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| howard hawks robin wood: Howard Hawks Robin Wood, 2006-03-14 A significant and contemporary study of director Howard Hawks by influential film critic Robin Wood, reprinted with a new introduction. |
| howard hawks robin wood: Howard Hawks Robin Wood, 2006 A significant and contemporary study of director Howard Hawks by influential film critic Robin Wood, reprinted with a new introduction. Prolific director Howard Hawks made films in nearly every genre, from gangster movies like Scarface to comedies like Bringing Up Baby and Monkey Business and westerns like Rio Bravo. In this new edition of a classic text, author Robin Wood explores the ways in which Hawks pushed the boundaries of each genre and transformed the traditional forms in new, interesting, and creative ways. The provocative chapters demonstrate the ways in which Hawks' films were affected by the director's personality and way of looking at and feeling things, and by his celebration of instinct, self-respect, group responsibility, and male camaraderie. Wood's connections between the professionalism of Hawks' action films and comedies, with their lure of irresponsibility, has become a standard way of conceptualizing Hawks' films and the model to which all later critical work has had to respond. |
| howard hawks robin wood: Personal Views Robin Wood, 2006 A reissue of a significant and hard-to-find text in film studies with a new introduction and three additional essays included. Robin Wood, the renowned scholarly critic and writer on film, has prepared a new introduction and added three essays to his classic text Personal Views. This important book contains essays on a wide range of films and filmmakers and considers questions of the nature of film criticism and the critic. Wood, the proud unreconstructed humanist, offers in this collection persuasive arguments for the importance of art, creativity, and personal response and also demonstrates these values in his analyses. Personal Views is the only book on cinema by Wood never to have been published in the United States. It contains essays on popular Hollywood directors such as Howard Hawks, Vincente Minnelli, and Leo McCarey; as well as pieces on recognized auteurs like Max Ophuls, Orson Welles, Fritz Lang, and Josef von Sternberg; and essays on art-film icons Jean-Luc Godard, Michelangelo Antonioni, and Kenji Mizoguchi. The writings that make up Personal Views appeared duing a pivotal time in both film studies-during its academic institutionalization-and in the author's life. Throughout this period of change, Wood remained a stalwart anchor of the critical discipline, using theory without being used by it and always staying attentive to textual detail. Wood's overall critical project is to combine aesthetics and ideology in understanding films for the ultimate goal of enriching our lives individually and together. This is a major work to be read and reread not just by film scholars and students of film but by anyone with an interest in twentieth-century culture. |
| howard hawks robin wood: Rio Bravo Robin Wood, 2019-07-25 This volume is a study of the classic western film 'Rio Bravo', which, according to the author, remains 'beyond politics, as an argument as to why we should all want to go on living'. |
| howard hawks robin wood: Robin Wood on the Horror Film Robin Wood, 2018 Robin Wood's writing on the horror film, published over five decades, collected in one volume. |
| howard hawks robin wood: Hitchcock's Films Revisited Robin Wood, 2002 When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie. |
| howard hawks robin wood: Hawks on Hawks Joseph McBride, 2013-12-03 A portrait of the renowned film director based on seven years of interviews: “I am very happy that this book exists.” —François Truffaut Howard Hawks is often credited as the most versatile of the great American directors, having worked with equal ease in screwball comedies, westerns, gangster movies, musicals, and adventure films. He directed an impressive number of Hollywood’s greatest stars—including Humphrey Bogart, Cary Grant, John Wayne, Lauren Bacall, Rosalind Russell, and Marilyn Monroe—and some of his most celebrated films include Scarface, Bringing Up Baby, The Big Sleep, Red River, Gentlemen Prefer Blondes, and Rio Bravo. Hawks on Hawks draws on interviews that author Joseph McBride conducted with the director over the course of seven years, giving rare insight into Hawks’s artistic philosophy, his relationships with the stars, and his position in an industry that was rapidly changing. In its new edition, this classic book is both an account of the film legend’s life and work and a guidebook on how to make movies. “There are going to be many biographies of Howard Hawks, but they will all lean heavily on this book; the pioneer so honestly reveals himself and the people with whom he worked.” —Los Angeles Times |
| howard hawks robin wood: Some Merry Adventures of Robin Hood, of Great Renown in Nottinghamshire Howard Pyle, 1913 It is no very easy matter for an author to condense his own work into so small a space as one-half or one-third of its original magnitude. ... I have considered it better to rearrange fragmentary portions of the original story into another form of narrative, ... I have presented only the direct adventures of Robin Hood and of certain important members of his band. I have given a couple of chapters relating to their quarrel with the Sheriff of Nottingham; I have introduced Robin Hood to the Court at London and have brought King Richard of the Lion's Heart into the Forest of Sherwood.--Preface. |
| howard hawks robin wood: Howard Hawks Todd McCarthy, 2007-12-01 The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself. As The Atlantic Monthly noted, “Todd McCarthy. . . . has gone further than anyone else in sorting out the truths and lies of the life, the skills and the insight and the self-deceptions of the work.” “A fluent biography of the great director, a frequently rotten guy but one whose artistic independence and standards of film morality never failed.” —The New York Times Book Review “Hawks’s life, until now rather an enigma, has been put into focus and made one with his art in Todd McCarthy’s wise and funny Howard Hawks.” —The Wall Street Journal “Excellent. . . . A respectful, exhaustive, and appropriately smartass look at Hollywood’s most versatile director.” —Newsweek |
| howard hawks robin wood: The Gangster Film Reader Alain Silver, James Ursini, 2007 In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. Little Caesar (1931), The Public Enemy (1931), and Scarface (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time, Hollywood quintessentially defined the genre. The characters, the situations, and the icons-from fast cars and tommy-guns to fancy fedoras and fancier molls-established the audience expectations associated with the gangster film that remain in force to this day. As with their Film Noir Reader series, using both reprints of seminal articles and new pieces, editors Silver and Ursini have assembled a group of essays that presents an exhaustive overview of this still vital genre. Reprints of work by such well-known film historians as Robin Wood, Andrew Sarris, Carlos Clarens, Paul Schrader, and Stuart Kaminsky explore the evolution of the gangster film through the 1970s and The Godfather. Parts 2 and 3 comprise two dozen newer articles, most of them written expressly for this volume by Ursini and Silver. These case studies and thematic analyses, from White Heat to the remake of Scarface to The Sopranos, complete the anthology. |
| howard hawks robin wood: Hitchcock's Films Robin Wood, 1969 |
| howard hawks robin wood: A Hitchcock Reader Marshall Deutelbaum, Leland Poague, 2009-02-24 'A Hitchcock Reader' grows out of the editors' desire as classroom teachers for a comprehensive anthology that can be used as a critical text in introductory or advanced courses devoted to Alfred Hitchcock's films. |
| howard hawks robin wood: Film Dialogue Jeff Jaeckle, 2013-07-09 Film Dialogue is the first anthology in film studies devoted to the topic of language in cinema, bringing together leading and emerging scholars to discuss the aesthetic, narrative, and ideological dimensions of film speech that have largely gone unappreciated and unheard. Consisting of thirteen essays divided into three sections: genre, auteur theory, and cultural representation, Film Dialogue revisits and reconfigures several of the most established topics in film studies in an effort to persuade readers that spectators are more accurately described as audiences, that the gaze has its equal in eavesdropping, and that images are best understood and appreciated through their interactions with words. Including an introduction that outlines a methodology of film dialogue study and adopting an accessible prose style throughout, Film Dialogue is a welcome addition to ongoing debates about the place, value, and purpose of language in cinema. |
| howard hawks robin wood: Shadows of Doubt Barry Keith Grant, 2011 In 'Shadows of Doubt', Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide diversity of films. |
| howard hawks robin wood: An Auteurist History of Film Charles Silver, 2016 From 2009 to 2014, The Museum of Modern Art presented a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris's seminal book The American Cinema, which elaborated on the auteur theory first developed by the critics of Cahiers du Cinéma in the 1950s, the series presented works from MoMA's expansive film collection, with a particular focus on the role of the director as artistic author. Film curator Charles Silver wrote a blog post to accompany each screening, describing the place of each film in the oeuvre of is director as well as the work's significance in cinema history. Following the end of the series' five-year run, the Museum collected these texts for publication, and is now bringing together Silver's insightful and often humorous readings in a single volume. This publication is an invaluable guide to key directors and movies as well as an excellent introduction to auteur theory. -- from back cover. |
| howard hawks robin wood: The Apu Trilogy Robin Wood, 2016-10-03 Film critic Robin Wood offers a persuasive detailed reading of Satyajit Ray’s The Apu Trilogy, widely regarded as landmarks of world cinema. The Apu Trilogy, written by influential film critic Robin Wood, is republished today for a contemporary audience. Focusing on the famed trilogy from Indian director Satyajit Ray, Wood persuasively demonstrates his ability at detailed textual analysis, providing an impressively sustained reading that elucidates the complex view of life in the trilogy. Wood was one of our most insightful and committed film critics, championing films that explore the human condition. His analysis of The Apu Trilogy reveals and illuminates the films’ profoundly humanistic qualities with clarity and rigor, plumbing the psychological and emotional resonances that arise from Satyajit Ray’s delicate balance of performance, camerawork, and visual design. Wood was the first English-language critic to write substantively about Ray’s films, which made the original publication of his monograph on The Apu Trilogy unprecedented as well as impressive. Of late there has been a renewed interest in North America in the work of Ray, yet no other critic has come close to equaling the scope and depth of Wood's analysis. In his introduction, originally published in 1971, Wood says reactions to Ray’s work were met with indifference. In response, he offers possible reasons why this occurred, including social and cultural differences and the films’ slow pacing, which contemporary critics tended to associate with classical cinema. Wood notes Ray’s admiration for Western film culture, including the Hollywood cinema and European directors, particularly Jean Renoir and his realist films. Assigning a chapter to each Pather Panchali (1955), Aparajito, (1957), and The World of Apu, (1959), Wood goes on to explore each film more thoroughly. One of the aspects of this book that is particularly rewarding is Wood’s analytical approach to the trilogy as a whole, as well as detailed attention given to each of the three films. The book, with a new preface by Richard Lippe and foreword by Barry Keith Grant, functions as a master class on what constitutes an in-depth reading of a work and the use of critical tools that are relevant to such a task. Robin Wood’s The Apu Trilogy offers an excellent account of evaluative criticism that will appeal to film scholars and students alike. |
| howard hawks robin wood: Hollywood from Vietnam to Reagan . . . and Beyond Robin Wood, 2003-07-10 This classic of film criticism, long considered invaluable for its eloquent study of a problematic period in film history, is now substantially updated and revised by the author to include chapters beyond the Reagan era and into the twenty-first century. For the new edition, Robin Wood has written a substantial new preface that explores the interesting double context within which the book can be read-that in which it was written and that in which we find ourselves today. Among the other additions to this new edition are a celebration of modern screwball comedies like My Best Friend's Wedding, and an analysis of '90s American and Canadian teen movies in the vein of American Pie, Can't Hardly Wait, and Rollercoaster. Also included are a chapter on Hollywood today that looks at David Fincher and Jim Jarmusch (among others) and an illuminating essay on Day of the Dead. |
| howard hawks robin wood: CinemaTexas Notes Louis Black, Collins Swords, 2018 |
| howard hawks robin wood: Sexual Politics and Narrative Film Robin Wood, 1998 An examination of the relationship between narrative style and sexual politics. Looking at contemporary films from the USA, Europe and Japan, the book examines the ways in which films relate to sexual politics and the organization within our culture of gender and sexuality. |
| howard hawks robin wood: Horror Film and Psychoanalysis Steven Jay Schneider, 2004-06-28 Psychoanalytic theory has been the subject of attacks from philosophers, cultural critics and scientists who have questioned the cogency of its reasoning as well as the soundness of its premises. Nevertheless, when used to shed light on horror cinema, psychoanalysis in its various forms has proven to be a fruitful and provocative interpretative tool. This volume seeks to find the proper place of psychoanalytic thought in critical discussion of cinema in a series of essays that debate its legitimacy, utility and validity as applied to the horror genre. It distinguishes itself from previous work in this area through the self-consciousness with which psychoanalytic concepts are employed and the theorization that coexists with interpretations of particular horror films and subgenres. |
| howard hawks robin wood: Hollywood Genres: Formulas, Filmmaking, and The Studio System Thomas Schatz, 1981-02 The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century. |
| howard hawks robin wood: Women's Film and Female Experience, 1940-1950 Andrea Walsh, 1986-09-10 Women's Film and Female Experience takes a fresh look at a wide range of popular women's films in order to discover what American female consciousness in the 1940s was really about. The author traces the evolution and development of the Hollywood women's film, and describes the social history of American women in the 1940s. She then analyzes dominant narrative patterns within popular women's films of the decade: the maternal drama, the career woman comedy, and the films of suspicion and distrust. |
| howard hawks robin wood: Theories of Authorship John Caughie, 2013-10-08 The film director or `auteur' has been central in film theory and criticism over the past thirty years. Theories of Authorship documents the major stages in the debate about film authorship, and introduces recent writing on film to suggest important ways in which the debate might be reconsidered. |
| howard hawks robin wood: Transactions with the World Adam O’Brien, 2016-02-01 In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history. |
| howard hawks robin wood: Making Meaning David BORDWELL, David Bordwell, 2009-06-30 David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis. |
| howard hawks robin wood: Movie Mutations: The Changing Face of World Cinephilia Jonathan Rosenbaum, Adrian Martin, 2003-12-02 In contrast to any talk of the death of the cinema, this title pronounces the art form alive and well, and still developing in new and unforeseen directions. Using transnational discussions and debates, it shows why the idea of cinephilia is just as relevant today as it ever was. |
| howard hawks robin wood: The Sibley Guide to Bird Life & Behavior David Allen Sibley, 2009 Provides basic information about the biology, life cycles, and behavior of birds, along with brief profiles of each of the eighty bird families in North America. |
| howard hawks robin wood: Riccardo Freda Roberto Curti, 2017-03-21 In an eclectic career spanning four decades, Italian director Riccardo Freda (1909-1999) produced films of remarkable technical skill and powerful visual style, including the swashbuckler Black Eagle (1946), an adaptation of Les Miserables (1947), the peplum Theodora, Slave Empress (1954) and a number of cult-favorite Gothic and horror films such as I Vampiri (1957), The Horrible Dr. Hichcock (1962) and The Ghost (1963). Freda was first championed in the 1960s by French critics who labeled him the European Raoul Walsh, and enjoyed growing critical esteem over the years. This book covers his life and career for the first time in English, with detailed analyses of his films and exclusive interviews with his collaborators and family. |
| howard hawks robin wood: Representing the Woman Elizabeth Cowie, 1997-01-01 |
| howard hawks robin wood: Fun in a chinese laundry Josef von Sternberg, 1967 |
| howard hawks robin wood: 100 Best Films of the Century Barry Norman, 1998 Barry Norman is Britain's best known film critic. This is his personal choice of the ' best ever' films. This is a new revised edition Barry Norman's personal selection of his best 100 films of the century. As he says in his intro ' There is 1 thing of which I am quite sure: you will not agree with all o it. You will agree with some of it; there are films included which would undoubtedly be on everybody's list but equally there are several, maybe many, which would appeae on any but mine...' Each of his hundred films are reviewed in his inimitable style: Witty, incisive, controversial. Accompanying the reviews are the main film credits, running times, Oscar nominations and awards, and video availability. In addition to his selection, Barry Norman has written a perceptive brief history of the cinema: My purpose being to pick out the most sinificant developments and thereby give some kind of context to my choice of the best 100 films of this century. This new hardback edition has been completely updated and revised with colour photographs, where appropriate , throughout. |
| howard hawks robin wood: The Dark Portal Robin Jarvis, 2025-02-04 A new edition of the classic children's fantasy adventure set in a magical world of mice and rats in the sewers under London In a borough of London called Deptford there lived a community of mice. An old empty house was their home and in it they fashioned a comfortable life for themselves. People never disturbed them with traps, and because all the windows were boarded up, they never even saw a cat. The Deptford Mice live a cosy life in the skirting boards of an abandoned London house, with no humans or cats to disturb them. But something is lurking deep beneath the city. Something that threatens to destroy their cosy existence for good. In the dank sewers under the house lives a mysterious being, worshipped by a horde of bloodthirsty rats who cower in its presence... When a mouse called Albert Brown unwisely ventures down into the sewers one day, he uncovers a terrifying plot to awaken an ancient evil. Soon Albert's family and friends find themselves in a desperate struggle for their lives. Summoning all their courage, they must confront treacherous enemies and foul sorcery in a battle to save London and the world from eternal darkness. The Dark Portal is the first book in the much-loved Deptford Mice trilogy of classic dark fantasy novels, set in a magical world of peaceful mice and bloodthirsty rats. |
| howard hawks robin wood: The Conversations Michael Ondaatje, 2011-04-13 The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through. It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje met the master film and sound editor Walter Murch, and the two began a remarkable personal conversation about the making of films and books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book—a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history. The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries—including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella—from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux. Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient. “Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried.” |
| howard hawks robin wood: Signs and Meaning in the Cinema Peter Wollen, 1972 Without doubt, it is the best study of cinema published in English for years. --Cinema ... a major achievement... drawing on the results of aesthetic inquiry--from Shaftesbury and Lessing to Jakobson and the formalists--in order to relate the cinema to wider areas of linguistic theory and theory of art. --Times Literary Supplement |
| howard hawks robin wood: V. F. Perkins on Movies Douglas Pye, 2020-09 Victor Perkins (1936-2016) was a foundational figure for the study of film both as a writer and as an educationalist and teacher who played a key role in establishing film within British higher education. Best known for his 1972 book Film as Film, Perkins has a worldwide reputation within film studies that has been enhanced in recent years by the interest among emerging scholars in the practices of detailed film criticism. His extensive writing in journals and edited collections, spanning sixty years, is less well known, despite its importance and quality, partly because much of it was published in small magazines with limited distribution. V. F. Perkins on Movies: Collected Shorter Film Criticism, edited by Douglas Pye, makes it possible to see his writing as a coherent body of work, developed over a long career, and to appreciate its great historical and cultural significance. Part 1 of the book covers Perkins's early articles from 1960 to 1972, showing the emergence of ways of thinking about criticism and movies that remained constant throughout his career. Perkins was one of a small group of British writers who pioneered the serious and systematic discussion of Hollywood cinema. Beginning at the University of Oxford in the pages of Oxford Opinion, and then in Movie, the journal they established in 1962, these writers mounted a sustained critique of established writing on film, arguing for a criticism rooted in the detailed decisions that make up the complex texture of a film. The work Perkins published in the 1980s and beyond, which makes up part 2 of this volume, was resolute in upholding his critical values. It elaborated his approach in studies of individual movies and their makers and also reflected on major critical and conceptual issues, while maintaining his lifelong commitment to writing accessibly in ordinary language. V. F. Perkins on Movies gives unimpeded access to one of the most distinctive and distinguished of critical voices and will be widely welcomed by academics, students of film, and informed film enthusiasts. |
| howard hawks robin wood: The Making of Scarface David Taylor, 2006-01 Brian de Palma's 1983 crime saga Scarface was simultaneously greeted with derision and applause by critics. Some saw the almost three-hour story of Al Pacino's modern-day Al Capone as over-long and over- violent, while others greeted it as a stylishly modern take on the traditional gangster movie. |
| howard hawks robin wood: Essential Cinema Jonathan Rosenbaum, 2004-04-27 A cogent and provocative argument about the art of film, Essential Cinema is a fiercely independent reference book of must-see movies for film lovers everywhere. |
| howard hawks robin wood: Film Genre Reader IV Barry Keith Grant, 2012-12-01 From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood. |
| howard hawks robin wood: Howard Hawks Leland A. Poague, 1982 |
Howard University Home | Excellence in Truth and Service
5 days ago · Founded in 1867, Howard University is a private, historically Black research institution. Howard University prepares diverse, talented and ambitious students to learn, lead …
Howard University - Wikipedia
Howard University is a private, historically black, federally chartered research university in Washington, D.C., United States. It is classified among "R1: Doctoral Universities – Very high …
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Founded in 1867, Howard University is a private research university comprised of 14 schools and colleges. Students pursue studies in more than 120 areas leading to undergraduate, graduate …
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May 30, 2025 · Howard University's Research Institutes and Centers pioneer innovation and drive impact by tackling society’s most pressing challenges, transforming inquiry into action and …
Homepage | Howard University Provost's Office
Howard University is uniquely positioned to provide thought leadership, and interdisciplinary academic engagement in the ongoing development and implementation of artificial intelligence …
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Enterprise Technology Services is dedicated to help, develop, implement, and support technologies to enrich the experience of the Howard community. A portal that contains links to …
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Howard University | History, Notable Alumni, & Facts | Britannica
May 12, 2025 · Howard University, historically Black university founded in 1867 in Washington, D.C., and named for General Oliver Otis Howard, head of the post-Civil War Freedmen’s …
History | Howard University College of Medicine
· Gen. Howard had a significant career after his role in the founding of Howard University. In 1872, while serving as the third President of the University, he was dispatched by President Ulysses …
Howard University Home | Excellence in Truth and Service
5 days ago · Founded in 1867, Howard University is a private, historically Black research institution. Howard University prepares diverse, talented and ambitious students to learn, lead …
Howard University - Wikipedia
Howard University is a private, historically black, federally chartered research university in Washington, D.C., United States. It is classified among "R1: Doctoral Universities – Very high …
Undergraduate & Graduate Admissions – Howard University
Founded in 1867, Howard University is a private research university comprised of 14 schools and colleges. Students pursue studies in more than 120 areas leading to undergraduate, graduate …
Office of Research Homepage | Howard University Office of …
May 30, 2025 · Howard University's Research Institutes and Centers pioneer innovation and drive impact by tackling society’s most pressing challenges, transforming inquiry into action and …
Homepage | Howard University Provost's Office
Howard University is uniquely positioned to provide thought leadership, and interdisciplinary academic engagement in the ongoing development and implementation of artificial intelligence …
Home | Howard University Enterprise Technology Services
Enterprise Technology Services is dedicated to help, develop, implement, and support technologies to enrich the experience of the Howard community. A portal that contains links to …
Academics - Howard University
Learn about undergraduate, graduate, doctoral and professional programs at Howard University.
The Dig at Howard University
5 days ago · The Dig is Howard University’s hub for campus news and stories. This is where Bison can get down with the happenings of Howard, no matter where you are.
Howard University | History, Notable Alumni, & Facts | Britannica
May 12, 2025 · Howard University, historically Black university founded in 1867 in Washington, D.C., and named for General Oliver Otis Howard, head of the post-Civil War Freedmen’s …
History | Howard University College of Medicine
· Gen. Howard had a significant career after his role in the founding of Howard University. In 1872, while serving as the third President of the University, he was dispatched by President Ulysses …
