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i malatesta rimini: Pagan Virtue in a Christian World Anthony F. D’Elia, 2016-01-04 In 1462 Pope Pius II performed the only reverse canonization in history, damning a living man to an afterlife of torment. What had Sigismondo Malatesta, Lord of Rimini and a patron of the arts, done to merit this fate? Anthony D’Elia shows how the recovery of classical literature and art during the Italian Renaissance led to a revival of paganism. |
i malatesta rimini: Anarchy Errico Malatesta, 2022-05-28 Errico Malatesta's Anarchy delves into the philosophical underpinnings and practical implications of anarchist thought, asserting that true freedom can only flourish outside the shackles of hierarchical governance. Written with clarity and fervor, Malatesta employs a polemic style that blends theoretical exposition with historical examples, engaging with contemporary social movements and critiques of state power. The book is not only a manifesto but a call to action, challenging the entrenched norms of authority, and arguing for a society built upon voluntary cooperation and mutual aid, contextualizing anarchism within the broader spectrum of libertarian socialist thought. Malatesta, a prominent Italian anarchist and revolutionary, was deeply influenced by his experiences in the tumultuous socio-political landscape of late 19th and early 20th century Europe. His commitment to anarchism stemmed from witnessing the oppressive maneuvers of the state and capitalism against the working class. With a dedication to both theory and practice, he became an emblematic figure in the international anarchist movement, enriching his writings with insights drawn from his active participation in various struggles for social justice. For readers seeking a profound understanding of anarchist principles through the lens of a passionate advocate, Anarchy is an essential text. Malatesta's incisive arguments and eloquent style not only provoke thought but inspire action, making it a vital addition to the library of anyone interested in alternative political philosophies. Engage with this transformative work to explore the possibilities of a just, stateless society. |
i malatesta rimini: The Malatesta of Rimini and the Papal State P. J. Jones, 2005-11-17 A detailed investigation into the origin, development and character of the Maltesta government and the causes of its overthrow. |
i malatesta rimini: Lords of Romagna John Larner, 1965-06-18 |
i malatesta rimini: The Borgias G. J. Meyer, 2014-04-29 The startling truth behind one of the most notorious dynasties in history is revealed in a remarkable new account by the acclaimed author of The Tudors and A World Undone. Sweeping aside the gossip, slander, and distortion that have shrouded the Borgias for centuries, G. J. Meyer offers an unprecedented portrait of the infamous Renaissance family and their storied milieu. They burst out of obscurity in Spain not only to capture the great prize of the papacy, but to do so twice. Throughout a tumultuous half-century—as popes, statesmen, warriors, lovers, and breathtakingly ambitious political adventurers—they held center stage in the glorious and blood-drenched pageant known to us as the Italian Renaissance, standing at the epicenter of the power games in which Europe’s kings and Italy’s warlords gambled for life-and-death stakes. Five centuries after their fall—a fall even more sudden than their rise to the heights of power—they remain immutable symbols of the depths to which humanity can descend: Rodrigo Borgia, who bought the papal crown and prostituted the Roman Church; Cesare Borgia, who became first a teenage cardinal and then the most treacherous cutthroat of a violent time; Lucrezia Borgia, who was as shockingly immoral as she was beautiful. These have long been stock figures in the dark chronicle of European villainy, their name synonymous with unspeakable evil. But did these Borgias of legend actually exist? Grounding his narrative in exhaustive research and drawing from rarely examined key sources, Meyer brings fascinating new insight to the real people within the age-encrusted myth. Equally illuminating is the light he shines on the brilliant circles in which the Borgias moved and the thrilling era they helped to shape, a time of wars and political convulsions that reverberate to the present day, when Western civilization simultaneously wallowed in appalling brutality and soared to extraordinary heights. Stunning in scope, rich in telling detail, G. J. Meyer’s The Borgias is an indelible work sure to become the new standard on a family and a world that continue to enthrall. Praise for The Borgias “A vivid and at times startling reappraisal of one of the most notorious dynasties in history . . . If you thought you knew the Borgias, this book will surprise you.”—Tracy Borman, author of Queen of the Conqueror and Elizabeth’s Women “The mention of the Borgia family often conjures up images of a ruthless drive for power via assassination, serpentine plots, and sexual debauchery. . . . [G. J. Meyer] convincingly looks past the mythology to present a more nuanced portrait.”—Booklist “Meyer brings his considerable skills to another infamous Renaissance family, the Borgias [and] a fresh look into the machinations of power in Renaissance Italy. . . . [He] makes a convincing case that the Borgias have been given a raw deal.”—Historical Novels Review “Fascinating . . . a gripping history of a tempestuous time and an infamous family.”—Shelf Awareness |
i malatesta rimini: Sigismondo Pandolfo Malatesta, Lord of Rimini Edward Hutton, 1906 |
i malatesta rimini: Stones of Rimini Adrian Stokes, 1969 |
i malatesta rimini: Dante Richard H. Lansing, 2003 |
i malatesta rimini: Second Catalogue of the Library of the Peabody Institute of the City of Baltimore , 1896 |
i malatesta rimini: Second catalogue, including the additions made since 1882 Baltimore Peabody inst, libr, 1896 |
i malatesta rimini: The Culture of San Sepolcro During the Youth of Piero Della Francesca James R. Banker, 2003 A portrait of the artist as a young man, an examination of the influence of his hometown |
i malatesta rimini: The Quattro Cento Adrian Stokes, 2002 Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on Modernism and ongoing acclaim for their beauty and intellectual acuity. Two of his most influential books, The Quattro Cento of 1932 and Stones of Rimini of 1934, are brought together for the first time in this new volume, which includes all their original illustrations. This new edition also provides a foreword by Stephen Bann and introductions by David Carrier and Stephen Kite that place Stokes's masterworks in the context of early twentieth-century culture and discuss their structure and relevance to today's experience of art and architecture.Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his analysis with Melanie Klein and recent innovations in literature, dance, and the visual arts.Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini. They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Henry Moore and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arosea realization that the materials of art were the actual objects of inspiration, the stocks for the deepest fantasies. During the Renaissance, Stokes maintained, stone accordingly blossomed into sculpture and buildings, |
i malatesta rimini: Genealogies Cataloged by the Library of Congress Since 1986 Library of Congress, 1991 The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress. |
i malatesta rimini: Commentaries: Books III-IV Pope Pius II, 2003 |
i malatesta rimini: Mantua Humanistic Studies. Volume III Edoardo Scarpanti, 2018-10-26 Table of contents:Time, inner language, ‘open society’: Victor Egger’s influence on Henri Bergson (by Riccardo Roni).Il linguaggio economico-sociale, aspetti storico-politico-lessicali nell’età vittoriana di Our mutual friend. L’immagine allegorica come strumento di introspezione (by Sabrina Mazzara).The iconographic transformation of the “tail of the dragon of the eclipse” into the “hunting cheetah” (by Maria Vittoria Fontana).Was Sigismondo Pandolfo Malatesta a uxoricide? New Research on the Premature Death of Polissena Sforza († 1 June 1449) (by Anna Falcioni).Design e corpo umano. Lo stupore come strumento del sapere (by Andrea Lupacchini).Lorelei, Nixen e altre Wasserfrauen nell’opera di Joseph von Eichendorff (by Sonia Saporiti).Who is the Pedagogist and how he practices on couple and family problems (by Franco Blezza). |
i malatesta rimini: A-E Library of Congress. Office for Subject Cataloging Policy, 1990 |
i malatesta rimini: The Bookman , 1906 |
i malatesta rimini: Wives, Widows, Mistresses, and Nuns in Early Modern Italy Katherine A. McIver, 2016-12-05 Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy. |
i malatesta rimini: One Chance Paul Potts, 2013-11-14 The inspirational memoir by the international classical music star and winner of Britain’s Got Talent, now a major motion picture starring James Corden. One Chance is the remarkable true story of Paul Potts. When Potts, a shy, bullied shop assistant by day and an amateur opera singer by night, stepped onto the stage in the premiere season of Britain’s Got Talent, no one expected the phenomenal voice that would emerge. Judge Simon Cowell and millions of stunned viewers were instantly taken with Potts, who became a YouTube sensation and multiplatinum artist virtually overnight. Wowing audiences worldwide with his phenomenal voice, Paul went on to win Britain’s Got Talent and the hearts of millions. This memoir tells Potts’s remarkable underdog story, revealing his experiences as he seized his biggest dreams and wowed audiences around the world. |
i malatesta rimini: A Marriage Made in Italy Rebecca Winters, 2013-08-01 A brooding Italian… With a dark family history, single dad Leon Malatesta is determined to keep his baby daughter out of the headlines. And so, when a striking woman starts asking questions around the sun-kissed town of Rimini, Leon's protective instinct goes into overdrive. …and a mysterious beauty! Only, Belle Peterson turns out to be the long-lost daughter of his stepmother! Her innocence touches Leon's locked-away heart in a way he never believed possible after losing his wife. Now Belle brings the possibility of a new future for them all…if only he can convince her he wants to marry her for love, not just to give them all the family they want so much…. |
i malatesta rimini: Memoirs of the Dukes of Urbino ... James Dennistoun, 1851 |
i malatesta rimini: , |
i malatesta rimini: Religion and religious institutions in the European economy, 1000-1800 Istituto internazionale di storia economica F. Datini. Settimana di studio, 2012 |
i malatesta rimini: The International Cyclopedia Harry Thurston Peck, 1898 |
i malatesta rimini: The International Cyclopaedia , 1900 |
i malatesta rimini: Annotated Index to the Cantos of Ezra Pound, Cantos I-LXXXIV John Hamilton Edwards, William W. Vasse, 1959 |
i malatesta rimini: The International Cyclopædia Harry Thurston Pech, Selim Hobart Peabody, Charles Francis Richardson, 1900 |
i malatesta rimini: Vendetta Hugh Bicheno, 2009-02-05 The lives and loves of the great condottieri Federigo da Montefeltro, Duke of Urbino, was the archetypal 'Renaissance man': a brilliant soldier, scholar and ally of the pope, he spent much of the vast wealth on commissioning artists to decorate the city. Sigismondo Malatesta, lord of the neighbouring city of Rimini, was also a brilliant soldier and generous patron of the arts. He and Federigo were locked in an epic feud which saw them fight as mercenaries for and against just about every Italian ruler of note, so long as the other was on the opposite side. Together they epitomised the spirit of the condottieri - the contract army leaders who drove the explosion of new political, commercial and artistic ideas that has since become known as the Renaissance. |
i malatesta rimini: The Cast , 1902 |
i malatesta rimini: Second Catalogue of the Library of the Peabody Institute of the City of Baltimore, Including the Additions Made Since 1882 Johns Hopkins University. Peabody Institute. Library, George Peabody Library, 1902 |
i malatesta rimini: Catholic Encyclopedia , 1910 |
i malatesta rimini: The American Architect and Building News , 1897 |
i malatesta rimini: The Catholic Encyclopedia: Laprade-Mass , 1910 |
i malatesta rimini: The Catholic Encyclopedia Charles Herbermann, 1910 |
i malatesta rimini: The Catholic Encyclopedia Charles George Herbermann, 1913 |
i malatesta rimini: Library of Universal Knowledge , 1881 |
i malatesta rimini: The International Cyclopedia , 1890 |
i malatesta rimini: The American Universal Cyclopædia , 1882 |
i malatesta rimini: Italy Michelin Tyre PLC, 1989 Stock up for the World Cup! In 1990 Italy will host the World Cup--a sports spectacle held every four years. Between June 8 and July 8, millions of soccer fans will attend matches in 12 cities across the country. American soccer fans will flock overseas to experience the event and tour Italy. Get ready and stock up on Michelin's Green Guide to Italy now! |
i malatesta rimini: Florentine Histories Niccolò Machiavelli, 2020-05-05 The description for this book, Florentine Histories, will be forthcoming. |
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Errico Malatesta - Wikipedia
Errico Malatesta (4 December 1853 – 22 July 1932) was an Italian anarchist propagandist, theorist and revolutionary socialist. He edited …
Malatesta Trattoria
Jan 25, 2011 · What's the vibe? Pasta, Italian food, wine and beer… Do they take reservations? No, just walk-ins. …
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Errico Malatesta | Anarchist, Syndicalist, Anarcho-Commun…
Errico Malatesta was an Italian anarchist and agitator, a leading advocate of “propaganda of the deed,” the doctrine urged largely by Italian …
Restaurant | Malatesta Trattoria | United States
649 Washington Street, New York, NY 10014 Hours: Sunday to Wednesday 5pm - 10pm Thursday 5pm-10:30pm Friday and Saturday 5pm -11pm Brunch Saturday and Sunday 12pm …
Errico Malatesta - Wikipedia
Errico Malatesta (4 December 1853 – 22 July 1932) was an Italian anarchist propagandist, theorist and revolutionary socialist. He edited several radical newspapers and spent much of …
Malatesta Trattoria
Jan 25, 2011 · What's the vibe? Pasta, Italian food, wine and beer… Do they take reservations? No, just walk-ins. They are less crowded for lunch but expect a bit of a wait for dinner. Outdoor …
Malatesta Trattoria - New York, NY on OpenTable
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Errico Malatesta | Anarchist, Syndicalist, Anarcho-Communist
Errico Malatesta was an Italian anarchist and agitator, a leading advocate of “propaganda of the deed,” the doctrine urged largely by Italian anarchists that revolutionary ideas could best be …
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Malatesta - Wikipedia
I Malatesta (o Malatesti, dal latino "de Malatestis"), originari del Montefeltro [5], furono una nobile famiglia italiana, tra le più importanti e influenti del Medioevo, che dominò sulla Signoria di …
Malatesta Trattoria - Review - New York - The Infatuation
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House of Malatesta - Wikipedia
The House of Malatesta was an Italian family that ruled over Rimini from 1295 until 1500, as well as (in different periods) other lands and towns in Romagna and holding high positions in the …