cabins. When the door is broken down, a passenger is found murdered—her stunning ruby necklace gone. But the killer has vanished, as if into thin air. The Wells & Wong Detective Society is ready to crack the case—but this time, they’ve got competition. |
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