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| ida coblenz: Secret Germany Robert E. Norton, 2018-09-05 Stefan George (1868–1933) was one of the most important and influential poets to have written in German. His work, in its originality and impact, easily ranks with that of Goethe, Holderlin, or Rilke. Yet George's reach extended far beyond the sphere of literature. Particularly during his last three decades, George gathered around himself a group of men who subscribed to his homoerotic and idiosyncratic vision of life and sought to transform that vision into reality. George considered his circle to be the embodiment and defender of the real but secret Germany, opposed to the false values of contemporary bourgeois society. Some of his disciples, friends, and admirers were themselves historians, philosophers, and poets. Their works profoundly affected the intellectual and cultural attitudes of Germany's elite during the critical postwar years of the Weimar Republic. Essentially conservative in temperament and outlook, George and his circle occupy a central, but problematic, place in the rise of proto-fascism in Germany. Their own surrogate state offered a miniature model of a future German state: enthusiastic followers submitting themselves without question to the figure and will of a charismatic leader believed to be in possession of mysterious, even quasi-divine, powers.When he died several months after the Nazi takeover, George was one of the most famous and revered figures in Germany. Today the importance of George and his circle has largely been forgotten. In this, the first full biography of George to appear in any language, Robert E. Norton traces the poet's life and rise to fame. |
| ida coblenz: Strict Wildness Peter Viereck, 2017-09-08 A reviewer once called Peter Viereck's thought not common sense but inspired, electric common sense. This volume of Viereck's selected essays on poetry and on history, written between 1938 through 2004, exemplifies this quality. Its main theme is suggested in Viereck's coined phrase strict wildness, which suggests a balance between restraint (which by itself is staid and rigid) and passion (which by itself is incoherent). Frost called free verse tennis without the net. Viereck calls dead mechanical form net without the tennis. Strict wildness, then, is spontaneity of feeling within strict organic form.The book explores questions of modernism and poetic craft with respect to American poetry. It discusses the controversy over Ezra Pound's politics and its relation to his poetics, as well as the nearly forgotten poet Vachel Lindsay. Viereck offers more general views on poetics, including the fruitful tensions between form and content, and the impact of modern technology on poetic expression. He also discusses history and politics, and contains essays on McCarthyism, the Cold War, political conformity of the Left and Right, and discusses issues of historiography and culture that define Viereck's highly individual, often critical brand of conservatism. In treating representative trends and figures in conservative thought, Viereck insists on clear awareness of what exists to conserve, what ought to be conserved, and why it should be conserved.In their range and originality, the writings brought together in Strict Wildness constitute an ideal introduction to Peter Viereck's literary and political thought and how they come together. It will be of interest to literary scholars, intellectual historians, and social scientists. The introduction allows the reader to grasp a clear sense of the context and background of Viereck's works. |
| ida coblenz: Transplantings Peter Viereck, 2017-09-08 On being told that translation is an impossible thing, Anatole France replied: precisely, my friend; the recognition of that truth is a necessary preliminary to success in art. The task of Transplantings is to add flesh and bones to that familiar quip. Indeed, Daniel Weissbort notes that Viereck's study represented a sixty-five year long project. Now, it is finally being brought to print in its full form, with the completion of the final manuscript shortly before Viereck's death.If translation is a special genre in its own right, the translation of poetry, especially from major foreign languages, is a special subset of that genre. What emerges in the imperfect act of translation is an aesthetic dimension that Viereck considers unique in its own right. Transplantings provides new insight into Viereck as a poet of substance, but more than that as a public intellectual. He is critical in probing the work of the major figures such as Stefan George and Georg Heym. To round out this monumental new look at German poetical history, Viereck reviews Goethe, Novalis, and Rilke among others.For Viereck, the difference between the poetical and the political is critical. The quality of poetry is not measured by politics, nor can the worth of political action be defined by commitment to the poetical. The experience of German thought, as well as French and Italian efforts, reveals a divide that can be narrowed but hardly bridged by rhetoric. Transplantings does not simplify the task of the reader. Rather it shows without doubt that the passion of great poetry is part of a national tradition. Efforts at translation indicate how such poetry becomes part of an international culture. This is a major work by one of the great thinkers of the twentieth century. It merits reading, and then, re-reading. |
| ida coblenz: Schonberg and Kandinsky Konrad Boehmer, 2013-04-03 The historic encounter around 1911 between the composer Arnold Schönberg and the painter Wassily Kandinsky occurred at a moment when the first wild revolts against traditional art, Dada and Futurism, had just manifested themselves. Independently of those sometimes spectacular activities, both Schönberg and Kandinsky had already concluded that the material and the compositional methods they had relied on in the past were exhausted and did not satisfy the development of their artistic ideas. Both artists had already submitted their modes of production to a critical analysis which resulted in Schonberg's Theory of Harmony and Kandinsky's Concerning the Spiritual in Art , both of 1911 - indeed the two artists had already been putting their self-criticism into practice for some time. In Schönberg's case this led to breaking with tonality; Kandinsky effected the transition to abstract painting. This book is a collection of the papers presented at the conference on Schönberg and Kandin |
| ida coblenz: Zemlinsky Antony Beaumont, 2000 Following his English edition of Alma Mahler-Werfel's Diaries 1898-1902, Antony Beaumont presents both the first comprehensive biography of the composer and conductor Alexander Zemlinsky (1871-1942) and a critical assessment of his works. Zemlinsky--all hail to you! wrote the young Alma. All hail to you and your art. When she first met him, Zemlinsky was the most promising Viennese composer of his generation. In 1901, when Alma abruptly ended their passionate love affair in order to marry Gustav Mahler, the crisis served to transform Zemlinsky's talent into mastery. Only long after his death, however, did his music begin to receive its due. Zemlinsky was central to the musical life of Vienna and Central Europe, and this brilliant biography illuminates a social and cultural milieu that disappeared forever with the triumph of Hitler's Reich. Beaumont details the composer's early years as a protégé of Brahms and Mahler, his complex friendship with his brother-in-law Arnold Schoenberg, the influence of his teaching on the boy-prodigy Erich Korngold, his kindly and helpful attitude toward the hypersensitive Anton Webern, and his heartfelt friendship with Alban Berg. Zemlinsky was one of the leading conductors of the interwar period, considered by both Schoenberg and Stravinsky the finest they had ever heard. Beaumont charts Zemlinsky's career from Vienna to Berlin, St. Petersburg, and Prague, providing insight into his Catholic-Sephardic background and investigating his keen interest in esoteric aspects of music, including color symbolism and numerology. The author's analyses of Zemlinsky's major scores are accessible and fully contextualized. |
| ida coblenz: the year's work in modern language studies , |
| ida coblenz: Schoenberg's Atonal Music Jack Boss, 2019-07-04 Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks. |
| ida coblenz: Edith Landmann-Kalischer Edith Landmann, 2023-11-03 This volume brings together essential essays by an important but neglected thinker in early twentieth-century German philosophy, Edith Landmann-Kalischer. As the first English translation of her writings, this volume represents a landmark step in the effort to restore to its rightful place her philosophy and, in particular, its methodologically unified approach to aesthetic, moral, and epistemic value. The three essays translated - On the Cognitive Value of Aesthetic Judgments: A Comparison of Sensory Judgments and Value Judgments (1905), On Artistic Truth (1906), and Philosophy of Values (1910) - demonstrate a philosophical mind at home with the then emerging disciplines of phenomenology and psychology during one of the most fecund eras of philosophy in German-speaking lands. Drawing on the ferment of this period and engaging with its leading thinkers (e.g., Brentano, Husserl), Landmann-Kalischer crafts a unique and powerful contribution to aesthetics, the philosophy of art, and value theory. And far from speaking simply to the concerns of her day, in these essays she tackles questions that remain as pressing for us today as they were in her time. Are beauty, goodness, and truth real or merely subjective? How do we experience these values? Does our experience of value lead to judgments that can be true or false? Can those experiences lead to knowledge? Is a science of value possible at all? In Landmann-Kalischer's essays, we find rigorously argued and compelling answers to these questions. |
| ida coblenz: Brill's Companion to Horace Hans-Christian Günther, 2016-01-12 This volume centres on a detailed analysis of the whole corpus of Horace’s work by Edward Courtney (Satires), Elaine Fantham (Epistles I and Odes IV), Hans-Christian Günther (Epodes, Odes I – III, Carmen Saeculare and Epistles II) and Tobias Reinhardt (Ars Poetica). The latter is preceeded by a detailed account of Horace’s life and work in general by H.-C. Günther. Two appendices on the transmission of the text (E. Courtney) and style and metre (Peter Knox) conclude the volume. It is aimed at students and scholars of classical and modern literature who seek comprehensive orientation on all aspects of Horace’s work. All quotations from Latin and Greek are translated. |
| ida coblenz: Metapolitics Peter Viereck, 2017-07-12 More than half a century after the fall of the Third Reich, Nazism, its roots and its essential nature, remain a central and unresolved enigma of the twentieth century. During the period of Hitler's ascendancy, most attempts at explaining this unprecedented phenomenon were framed in economic, often Marxist, sociological terms and concepts. Peter Viereck's Metapolitics, initially published in 1941, broke with this convention by indicting Hitler in terms of the Judaic-Christian ethical tradition and locating certain elements of the Nazi worldview in German romantic poetry, music, and social thought. Newly expanded, Metapolitics remains a key work in the cultural interpretation of Nazism and totalitarianism and in the psychological interpretation of Hitler as a Wagnerite and failed artist. The term metapolitics, a coinage from Richard Wagner's nationalist circle, signifies an ideology resulting from five distinct strands: romanticism (embodied chiefly in the Wagnerian ethos), the pseudo-science of race, Fuehrer worship, vague economic socialism, and the alleged supernatural and unconscious force of the Volk collectivity. Together, those elements engendered an emphasis on irrationalism and hysteria and belief in a special German mission to direct the course of the world's history. Viereck analyzes nineteenth-century German thought's conflicting attitudes toward political procedures and social arrangements rooted in classical, rational, legalistic, and Christian traditions. This edition includes an appreciation by Thomas Mann and an exchange with Jacques Barzun debating Viereck's criticism of German romanticism. Viereck's essays on the case of Albert Speer, on Claus von Stauffenberg (the German officer who led the army conspiracy to assassinate Hitler), and on the poets Stefan George and Georg Heym appear here for the first time in book form. |
| ida coblenz: A Companion to the Works of Stefan George Jens Rieckmann, 2005 Stefan George (1868-1933) is along with Hugo von Hofmannsthal and Rainer Maria Rilke one of the pre-eminent German poets of the twentieth century. He also had an important, albeit controversial and provocative role in German cultural history. It is generally agreed that he played a significant part in the transition of German literature to Modernism, particularly in poetry. At the same time he was an outspoken critic of modernity. He believed that only an all-encompassing cultural renewal could save modern man. Although George is often linked with the l'art pour l'art movement, and although his artistic consciousness was formed by European aestheticism, his poetry and the writings that emerged from the poets and intellectuals he gathered around him in the George Circle are above all a scathing commentary on the political, social, and cultural situation in Germany at the turn of the century. George, who was imbued with the idea of the poet as a prophet and priest, saw himself as the Messiah of a New Hellenism and a New Reich led by an intellectual and aesthetic elite consisting of men who were bonded together through their allegiance to a charismatic leader. Some of the values that George proclaimed, among them a glorification of power, of heroism and self-sacrifice, were seized upon by the National Socialists, and subsequently his writings and those of his circle were considered by some to be proto-fascist. It did not help his reputation that after the Second World War much of the criticism of his works was practiced by uncritical, hagiographic George worshippers. In recent years, however, there has been a renewed and unbiased interest among scholars and critics in George and his circle. The wide-ranging and original essays in this volume explore anew George's poetry and his contribution to Modernism, the relation between his vision of a New Reich and fascist ideology, and his importance as a cultural critic. Jens Rieckmann is Professor of German at the University of California, Irvine. |
| ida coblenz: The Atonal Music of Arnold Schoenberg, 1908-1923 Bryan R. Simms, 2000 Between 1908 and 1923, Schoenberg developed a compositional strategy that moved beyond the accepted concepts and practices of Western tonality. This study synthesizes and advances the state of knowledge about this body of work. |
| ida coblenz: The Cambridge Companion to Schoenberg Jennifer Shaw, Joseph Auner, 2010-05-13 Arnold Schoenberg – composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging monolithic views of the composer as an isolated elitist, the volume demonstrates that what has kept Schoenberg and his music interesting and provocative was his profound engagement with the musical traditions he inherited and transformed, with the broad range of musical and artistic developments during his lifetime he critiqued and incorporated, and with the fundamental cultural, social, and political disruptions through which he lived. The book provides introductions to Schoenberg's most important works, and to his groundbreaking innovations including his twelve-tone compositions. Chapters also examine Schoenberg's lasting influence on other composers and writers over the last century. |
| ida coblenz: Schoenberg and Redemption , |
| ida coblenz: Modern German Literature Jethro Bithell, 2020-01-31 Originally published in 1939 and revised in 1959, this book traces back to their origins the literary movements and phases of German literature of 1880 to 1950 as they occur and shows how and why they pass over into succeeding phases. It closely analyses Naturalism, Impressionism, Neo-romanticism and Expressionism as well as dealing exhaustively with Surrealism, Magic Realism and Existentialism. The book includes discussion of post-war Anglo-American and French literature. |
| ida coblenz: Poet Lore , 1927 |
| ida coblenz: The Cambridge Companion to Mahler Jeremy Barham, 2007-12-13 In the years approaching the centenary of Mahler's death, this book provides both summation of, and starting point for, an assessment and reassessment of the composer's output and creative activity. Authored by a collection of leading specialists in Mahler scholarship, its opening chapters place the composer in socio-political and cultural contexts, and discuss his work in light of developments in the aesthetics of musical meaning. Part II examines from a variety of analytical, interpretative and critical standpoints the complete range of his output, from early student works and unfinished fragments to the sketches and performing versions of the Tenth Symphony. Part III evaluates Mahler's role as interpreter of his own and other composers' works during his lifelong career as operatic and orchestral conductor. Part IV addresses Mahler's fluctuating reception history from scholarly, journalistic, creative, public and commercial perspectives, with special attention being paid to his compositional legacy. |
| ida coblenz: Schoenberg: Why He Matters Harvey Sachs, 2023-08-15 A NEW YORK TIMES NOTABLE BOOK OF 2023 A New Yorker Best Book of the Year “[A]n immensely valuable source for anyone desiring an accessible overview of this endlessly controversial and chronically misunderstood giant of 20th-century music.” —John Adams, New York Times Book Review, cover review An astonishingly lyrical biography that rescues Schoenberg from notoriety, restoring him to his rightful place in the pantheon of twentieth-century composers. In his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century’s most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the “Procrustean bed” of tradition. Defying his critics—among them the Nazis, who described his music as “degenerate”—he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music. |
| ida coblenz: Department of the Interior and Related Agencies Appropriations for 1979 United States. Congress. House. Committee on Appropriations. Subcommittee on Department of the Interior and Related Agencies, 1978 |
| ida coblenz: Secret Germany Michael Baigent, Richard Leigh, 2008-05-17 By July of 1944, the Third Reich's days were numbered. Colonel Claus von Stauffenberg, a general staff insider with open eyes (and access to the Führer), was convinced that assassinating Hitler was the only way to prevent the destruction of the Fatherland and the deaths of millions. On July 20, he hid a bomb-stuffed briefcase at a high-level meeting. The explosion tore through the room, but a table leg spared Hitler from the blast. The result was a witch hunt, a wave of executions, and a further pointless year of war. Michael Baigent and Richard Leigh deliver an exhilarating and definitive portrait of the anti-Nazi movement (called Secret Germany) that almost killed Hitler. Secret Germany is the story of World War II's boldest plot-that-failed (Time), a coup that was a moral and spiritual necessity. |
| ida coblenz: Stefan George Thomas Karlauf, 2009-11-20 Die erste Stefan-George-Biographie in deutscher Sprache Als Dichter, Prophet und Mittelpunkt eines Kreises ihm grenzenlos ergebener Jünger zählte Stefan George (1868 – 1933) zu den einflussreichsten Figuren der deutschen Geistesgeschichte. Das Denkmal, das sich der »Meister« errichtete, war vielen Zeitgenossen allerdings zu hoch, und nach 1945 geriet George in Vergessenheit. Nach langjähriger Vorarbeit legt Thomas Karlauf die erste George-Biographie in deutscher Sprache vor: ein faszinierendes Stück Zeit- und Sittengeschichte am Vorabend der Katastrophe. Stefan George war unter den deutschen Dichtern im ersten Drittel des 20. Jahrhunderts zweifellos der einflussreichste. Er hat die deutsche Lyrik entscheidend geprägt. Seinen Ruhm verdankte George allerdings weniger seinen Gedichten als vielmehr der Tatsache, dass er sich so perfekt inszeniert hat wie kaum jemand vor ihm. Legendär – und bis heute umstritten – war auch der so genannte George-Kreis, ein dem Dichter treu ergebener Männerbund. An diesem Kreis schwärmerisch begeisterter Jünglinge entwickelte Max Weber sein Modell der »charismatischen Herrschaft«. An der Person Georges lässt sich zeigen, was Macht über Menschen wirklich bedeutet. In seinem Werk finden sich zahlreiche Berührungspunkte mit dem Nationalsozialismus (George starb 1933), viele sahen in ihm einen »Wegbereiter«. Und doch steht am Ende dieses Weges das Attentat auf Hitler am 20. Juli 1944: Verübt hat es Claus von Stauffenberg, einer der letzten Vertrauten Georges. Thomas Karlauf hat die gesamte Forschung aufgearbeitet, seine Biographie ist wissenschaftlich auf dem neuesten Stand und wunderbar lebendig erzählt. |
| ida coblenz: Wandering Jews Susanne Hillman, 2011 For more than seventy years the shadow of the Holocaust has darkened modern Jewish historiography. Historians dealing with all facets of Jewish history have tended to treat the destruction of European Jewry as a foregone conclusion. This narrow focus on the end rather than on what came before has led to a distorted equation of Jews as nothing but victims. This dissertation, which deals with the Jewish German poet, philosopher, and literary critic Margarete Susman (1872-1966) and her fellow intellectuals, both Jews and Christians, employs a different, non-teleological approach. Susman grew up in the world of the highly assimilated Jewish-German bourgeoisie of Wilhelmine Germany. Her views were informed by the messianic ethos of reform Judaism as well as by the political project of the Left. Despite growing antisemitism and the rise of race thinking in the late 19th and early 20 th century, she regarded herself first and foremost as German; in other words, language was more important to her than blood. Her ongoing struggle with questions of self-identification and belonging throws light on the vexing question of the category Jew. By embedding a thinker like Susman in the context of the various social and intellectual networks which she was part of, this project deliberately obfuscates conventional historiographical approaches. Starting from the premise that thinking should be studied from an embodied perspective, this study investigates thinking and living, i.e. the intellectual and the social, not as two distinct realms but as spheres of experience that continually overlap and reinforce each other. A close reading of sources ranging from archival biographical materials to newspaper articles, philosophical treatises, memoirs, and extensive correspondences reveals that the intellectual creativity of individuals like Susman, Karl Wolfskehl, Ernst Bloch, Edith Landmann, and many others was largely the result of a particular Jewish-Christian milieu that roamed geographically as well as topically. Even Hitler's rise to power and the extermination of millions could not extinguish this milieu. By examining Susman's beliefs and practices, as well as those of her peers, we arrive at a fuller understanding of Jewish German cultural and social life from the founding of the German empire to the post-Holocaust era. |
| ida coblenz: Stefan George und "les deux musiques" Wolfgang Osthoff, 1989 Die meist vage umschriebene Musikalitat von Lyrik wird anhand von Georges Gedichten und Ubertragungen sowie durch klassisch-romantische Beispiele konkretisiert. Zur Veranschaulichung und Abgrenzung sind verwandte Phanomene der Musik (Gregorianik bis 20. Jahrhundert) herangezogen. Urteile Georges uber Kompositionen seiner Texte, in denen er musikalisch argumentiert, bilden den Ausgangspunkt. Das an dem Problem George-Hofmannsthal-Strauss (Elektra) beleuchtete Verhaltnis Poesie-Musik erweist sich am Schluss als enge Verwandtschaft und zugleich unvereinbare Dualitat: deux musiques, wie der junge George unter dem Eindruck Mallarmes formulierte. ...ein Vorbild zuverlassiger wissenschaftlicher Forschungsarbeit... Dank der vom vergleichenden Charakter des Themas her bedingten, vom Verfasser uberlegen gehandhabten und kenntnisreich unterbauten komparatistischen Methode ist hier ein ausserordentlich komplexes wissenschaftliches Werk entstanden[... ]Nicht nur fur den George-Spezialisten, sondern fur Lernende, Lehrende und Forschende in den Bereichen der deutschen und romanischen Literatur und der Musik bildet der Band eine unerschopfliche Quelle wichtiger Fakten und Erkenntnisse, die an keiner anderen Stelle so leicht greifbar angeboten werden. Monatshefte This is clearly the definitive book on Stefan George and music, written by a scholar who has had access to all the material relative to such a study. Music and Letters |
| ida coblenz: German Studies Leonard Ashley Willoughby, 1952 |
| ida coblenz: Schoenberg and Words Charlotte Marie Cross, Russell A. Berman, 2000 First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company. |
| ida coblenz: Arnold Schoenberg's Journey Allen Shawn, 2016-01-19 A composer's study and celebration of a difficult but influential artist, his work, and his time Proposing that Arnold Schoenberg (1874-1951) has been more discussed than heard, more tolerated than loved, composer Allen Shawn puts aside ultimate judgments about Schoenberg's place in musical history to explore the composer's fascinating world in a series of linked essays--soundings that are more searching than analytical, more suggestive than definitive. In an approach that is unusual for a book of an avowedly introductory character, the text plunges into the details of some of Schoenberg works, while at the same time providing a broad overview of his involvement in music, painting and the history through which he lived. Emphasizing music as an expressive art of rhythms and tones, Shawn approaches Schoenberg primarily from the listener's point of view, uncovering both the seeds of his radicalism in his early music and the traditional bases of his later work. Although liberally sprinkled with musical examples, the text can be read without them. By turns witty, personal, opinionated and instructive, Arnold Schoenberg's Journey is above all an appreciation of a great musical and artistic imagination in a time unlike any other. |
| ida coblenz: A History that Includes the Self Von Edward Underwood, 1988 |
| ida coblenz: Stefan George und sein Kreis Achim Aurnhammer, Wolfgang Braungart, Stefan Breuer, Ute Oelmann, Birgit Wägenbaur, 2012-12-21 Das Handbuch stellt Leben und Werk Stefan Georges umfassend dar und behandelt die internen Vernetzungen seines Kreises sowie seine externe Rezeption. Erstmals liegt damit ein verlässliches Kompendium für die wissenschaftliche Auseinandersetzung mit Stefan George und seinem Kreis vor. Die Forschung wird kritisch gesichtet, und Desiderate werden markiert; die bio-bibliographischen Grundlagen werden neu gesichert und zahlreiche Rezeptionszeugnisse erstmals ausgewertet. Dem Wirken Georges und seines Kreises, das in vielfältige Bereiche des geistig-kulturellen, wissenschaftlichen und politischen Lebens ausstrahlte, entspricht das interdisziplinäre und diskursgeschichtlich orientierte Konzept des Handbuchs, das Literatur- und Sozialwissenschaft, Politologie und Geschichte ebenso einschließt wie Kunst- und Wissenschaftsgeschichte. Das Handbuch umfasst vier Teile: Der erste Teil ist Georges Werk und seinem Kreis gewidmet; der zweite behandelt systematische Aspekte wie „Traditionsverhalten“ oder „Zeitkritik und Politik“; der dritte erschließt die Wirkung des George-Kreises; der vierte bietet anhand von 158 Personenartikeln erstmals eine vollständige Kartierung der Personen, Bünde und Kreise um George. |
| ida coblenz: Stefan George Ulrich K. Goldsmith, 1959 |
| ida coblenz: Boulevard , 2003 |
| ida coblenz: Stefan George Kai Kauffmann, 2014-09-01 Eine Biographie über Stefan George und seine ambivalente Erscheinung als Dichter und Mensch. Stefan George war einer der bedeutendsten Lyriker des deutschen Symbolismus und Zentrum eines Kreises von Freunden und Jüngern, der sich spätestens ab 1910 als geistige Elite verstand. Das Buch schildert das Leben und Wirken Georges und versucht dabei abwägend seiner facettenreichen Persönlichkeit gerecht zu werden. Das von George selbst stilisierte Bild eines ganz im Zeichen einer dichterischen Mission stehenden Lebens wird durch die Analyse von menschlichen Beziehungen vielfältiger Art relativiert, von der tiefen Verwurzelung in seiner Binger Familie über enge Freundschaften, wie etwa zu Albert Verwey und Friedrich Gundolf, bis hin zu den bemerkenswert entspannten Aufenthalten mit Clotilde Schlayer in Minusio (Tessin), wo er mit 65 Jahren starb. In die biographische Schilderung sind Kapitel eingelegt, die Georges Gedichtbände als Stationen einer vom L'art pour l'art ausgehenden und zur Weltanschauungsdichtung führenden Werkgeschichte umreißen. Das Buch enthält zahlreiche, teilweise unbekannte Fotografien. |
| ida coblenz: Stefan George Michael M. Metzger, Erika Alma Metzger, 1972 |
| ida coblenz: Twayne's World Authors Series , 1972 |
| ida coblenz: Year Book , 1989 |
| ida coblenz: Doorway to Freedom William E. Ramsey, Betty Dineen Shrier, 2008 Co-published by Mosaic Press and the Ted and Sarah Seldin Family Fund and the Nebraska Jewish Historical Society. |
| ida coblenz: Fenster-Geschichten Ji-Ming Tang, 2009 |
| ida coblenz: Studies in Comparison Ulrich K. Goldsmith, 1989 The volume contains a selection of the fruits of 35 years of study and research. Almost all of the essays have been published previously. Areas represented are (1) essays on major literary figures (Shakespeare, Goethe, Stefan George etc.); (2) translation critiques; (3) German academic history of the 19th and 20th centuries; (4) reviews; (5) some of the author's translations of German poetry (chiefly George's) into English. The majority of the articles and reviews cross borders between individual literatures and offer new insights into international literary relations, comparison of motifs and structures being at the heart of the hermeneutic process. |
| ida coblenz: Stefan George – Werkkommentar Jürgen Egyptien, 2017-02-06 Der Stefan George-Werkkommentar bietet eine systematische Erschließung des gesamten dichterischen und übersetzerischen Werks des Autors. Konzeptionell orientiert am Aufbau der Sämtlichen Werke bietet er über siebzig Beiträge, die das Werk Georges Zyklus um Zyklus charakterisieren und jeweils in detaillierten Modellinterpretationen ästhetische Verfahren und dichtungstheoretische Positionen rekonstruieren. |
| ida coblenz: Ausbreitung und Wirkung des Nietzscheschen Werkes im deutschen Sprachraum bis zum Todesjahr Richard Frank Krummel, 2015-01-29 Keine ausführliche Beschreibung für Ausbreitung und Wirkung des Nietzscheschen Werkes im deutschen Sprachraum bis zum Todesjahr verfügbar. |
| ida coblenz: Cardiograms of an Age Michele D. Ricci, 2003 |
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Mar 22, 2025 · 看到分享了 8.5 安装包，之前的 kg 失效了，才发现替换成了 9.x 的注册模式。做了简单分析，整理如下：调试版本为 9.0（240905），新注册机制都一样，ida.dll 中导 ...
IDA Pro 9.0.241217 SP1 - 吾爱破解 - 52pojie.cn
Jan 14, 2025 · * ida.dll.patched * ida32.dll.patched * idapro.hexlic 这三个文件就是破解好的文件. 最后, 我们需要备份原版的 ida.dll 和 ida32.dll 文件, 并将 ida.dll.patched 和 ida32.dll.patched …
[调试逆向] IDA 7.0pro 使用（基础篇） - 吾爱破解
Mar 27, 2020 · 关于ida的使用 还有很多高端的技巧，例如远程动态调试，打补丁，ida-python脚本，修复栈平衡等 逆向时长一年半的菜鸡 ，主要方向是ctf逆向,pwn 也做一些c++ win32开发 和 …
ida pro mcp 强大的 IDA MCP 插件，AI 助力逆向分析 - 吾爱破解
Apr 10, 2025 · 用 IDA Pro MCP + AI 打造智能逆向工作流。真是强大啊，AI 改变世界。 MCP 现在太火了，紧跟潮流，坛友发了GhidraMCP贴，我来发 IDA MCP 贴。 ida-pro-mcp 可用功 …
IDA Plugin - 『逆向资源区』 - 吾爱破解 - 52pojie.cn
5 days ago · Karta IDA插件识别给定代码中的开源代码库. arryboom • 2021-11-6 02:24. arryboom 2021-11-6 02:24: 74968: 娜美 2023-9-20 10:57 IDA计算偏移值IDAPython插件 - [阅读权限 10] …
IDA v8.4.240215 Free & Demo & sdk_tools - 吾爱破解 - 52pojie.cn
Feb 18, 2024 · 免责声明： 吾爱破解所发布的一切破解补丁、注册机和注册信息及软件的解密分析文章仅限用于学习和研究目的；不得将上述内容用于商业或者非法用途，否则，一切后果请用 …
IDA&Frida 学习 - 吾爱破解 - 52pojie.cn
Mar 16, 2023 · IDA View_Hooks类，用于处理在IDA视图中双击和单击事件; 插件类，实现插件的初始化、运行和退出; 前置知识. frida ida就不说了，主要说一下 其他的知识. …
IDA 9.0 安装Findcrypt插件踩坑分享 - 吾爱破解 - 52pojie.cn
Dec 18, 2024 · 我这里ida使用的python是系统的主Python版本，版本为3.10.5，pip也是对应版本的。按照以往版本的ida这样操作之后打开ida即可使用findcrypt，然而此时遇到了报 …
IDA Pro 9 SP1 安装和插件配置 - 吾爱破解 - 52pojie.cn
Feb 16, 2025 · 运行ida-pro_90sp1_x64win.exe安装ida; 修改IdaPro9Beta-Keygen-iRabbit.py文件的部分内容,复制到ida根目录; python运行keygen,自动修补; 修改patched文件后缀,替换ida.dll …
IDA Pro 8.3 绿色版（2024.2.26更新） - 吾爱破解 - 52pojie.cn
IDA Pro 8.3 绿色版是@Hmily 、@微笑一刀 和@云在天 基于泄露的IDA Pro 8.3 Windows版本制作，解压后运行“IDA_Pro_8.3_绿化工具”即可一键绿化，绿色版主要三大功能：一、禁止不必要 …
IDA 9.1 & IDA 8.5 算法分析 - 吾爱破解 - 52pojie.cn
Mar 22, 2025 · 看到分享了 8.5 安装包，之前的 kg 失效了，才发现替换成了 9.x 的注册模式。做了简单分析，整理如下：调试版本为 9.0（240905），新注册机制都一样，ida.dll 中导 ...
IDA Pro 9.0.241217 SP1 - 吾爱破解 - 52pojie.cn
Jan 14, 2025 · * ida.dll.patched * ida32.dll.patched * idapro.hexlic 这三个文件就是破解好的文件. 最后, 我们需要备份原版的 ida.dll 和 ida32.dll 文件, 并将 ida.dll.patched 和 ida32.dll.patched …
[调试逆向] IDA 7.0pro 使用（基础篇） - 吾爱破解
Mar 27, 2020 · 关于ida的使用 还有很多高端的技巧，例如远程动态调试，打补丁，ida-python脚本，修复栈平衡等 逆向时长一年半的菜鸡 ，主要方向是ctf逆向,pwn 也做一些c++ win32开发 和 …
ida pro mcp 强大的 IDA MCP 插件，AI 助力逆向分析 - 吾爱破解
Apr 10, 2025 · 用 IDA Pro MCP + AI 打造智能逆向工作流。真是强大啊，AI 改变世界。 MCP 现在太火了，紧跟潮流，坛友发了GhidraMCP贴，我来发 IDA MCP 贴。 ida-pro-mcp 可用功 …
IDA Plugin - 『逆向资源区』 - 吾爱破解 - 52pojie.cn
5 days ago · Karta IDA插件识别给定代码中的开源代码库. arryboom • 2021-11-6 02:24. arryboom 2021-11-6 02:24: 74968: 娜美 2023-9-20 10:57 IDA计算偏移值IDAPython插件 - [阅读权限 10] …
IDA v8.4.240215 Free & Demo & sdk_tools - 吾爱破解 - 52pojie.cn
Feb 18, 2024 · 免责声明： 吾爱破解所发布的一切破解补丁、注册机和注册信息及软件的解密分析文章仅限用于学习和研究目的；不得将上述内容用于商业或者非法用途，否则，一切后果请用 …
IDA&Frida 学习 - 吾爱破解 - 52pojie.cn
Mar 16, 2023 · IDA View_Hooks类，用于处理在IDA视图中双击和单击事件; 插件类，实现插件的初始化、运行和退出; 前置知识. frida ida就不说了，主要说一下 其他的知识. android_dlopen_ext …
IDA 9.0 安装Findcrypt插件踩坑分享 - 吾爱破解 - 52pojie.cn
Dec 18, 2024 · 我这里ida使用的python是系统的主Python版本，版本为3.10.5，pip也是对应版本的。按照以往版本的ida这样操作之后打开ida即可使用findcrypt，然而此时遇到了报 …
