History Of Bengali Literature Sukumar Sen

  history of bengali literature sukumar sen: History of Bengali Literature Sukumar Sen, 1971
  history of bengali literature sukumar sen: History of Bengali literature, foreword by Jawaharlal Nehru Sukumar Sen,
  history of bengali literature sukumar sen: The Origin and Development of the Bengali Language Suniti Kumar Chatterji, 2024-05-01 First published in 1972, The Origin and Development of the Bengali Language (Vol. 3) is the updated supplement to the two-volume The Origin and Development of the Bengali Language. It contains certain additions and corrections to the first systematic and detailed history of a Modern Indo-Aryan Language written by an Indian, and incidentally, as it is comparative in its treatment, taking into consideration facts in other Indo-Aryan speeches, it is an invaluable contribution to the scientific study of the Modern Indo-Aryan languages as a whole. This book will be of interest to students of language, linguistics and South Asian studies.
  history of bengali literature sukumar sen: Historical Dictionary of the Bengalis Kunal Chakrabarti, Shubhra Chakrabarti, 2013-08-22 The Historical Dictionary of the Bengalis provides an overview of the Bengalis across the world from the earliest Chalcolithic cultures to the present. This is done through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 750 cross-referenced dictionary entries on politicians, educators and entrepreneurs, leaders of religious and secular institutions, writers, painters, actors and other cultural figures, and more generally, on the economy, education, political parties, religions, women and minorities, literature, art and architecture, music, cinema and other major sectors. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Bengalis.
  history of bengali literature sukumar sen: Five Decades D. S. Rao, 2004 On the completion of fiftieth year of Sahitya Akademi.
  history of bengali literature sukumar sen: The Novel in Nineteenth-Century Bengal Sunayani Bhattacharya, 2023-07-13 How does a reader learn to read an unfamiliar genre? The Novel in Nineteenth-Century Bengal answers this question by looking at the readers of some of the first Bengali novelists, including Bankimchandra Chattopadhyay and Mir Mosharraf Hossain. Moving from the world of novels, periodicals, letters, and reviews to that of colonial educational policies, this book provides a rich literary history of the reading lives of some of the earliest novel readers in colonial India. Sunayani Bhattacharya studies the ways in which Bengalis thought about reading; how they approached the thorny question of influence; and uncovers that they relied on classical Sanskrit and Perso-Arabic literary and aesthetic models, whose attendant traditions formed not a distant past, but coexisted, albeit contentiously, with the everyday present. Challenging dominant postcolonial scholarship, The Novel in Nineteenth-Century Bengal engages with the lived experience of colonial modernity as it traces the import of the Bengali reader's choices on her quotidian life, and grants access to 19th-century Bengal as a space in which the past is to be found enmeshed with the present.
  history of bengali literature sukumar sen: Offering Flowers, Feeding Skulls June McDaniel, 2004-08-05 The Indian state of West Bengal is home to one of the world's most vibrant traditions of goddess worship. The year's biggest holidays are devoted to the goddesses Durga and Kali, with lavish rituals, decorated statues, fireworks, and parades. In Offering Flowers, Feeding Skulls, June McDaniel provides a broad, accessibly written overview of Bengali goddess worship. McDaniel identifies three major forms of goddess worship, and examines each through its myths, folklore, songs, rituals, sacred texts, and practitioners. In the folk/tribal strand, which is found in rural areas, local tribal goddesses are worshipped alongside Hindu goddesses, with an emphasis on possession, healing, and animism. The tantric/yogic strand focuses on ritual, meditation, and visualization as ways of experiencing the power of the goddess directly. The devotional or bhakti strand, which is the most popular form, involves the intense love and worship of a particular form of the goddess. McDaniel traces these strands through Bengali culture and explores how they are interwoven with each other as well as with other forms of Hinduism. She also discusses how these practices have been reinterpreted in the West, where goddess worship has gained the values of sexual freedom and psychological healing, but lost its emphases on devotion and asceticism. Offering Flowers, Feeding Skulls takes the reader inside the lives of practicing Shaktas, including holy women, hymn singers, philosophers, visionaries, gurus, ascetics, healers, musicians, and businessmen, and offers vivid descriptions of their rituals, practices, and daily lives. Drawing on years of fieldwork and extensive research, McDaniel paints a rich, expansive portrait of this fascinating religious tradition.
  history of bengali literature sukumar sen: L. Kamal Singh Lamabam Damodar Singh, 2000 On the life and works of Lamabam Kamal Singh, 1889-1935, Manipuri litterateur.
  history of bengali literature sukumar sen: The Novel in India T. W. Clark, 2022-09-01 First published in 1970, The Novel in India traces the birth and development of prose fiction in Bengali, Marathi, Urdu, Hindi, Tamil and Malayalam. It is addressed not only to academic students of Asian culture but to all who are interested in literary history. India and Pakistan have many great literatures, but they are almost unknown beyond their own boundaries. Language is a formidable barrier, and this book is offered in the hope that it can bridge the cultural divide that language has created. It has a fascinating story to tell of the endeavours, experiments and achievements of writers who deserve to be better known outside their native land.
  history of bengali literature sukumar sen: Theatre Cultures within Globalising Empires Joachim Küpper, Leonie Pawlita, 2018-08-06 This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.
  history of bengali literature sukumar sen: The Alchemical Body David Gordon White, 1996 Beginning in the fifth century A.D., various Indian mystics began to innovate a body of techniques with which to render themselves immortal. These people called themselves Siddhas, a term formerly reserved for a class of demigods, revered by Hindus and Buddhists alike, who were known to inhabit mountaintops or the atmospheric regions. Over the following five to eight hundred years, three types of Hindu Siddha orders emerged, each with its own specialized body of practice. These were the Siddha Kaula, whose adherents sought bodily immortality through erotico-mystical practices; the Rasa Siddhas, medieval India's alchemists, who sought to transmute their flesh-and-blood bodies into immortal bodies through the ingestion of the mineral equivalents of the sexual fluids of the god Siva and his consort, the Goddess; and the Nath Siddhas, whose practice of hatha yoga projected the sexual and laboratory practices of the Siddha Kaula and Rasa Siddhas upon the internal grid of the subtle body. For India's medieval Siddhas, these three conjoined types of practice led directly to bodily immortality, supernatural powers, and self-divinization; in a word, to the exalted status of the semidivine Siddhas of the older popular cults. In The Alchemical Body, David Gordon White excavates and centers within its broader Indian context this lost tradition of the medieval Siddhas. Working from a body of previously unexplored alchemical sources, he demonstrates for the first time that the medieval disciplines of Hindu alchemy and hatha yoga were practiced by one and the same people, and that they can only be understood when viewed together. Human sexual fluids and the structures of the subtle body aremicrocosmic equivalents of the substances and apparatus manipulated by the alchemist in his laboratory. With these insights, White opens the way to a new and more comprehensive understanding of the entire sweep of medieval Indian mysticism, within the broader context of south Asian Hinduism, Buddhism, Jainism, and Islam. This book is an essential reference for anyone interested in Indian yoga, alchemy, and the medieval beginnings of science.
  history of bengali literature sukumar sen: Tagore Dr. Shivani Sharma, The book seeks to highlight Rabindranath Tagore’s genius as a rebel dramatist. More lovingly called Gurudev, Tagore is one of India’s most cherished renaissance figures. He was a social reformer and a humanitarian. Through his writings he presented his protest against prevailing social evils like idolatry, religious bigotry, caste system, class divisions and gender biases. Tagore was ahead of his times; his literary works translated the essence of their creative impulses into a social context and helped people to dream of a better world even in the darkest times.
  history of bengali literature sukumar sen: The Purāṇas Ludo Rocher, 1986
  history of bengali literature sukumar sen: The Jewel that is Best Rabindranath Tagore, 2011
  history of bengali literature sukumar sen: The Many Worlds of Sarala Devi: A Diary & The Tagores and Sartorial Style: A Photo Essay Sukhendu Ray, Malavika Karlekar, Bharati Ray, 2017-07-20 This charming book The Many Worlds of Sarala Devi and The Tagores and Sartorial Styles, as the titles suggest, contain two separate but related writings on the Tagores. The Tagores were a pre-eminent family which became synonymous with the cultural regeneration of India, specifically of Bengal, in the nineteenth century. The first writing is a sensitive translation of Sarala Devis memoirs from the Bengali, Jeevaner Jharapata, by Sukhendu Ray. It is the first autobiography written by a nationalist woman leader of India. Sarala Devi was Rabindranath Tagores niece and had an unusual life. The translation unfolds, among other things, what it was like to grow up in a big affluent house Jorasanko, that had more than 116 inmates and a dozen cooks! The second writing by Malavika Karlekar is a photo essay, creatively conceived, visually reflecting the social and cultural trends of the times, through styles of dress, jewellery and accoutrements. The modern style of wearing a sari was introduced by Jnanadanandini Devi, a member of the Tagore family. The introduction by the well-known historian, Bharati Ray, very perceptively captures the larger context of family, marriage, womens education and politics of the time which touched Sarala Devis life. She points out that if memoirs are a kind of social history then womens diaries record social influences not found in official accounts and are therefore, a rich source of documentation.
  history of bengali literature sukumar sen: The Triumph of the Snake Goddess Kaiser Haq, 2015-10-12 The Triumph of the Snake Goddess, a prose translation by the scholar and poet Kaiser Haq, is the first comprehensive retelling of this epic in modern English. Haq’s Prologue explores the oral, poetic, and manuscript traditions, and Wendy Doniger’s Introduction examines the significance of snake worship in classical Sanskrit texts.
  history of bengali literature sukumar sen: The Political History of Muslim Bengal Mahmudur Rahman, 2018-10-29 Bangladesh, the eastern half of earth’s largest delta, Bengal, is today an independent country of 163 million people. Among the 98% ethnic Bengali population, above 90 percent practice Islam. Surprisingly, Buddhism was the predominant religion of the region until the beginning of the 2nd millennium. In the midst of a long and fierce Brahman-Buddhist conflict, political Islam arrived in Bengal in the very early 13th century. Against the background of the above history, this book tells the story of successive religious and political transformations, touching upon the sensitive subject of Bengali Muslim identity. Encompassing a period of more than a millennium, it narrates a political history beginning with the independent Muslim Sultanate and closing with the 1971 liberation war of Bangladesh. The book concludes by discussing the present day, here termed “Authoritarian Secularism”.
  history of bengali literature sukumar sen: Girish Chandra Ghosh Utpal Datta, 1992 On the works of Girishchandra Ghose, 1844-1912, Bengali playwright and actor.
  history of bengali literature sukumar sen: Arts of Transitional India Twentieth Century Vinayak Purohit, 1988
  history of bengali literature sukumar sen: Bombay Modern Anjali Nerlekar, 2016-05-15 Anjali Nerlekar's Bombay Modern is a close reading of Arun Kolatkar's canonical poetic works that relocates the genre of poetry to the center of both Indian literary modernist studies and postcolonial Indian studies. Nerlekar shows how a bilingual, materialist reading of Kolatkar's texts uncovers a uniquely resistant sense of the local that defies the monolinguistic cultural pressures of the post-1960 years and straddles the boundaries of English and Marathi writing. Bombay Modern uncovers an alternative and provincial modernism through poetry, a genre that is marginal to postcolonial studies, and through bilingual scholarship across English and Marathi texts, a methodology that is currently peripheral at best to both modernist studies and postcolonial literary criticism in India. Eschewing any attempt to define an overarching or universal modernism, Bombay Modern delimits its sphere of study to Bombay and to the post-1960 (the sathottari period) in an attempt to examine at close range the specific way in which this poetry redeployed the regional, the national, and the international to create a very tangible yet transient local.
  history of bengali literature sukumar sen: Into the Twilight of Sanskrit Court Poetry Jesse Knutson, 2014-03-14 At the turn of the twelfth-century into the thirteenth, at the court of King Laksmanasena of Bengal, Sanskrit poetry showed profound and sudden changes: a new social scope made its definitive entrance into high literature.Ê Courtly and pastoral, rural and urban, cosmopolitan and vernacular confronted each other in a commingling of high and low styles. A literary salon in what is now Bangladesh, at the eastern extreme of the nexus of regional courtly cultures that defined the age, seems to have implicitly reformulated its entire literary system in the context of the imminent breakdown of the old courtly world, as Turkish power expanded and redefined the landscape.Ê Through close readings of a little-known corpus of texts from eastern India, this ambitious book demonstrates how a local and rural sensibility came to infuse the cosmopolitan language of Sanskrit, creating a regional literary idiom that would define the emergence of the Bengali language and its literary traditions.
  history of bengali literature sukumar sen: India in the World Antonia Navarro-Tejero, 2020-05-15 This volume uniquely gathers scholarly articles dealing with very dissimilar and kaleidoscopic perspectives on India. It provides an informative overview of the country, which has wide-ranging influences reaching far from India itself, since it has criss-crossed connections with many countries around the world. If read as a collection, this volume is witness to an interlocking network of ideas, attitudes and ideologies that emerge from the contemporary social and political world. The book, thus, highlights a variety of issues and the chapters promise to treat them with adequate justice. These features mean that this book can be approached by any person interested in India, given that it offers a diverse range of interesting topics related to the country. The reader glancing through the book will find themes spanning from the analysis of postcolonial literature written in English by Indian women, to sociological reflections on several diasporic situations, and from crossed influences between Indian culture and that of other countries, to the latest discussion topics in ancient Indian history, to mention a few.
  history of bengali literature sukumar sen: English and Hindi Religious Poetry Ramsaran, 2018-11-13 Preliminary Material /John A. Ramsaran -- Preface /John A. Ramsaran -- Introduction /John A. Ramsaran -- The European Background /John A. Ramsaran -- The Indian Background /John A. Ramsaran -- Religious Practice and Poetic Expression /John A. Ramsaran -- Middle English Lyrics and Saguṇa Bhakti /John A. Ramsaran -- The Baroque in English and Hindi Religious Poetry /John A. Ramsaran -- Divine Infatuation /John A. Ramsaran -- The Metaphysical Vision /John A. Ramsaran -- English Metrical Psalms, Donne's Holy Sonnets and Tulasī Dāsa's Vinaya Patrikā /John A. Ramsaran -- Allegory and the Religious Epic /John A. Ramsaran -- Conclusion /John A. Ramsaran -- Bibliography /John A. Ramsaran -- Index /John A. Ramsaran.
  history of bengali literature sukumar sen: From Bāṅgālār Ithihāsa to Bāṅgālīr Ithihāsa Srikanta Roy Chowdhury, 2007
  history of bengali literature sukumar sen: Hindutva as Political Monotheism Anustup Basu, 2020-08-17 In Hindutva as Political Monotheism, Anustup Basu offers a genealogical study of Hindutva—Hindu right-wing nationalism—to illustrate the significance of Western anthropology and political theory to the idea of India as a Hindu nation. Connecting Nazi jurist Carl Schmitt's notion of political theology to traditional theorems of Hindu sovereignty and nationhood, Basu demonstrates how Western and Indian theorists subsumed a vast array of polytheistic, pantheistic, and henotheistic cults featuring millions of gods into a singular edifice of faith. Basu exposes the purported “Hindu Nation” as itself an orientalist vision by analyzing three crucial moments: European anthropologists’ and Indian intellectuals’ invention of a unified Hinduism during the long nineteenth century; Indian ideologues’ adoption of ethnoreligious nationalism in pursuit of a single Hindu way of life in the twentieth century; and the transformations of this project in the era of finance capital, Bollywood, and new media. Arguing that Hindutva aligns with Enlightenment notions of nationalism, Basu foregrounds its significance not just to Narendra Modi's right-wing, anti-Muslim government but also to mainstream Indian nationalism and its credo of secularism and tolerance.
  history of bengali literature sukumar sen: Women of The Tagore Household Chitra Deb, 2010-04-06 The story of an accomplished group of Women who, more than any others, moulded Bengal's distinct ethos. The Tagore family has long been the focus of public curiosity. Like its men, the women of this illustrious family have had a great and enduring influence on the life and people of Bengal. Women of the Tagore Household portrays several generations of connoisseurs, aesthetes and lovers of literature who were nurtured under the umbrella of cultural richness and spiritual freedom that the extended family provided. We meet Rabindranath's wife Mrinalini and his sister-in-law Kadambari, who had considerable influence on the young poet; the progressive Jnandanandini who sailed alone to England in the nineteenth century, presenting to ordinary women a vision of courage and daring; and Sushama, who broke out of the confines of music, literature and culinary arts to tread the path of women's empowerment. This book reveals hitherto unknown aspects of women's emancipation in Bengal in which the women of the Jorasanko Tagore family were at the forefront-Chandramukhi and Kadambini were the first two female graduates of India, Protiva opened up music and dramatics to women by preparing musical notations for Brahmo sangeet and Hindustani classical music, and Pragya's prefaces to her cookbooks are still considered storehouses of not only recipes but also homemaking skills. This engaging narrative, spanning over three hundred years, highlights the Tagores' influence on the Bengal Renaissance and brings out the special role the Tagore women played in Bengali history and culture.
  history of bengali literature sukumar sen: In the Shade of the Golden Palace Thibaut d'Hubert, 2018-03-01 In the Shade of the Golden Palace explores the work of the prolific Bengali poet Alaol (fl. 1651-71), who translated five narrative poems and one versified treatise from medieval Hindi and Persian into Bengali. The book maps the genres, structures, and themes of Alaol's works, paying special attention to his discourse on poetics and his literary genealogy, which included Sanskrit, Avadhi, Maithili, Persian, and Bengali authors. D'Hubert focuses on courtly speech in Alaol's poetry, his revisiting of classical categories in a vernacular context, and the prominent role of performing arts in his conceptualization of the poetics of the written word. The foregrounding of this audacious theory of meaning in Alaol's poetry is a crucial contribution of the book, both in terms of general conceptual analysis and for its significance in the history of Bengali poetry. This book shows how multilingual literacy fostered a variety of literary experiments in the remote kingdom of Arakan, which lay between present-day southeastern Bangladesh and Myanmar, in the mid-17th century. D'Hubert also presents a detailed analysis of Middle Bengali narrative poems, as well as translations of Old Maithili, Brajabuli, and Middle Bengali lyric poems that illustrate the major poetic styles in the regional courts of eastern South Asia. In the Shade of the Golden Palace therefore fulfills three functions: it is a unique guide for readers of Middle Bengali poetry, a detailed study of the cultural history of the frontier region of Arakan, and an original contribution to the poetics of South Asian literatures.
  history of bengali literature sukumar sen: Gandhi and Tagore Gangeya Mukherji, 2015-11-06 This book brings together the political thought of Gandhi and Tagore to examine the relationship between politics, truth and conscience. It explores truth and conscience as viable public virtues with regard to two exemplars of ethical politics, addressing in turn the concerns of an evolving modern Indian political community. The comprehensive and textually argued discussion frames the subject of the validity of ethical politics in inhospitable contexts such as the fanatically despotic state and energised nationalism. The book studies in nuanced detail Tagore’s opposition to political violence in colonial Bengal, the scope of non-violence and satyagraha as recommended by Gandhi to Jews in Nazi Germany, his response to the complexity of protest against the Jallianwala Bagh massacre, and the differently constituted nationalism of Gandhi and Tagore. It presents their famous debate in a new light, embedded within the dynamics of cultural identification, political praxis and the capacity of a community to imbibe the principles of ethical politics. Comprehensive and perceptive in analysis, this book will be a valuable addition for scholars and researchers of political science with specialisation in Indian political thought, philosophy and history. Gangeya Mukherji is Reader in English at Mahamati Prannath Mahavidyalaya, Mau-Chitrakoot, Uttar Pradesh, India.
  history of bengali literature sukumar sen: Caitanya Vaiṣṇavism in Bengal Joseph T. O'Connell, 2018-10-29 Within the broad Hindu religious tradition, there have been for millennia many subtraditions generically called Vaiṣṇava, who insist that the most appropriate mode of religious faith and experience is bhakti, or devotion, to the supreme personal deity, Viṣṇu. Caitanya Vaiṣṇavas are a community of Vaiṣṇava devotees who coalesced around Kṛṣṇa Caitanya (1486–1533), who taught devotion to the name and form of Kṛṣṇa, especially in conjunction with his divine consort Rādhā and who also came to be looked upon by many as Kṛṣṇa himself who had graciously chosen to be born in Bengal to exemplify the ideal mode of loving devotion (prema-bhakti). This book focusses on the relationship between the ‘transcendent’ intentionality of religious faith of human beings and their ‘mundane’ socio-cultural ways of living, through a detailed study of the social implications of the Caitanya Vaiṣṇava devotional Hindu tradition in pre-colonial and colonial Bengal. Structured in two parts, the first analyzes the articulation of Kṛṣṇa-bhakti within the broad Hindu sector of Bengali society. The second section examines Hindu–Muslim relationships in Bengal from the particular vantage point of the Caitanya Vaiṣṇava tradition, and in which the subtle influence of Kṛṣṇa-bhakti, it is argued, may be detected. In both sections, the bulk of attention is given to the sixteenth and seventeenth centuries, when Bengal was under independent Sultanate or emergent Mughal rule and thus free of the impact of British and European colonial influence. Arguing that the Caitanya Vaiṣṇava devotion contributed to the softening of the potentially alienating socio-cultural divisions of class, caste, sect and religio-political community in Bengal, this book will be of interest to academics in the field of Asian Religion and Hinduism, in particular devotional Hinduism, both premodern and modern, as well as to scholars and students of South Asian social history, Hindu-Muslim relations, and Bengali religious culture.
  history of bengali literature sukumar sen: Encyclopaedia of Indian Literature Amaresh Datta, 1987 A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
  history of bengali literature sukumar sen: The Oxford India Anthology of Bengali Literature: 1861-1941 Kalpana Bardhan, 2010 The [Oxford India] Anthology of Bengali Literature: Volume I (1861-1941) spans a period of 80 years and includes the writings of some of the most representative figures in Bengali literature. Offering a judicious selection of a vast number of writers, the anthology includes works belonging to a wide range of genres including poetry, short story, novel, memoir, and essay, among others. The chronological listing of works by authors enables the readers to develop a sense of evolution of the various genres and sub-genres across the late nineteenth and early to mid twentieth centuries, while savouring this veritable feast of material. The volume is divided into three sections. The poetry section begins with Michael Madhusudan Datta (1824-73), includes the works of Rabindranath Tagore, Sukumar Ray, Jibanananda Das, Kazi Nazrul Islam, Buddhadeva Bose, and Bishnu Dey, among others, and ends with Samar Sen (1916-87). The section on short fiction includes celebrated practitioners like Bankimchandra Chatterjee, Rabindranath Tagore, Abanindranath Thakur, and Sharatchandra Chatterjee, among several others. Rashsundari Devi, Debendranath Thakur, Jagadish Chandra Bose, and Indira Devi Chaudhurani are some of the names that figure in the section on prose non-fiction.
  history of bengali literature sukumar sen: Empire, Media, and the Autonomous Woman Esha Niyogi De, 2011-09-07 Drawing lessons from the intersection of literature, photography, cinema, television, dance-drama, and choreography, this book presents a unique analysis of Indian activist thought spread over two centuries. In this wide-spanning work, Esha Niyogi De argues that the 'individual' has been creatively indigenized in modern non-Western cultures: thinkers attentive to gender in postcolonial cultures embrace selected ethical premises of the Enlightenment and its human rights discourse while they refuse possessive individualism. Debating influential schools of postcolonial and transnational studies, she weaves her radical argument through a rich tapestry of gender portrayals drawn from two moments of modern Indian thought: the rise of humanism in the colony and the growth of new individualism in contemporary liberalized India. From autobiographical texts by nineteenth-century Bengali prostitutes, point-of-view photography, as well as woman-centred dance-dramas and essays by Rabindranath Tagore to representations of Tagore's works on mainstream television, video, and stage; feminist cinema, choreography, and performance by Aparna Sen and Manjusri Chaki-Sircar respectively—the book makes use of these and much more to creatively engage with empire, media, and gender.
  history of bengali literature sukumar sen: The Varied Facets of History Aniruddha Ray, 2011 Aniruddha Ray retired as Professor of History, from the Department of Islamic History and Culture, University of Calcutta, Kolkata, West Bengal. Well known for his profound interest in historical research, Aniruddha Ray has written extensively about Mughal administration, technology and travelogues; the society and culture of Medieval Bengal; the economic history of the Sultanate and Mughal periods; overseas trade and merchants; and the French East India Company on the basis of a fine blending of his knowledge of Bengali, English and French sources. As a mark of esteem and affection, scholars in India and abroad have joined hands to offer him this volume. The festschrift reflects the range of Aniruddha Ray's interests and influences in some measure. The theme of the present volume includes the contemporary effort within academia to question the traditional representation of Indian history and the attempts in various areas of study to de-centre the writing of history, and to provide an alternative perspective to the history of fifteenth to nineteenth-century India. In this eclectic collection of essays one can see an innovative approach at work, which raises interesting questions when one situates these ideas and the historical evidence within the big picture, as one moves back and forth between the macro-perspective and the micro-history addressed in most of these essays. With eminent historians of the subcontinent contributing to it, The Varied Facets of History: Essays in Honour of Aniruddha Ray throws new light on aspects of Indian history: its sources and their interpretations, the evolution of cultural aspects like languages especially Hindi and Bengali, archaeology, painting, technology, trade and commerce and labour.
  history of bengali literature sukumar sen: Faces of the Feminine in Ancient, Medieval, and Modern India Mandakranta Bose, 2000-02-10 The essays in this collection explore ideas about women and their positions in Indian society from the earliest history to the present day. It is designed to provide primary material from literary, historical and sociological sources and to guide critical exploration of specific issues.
  history of bengali literature sukumar sen: Indo-iranica , 1999
  history of bengali literature sukumar sen: vnh ,
  history of bengali literature sukumar sen: The Cambridge Companion to Rabindranath Tagore Sukanta Chaudhuri, 2020-06-04 Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.
  history of bengali literature sukumar sen: Powers of the Secular Modern David Scott, Charles Hirschkind, 2006 This book presents a set of critical engagements by writers from a variety of disciplines with the work of noted anthropologist Talal Asad.
  history of bengali literature sukumar sen: Studies on Rabindranath Tagore Mohit Kumar Ray, 2004 The Epithet, Myriad-Minded Which Coleridge Applied To Shakespeare Seems To Be More Eminently Applicable To Rabindranath Tagore (1861-1941) Whose Long Life Of Eighty Years Was Marked By Ceaseless And Torrential Flow Of Creativity Manifested In The Richness And Variety Of All Kinds Of Literary Forms Dance, Drama, Music, Painting And Original Organizational Activities. Whatever He Touched Turned Into Gold. Touching The Kindred Points Of Heaven And Earth He Was Both A Man Of Action And Of Contemplation, A Seer And Also A Pioneer In Cooperative Movement, A Writer Of Most Profound Poems And An Author Of Children S Text-Books Including Books Of Science, A Nationalist And Internationalist, A Man Of Royal Grandeur Like His Grandfather, A Prince, And An Ascetic Like His Father, A Maharshi. He Was Both A Poet And A Painter, A Dramatist And An Actor, A Philosopher And A Social Reformer, An Educationist And A Humanist. In His Philosophy Of Life The Best Of The East And That Of The West Are Reconciled Into A Harmonious Whole Enriching The Quality And Substance Of Life Which He Always Saw Steady And Saw It Whole. His Life Was Marked As Much By Shakespearean Fecundity As By Protean Plasticity. His Inclusive Mind Aspired After The Universal Man Shining In The Glory Of Creation And Joie De Vivre.Tagore S Unfailing Faith In Man And Divinity, His Concern For Women And Solicitation For Children, His Sympathy For The Poor And The Downtrodden, His Philosophical Speculations And Practical Wisdom, His Perception Of The Zeitgeist And The Evolution Of Taste All Find Expression In The All-Encompassing Sweep Of His Writings In A Magnificent Synthesis Of Philosophical Profundity And Aesthetic Luxuriance.With The Passage Of Time Tagore Has Only Grown In Stature And Is Now Reckoned As An Increasingly Significant And Complex Personality. Whether Seen As A Great Sentinel Or A Complete Man, The Finest Exponent Of The Bengal Renaissance Or The Harbinger Of A New Age, A Majestic Personality Or A Deeply Scarred Individual, It Is Rewarding To Revisit Tagore A Miracle Of Literary History In The Light Of Modern Criticism.The Essays Included In This Volume Offer Illuminating Insights Into Various Facets Of Tagore S Literary Works, Mind And Personality. It Will Be Found Enjoyable As Well As Useful By Students, Scholars And General Readers.
  history of bengali literature sukumar sen: Inveterate Walkers, Literary Minds Anandarup Biswas, 2025-02-18 Inveterate Walkers, Literary Minds: Bengal’s Pilgrims and Their Himalayan Journeys brings under its critical focus the writings of Bengal’s travellers (mostly pilgrims) who went, on foot, into Himalayan trails from the mid-nineteenth to the early and mid-twentieth century. Unlike many European travellers and climbers in the age of empire, who saw the mountain as an obstacle overcoming which was a matter of individual and national pride, these modest walkers, unkempt and raddled in their meagre ways of travel, produced a discourse of surrender in their intimate and reflecting engagement with the mountains. The book examines the writings of Jadunath Sharbadhikary, the first among Bengal’s pilgrims whose Himalayan travels were published as a book and the more popular writers including Jaladhar Sen, Umaprasad Mukhopadhyay and Abadhut. It also traces emergent selfhoods and complex subjectivities of women travellers in particular, such as Ratnamala Devi, Rani Chanda and Nabaneeta Deb Sen whose accounts reveal both guarded, hesitant voices and self-assured, confident enunciation of the self.
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