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| i love you manuscrita: Beirut, I love you Zena el Khalil, 2011-05-02 De Líbano surge esta voz totalmente original, desenfadada, alegre y seriamente comprometida: es la voz de una joven con unas firmes ganas de vivir y de crear un mundo mejor. Un puente entre culturas. Un libro necesario que todos deberíamos leer. Ésta es la historia de Zena, una joven atrapada en el hechizo de una ciudad que amenaza con sumergirla en un mar de guerra, dolor y aventuras amorosas. En las calles, las milicias armadas delimitan sus territorios mientras los obreros reconstruyen la ciudad. Familias enteras de refugiados duermen en una sola cama mientras chicas teñidas de rubio se dirigen a la siguiente megadiscoteca donde, a modo de combustible, circula la droga. Las bombas pueden empezar a caer en cualquier momento...Mientras, Zena y Maya, su mejor amiga, deben dar sentido a sus vidas en medio de esta locura y sortear las múltiples obsesiones de esta ciudad: operaciones de cirugía estética, Kalashnikov, encontrar marido. Escrita con tanta sinceridad como tolerancia, la novela autobiográfica de esta gran artista libanesa opone el amor y el arte a la constante amenaza de la guerra.Una Beirut sensual y visceral que se puede oler, oír, sentir. |
| i love you manuscrita: The Death of Innocents Helen Prejean, 2006 Sr Helen Prejean has accompanied five men to execution since she began her work in 1982. She believes the last two, Dobie Williams in Louisiana and Joseph O'Dell in Virginia, were innocent, but their juries were blocked from seeing all the evidence and their defence teams were incompetent. 'The readers of this book will be the first jury with access to all the evidence the trail juries never saw', she says. The Death of Innocents shows how race, prosecutorial ambition, poverty and publicity determine who dies and who lives. Prejean raises profound constitutional questions about the legality of the death penalty. |
| i love you manuscrita: Cartas a Katherine Whitmore Pedro Salinas, Katherine Whitmore, 2002 Nos hallamos ante uno de los documentos más esperados, y más hermosos, de la literatura española del siglo xx: la colección inédita de cartas escritas por el poeta Pedro Salinas , uno de los máximos exponentes de la generación del 27, a la profesora estadounidense Katherine Whitmore , a quien conoció en el verano de 1932 y que, a lo largo de quince años, se convirtió en la destinataria de más de trescientas cartas. El amor que surgió entre ambos se plasmó en esas páginas, donde la voz de Salinas , poderosa y vibrante, suple con creces la ausencia de las misivas de Katherine Whitmore , que no han llegado hasta nuestros días. El epistolario arroja nueva luz sobre los poemarios amorosos más conocidos de Salinas (La voz a ti debida, Razón de amor y Largo lamento) , sobre las siempre difíciles relaciones entre el mundo poético y el mundo real, y abre una nueva dimensión en la obra saliniana, complementaria a la de su poesía. Las cartas, seleccionadas y editadas con sumo rigor por Enric Bou , conforman un universo cerrado, autosuficiente e intimista. El propio Salinas declara en ellas que aspiraba a « crear con los hilos de esta correspondencia un mundo netamente diferenciado del otro. El otro es alrededores ». Como broche del epistolario, se publica un texto en el que Katherine evoca la relación entre ambos y contrapone el tú femenino de los poemas amorosos de Salinas a la mujer real que fue ella misma. |
| i love you manuscrita: El oficio de escritor , 1968 Las dieciocho entrevistas que integran el presente volumen forman parte de la serie publicada por The Paris Review a partir de su primer numéro, en la primavera de 1953, y recogida posteriormente en dos volúmenes editados por The Viking Press, de Nueva York, bajo el título de Writers at Work.--Page 9. |
| i love you manuscrita: Voynich Manuscript , 2015-12-11 A facsimile of an object of unknown authorship that has been the source of study and speculation for centuries and remains undecipherable to this day. |
| i love you manuscrita: The Day of the Triffids John Wyndham, 2022-04-19 The influential masterpiece of one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.”—now in development as a miniseries directed by Johan Renck. “[Wyndham] avoids easy allegories and instead questions the relative values of the civilisation that has been lost, the literally blind terror of humanity in the face of dominant nature. . . . Frightening and powerful, Wyndham’s vision remains an important allegory and a gripping story.”—The Guardian What if a meteor shower left most of the world blind—and humanity at the mercy of mysterious carnivorous plants? Bill Masen undergoes eye surgery and awakes the next morning in his hospital bed to find civilization collapsing. Wandering the city, he quickly realizes that surviving in this strange new world requires evading strangers and the seven-foot-tall plants known as triffids—plants that can walk and can kill a man with one quick lash of their poisonous stingers. |
| i love you manuscrita: la visión de la mujer Irlandesa de finales de siglo XIX y principios del XX en la narrativa de George Moore: una perspectiva feminista María Elena Jaime de Pablos, 2000-12-01 |
| i love you manuscrita: The Zen of Seeing , 1973 A Dutch artist offers his concept of seeing and drawing as a discipline by which the world may be rediscovered, a way of experiencing Zen. |
| i love you manuscrita: The London Journal , 1861 |
| i love you manuscrita: Memoirs and Reflections Upon the Reign and Government of [amb Lletra Manuscrita K. Charles the 1st And] K. Charles the 2nd Richard Bulstrode, 1720 |
| i love you manuscrita: The beautiful ones Prince, 2019-11-14 The Beautiful Ones no es solo el tributo a un icono, también es una obra literaria poderosa y original por derecho propio, donde bullen las ideas de Prince, su manera de ver el mundo, su voz y su efigie, su imperecedera ofrenda al mundo. Esta es la historia de superación y ascenso al estrellato de un artista irrepetible. Escrita de su puño y letra, y acompañada de fotos inéditas, dietarios y apuntes íntimos, incluye también el conmovedor testimonio autobiográfico que Prince comenzó a elaborar poco antes de su inesperada muerte. Prince era un genio de la música, uno de los creadores más queridos, versátiles y respetados de nuestro tiempo. Fue un visionario tremendamente original, con una imaginación capaz de recrear universos enteros, desde el paraíso prometido a ritmo de funk de «Uptown» hasta los paisajes míticos de Purple Rain, pasando por la psicodelia de «Paisley Park». Sin embargo, su creación más ambiciosa fue convertir a Prince Rogers Nelson, nacido en Minnesota, en Prince, una de las mayores estrellas del pop de cualquier época. The Beautiful Ones nos cuenta cómo Prince se transformó en Prince: su relato en primera persona nos muestra a un ávido joven que decide empaparse primero del mundo que le rodea para luego moldear un personaje, una visión artística y finalmente una manera de vivir, mucho antes de que sus primeros éxitos y la fama lo constriñan y pretendan redefinirle. El libro está dividido en cuatro partes. La primera es el testimonio autobiográfico que Prince escribía antes de su repentina y trágica muerte; son páginas que nos llevan al mundo de su infancia a través de una prosa lírica y personal. La segunda presenta, a través de diarios y libretas de recortes, los años formativos de Prince como músico, previos a la publicación de su primer disco. La tercera nos muestra, en sinceras imágenes, la evolución de Prince hasta llegar a lacúspide, a su logro artístico más grande, que descubriremos en la cuarta parte del libro: el tratamiento original y manuscrito de Purple Rain, sin duda la conclusión del proceso de crearse a sí mismo emprendido por el artista, que en esta pieza da a las tres secciones previas forma de viaje heroico . El editor del libro, Dan Piepenbring, completa el retrato con una introducción fascinante y conmovedora sobre cómo fue colaborar con Prince en sus últimos meses de vida, en un momento en que el artista meditó profundamente sobre cómo podía revelar al mundo más detalles de sí mismo y de su manera de pensar sin perder el misterio y la mística que tan cuidadosamente había tejido a su alrededor. También son de Piepenbring las notas que dotan de contexto a las imágenes del libro. |
| i love you manuscrita: The ABCs of Hand Lettering Abbey Sy, 2019-09 The ABCs of Hand Lettering is your guide and the first step to starting a new hobby. Learn the difference between serif, sans serif, script, and decorative fonts; find out how to put together letters and words; and come up with your very own hand-lettered work. Practice with the exercises to discover your most creative side!--Backcover. |
| i love you manuscrita: Hawke's Cove Susan Wilson, 2001 The year is 1944. After the stillbirth of her first child, Evangeline Worth returns to her grandmother's farm in Hawke's cove. With her husband, John, across the Atlantic on the war front, the coastal town provides sanctuary for Vangie. All of that changes one day when a handsome stranger appears on her doorstep searching for work. |
| i love you manuscrita: The Death of Grass John Christopher, 2016-09-30 The Chung-Li virus has devastated Asia, wiping out the rice crop and leaving riots and mass starvation in its wake. The rest of the world looks on with concern, though safe in the expectation that a counter-virus will be developed any day. Then Chung-Li mutates and spreads. Wheat, barley, oats, rye: no grass crop is safe, and global famine threatens. In Britain, where green fields are fast turning brown, the Government lies to its citizens, devising secret plans to preserve the lives of a few at the expense of the many. Getting wind of what's in store, John Custance and his family decide they must abandon their London home to head for the sanctuary of his brother's farm in a remote northern valley. And so they begin the long trek across a country fast descending into barbarism, where the law of the gun prevails, and the civilized values they once took for granted become the price they must pay if they are to survive. |
| i love you manuscrita: A Secret Love Stephanie Laurens, 2009-03-17 And now, Stephanie Laurens has created her boldest Cynster yet - Gabriel - a man who has known the pleasure of many women, but who has given his heart to no one. She was desperate for his help... When a mysterious lady, her face hidden by a black veil, begs Gabriel Cynster for his help, he cannot refuse her plea. For despite her disguise, Gabriel finds the woman alluring and he is powerless to deny her. But he exacts payment as only a Cynster would demand: with each piece of information he uncovers, she must pay him - in the form of a kiss. He was powerless to resist... Lady Alathea Morwellan knows Gabriel is intrigued, but despite the sparks that fly between them, they have never passed a civil moment together. Yet as the stakes get higher, so does Gabriel′s desire for payment. And with each overpowering kiss, each passionate embrace, Alathea knows that she will not be able to resist his ultimate seduction...but what will happen when she reveals the truth? |
| i love you manuscrita: Purity of Blood Arturo Pérez-Reverte, 2006-11-28 Gear up for swashbuckling adventure in the second “riveting”* historical thriller in the internationally acclaimed Captain Alatriste series. The fearless Alatriste is hired to infiltrate a convent and rescue a young girl forced to serve as a powerful priest’s concubine. The girl’s father is barred from legal recourse as the priest threatens to reveal that the man’s family is “not of pure blood” and is, in fact, of Jewish descent—which will all but destroy the family name. As Alatriste struggles to save the young hostage from being burned at the stake, he soon finds himself drawn deeper and deeper into a conspiracy that leads all the way to the heart of the Spanish Inquisition. |
| i love you manuscrita: Picaresca española en traducción inglesa F. Javier Sánchez Escribano, 1998 |
| i love you manuscrita: Teaching Translation from Spanish to English Allison Beeby Lonsdale, Allison Beeby, 1996 While many professional translators believe the ability to translate is a gift that one either has or does not have, Allison Beeby Lonsdale questions this view. In her innovative book, Beeby Lonsdale demonstrates how teachers can guide their students by showing them how insights from communication theory, discourse analysis, pragmatics, and semiotics can illuminate the translation process. Using Spanish to English translation as her example, she presents the basic principles of translation through 29 teaching units, which are prefaced by objectives, tasks, and commentaries for the teacher, and through 48 task sheets, which show how to present the material to students. Published in English. |
| i love you manuscrita: Divination on stage Folke Gernert, 2021-02-08 Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille. |
| i love you manuscrita: A Companion to Isidore of Seville Andrew Fear, Jamie Wood, 2019-11-26 A Companion to Isidore of Seville presents nineteen chapters from leading international scholars on Isidore of Seville (d. 636), the most prominent bishop of the Visigothic kingdom in Hispania in the seventh century and one of the most prolific authors of early medieval western Europe. Introductory studies establish the political, religious and familial contexts in which Isidore operated, his key works are then analysed in detail, as are some of the main themes that run throughout his corpus. Isidore's influence extended across the entire Middle Ages and into the early modern period in fields such as church governance and pastoral care, theology, grammar, science, history-writing, and linguistics – all topics that are explored in the volume. Contributors: Graham Barrett, Winston Black, José Carracedo Fraga, Santiago Castellanos, Pedro Castillo Maldonado, Jacques Elfassi, Andrew Fear, Amy Fuller, Raúl González Salinero, Jeremy Lawrance, Céline Martin, Thomas O'Loughlin, Martin J. Ryan, Sinéad O'Sullivan, Mark Lewis Tizzoni, Purificación Ubric Rabaneda, Faith Wallis, Immo Warntjes, and Jamie Wood. See inside the book. |
| i love you manuscrita: Ejercicios de lectura manuscrita J. P., 1864 |
| i love you manuscrita: Daybreak, 2250 A.D. Andre Norton, 1970 |
| i love you manuscrita: Génesis de un pueblo Ramón Cruz, 1999 |
| i love you manuscrita: Books Before Print Erik Kwakkel, 2018 This beautifully illustrated book provides an accessible introduction to the medieval manuscript and explores how its materiality can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information. |
| i love you manuscrita: Cardenio between Cervantes and Shakespeare Roger Chartier, 2016-03-21 How should we read a text that does not exist, or present a playthe manuscript of which is lost and the identity of whose authorcannot be established for certain? Such is the enigma posed by Cardenio – a playperformed in England for the first time in 1612 or 1613 andattributed forty years later to Shakespeare (and Fletcher). Itsplot is that of a ‘novella’ inserted into Don Quixote,a work that circulated throughout the major countries of Europe,where it was translated and adapted for the theatre. In England,Cervantes’ novel was known and cited even before it wastranslated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when,thanks mainly to the invention of the printing press, there was aproliferation of discourses. There was often a reaction when it wasfeared that this proliferation would become excessive, and manywritings were weeded out. Not all were destined to survive, inparticular plays for the theatre, which, in many cases, were neverpublished. This genre, situated at the bottom of the literaryhierarchy, was well suited to the existence of ephemeral works.However, if an author became famous, the desire for an archive ofhis works prompted the invention of textual relics, the restorationof remainders ruined by the passing of time or, in order to fill inthe gaps, in some cases, even the fabrication of forgeries. Suchwas the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonderabout the status, in the past, of works today judged to becanonical. In this book the reader will rediscover the malleabilityof texts, transformed as they were by translations and adaptations,their migrations from one genre to another, and their changingmeanings constructed by their various publics. Thanks to RogerChartier’s forensic skills, fresh light is cast upon themystery of a play lacking a text but not an author. |
| i love you manuscrita: Obras completas Juan Goytisolo, 2005 |
| i love you manuscrita: Beyond the Reconquista: New Directions in the History of Medieval Iberia (711-1085) , 2020-04-14 Beyond the Reconquista: New Directions in the History of Medieval Iberia (711-1085) offers an exciting series of essays by leading scholars in Hispanic Studies from across North America and Europe. At its heart is the Reconquista, without doubt the most important and enduring theme of Iberian historiography of the Middle Ages. The innovative studies collected herein, which treat a diverse array of subjects via forensic analyses of charters, chronicles and coins, shed new light on crucial aspects of medieval Iberian socio-economic, political and cultural history. The result is a collection of essays which marks a decisive and bold turning of the page in Iberian medieval studies, as the reality and ideal of Reconquest come under hitherto unparalleled scrutiny. Contributors are Graham Barrett, Jeffrey Bowman, Alberto Canto, Nicola Clarke, Wendy Davies, Julio Escalona, Jonathan Jarrett, Eduardo Manzano Moreno, Iñaki Martín Viso and Lucy K. Pick. See inside the book. |
| i love you manuscrita: Nineteen eighty-four George Orwell, 2022-11-22 This is a dystopian social science fiction novel and morality tale. The novel is set in the year 1984, a fictional future in which most of the world has been destroyed by unending war, constant government monitoring, historical revisionism, and propaganda. The totalitarian superstate Oceania, ruled by the Party and known as Airstrip One, now includes Great Britain as a province. The Party uses the Thought Police to repress individuality and critical thought. Big Brother, the tyrannical ruler of Oceania, enjoys a strong personality cult that was created by the party's overzealous brainwashing methods. Winston Smith, the main character, is a hard-working and skilled member of the Ministry of Truth's Outer Party who secretly despises the Party and harbors rebellious fantasies. |
| i love you manuscrita: Papyrus Irene Vallejo, 2022-10-18 A masterly (Economist), prize-winning, internationally bestselling history of books in the ancient world Exquisite. . . . Beautifully translated into English by Charlotte Whittle, who is able to convey both Vallejo’s passionate narrative presence and her synthesising intelligence.” —The Guardian Long before books were mass-produced, hand-copied scrolls made from Nile River reeds were the treasures of the ancient world. Emperors and pharaohs, determined to possess them, dispatched emissaries to the edges of the known world to bring them back. Exploring the deep and fascinating history of the written word, from the oral tradition to scrolls to codices, internationally bestselling author Irene Vallejo shows that books have always been a precious and precarious vehicle for civilization. Through fascinating stories from history, insightful readings of the classics, and poignant personal reflection, Vallejo traces the dramatic history of the book and the fight for its survival. At its heart a spirited love letter to language itself, Papyrus takes readers on a journey across the centuries to discover how a simple reed grown along the banks of the Nile would give birth to a rich and cherished culture. |
| i love you manuscrita: The Madarasz Book Louis Madarasz, 1911 |
| i love you manuscrita: Electronic Signatures in Law Stephen Mason, 2012-01-26 Using case law from multiple jurisdictions, Stephen Mason examines the nature and legal bearing of electronic signatures. |
| i love you manuscrita: The Complete Grimm's Fairy Tales Jacob Grimm, 2018-01-06 Once upon a time in a fairy tale world, There were magical mirrors and golden slippers;Castles and fields and mountains of glass,Houses of bread and windows of sugar.Frogs transformed into handsome Princes,And big bad wolves into innocent grandmothers.There were evil queens and wicked stepmothers;Sweethearts, true brides, and secret lovers. In the same fairy world, A poor boy has found a golden key and an iron chest, and We must wait until he has quite unlocked it and opened the lid . . . A classic collection of timeless folk tales by Grimm Brothers, Grimm' s Fairy Tales are not only enchanting, mysterious, and amusing, but also frightening and intriguing. Delighting children and adults alike, these tales have undergone several adaptations over the decades. This edition with black-and-white illustrations is a translation by Margaret Hunt. |
| i love you manuscrita: Bendita locura González Balsa, José Ángel, 2001-01-01 Crónica de la música exquisita que se oculta bajo una piel amarga. Un viaje con muchos invitados: el surf, el hippismo, las adolescentes asesinas de Manson, el Maharischi y los notables habitantes de Los Ángeles, Hollywood y la falsedad. |
| i love you manuscrita: Blaze Your Own Trail Rebekah Bastian, 2020-02-11 A modern, feminist take on the classic choose-your-own-journey book, inspiring readers to embrace the fact that there is no singular right path—just your own! So many women enter their adult lives believing that they should know where they are going and how to get there. This can make life decisions feel intimidating and overwhelming. While some choices that lie ahead are fairly predictable, such as those surrounding career, partnership, and motherhood, the effects of these choices can lead to more complicated and unexpected turns that are seldom discussed. Rather than suggesting a rule book, Rebekah Bastian, vice president at Zillow and recognized thought leader, inspires you to Blaze Your Own Trail. “I have the benefit of being a living example of crooked paths, magnificent screw-ups, and shocking successes,” she writes. Through storylines and supportive data that explore workplace sexism, career changes, marriage, child-rearing, existential crises, and everything in between, you will learn to embrace and feel less alone in your own nonlinear journey. Even better, you can turn back decisions and make different ones. Blaze Your Own Trail includes nineteen possible outcomes and many routes to get there. You will find that you have the strength to make it through any of them. |
| i love you manuscrita: Hispania Vetus Susana Zapke, 2007 |
| i love you manuscrita: Obra poética completa Ildefonso Manuel Gil, 2005 |
| i love you manuscrita: Copperplate Calligraphy Dick Jackson, 2015-12-16 A master calligrapher explains the basic strokes for almost all letters of the copperplate alphabet. Additional features include a historical introduction, guide sheets, and instructions for individual letters and numbers. |
| i love you manuscrita: Catálogo de partituras del Archivo Canuto Berea en la Biblioteca de la Diputación de A Coruña María Dolores Liaño Pedreira, 1998 |
| i love you manuscrita: The Arabic Hermes Kevin Thomas Van Bladel, 2009-08-26 This is the first major study devoted to the early Arabic reception and adaption of the figure of Hermes Trismegistus, the legendary Egyptian sage to whom were ascribed numerous works on astrology, alchemy, talismans, medicine, and philosophy. The ancient Greek Hermetica, with which the tradition begins, are products of Roman Egypt of the second and third century CE. Thereafter, in late antiquity, they found a wide readership, both among pagans and Christians. Their ongoing popularity depended on the notion that Hermes had lived in extremely ancient times, perhaps before the Deluge, and his antiquity endowed him with a pristine intellectual priority and made him attractive as an authority in religious arguments. Early Arabic literature beginning in the eighth century also includes detailed discussions of Hermes Trismegistus, both as a teacher of ancient legend and as the alleged author of works on the apocryphal sciences, especially astrology. Moreover, Hermes is imagined in Arabic as a prophet, lawgiver, and the founder of ancient religion. This book shows how the Arabic Hermes developed out of the earlier Greek and other late antique traditions into something new, which would in turn form the background to the later reception of the Greek Hermetica in the Italian Renaissance. Assembling information in Greek, Arabic, Syriac, and Coptic primary sources, The Arabic Hermes will be of great interest to scholars in many fields, including Classics, Arabic Studies, Iranian Studies, Egyptology, and Medieval Studies. |
| i love you manuscrita: The Etymologies of Isidore of Seville , 2010-04-15 This work is a complete English translation of the Latin Etymologies of Isidore, Bishop of Seville (c.560-636). Isidore compiled the work between c.615 and the early 630s and it takes the form of an encyclopedia, arranged by subject matter. It contains much lore of the late classical world beginning with the Seven Liberal Arts, including Rhetoric, and touches on thousands of topics ranging from the names of God, the terminology of the Law, the technologies of fabrics, ships and agriculture to the names of cities and rivers, the theatrical arts, and cooking utensils. Isidore provides etymologies for most of the terms he explains, finding in the causes of words the underlying key to their meaning. This book offers a highly readable translation of the twenty books of the Etymologies, one of the most widely known texts for a thousand years from Isidore's time. |
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