Advertisement
| il castoro: A History of Italian Cinema Peter Bondanella, Federico Pacchioni, 2017-10-19 A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film. |
| il castoro: The Italian Cinema Book Peter Bondanella, 2019-07-25 THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form. |
| il castoro: Pasolini’s Lasting Impressions Ryan Calabretta-Sajder, 2018-01-03 This collection examines the multifaceted opus of Pier Paolo Pasolini through a contemporary critical lens. It offers new interpretations to some classic works such as Salò or the 120 Days of Sodom and Decameron while considering some lesser studied pieces, for example Orestiade and his Friulian verse. |
| il castoro: Italian Neorealism Charles L. Leavitt IV, 2020-05-26 Neorealism emerged as a cultural exchange and a field of discourse that served to shift the confines of creativity and revise the terms of artistic expression not only in Italy but worldwide. If neorealism was thus a global phenomenon, it is because of its revolutionary portrayal of a transformative moment in the local, regional, and national histories of Italy. At once guiding and guided by that transformative moment, neorealist texts took up, reflected, and performed the contentious conditions of their creation, not just at the level of narrative content but also in their form, language, and structure. Italian Neorealism: A Cultural History demonstrates how they did so through a series of representative case studies. Recounting the history of a generation of artists, this study offers fundamental insights into one of the most innovative and influential cultural moments of the twentieth century. |
| il castoro: Global Movie Magazine Networks Eric Hoyt, Kelley Conway, 2025-01-07 A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This groundbreaking collection of essays from leading film historians features original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity, heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the collaborative work of building digital resources, facilitating the digitization of more than a dozen of these historic magazines on an open-access basis. |
| il castoro: A Companion to Italian Cinema Frank Burke, 2017-04-13 Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike |
| il castoro: Tonino Valerii Roberto Curti, 2016-08-22 Tonino Valerii is one of Italy's best genre film directors. Starting out as Sergio Leone's assistant on For a Few Dollars More (1965), he went on to direct spaghetti westerns that stand out among the most accomplished in their class--Day of Anger (1967), The Price of Power (1969), A Reason to Live, a Reason to Die! (1972) and My Name Is Nobody (1973). He also directed the outstanding giallo My Dear Killer (1972). This book examines Valerii's life and career in depth for the first time, with exclusive interviews with the filmmaker, scriptwriters and actors, and critical analysis of his films. |
| il castoro: La Tela Strappata Alessio Scarlato, 2016-10-19 «Fare una descrizione precisa di ciò che non ha mai avuto luogo è il compito dello storico». La sentenza di Oscar Wilde guida questa ricostruzione del rimosso del cinema del Novecento, la storia dei grandi film non fatti, dal Don Chisciotte di Welles al Viaggio di G. Mastorna di Fellini, dal Cristo di Dreyer al Napoleone di Kubrick, dal Que viva Mexico! e Il prato di Bežin di Ejzenštejn al The Day the Clown Cried di Lewis. E ancora, Godard, Pasolini, Munk, Vertov, Lanzmann: la storia di grandi progetti incompiuti, di riprese che si sono protratte per decenni e poi sono state dimenticate in qualche magazzino, immagini rimaste sulla carta oppure riutilizzate, ma al di fuori della loro destinazione originaria. Attraverso questo racconto, emerge il profilo di quello che il Novecento non ha saputo vedere e raccontare, il retro della Storia, nonché il profilo di una storia delle immagini del cinema che disloca la centralità della sala cinematografica per far emergere i meccanismi di negoziazione e i doveri d’autore che preludono alla visibilità o alla scomparsa di tali immagini perdute. |
| il castoro: The Cinema of Italy Giorgio Bertellini, 2004 Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture. |
| il castoro: Masters of Two Arts Carlo Testa, 2002-01-01 Carlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship. |
| il castoro: Shakespeare on screen : Macbeth Sarah HATCHUEL, Nathalie VIENNE-GUERRIN, Victoria BLADEN, 2013-12-20 This addition to the Shakespeare on Screen series reveals the remarkable presence of Macbeth in the global Shakespearean screenscape. What is it about Macbeth that is capable of extending beyond Scottish contexts and speaking globally, locally and “glocally”? Does the extensive adaptive reframing ofMacbeth suggest the paradoxical irrelevance of the original play? After examining the evident topic of the supernatural elements—the witches and the ghost—in the films, the essays move from a revisitation of the well-known American screen versions, to an analysis of more recent Anglophone productions and to world cinema (Asia, France, South Africa, India, Japan, etc.). Questions of lineage and progeny are broached, then extended into the wider issues of gender. Finally, ballet remediations, filmic appropriations, citations and mises-en-abyme of Macbeth are examined, and the book ends with an analysis of a Macbeth script that never reached the screen. Ce nouvel ouvrage de la série « Shakespeare à l’écran » révèle la présence remarquable de Macbeth dans le paysage filmique shakespearien à l’échelle mondiale. Comment expliquer qu’une pièce dont l’intrigue est ancrée dans une nation, l’Écosse, ait pu être absorbée par des cultures aussi diverses ? Les multiples adaptations de Macbeth suggèrent-elles, de manière paradoxale, une moindre pertinence de la pièce originelle ? Après avoir exploré la représentation des éléments surnaturels (les sorcières et le fantôme), le volume revisite les films américains « canoniques », les productions anglophones plus récentes et les versions d’autres aires culturelles (Asie, France, Afrique du Sud, Inde, Japon, etc.) Les questions de lignée et de descendance sont abordées, puis prolongées dans des articles sur la représentation du genre. Les versions dansées, les appropriations, les citations et les mises en abyme de Macbeth sont ensuite analysées, et ce parcours mène à un étrange objet – un scénario non filmé. |
| il castoro: Projecting the Past Maria Wyke, 2013-12-02 Brought vividly to life on screen, the myth of ancient Rome resonates through modern popular culture. Projecting the Past examines how the cinematic traditions of Hollywood and Italy have resurrected ancient Rome to address the concerns of the present. The book engages contemporary debates about the nature of the classical tradition, definitions of history, and the place of the past in historical film. |
| il castoro: Elio Petri Roberto Curti, 2021-07-14 Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects. |
| il castoro: Storia di un incontro Felice Di Benga, 2021-06-25T00:00:00+02:00 Il volume tratta il cinema di tutti i giorni, quello che ognuno segue con facilità e che nasce dal western, struttura filmica che inventa le soluzioni per il “cinema universale”. Infatti il western si propaga ovunque con le sue strutture: il duello, l’eroe, il gregario, il rapporto nel gruppo, il finale risolutivo e quello più impegnato. Parallelamente il “cinema europeo dell’eccezione”, quello autoriale, affascinante ma rivolto a pochi, si sviluppa per percorsi autonomi e non codificati. Quando il “cinema universale” ha trasformato i generi, contaminandoli e cambiandoli sino a farli scoppiare, è divenuto anch’esso parte dell’autorialità, permettendo che i due mondi si avvicinassero fino a mescolarsi. Ognuno ha dato all’altro, arricchendosi a vicenda. Questo libro è la storia di questo incontro: un percorso difficile e ricco di preziose innovazioni. |
| il castoro: Italian Crime Filmography, 1968-1980 Roberto Curti, 2013-09-28 In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters. |
| il castoro: Italian Post-Neorealist Cinema Luca Barattoni, 2013-12-16 This book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representati |
| il castoro: Historical Dictionary of Italian Cinema Gino Moliterno, 2008-09-29 The Historical Dictionary of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology. |
| il castoro: La Liberazione della Donna Anna Maria Mozzoni, 2014-10-25 Dedicato alla madre e rivolto alle giovani donne, nella speranza che il Risorgimento politico fosse anche un risorgimento femminile, è lo scritto La donna e i suoi rapporti sociali, pubblicato nel 1864. Convinta repubblicana, non esita a rimproverare a Mazzini e ai suoi seguaci l'idea conservatrice che il posto della donna stia soltanto nella famiglia: «non dite più che la donna è fatta per la famiglia, che nella famiglia è il suo regno e il suo impero! Le son queste vacue declamazioni come mille altre di simil genere! Ella esiste nella famiglia, nella città, in faccia ai pesi e ai doveri; di questi all'infuori, ella non esiste in nessun luogo». Il presente eBook ricalca e rinforza i temi già sviluppati in La Donna e i suoi Rapporti Sociali. |
| il castoro: Edgar Allan Poe across Disciplines, Genres and Languages Alfonso Amendola, Linda Barone, 2018-01-23 This collection of essays, which rediscovers Edgar Allan Poe’s not forgotten lore, comprises a two-headed scholarly body, drawing from communication and linguistics and literature, although it also includes many other academic offshoots which explore Poe’s labyrinthine and variegated imagination. The papers are classified according to two main domains, namely: (I) Edgar Allan Poe in Language, Literature and Translation Studies, and (II) Edgar Allan Poe in Communication and the Arts. In short, this book combines rigour and modernity and pays homage, with a fresh outlook, to Poe’s extra-ordinary originality and brilliant weirdness which prompted renowned authors like James Russell Lowell and Howard P. Lovecraft to claim, respectively, that “Mr. Poe has that indescribable something which men have agreed to call genius” and that “Poe’s tales possess an almost absolute perfection of artistic form which makes them veritable beacon lights in the province of the short story. Poe’s weird tales are alive in a manner that few others can ever hope to be.” |
| il castoro: The Rise and Fall of the Italian Film Industry Marina Nicoli, 2016-12-08 Italian cinema triumphed globally in the 1960, with directors such as Rossellini, Fellini, and Leone, and actors like Sophia Loren and Marcello Mastroianni known to audiences around the world. But by the end of the 1980s, the Italian film industry was all but dead. The Rise and Fall of the Italian Film Industry traces the rise of the industry from its origins in the 19th century to its worldwide success in the 1960s, and its rapid decline in the subsequent decades. It does so by looking at cinema as an institution – subject to the interplay between the spheres of art, business, and politics at the national and international level. By examining the roles of a wide range of stakeholders (including film directors, producers, exhibitors, the public, and the critics) as well as the system of funding and the influence of governments, author Marina Nicoli demonstrates that the Italian film industry succeeded when all three spheres were aligned, but suffered and ultimately failed when they each pursued contradictory objectives. This in-depth case study makes an important contribution to the long-standing debate about promoting and protecting domestic cultures, particularly in the face of culturally dominant and politically- and economically-powerful creative industries from the United States. The Rise and Fall of the Italian Film Industry will be of particular interest to business and economic historians, cinema historians, media specialists, and cultural economists. |
| il castoro: The A to Z of Italian Cinema Gino Moliterno, 2009-10-12 The A to Z of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology. |
| il castoro: Encyclopedia of Italian Literary Studies: A-J Gaetana Marrone, 2007 Publisher description |
| il castoro: Italian Cinema and Modern European Literatures Carlo Testa, 2002-03-30 The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced. The means of recreating literature for the screen has changed drastically over the last half-century, as has the impact of different national traditions on Italian cinema. Testa's work is the first to explicitly and deliberately link postwar Italian cinema to general intellectual concerns such as the relationship between literary authors and cinematic auteurs. Moreover, his analysis of the impact of French, German, and Russian cultures on Italy brings forth a new reading of Italian cinema, a new paradigm for exploring complex issues of authorship, culture, and art. |
| il castoro: Steadicam Serena Ferrara, 2013-01-17 In this unique study, Serena Ferrara examines the revolutionary impact of the Steadicam on filmmaking. The Steadicam has freed-up the camera operator to follow a film's movement, wherever it is happening. Serena Ferrara explains the principles by which the Steadicam is operated and the impact it has on filmmaking, including the effects it can produce on screen, on a film's narrative, on its audience, and on the director's creativity. Also featured are interviews with movie industry professionals, in which a variety of views of the Steadicam are presented in an open discussion. Interviewees include: Garrett Brown Giuseppe Rotunno John Carpenter Mario Orfini Larry McConkey Nicola Pecorini Haskell Wexler Ed DiGiulio Vittorio Storaro Caroline Goodall Anyone involved in, or fascinated by, the process of filmmaking with find this an enlightening and inspirational study. |
| il castoro: Resisting the Tide Daniele Albertazzi, Clodagh Brook, Charlotte Ross, Nina Rothenberg, 2011-12-22 Edited by members of the Department of Italian Studies at the University of Birmingham, and bringing together academics in Britain, Ireland, the US and Italy, this volume takes an international perspective on Italian events. It investigates how resistance to the new conservative culture has been articulated, and how this has been expressed and explained by those involved. The volume is divided into four areas: 1. The Economic and Media Landscapes, which sets the scene for the rest of the book by explaining how Italian society, and particularly its media environment, have developed in recent years; 2. Political Challenges, which discusses the main threats to the authority and policies of Berlusconi coming from within his own centre-right coalition, the left and social movements; 3. Texts, which analyses films, internet sites, television programmes, novels, newspaper articles and theatre performances that sought to resist increasingly dominant conservative norms and/or respond to events set in motion by the Berlusconi governments; 4.Experiences, covering the voices and practices of those who have opposed Berlusconi from within the cultural industries and identity movements, such as journalists, LGBT activists, feminists and associations representing immigrant communities. Wide-ranging, innovative and challenging, this volume should appeal to all those who have an interest in Italy, political-, media- and cultural studies. |
| il castoro: Antonio Pietrangeli, The Director of Women Emma Katherine Van Ness, 2020-04-30 One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject. Eight of his ten full-length films feature female protagonists. This study seeks to better understand both his achievements and his failings as a feminist auteur as well as analyse his films by applying new critical and theoretical approaches. Pietrangeli’s representations of women struggling with questions of identity was a revolutionary act in the 1950s and 1960s. The book makes a case why we should recuperate these films today since the standards for representing women in film continue to fall behind the reality of women’s lives off-screen. |
| il castoro: Encyclopedia of Italian Literary Studies Gaetana Marrone, Paolo Puppa, 2006-12-26 The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars. |
| il castoro: The Cinema of Francesco Rosi Gaetana Marrone, 2020-10-16 Francesco Rosi is one of the great realist artists of post-war Italian, indeed post-war world cinema. In this book, author Gaetana Marrone explores the rich visual language in which the Neapolitan filmmaker expresses the cultural icons that constitute his style and images. Over the years, Rosi has offered us films that trace an intricate path between the real and the fictive, the factual and the imagined. His films show an extraordinarily consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national self. They rely on a labyrinthine narrative structure, in which the sense of an enigma replaces the unidirectional path leading ineluctably to a designated end and solution. Rosi's logical investigations are conducted by an omniscient eye and translated into a cinematic approach that embraces the details of material reality with the panoramic perspective of a dispassionate observer. This book offers intertextual analyses within such fields as history, politics, literature, and photography, along with production information gleaned from Rosi's personal archives and interviews. It examines Rosi's creative use of film as document, and as spectacle). It is also a study of the specific cinematic techniques that characterize Rosi's work and that visually, compositionally, express his vision of history and the elusive truth of past and present social and political realities. |
| il castoro: Monographic Series Library of Congress, 1982 |
| il castoro: An International Study of Film Museums Rinella Cere, 2020-12-29 An International Study of Film Museums examines how cinema has been transformed and strengthened through museological and archival activities since its origins and asks what paradoxes may be involved, if any, in putting cinema into a museum. Cere explores the ideas that were first proposed during the first half of the twentieth century around the need to establish national museums of cinema and how these have been adapted in the subsequent development of the five case studies presented here: four in Europe and one in the USA. The book traces the history of the five museums' foundation, exhibitions, collections, and festivals organised under their aegis and it asks how they resolve the tensions between cinema as an aesthetic artefact – now officially recognised as part of humanity's cultural heritage – and cinema as an entertainment and leisure activity. It also gives an account of recent developments around unifying collections, exhibition activities and archives in one national film centre that offers the general public a space totally devoted to film and cinematographic culture. An International Study of Film Museums provides a unique comparative study of museums of cinema in varying national contexts. The book will be of interest to academics and students around the world who are engaged in the study of museums, archives, heritage, film, history and visual culture. |
| il castoro: Per una seconda Carta della Democrazia del Comune di Terni Davide Mancini, 2014-03-22 Un testo che rielabora il sistema della partecipazione del Comune di Terni in un momento in cui l'Amministrazione Comunale e la società di Terni si trovano a dover necessariamente rimettere in discussione il modello partecipativo tanto per il mutato quadro legale (abolizione delle circoscrizioni e introduzione della sussidiarietà) quanto per i cambiamenti economici e sociali avvenuti negli ultimi anni (globalizzazione, cambiamenti nel mercato del lavoro, crisi della grande industria, diminuzione dell'occupazione, nuove tecnologie e mezzi di comunicazione, aumento dei flussi migratori, ecc.). La pubblicazione, pur ricalcando in buona parte la Carta comunale della Democrazia del 1985, suggerisce agli amministratori comunali ternani ulteriori innovativi strumenti di partecipazione. |
| il castoro: *Dizionario generale di chimica , 1869 |
| il castoro: Encounters with the Real in Contemporary Italian Literature and Cinema Loredana Di Martino, Pasquale Verdicchio, 2017-01-06 This volume explores the Italian contribution to the current global phenomenon of a “return to reality” by examining the country’s rich cultural production in literature and cinema. The focus is particularly on works from the period spanning the Nineties to the present day which offer alternatives to notions of reality as manufactured by the collusion between the neo-liberal state and the media. The book also discusses Italy’s relationship with its own cultural past by investigating how Italian authors deal with the return of the specter of Neorealism as it haunts the modern artistic imagination in this new epoch of crisis. Furthermore, the volume engages in dialogue with previous works of criticism on contemporary Italian realism, while going beyond them in devoting equal attention to cinema and literature. The resulting interactions will aid the reader in understanding how the critical arts respond to the triumph of hyperrealism in the current era of the virtual spectacle as they seek new ways to promote cognitive transformations and foster ethical interventions. |
| il castoro: The Belgian Photonovel, 1954-1985 Clarissa Colangelo, 2023-09-01 The Belgian photonovel is the missing link in the amazing history of the photonovel, a comics-inspired form of visual narrative that combines elements from very different genres and media, ranging from literary melodrama, cinema, and of course comics. This monograph discloses the specific Belgian contribution to the genre, in close connection with the singularities of the Belgian women’s and general magazines where these photonovels appeared. If the photonovel is generally considered a typically French or Italian genre, this study demonstrates the importance of a different tradition, which appropriated the foreign models in a very original way. Belgian photonovels are distinct, not only because they tell other kinds of stories, but also because they interact with other types of magazines in ways that are very different from the mainstream forms of the genre in Italy and France. Finally, this lavishly illustrated study is also the first in scrutinizing the technical aspects of magazine printing techniques in the development of the photonovel. |
| il castoro: Studies in Italian as a Heritage Language Francesco Bryan Romano, 2023-04-27 The book is dedicated to the linguistic, psycholinguistic, and ethnolinguistic dimensions of Italian as a heritage language spoken by minorities in the Americas and Europe. The contributions deepen our understanding of heritage language bilingualism in general, especially by comparing the acquisition of inflectional morphology in Italian with the processes at play in other heritage languages. |
| il castoro: Watching Pages, Reading Pictures Daniela De Pau, Georgina Torello, 2008-12-18 Italian cinema is internationally well-known for the ground-breaking experience of Neo-Realism, comedy Italian-Style, Spaghetti Westerns, and the horror movies of the seventies. However, what is rather unfamiliar to wider audiences is Italian cinema's crucial and enduring affair with literature. In fact, since the very beginning, literature has deeply influenced how Italian cinema has defined itself and grown. This book provides an empirical approach to this complex and fruitful relationship. The aim is to present discussions dealing with significant Italian film adaptations from literary materials which greatly exemplify the variety of styles, view-points, and attitudes produced by such an alliance, throughout the different periods. Among the adaptations discussed, are those that have followed trends and critical debates, making them, at times, rather problematic. |
| il castoro: Requiem for a nation Roberto Cavallini, 2017-05-30T00:00:00+02:00 The primary objective of this collection is to examine the ways in which religion, culture and politics converge in configuring the contradictions of post-war Italy’s cultural history, starting from the assumption that conducting a critical reflection on Italian postwar visual culture requires investigating the inevitable impact of Catholic religion on everyday life in its social, political and cultural dimensions. The volume takes advantage of the privileged position of cinema to explore and critique religion’s influence on the Italian cultural landscape. This edited anthology thus seeks to probe how religion is experienced, practiced, criticized and represented from various methodological perspectives (historical, philological, aesthetic, psychoanalytical, popular studies, etc.) through four main sections: ‘Propaganda and Censorship’, ‘Framing Belief: Pasolini and Petri’, ‘Religion in Italian Popular Cinema’ and ‘Ancient Rituals, Modern Myths’. |
| il castoro: Landscape and Film Martin Lefebvre, 2006 This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts. |
| il castoro: Memory and Imagination in Film P. Lombardo, 2014-09-24 Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media. |
| il castoro: The Film Photonovel Jan Baetens, 2019-04-15 Discarded by archivists and disregarded by scholars despite its cultural impact on post–World War II Europe, the film photonovel represents a unique crossroads. This hybrid medium presented popular films in a magazine format that joined film stills or set pictures with captions and dialogue balloons to re-create a cinematic story, producing a tremendously popular blend of cinema and text that supported more than two dozen weekly or monthly publications. Illuminating a long-overlooked ‘lowbrow’ medium with a significant social impact, The Film Photonovel studies the history of the format as a hybrid of film novelizations, drawn novels, and nonfilm photonovels. While the field of adaptation studies has tended to focus on literary adaptations, this book explores how the juxtaposition of words and pictures functioned in this format and how page layout and photo cropping could affect reading. Finally, the book follows the film photonovel's brief history in Latin America and the United States. Adding an important dimension to the interactions between filmmakers and their audiences, this work fills a gap in the study of transnational movie culture. |
Illinois - Wikipedia
Illinois (/ ˌ ɪ l ɪ ˈ n ɔɪ / ⓘ IL-ih-NOY) is a state in the Midwestern United States. It borders on Lake Michigan to its northeast, the Mississippi River to its west, and the Wabash and Ohio rivers to …
Illinois Lottery Official Site: Buy Tickets Online and Get Winning …
2 days ago · With Illinois Lottery, Anything's Possible with games like Mega Millions, Powerball, Lotto and Lucky Day Lotto. Buy tickets online and find winning lottery numbers!
Illinois
Find places to go, things to see. Search through all the different services offered by the various Illinois agencies. During live broadcasts use the links below to tune in to audio and video feeds …
Illinois (IL) Lottery Results | Lottery Post
4 days ago · Illinois (IL) Lottery Results - Latest Winning Numbers. Quick and accurate Illinois lottery results, including Powerball, Mega Millions, and Ill Lottery in-state games.
Illinois | History, Cities, Capital, & Facts | Britannica
3 days ago · Illinois, constituent state of the United States of America. It stretches southward 385 miles (620 km) from the Wisconsin border in the north to Cairo in the south. In addition to …
Home - NPR Illinois | Stand with the Facts | NPR Illinois
Stand up for NPR Illinois 91.9 UIS and the public media system! How federal funding supports NPR Illinois, it is under threat, and it is essential. A lot happened this week, and NPR has you …
Illinois (IL) - 50states.com
Abbreviation: IL. Population (2019): 12,882,135; Rank: 5 of 50 | Population Quick Facts. Region: Midwest. Admission to Statehood: December 3, 1818 (21st State) State Motto: Illinois motto is …
Your Official Guide to Illinois Travel | Enjoy Illinois
Voted the best big city in the US, Chicago sets the scene with its iconic skyline and world-class museums, architecture, food and cultural scene. Discover the city's diverse neighborhoods or …
Service - Illinois.gov
View All Services. Footer. Back to top
Illinois Maps & Facts - World Atlas
Jan 18, 2024 · Illinois, a state in the Midwestern United States, shares its borders with Wisconsin to the north, Indiana to the east, and the Mississippi River forms its western border with Iowa …
Illinois - Wikipedia
Illinois (/ ˌ ɪ l ɪ ˈ n ɔɪ / ⓘ IL-ih-NOY) is a state in the Midwestern United States. It borders on Lake Michigan to its northeast, the Mississippi River to its west, and the Wabash and Ohio rivers to its …
Illinois Lottery Official Site: Buy Tickets Online and Get Winning …
2 days ago · With Illinois Lottery, Anything's Possible with games like Mega Millions, Powerball, Lotto and Lucky Day Lotto. Buy tickets online and find winning lottery numbers!
Illinois
Find places to go, things to see. Search through all the different services offered by the various Illinois agencies. During live broadcasts use the links below to tune in to audio and video feeds …
Illinois (IL) Lottery Results | Lottery Post
4 days ago · Illinois (IL) Lottery Results - Latest Winning Numbers. Quick and accurate Illinois lottery results, including Powerball, Mega Millions, and Ill Lottery in-state games.
Illinois | History, Cities, Capital, & Facts | Britannica
3 days ago · Illinois, constituent state of the United States of America. It stretches southward 385 miles (620 km) from the Wisconsin border in the north to Cairo in the south. In addition to …
Home - NPR Illinois | Stand with the Facts | NPR Illinois
Stand up for NPR Illinois 91.9 UIS and the public media system! How federal funding supports NPR Illinois, it is under threat, and it is essential. A lot happened this week, and NPR has you covered. …
Illinois (IL) - 50states.com
Abbreviation: IL. Population (2019): 12,882,135; Rank: 5 of 50 | Population Quick Facts. Region: Midwest. Admission to Statehood: December 3, 1818 (21st State) State Motto: Illinois motto is …
Your Official Guide to Illinois Travel | Enjoy Illinois
Voted the best big city in the US, Chicago sets the scene with its iconic skyline and world-class museums, architecture, food and cultural scene. Discover the city's diverse neighborhoods or …
Service - Illinois.gov
View All Services. Footer. Back to top
Illinois Maps & Facts - World Atlas
Jan 18, 2024 · Illinois, a state in the Midwestern United States, shares its borders with Wisconsin to the north, Indiana to the east, and the Mississippi River forms its western border with Iowa and …
