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| images a la sauvette: The World of Henri Cartier Bresson Henri Cartier-Bresson, 1968 |
| images a la sauvette: Tete a Tete Henri Cartier-Bresson, 2000 A selection of Cartier-Bresson's most memorable portraits, published to accompany the 1998 National Portrait Gallery exhibition. The photographer himself supervised the design of the book and the juxtaposition of the images. Sir Ernst Gombrich provides an introduction to the collection. |
| images a la sauvette: Henri Cartier-Bresson , 2020-08-11 This book offers an outstanding retrospective collection of the master of 20th-century photography, Henri Cartier-Bresson. Reproduced in exquisite black and white, the images in this book range from Henri Cartier-Bresson's earliest work in France, Spain, and Mexico through his postwar travels in Asia, the US, and Russia, and even include landscapes from the 1970s, when he retired his camera to pursue drawing. While his instinct for capturing what he called the decisive moment was unparalleled, as a photojournalist Cartier-Bresson was uniquely concerned with the human impact of historic events. In his photographs of the liberation of France from the Nazis, the death of Ghandi, and the creation of the People's Republic of China in 1949, Cartier-Bresson focused on the reactions of the crowds rather than the subjects of the events. And while his portraits of Sartre, Giacometti, Faulkner, Capote, and other artists are iconic, he gave equal attention to those forgotten by history: a dead resistance fighter lying on the bank of the Rhine, children playing alongside the Berlin Wall, and a eunuch in Peking's Imperial Court. Divided into six thematic sections, the book presents the photographs in spare double-page spreads. In a handwritten note included at the end of the book, Cartier-Bresson writes, In order to give meaning to the world, one must feel involved in what one singles out through the viewfinder. His work shows how he has been able to capture the decisive moment with such extreme humility and profound humanity. |
| images a la sauvette: Images a la Sauvette Henri Cartier-Bresson, 1952 |
| images a la sauvette: Emmet Gowin Emmet Gowin, 2009 in 1964, I entered into a family freshly different from my own. I admired their simplicity and generosity, and thought of the pictures I made as agreements. I wanted to pay attention to the body and personality that had agreed out of love to reveal itself. Following his marriage to Edith Morris in 1964, Emmet Gowin began taking memorable portraits of his wife and extended family in Virginia. Emmet Gowin Photographs presents a collection of 68 of these images, accompanied by a short personal text by the photographer. Inspired by the work of Walker Evans, Robert Frank, Harry Callahan and Frederick Sommer, Gowin approaches his subjects with a reverence for the relationship between photographer and sitter. Although his photographs often resemble home snapshots, he aspires to take pictures that succeed as more than just family records, in some cases allowing the camera lens to dictate the circular shape of the image. Emmet Gowin Photographs was first published in 1976 by Alfred A. Knopf, New York. For the production of the 2009 edition the photographs were scanned at Steidls digital darkroom from vintage prints. Without changing the size of the images, the book format was slightly increased. |
| images a la sauvette: Augenblick Dr Koral Ward, 2012-10-01 Augenblick, meaning literally 'In the blink of an eye', describes a 'decisive moment' in time that is both fleeting yet momentously eventful, even epoch-makingly significant. In this book Koral Ward investigates the development of the concept into one of the core ideas in Western existential philosophy alongside such concepts as anxiety and individual freedom. Ward examines the whole extent of the idea of the 'decisive moment', in which an individual's entire life-project is open to a radical reorientation. From its inception in Kierkegaard's works to the writings of Jaspers and Heidegger, she draws on a vast array of sources beyond just the standard figures of 19th and 20th century Continental philosophy, finding ideas and examples in photography, cinema, music, art, and the modern novel. |
| images a la sauvette: Henri Cartier-Bresson in China Michel Frizot, 2020-01-07 The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson—one of the great photographers of the twentieth century. In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China’s history: he photographed Beijing in “the last days of the Kuomintang,” and then headed back to Shanghai, where he bore witness to the new regime’s takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The “picture stories” he sent to Magnum and Life on a regular basis played a key role in Westerners’ understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson’s oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. Henri Cartier-Bresson: China 1948-1949, 1958 allows these photographs to be reexamined along with all of the documents that were preserved: the photographer’s captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. A welcome addition to any photography lover’s bookshelf, this is an exciting new volume on one of the twentieth century’s most important photographers. |
| images a la sauvette: Photography and Cinema David Campany, 2008-11-15 This account of photography and cinema shows how the two media are not separate but in fact have influenced each other since their inception. David Campany explores photographers on screen, photographic and filmic stillness, photographs in film, the influence of photography on cinema, and the photographer as a filmmaker--OCLC |
| images a la sauvette: Henri Cartier-Bresson Scrapbook Henri Cartier-Bresson, Agnès Sire, Michel Frizot, 2007 In 1946 Cartier-Bresson travelled to New York with about 300 prints in his suitcase, bought a scrapbook , glued each one in and brought that album to MoMAs curators. Here, published for the first time in its entirety, is a facsimile of that famous scrapbook. |
| images a la sauvette: Perspective of Nudes Bill Brandt, 1961 |
| images a la sauvette: City Gorged with Dreams Ian Walker, 2002 The author analyses how the Surrealists utilised the tactics of documentary and how Surrealist ideas in turn influenced the development of documentary photography. This is a study of what Louis Aragon called 'surrealist realism': the exploration of the real-life surreality of the city. |
| images a la sauvette: Henri Cartier-Bresson, Interviews and Conversations, 1951-1998 Henri Cartier-Bresson, 2017 Presented for the first time in English, this volume brings together twelve notable interviews and conversations with Henri Cartier-Bresson carried out between 1951 and 1998. While many of us are acquainted with his images, there are so few texts available by Cartier-Bresson on his photographic process. These verbal, primary accounts capture the spirit of the master photographer and serve as a lasting document of his life and work, which has inspired generations of photographers and artists. Here, Cartier-Bresson speaks passionately, with metaphors and similes, about the world and photography. A man of principles shaped by the evolving eras of the twentieth century, his major influences included Surrealism, European politics of the 1930s and '40s, the Second World War, and his experiences with Magnum as cofounder and reporter. This book illuminates his thoughts, personality, and reflections on a seminal career. In his own words: [Photography] is a way of questioning the world and questioning yourself at the same time. . . . It entails a discipline. For me, freedom is a basic frame of reference, and inside that frame are all the possible variations. Everything, everything, everything. But it is within a frame. The important thing is the sense of limit. And visually, it is the sense of form. Form is important. The structure of things. The space. |
| images a la sauvette: The Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams Alessandra Sanguinetti, 2021-02-03 Pendant plus de deux décennies, Alessandra Sanguinetti a photographié la vie de Guillermina et Belinda, deux cousines vivant dans la campagne argentine, alors qu'elles traversaient l'enfance et la jeunesse vers la féminité. Ce volume, initialement publié en 2010 et réédité aujourd'hui comme le premier volet d'une trilogie, raconte les cinq premières années de leur collaboration. Les images de Sanguinetti dépeignent une enfance à la fois familière et exceptionnelle. Les terres agricoles de l'ouest de la province de Buenos Aires sont un mélange particulier de moderne et de traditionnel, où la vie est vécue en harmonie avec les animaux et les paysages accidentés. Dans ce contexte, Guille et Belinda traversent les rites d'enfance de se déguiser et de faire croire, d'explorer et de s'approprier le monde qui les entoure au fur et à mesure. Alors qu'elles glissent entre les rôles, se produisent alternativement pour et sont capturées par la caméra de Sanguinetti, le lien profond entre les deux filles est indéniable. A l'approche du précipice du début de l'adolescence, leurs jeux sont empreints du poids poignant de leurs rêves et de leurs désirs alors que le monde du jeu rencontre celui de la réalité. En dépeignant la vie des femmes et des filles dans le monde traditionnellement masculin des gauchos et agriculteurs argentins, le livre de Sanguinetti interroge les cadres de mythologies de toutes sortes, honorant des vies généralement invisibles. Les Aventures de Guille et Belinda est un portrait de l'enfance rurale à la fois calme et poétique, dans laquelle le fantastique et le banal sont intimement liés. |
| images a la sauvette: Henri Cartier-Bresson Henri Cartier-Bresson, Michael Brenson, 1989 A visual analysis of the life and work of the Magnum photography agency co-founder best known for his ability to capture fleeting scenes with a camera includes key examples of his work in Europe, America, and pre-revolutionary China. Original. |
| images a la sauvette: William Eggleston, Democratic Camera Elisabeth Sussman, 2009 |
| images a la sauvette: The Life of a Photograph Sam Abell, 2008 The renowned National Geographic photographer and educator presents a host of his acclaimed photographs, organized by theme, accompanied by personal anecdotes, explanations, and behind-the-scenes stories of each picture. |
| images a la sauvette: Minutes to Midnight Trent Parke, 2013 In 2003, Trent Parke began a road trip around his native Australia, a monumental journey that was to last two years and cover a distance of over 90.000 km. Minutes to Midnight is the ambitious photographic record of that adventure, in which Parke presents a proud but uneasy nation struggling to craft its identity from different cultures and traditions. Minutes to Midnight merges traditional documentary techniques and imagination to create a dark visual narrative portraying Australia with a mix of nostalgia, romanticism and brooding realism. This is not a record of the physical landscape but of an emotional one. It is a story of human anxiety and intensity which, although told from Australia, represents a universal human condition in the world today. |
| images a la sauvette: Magnum Manifesto Magnum Photos, 2017-07-25 The official publication celebrating Magnum Photos’ 70th anniversary with a fresh and insightful view of Magnum’s history and archive, accompanying a landmark exhibition showing in New York at the International Center of Photography in 2017 before touring worldwide In this landmark photography publication and accompanying exhibition celebrating the 70th anniversary of the renowned photo agency, Clément Chéroux and Clara Bouveresse demonstrate how Magnum Photos owes its preeminence to the ability of its photographers to encompass and navigate the points between photography as art object and photography as documentary evidence. Magnum Manifesto is organized into three parts: Part 1, Human Rights and Wrongs (1947-1968), views the Magnum archive through a humanist lens, focusing on postwar ideals of commonality and utopianism. Part 2, An Inventory of Differences (1969-1989), shows a world fragmenting, with a focus on subcultures, minorities, and outsiders. Part 3, Stories About Endings (1990-present day), charts the ways in which Magnum photographers have captured—and continue to capture—a world in flux and under threat. Featuring both group and individual projects, this volume includes magazine spreads, newspaper features, and letters, putting some of the world’s most recognizable images in creative context. Magnum Manifesto is an expertly curated, essential collection of images and commentary. |
| images a la sauvette: Skinhead Nick Knight, 1982 This title presents a handbook of the potent skinhead cult. It traces the development of the skinhead movement in England, describes the characteristics and behaviour of these gangs, and explains their attitudes towards school, the police, and the government. |
| images a la sauvette: Henri Cartier-Bresson Henri Cartier-Bresson, 1995 'We are passive onlookers in a world that moves perpetually', wrote Henri Cartier-Bresson. From his earliest days as a photographer, Cartier-Bresson roamed the world in his quest to record the people, places and scenery that fascinated him most. Spanning a distinguished career of over sixty years, his photographs are testimony to his extraordinary skill at capturing the spontaneity, the mystery, the humour and the universality of the events that passed before him - images that earned him the reputation as perhaps the greatest photographer of all time. This book brings together for the first time a collection of photographs taken on two separate visits to Mexico - the first in 1934, just as the young twenty-seven-year-old was embarking on his photographic career, and the second some thirty years later. The dramatic images, preceded by a thought-provoking commentary from Carlos Fuentes, record with brutal accuracy the panorama of everyday life - an execution wall; crowded markets; stark, dusty landscapes; children playing in alleys - a unique record of a country and its people that includes some of the most famous and powerful photographic images of the twentieth century. |
| images a la sauvette: Earthlings Richard Kalvar, 2007 Richard Kalvar, a member of the elite club of Magnum photographers, has an exceptional eye and a talent for catching moments when societal behavior becomes humorous or shifts into the absurd. His compelling duotone photographs document the human condition. Kalvar seeks to emphasize the unusual, and his penetrating lens reveals a unique brand of humanity. He explores everyday life but with an altogether fresh perspective, at times funnier or darker. This collector's monograph was produced in conjunction with the artist from photographic evidence compiled on his travels from Rome to Paris, New York to Varsovie, and San Francisco to Tokyo.This is the first monograph published on Kalvar, one of the world's most important post war photographers. |
| images a la sauvette: Henri Cartier-Bresson Henri Cartier-Bresson, Peter Galassi, 2010 Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson, including thousands of prints and a vast resource of documents relating to the photographer's life and work. |
| images a la sauvette: Hiroshi Sugimoto , 2015 Water and air. These primordial substances, which make possible all life on earth, are the subject of Hiroshi Sugimoto's 'Seascapes' series. For over thirty years, Sugimoto has traveled the world photographing its seas, producing a body of work that is an extended meditation on the passage of time and the natural history of the earth. Sugimoto has called photography the fossilization of time, and the Seascapes photographs simultaneously capture a discrete moment in time but also evoke a feeling of timelessness. This volume, the second in a series of books on Sugimoto's art, presents the complete series of over 200 Seascapes, some of which have never before been reproduced. All are identical in format, with the horizon line precisely bifurcating each image, though at times the sea and sky almost merge into one seamless unit. Each photograph captures a moment when the sea is placid, almost flat. Within this strict format, however, he has created a limitless array of portraits of his subjects. An essay by Munesuke Mita, Professor of Sociology at the University of Tokyo, examines contemporary art through a sociological lens, comparing the recent history of art with mathematical predictions of population growth. He connects Sugimoto's body of work to this unique analysis of the art world. |
| images a la sauvette: Darkroom 2 Jain Kelly, 1978 |
| images a la sauvette: The Eyes of the City Richard Sandler, 2016-11-15 Timing, skill, and talent all play an important role increating a great photograph, but the most primaryelement, the photographer's eye, is perhaps the mostcrucial. In The Eyes of the City, Richard Sandlershowcases decades' worth of work, proving his eye forstreet life rivals any of his generation. From 1977 to just weeks before September 11, 2001,Richard regularly walked through the streets of Bostonand New York, making incisive and humorous picturesthat read the pulse of that time.After serendipitously being gifted a Leica camera in1977, Sandler shot in Boston for three productive years and then moved back home to photograph in an edgy,dangerous, colicky New York City. In the 1980s crime and crack were on the rise and theireffects were socially devastating. Times Square, Harlem,and the East Village were seeded with hard drugs, whilein Midtown Manhattan, and on Wall Street, the richflaunted their furs in unprecedented numbers, and greedwas good. In the 1990s the city underwent drastic changes to lurein tourists and corporations, the result of which was rapidgentrification. Rents were raised and neighborhoods weresanitized, clearing them of both crime and character.Throughout these turbulent and creative years Sandlerpaced the streets with his native New Yorker's eye forcompassion, irony, and unvarnished fact. The results are presented in The Eyes of the City,many for the first time in print. Overtly, they capture acomplex time when beauty mixed with decay, yet belowthe picture surface, they hint at unrecognized ghosts inthe American psyche. |
| images a la sauvette: From Here to There Geoff Dyer, Walker Art Center (Minneapolis, Minn.), 2010 |
| images a la sauvette: All Zones Off Peak Tom Wood, 1998 Wood has spent over fifteen years and shot over 3,000 rolls of film photographing Liverpool and its people from a bus. Visually stunning and dramatically revealing it si a body of work of immense power. Tom Wood's first book Looking for Love established his reputation as one of the most original photographers working in the UK. |
| images a la sauvette: Alternative Moons , 2017 The moon has been a source of inspiration and imagination throughout human history. Laden with mythological and superstitious narratives, it has also been a source of speculative science fiction and surprisingly real facts. The first collaborative artists' book by Nadine Schlieper and Robert Pufleb offers a fantastical journey through a fictitious conceptualisation of the moon. With more than 40 photographic images of moons and cosmic landscapes, it presents an equal number of new discoveries and revelations. Join the space trip and discover formerly unseen images of mysterious moons from an unknown galaxy, as the dawn of reality is catching up behind the scenes. |
| images a la sauvette: Diary of a Century Jacques-Henri Lartigue, 1978 |
| images a la sauvette: Making Strange Kim Sichel, 2020-03-17 A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange reasserts the role of French photobooks in the history of modern art. |
| images a la sauvette: Public Images Ryan Linkof, 2020-08-12 The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies. |
| images a la sauvette: Getting the Picture Jason E. Hill, Vanessa R. Schwartz, 2020-09-08 Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture. |
| images a la sauvette: Photo-texts Andy Stafford, 2010-01-01 What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality. |
| images a la sauvette: The Age of the Image Stephen Apkon, 2013-04-16 This book describes the history of storytelling, including how each form, from scrolls to printing presses to film and social media, works on the human brain, and discusses the rules of effective visual storytelling. |
| images a la sauvette: Photography, Reconstruction and the Cultural History of the Postwar European City Tom Allbeson, 2020-11-16 Examining imagery of urban space in Britain, France and West Germany up to the early 1960s, this book reveals how photography shaped individual architectural projects and national rebuilding efforts alike. Exploring the impact of urban photography at a pivotal moment in contemporary European architecture and culture, this book addresses case studies spanning the destruction of the war to the modernizing reconfiguration of city spaces, including ruin photobooks about bombed cities, architectural photography of housing projects and imagery of urban life from popular photomagazines, as well as internationally renowned projects like UNESCO’s Paris Headquarters, Coventry Cathedral and Berlin’s Gedächtniskirche. This book reveals that the ways of seeing shaped in the postwar years by urban photography were a vital aspect of not only discourses on the postwar city but also debates central to popular culture, from commemoration and modernization to democratization and Europeanization. This book will be a fascinating read for researchers in the fields of photography and visual studies, architectural and urban history, and cultural memory and contemporary European history. |
| images a la sauvette: Representing the Past in the Art of the Long Nineteenth Century Matthew C. Potter, 2021-09-30 This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture. |
| images a la sauvette: From a Nation Torn Hannah Feldman, 2014-02-03 From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous decades of decolonizationand their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity. |
| images a la sauvette: Photography after Postmodernism David Bate, 2022-08-19 In life after postmodernism our conception of photography is not the same as before. Photography After Postmodernism starts with this conception and explores what changes have affected photography, its relation to social life and our image-centred culture. Engaging with the visual environment and issues that have emerged in the postmodern world, David Bate introduces fresh approaches and analysis of photographs and their place within the aftermath of postmodernist thought. The book shows how photographs circulate in an 'image-world' beyond their art or media origins that deeply affects our sense of time and relation to memory. The role of archives, dreams, memories and time are deployed to develop and resituate arguments about photography made by Roland Barthes in Camera Lucida to further engage and understand our contemporary condition. By considering how ‘afterwardness’ is invoked in the developments of modern and contemporary photography, Bate demonstrates the complex ways in which photographic images resonate across public and private spaces, while carrying a slippage of meaning that is never quite fixed, yet always contingent and social. The approach shows how modernist photography was already invested in values that its discourse could not enunciate, which resonates with much contemporary photography today. Featuring a range of historical and contemporary images, the book offers detailed and innovative readings of specific photographs which open new avenues of thought for those studying and researching visual culture and photography. |
| images a la sauvette: The Invention of the Visible Patrick Vauday, 2017-08-17 Working at the margins of aesthetics and politics, Patrick Vauday challenges the dominant assumptions of our mediatized society and its disposition towards images. This challenge does not advocate eliminating images altogether, but rather entreats us to see them in a different light. |
| images a la sauvette: Ordinary Matters Lorraine Sim, 2016-10-20 Shortlisted for the 2017 AUHE Prize for Literary Scholarship Ordinary Matters is the first major interdisciplinary study of the ordinary in modernist women's literature and photography. It examines how women photographers and writers including Helen Levitt, Lee Miller, Virginia Woolf and Dorothy Richardson envision the sphere of ordinary life in light of the social and cultural transformations of the period that shaped and often radically re-shaped it: for example, urbanism, instrumentalism, the Great Depression and war. Through a series of case studies that explore such topics as the street, domestic things, gesture and the face, Sim contends that the paradigmatic shifts that define early twentieth-century modernity not only inform modernist women's aesthetics of the everyday, but their artistic and ethical investments in that sphere. The everyday has been noted as a “keynote of the New Modernist Studies” (Todd Avery). Ordinary Matters comprises a vital contribution to recent scholarship on the topic and will be of value to scholars working in British and American modernism, multimedia modernisms, photography, twentieth-century literature, and critical and cultural histories of the everyday. |
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Search for images on Google
On your computer, go to Google.com.; Search for an image. Click an image. At the bottom, scroll to find the search results related to the image.
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