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| heterologies discourse on the other: Heterologies Michel de Certeau, 1986 |
| heterologies discourse on the other: Heterologies Michel de Certeau, 1986 |
| heterologies discourse on the other: Heterologies Michel de Certeau, 1986 |
| heterologies discourse on the other: The Certeau Reader Michel de Certeau, 2000 |
| heterologies discourse on the other: Power, Voice and Subjectivity in Literature for Young Readers Maria Nikolajeva, 2009-09-10 This book considers one of the most controversial aspects of children’s and young adult literature: its use as an instrument of power. Children in contemporary Western society are oppressed and powerless, yet they are allowed, in fiction written by adults for the enlightenment and enjoyment of children, to become strong, brave, rich, powerful, and independent -- on certain conditions and for a limited time. Though the best children’s literature offers readers the potential to challenge the authority of adults, many authors use artistic means such as the narrative voice and the subject position to manipulate the child reader. Looking at key works from the eighteenth century to the present, Nikolajeva explores topics such as genre, gender, crossvocalization, species, and picturebook images. Contemporary power theories including social and cultural studies, carnival theory, feminism, postcolonial and queer studies, and narratology are also considered, in order to demonstrate how a balance is maintained between the two opposite inherent goals of children’s literature: to empower and to educate the child. |
| heterologies discourse on the other: The Practice of Everyday Life Michel de Certeau, 1984 Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de Certeau draws on an immense theoretical literature in analytic philosophy, linguistics, sociology, semiology, and anthropology--to speak of an apposite use of imaginative literature. |
| heterologies discourse on the other: Culture in the Plural Michel de Certeau, 1997 From the late Michel de Certeau comes an essential engagement with multiculturalism and identity politics. De Certeau stresses that anyone attempting to understand contemporary societies in the West must grasp the already-existing diversity that outflanks elitist conceptions of the national group. He argues compellingly that old ideas of social unity have no relevance in the diverse societies of today. |
| heterologies discourse on the other: The World, the Text, and the Critic Edward W. Said, 1983 Said demonstrates that critical discourse has been strengthened by the writings of Derrida and Foucault and by influences like Marxism, structuralism, linguistics, and psychoanalysis. But, he argues, these forces have compelled literature to meet the requirements of a theory or system, ignoring complex affiliations binding the texts to the world. |
| heterologies discourse on the other: The Melancholy Art Michael Ann Holly, 2013-02-24 Why the art historian's craft is a uniquely melancholy art Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian's craft. Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art objects and those who write about them? What institutional and personal needs does art history serve? What is lost in historical writing about art? The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy. |
| heterologies discourse on the other: Psychoanalysis and History Bruce Mazlish, 1971 |
| heterologies discourse on the other: The Order of Things Michel Foucault, 2005-08-18 Possibly one of the most significant, yet most overlooked, works of the twentieth century, it was The Order of Things that established Foucault's reputation as an intellectual giant. |
| heterologies discourse on the other: Discourses of the Vanishing Marilyn Ivy, 2010-02-15 Japan today is haunted by the ghosts its spectacular modernity has generated. Deep anxieties about the potential loss of national identity and continuity disturb many in Japan, despite widespread insistence that it has remained culturally intact. In this provocative conjoining of ethnography, history, and cultural criticism, Marilyn Ivy discloses these anxieties—and the attempts to contain them—as she tracks what she calls the vanishing: marginalized events, sites, and cultural practices suspended at moments of impending disappearance. Ivy shows how a fascination with cultural margins accompanied the emergence of Japan as a modern nation-state. This fascination culminated in the early twentieth-century establishment of Japanese folklore studies and its attempts to record the spectral, sometimes violent, narratives of those margins. She then traces the obsession with the vanishing through a range of contemporary reconfigurations: efforts by remote communities to promote themselves as nostalgic sites of authenticity, storytelling practices as signs of premodern presence, mass travel campaigns, recallings of the dead by blind mediums, and itinerant, kabuki-inspired populist theater. |
| heterologies discourse on the other: August Strindberg and the Other , 2022-05-20 The recent sesquicentennial of August Strindberg's (1849-1912) birth was an appropriate occasion for investigating the role of this towering figure in Nordic literature. By Eugene O'Neill once labeled the most modern of moderns, Strindberg the playwright has commanded a prophetic influence on 20th century drama and theater, and his voluminous production in several other genres continues to constitute a watershed and some of the highpoints in Swedish letters. Yet, Strindberg remains as controversial today as he was in his lifetime. The nature and degree of his modernity are still under discussion, and so is the impact of his remarkable genre-proliferation and border-transgressing Swedishness. Once considered too unruly for the pillars of society and too pious for the radicals, his artistic and existential points of gravity remain in critical dispute. Generally subjected to traditional modes of inquiry, Strindberg's complexity calls for new critical approaches. Strindberg and the Other brings together scholars, younger and older, from Scandinavia and abroad, who either venture such new approaches or engage their practitioners in fruitful dialogue. Especially promising among the volume's methodological and theoretical propositions is the notion of the 'other' and 'otherness.' Indeed, the image of August Strindberg himself is quite an-other at this millennium than it was just half a century ago. |
| heterologies discourse on the other: Margery Kempe and Translations of the Flesh Karma Lochrie, 2012-07-24 Selected by Choice magazine as an Outstanding Academic Book for 1999 Karma Lochrie demonstrates that women were associated not with the body but rather with the flesh, that disruptive aspect of body and soul which Augustine claimed was fissured with the Fall of Man. It is within this framework that she reads The Book of Margery Kempe, demonstrating the ways in which Kempe exploited the gendered ideologies of flesh and text through her controversial practices of writing, her inappropriate-seeming laughter, and the most notorious aspect of her mysticism, her hysterical weeping expressions of religious desire. Lochrie challenges prevailing scholarly assumptions of Kempe's illiteracy, her role in the writing of her book, her misunderstanding of mystical concepts, and the failure of her book to influence a reading community. In her work and her life, Kempe consistently crossed the barriers of those cultural taboos designed to exclude and silence her. Instead of viewing Kempe as marginal to the great mystical and literary traditions of the late Middle Ages, this study takes her seriously as a woman responding to the cultural constraints and exclusions of her time. Margery Kempe and Translations of the Flesh will be of interest to students and scholars of medieval studies, intellectual history, and feminist theory. |
| heterologies discourse on the other: Picture Theory W. J. T. Mitchell, William John Thomas Mitchell, 1995-09 What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the pictorial turn supplants the linguistic turn in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media. |
| heterologies discourse on the other: Under Western Eyes Balachandra Rajan, 1999 Analysis of the consolidation of British imperialist discourse about India from the seventeenth century to the 1830s. |
| heterologies discourse on the other: Christianity, The Other, and The Holocaust Michael R. Steele, 2003-02-28 According to the author, Christianity offers a powerful system of rewards and incentives to create cultural uniformity. Those who do not join in this cultural uniformity become anathematized, oppressed, marginalized, and ultimately removed from the Christian circle of moral obligation. Using culture studies as a framework for analysis, Steele investigates the ways in which Christianity created cultural conditions based on a theology of violence and the use of sacred violence to foster behaviors that would lead to the involvement of millions of perpetrators and bystanders during the many instances of extreme violence used against the Other over the centuries. As the original Disconfirming Other in the Christian cultural world, Jews often served as the primary target. Thus, there was a system of definitions, rewards, incentives, and victims already in place when the Nazis came to power. Calling for a re-evaluation of the cultural practices and values that have developed within Christianity over time, this important new book helps account for the phenomenon of the Nazi perpetrators and bystanders during the Holocaust. Framing the Holocaust as a late but logical development in a long series of violent responses by Christianity to the Other—those who stand outside the Christian world, either by geographical accident, religious tradition, or some other factor—the author attempts to show how the Holocaust, while not a specifically Christian event, was nevertheless sanctioned and conditioned by other events in the history of Christianity. Using culture studies to frame his analysis, Steele focuses on historical antecedents that help account for the apathy of bystanders and point to the preexistence of a moral framework supporting and empowering the perpetrators of the Holocaust. This unique perspective concludes that the Nazis invented almost nothing with regard to the Shoah, and that, instead, a long-standing insistence on cultural hegemony played a much bigger role in the attempted destruction of the Jewish community. |
| heterologies discourse on the other: Back to the Rough Grounds of Praxis Daniel Franklin Pilario, 2005 What is praxis? How do we do theology from its perspective? These are the main questions which this book seeks to answer. As propaedeutic to theological reflection, it surveys the notion of praxis in the philosophical, sociological and anthropological traditions - from Aristotle and Marx to contemporary theories. It argues that Pierre Bourdieu's 'theory of practice' achieves a critical synthesis of these different traditions making it a viable theological dialogue-partner. Bourdieu provides us with a praxeological theory to scrutinize the complexity of the social realm and an epistemological theory to understand the mystery of God's presence in these socio-historical conjunctures which serve as the privileged and only locus of His/Her revelation. The author thus engages two theologians who take praxis/practice as central to their theological methods: Clodovis Boff (liberation theology) and John Milbank (radical orthodoxy). From the perspective of its appropriated framework, this work attempts to avoid the limitations as well as preserves the gains achieved by these two approaches - as it also explores the rudiments of a theological method relevant to our post-Marxist and postmodern-global contexts. |
| heterologies discourse on the other: Humanism After Colonialism Claudia Alvares, 2006 This book is the result of a doctoral thesis defended at Goldsmith's College, University of London--Acknowledgements. |
| heterologies discourse on the other: Emily Dickinson and Hymn Culture Victoria N. Morgan, 2016-12-05 Extending the critical discussion which has focused on the hymns of Isaac Watts as an influence on Emily Dickinson's poetry, this study brings to bear the hymnody of Dickinson's female forbears and contemporaries and considers Isaac Watts's position as a Dissenter for a fuller understanding of Dickinson's engagement with hymn culture. Victoria N. Morgan argues that the emphasis on autonomy in Watts, a quality connected to his position as a Dissenter, and the work of women hymnists, who sought to redefine God in ways more compatible with their own experience, posing a challenge to the hierarchical 'I-Thou' form of address found in traditional hymns, inspired Dickinson's adoption of hymnic forms. As she traces the powerful intersection of tradition and experience in Dickinson's poetry, Morgan shows Dickinson using the modes and motifs of hymn culture to manipulate the space between concept and experience-a space in which Dickinson challenges old ways of thinking and expresses her own innovative ideas on spirituality. Focusing on Dickinson's use of bee imagery and on her notions of religious design, Morgan situates the radical re-visioning of the divine found in Dickinson's 'alternative hymns' in the context of the poet's engagement with a community of hymn writers. In her use of the fluid imagery of flight and community as metaphors for the divine, Dickinson anticipates the ideas of feminist theologians who privilege community over hierarchy. |
| heterologies discourse on the other: Obstinate Hebrews Ronald Schechter, 2003-04-14 Enlightenment writers, revolutionaries, and even Napoleon discussed and wrote about France's tiny Jewish population at great length. Why was there so much thinking about Jews when they were a minority of less than one percent and had little economic and virtually no political power? In this unusually wide-ranging study of representations of Jews in eighteenth-century France—both by Gentiles and Jews themselves—Ronald Schechteroffers fresh perspectives on the Enlightenment and French Revolution, on Jewish history, and on the nature of racism and intolerance. Informed by the latest historical scholarship and by the insights of cultural theory, Obstinate Hebrews is a fascinating tale of cultural appropriation cast in the light of modern society's preoccupation with the other. Schechter argues that the French paid attention to the Jews because thinking about the Jews helped them reflect on general issues of the day. These included the role of tradition in religion, the perfectibility of human nature, national identity, and the nature of citizenship. In a conclusion comparing and contrasting the Jewish question in France with discourses about women, blacks, and Native Americans, Schechter provocatively widens his inquiry, calling for a more historically precise approach to these important questions of difference. |
| heterologies discourse on the other: The Early Modern Hispanic World Kimberly Lynn, Erin Kathleen Rowe, 2017-01-31 This book engages with new ways of thinking about boundaries of the early modern Hispanic past, looking at current scholarly techniques. |
| heterologies discourse on the other: Curious Visions of Modernity David L. Martin, 2011-11-15 Haunted by a secret knowledge and a repressed enchantment, Western rationality is not what it seems. Rembrandt's famous painting of an anatomy lesson, the shrunken head of an Australian indigenous leader, an aerial view of Paris from a balloon: all are windows to enchantment, curiosities that illuminate something shadowy and forgotten lurking behind the neat facade of a rational world. In Curious Visions of Modernity, David Martin unpacks a collection of artifacts from the visual and historical archives of modernity, finding in each a slippage of scientific rationality—a repressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted by precisely those things that rationality sought to expunge from the “enlightened” world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces. In a narrative resembling the many-drawered curiosity cabinets of the Renaissance rather than the locked glass cases of the modern museum, he shows us a world renewed through the act of collecting the wondrous and aberrant objects of Creation; tortured and broken flesh rising from the dissecting tables of anatomy theaters to stalk the discourses of medical knowledge; and the spilling forth of a pictorializing geometry from the gilt frames of Renaissance panel paintings to venerate a panoptic god. Accounting for the visual disenchantment of modernity, Martin offers a curious vision of its reenchantment. |
| heterologies discourse on the other: Feminist Poetics Terry Threadgold, 2002-09-11 Feminist Poetics in concerned with all of these questions, but also with the issue of rewriting an older poetics for what it does not say about the marginalisation of the feminine. The first half of the book traces the trajectory of a particular, feminine, academic subject learning to find her voice. The second half uses that differently disciplined voice to re-read the textual traces of the Governor murder stories, murders committed against white women and children by black men in Australia in 1900. This book is a feminist poetics for those who are engaged in the teaching of literacies, and in the making of Knowledge about literacies. |
| heterologies discourse on the other: Psychoanalysis is an Antiphilosophy Justin Clemens, 2013-05-13 Love, hate, slavery, torture, addiction and death - as this book shows, only psychoanalysis can speak well of such matters. Psychoanalysis was the most important intellectual development of the 20th century, which left no practice from psychiatry to philosophy to politics untouched. Yet it was also in many ways an untouchable project, caught between science and poetry, medicine and hermeneutics. This unsettled, unsettling status has recently induced the philosopher Alain Badiou to characterise psychoanalysis as an 'antiphilosophy', that is, as a practice that issues the strongest possible challenges to thought. Justin Clemens takes up the challenge of this denomination here, by re-examining a series of crucial psychoanalytic themes: addiction, fanaticism, love, slavery and torture. Drawing from the work of Freud, Lacan, Badiou, Agamben and others, Psychoanalysis is an Antiphilosophy offers a radical reconstruction of the operations and import of key psychoanalytic concepts and a renewed sense of the indispensable powers of psychoanalysis for today. |
| heterologies discourse on the other: Psychosomatic Disorders in Seventeenth-Century French Literature Bernadette Höfer, 2016-04-15 Bernadette Höfer's innovative and ambitious monograph argues that the epistemology of the Cartesian mind/body dualism, and its insistence on the primacy of analytic thought over bodily function, has surprisingly little purchase in texts by prominent classical writers. In this study Höfer explores how Surin, Molière, Lafayette, and Racine represent interconnections of body and mind that influence behaviour, both voluntary and involuntary, and that thus disprove the classical notion of the mind as distinct from and superior to the body. The author's interdisciplinary perspective utilizes early modern medical and philosophical treatises, as well as contemporary medical compilations in the disciplines of psychosomatic medicine, neurobiology, and psychoanalysis, to demonstrate that these seventeenth-century French writers established a view of human existence that fully anticipates current thought regarding psychosomatic illness. |
| heterologies discourse on the other: Religion and Violence Hent de Vries, 2003-05-01 Chosen as an Outstanding Academic Title for 2003 by Choice Magazine Originally published in 2002. Does violence inevitably shadow our ethico-political engagements and decisions, including our understandings of identity, whether collective or individual? Questions that touch upon ethics and politics can greatly benefit from being rephrased in terms borrowed from the arsenal of religious and theological figures, because the association of such figures with a certain violence keeps moralism, whether in the form of fideism or humanism, at bay. Religion and Violence: Philosophical Perspectives from Kant to Derrida's careful posing of such questions and rearticulations pioneers new modalities for systematic engagement with religion and philosophy alike. |
| heterologies discourse on the other: Between the Psyche and the Polis Anne Whitehead, 2017-11-01 This title was first published in 2000. Incorporating studies of Freudian and Marxist approaches to questions of history and memory, this timely collection illuminates how history is being refigured in contemporary literary, cultural and theoretical studies. The contributors to this volume invite the reader to attend to the forms - linguistic, visual, monumental - by which a connection with, or separation from, the past takes place. It is current thinking about memory's relationship to history, and the ongoing critical reassessment of historicism, that preoccupies this collection. The volume explores the ways in which current thinking about the past operates within a dialogic space and can be located in relation to multiple perspectives. Thus cultural memory can be seen not just as a recent development within the field of cultural studies, but as constructing a between-space which also draws in aspects of psychoanalysis. Similarly, trauma theory may usefully be conceptualized as operating in a rich and complex dynamic between deconstruction and the work of Freud. Temporality, memory and the past are attended to here in terms of the dislocations of narrative, of resistances to linear genealogies, to aid the reader in making unanticipated connections between theories and cultures, and between the demands of the psyche and the polis. |
| heterologies discourse on the other: In Amazonia Hugh Raffles, 2014-09-15 The Amazon is not what it seems. As Hugh Raffles shows us in this captivating and innovative book, the world's last great wilderness has been transformed again and again by human activity. In Amazonia brings to life an Amazon whose allure and reality lie as much, or more, in what people have made of it as in what nature has wrought. It casts new light on centuries of encounter while describing the dramatic remaking of a sweeping landscape by residents of one small community in the Brazilian Amazon. Combining richly textured ethnographic research and lively historical analysis, Raffles weaves a fascinating story that changes our understanding of this region and challenges us to rethink what we mean by nature. Raffles draws from a wide range of material to demonstrate--in contrast to the tendency to downplay human agency in the Amazon--that the region is an outcome of the intimately intertwined histories of humans and nonhumans. He moves between a detailed narrative that analyzes the production of scientific knowledge about Amazonia over the centuries and an absorbing account of the extraordinary transformations to the fluvial landscape carried out over the past forty years by the inhabitants of Igarapé Guariba, four hours downstream from the nearest city. Engagingly written, theoretically inventive, and vividly illustrated, the book introduces a diverse range of characters--from sixteenth-century explorers and their native rivals to nineteenth-century naturalists and contemporary ecologists, logging company executives, and river-traders. A natural history of a different kind, In Amazonia shows how humans, animals, rivers, and forests all participate in the making of a region that remains today at the center of debates in environmental politics. |
| heterologies discourse on the other: Signs of Change Stephen Barker, 1996-02-22 This book examines the nature of change in history, philosophy, and culture. Precisely because the idea of change is so vast, the book's strategy is to exercise some control over it by organizing itself as a structured progression of theoretical, political, and ideological concerns whose focus is on change. Barker begins with the idea of history and historicity and proceeds through an investigation of the relationship of semiotics and hermeneutics to change, to topography and topology as functions of change, to sexuality and gender as political aspects of a hypothetical theory of change, and to the seemingly culminative issue of life and death themselves as functions of change. Finally, the book concludes with a coda concerning alterity both as concept and as lived and literary phenomenon ranging from the avant-garde's drunkenness to the alterity of the characters in Chinese poetry. Not only does the book not attempt to make categorical statements about the nature of change, but it delights in an open-ended discussion of the implications and reverberations of change throughout the world of human experience. |
| heterologies discourse on the other: Comparative Literature Asun López-Varela Azcárate, 2024-01-17 Comparative Literature - Interdisciplinary Considerations is a wide-ranging exploration of various aspects of comparative literature and cultural phenomena from different angles. The authors delve into intriguing topics such as literary tourism, biofiction, colonial/postcolonial literature, suspense in literature, and the interaction between different artistic mediums. For instance, the analysis of Gabriel García Márquez’s works sheds light on the genres of magic realism and the Latin American boom, as well as how his literature influences literary tourism experiences. Another example is the study of Anna Enquist’s work, which showcases the genre of biofiction and examines the complex messages conveyed through reconstructed voices and alternative perspectives, including the portrayal of Captain Cook’s wife. This is compared with historical accounts of the 18th-century Ottoman Empire during Sultan Selim III’s reign, as studied by Stanford Shaw in Between Old and New. The book also explores the theme of unease and suspense in Patricia Highsmith’s writing, focusing on her iconic character Tom Ripley, known for his psychological depth and morally ambiguous nature. Additionally, discussions on colonial/postcolonial literature and the representation of women’s restrictions from a historical perspective contribute to a better understanding of power dynamics, gender representation, and non-Western literature. Henri Fauconnier’s Malaisie is analyzed in the context of “paracoloniality,” highlighting the transformative potential of Western texts and emphasizing overlooked aspects in discussions of colonial and postcolonial literature. The volume offers valuable insights into the representation of nations and historical figures through Malay and Persian travel narratives, as well as their influence on cultural identity. Moreover, the chapters explore the evolution of literary genres, the interconnectedness of literature with other art forms, and the impact of technological advancements on artistic expression. Overall, this book provides valuable perspectives on the rich tapestry of literature, art, and culture. It encourages scholars to explore diverse cultural expressions and fosters interdisciplinary dialogue within the field of comparative literature. |
| heterologies discourse on the other: A Companion to the Anthropology of Death Antonius C. G. M. Robben, 2018-05-11 A thought-provoking examination of death, dying, and the afterlife Prominent scholars present their most recent work about mortuary rituals, grief and mourning, genocide, cyclical processes of life and death, biomedical developments, and the materiality of human corpses in this unique and illuminating book. Interrogating our most common practices surrounding death, the authors ask such questions as: How does the state wrest away control over the dead from bereaved relatives? Why do many mourners refuse to cut their emotional ties to the dead and nurture lasting bonds? Is death a final condition or can human remains acquire agency? The book is a refreshing reassessment of these issues and practices, a source of theoretical inspiration in the study of death. With contributions written by an international team of experts in their fields, A Companion to the Anthropology of Death is presented in six parts and covers such subjects as: Governing the Dead in Guatemala; After Death Communications (ADCs) in North America; Cryonic Suspension in the Secular Age; Blood and Organ Donation in China; The Fragility of Biomedicine; and more. A Companion to the Anthropology of Death is a comprehensive and accessible volume and an ideal resource for senior undergraduate and graduate students in courses such as Anthropology of Death, Medical Anthropology, Anthropology of Violence, Anthropology of the Body, and Political Anthropology. Written by leading international scholars in their fields A comprehensive survey of the most recent empirical research in the anthropology of death A fundamental critique of the early 20th century founding fathers of the anthropology of death Cross-cultural texts from tribal and industrial societies The collection is of interest to anyone concerned with the consequences of the state and massive violence on life and death |
| heterologies discourse on the other: Divine Enticement:Theological Seductions Karmen Mackendrick, 2013 Divine Enticement argues for a reconception of theology and it subject matter as modes of seduction, of both body and mind. Theological language as evocation opens onto rereadings of faith, sacrament, ethics, prayer and scripture. The conclusion argues for a sense of theology as calling upon infinite possibility. |
| heterologies discourse on the other: The Body in the Library , 2022-06-08 The body is increasingly understood as being at the centre of colonial and post-colonial relationships and textual productions. Creating and circulating images of the undisciplined body of the 'other' was and is a critical aspect of colonialism. Likewise, resistance to colonial practices was also frequently corporeal, with indigenous peoples appropriating, parodying, and subverting those European practices which were used to signify the 'civilized' status of the colonizing body. The Body in the Library reads representations of the corporeal in texts of empire; case studies include: • gendered representations of corporeality • medical régimes • ethnography and photography in the Pacific • cultural transvestism in theatre • disease and colonial knowledge generation • 'freak shows' and colonial exhibits • cinematic representations of bodies • geography and the metaphorization of land as a penetrable body • marketing the body • organ transplants and the limits of the post-colonial paradigm In viewing colonialism and resistance as a bodily phenomenon, The Body in the Library enables new perspectives on the process of colonization and resistance. It is an important resource for teachers and students of colonial and post-colonial literatures. |
| heterologies discourse on the other: Contemporary U.S. Latino/ A Literary Criticism L. Sandin, R. Perez, 2007-10-29 Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. This is the first compilation of essays to bring together the most important U.S. Latino/a literary criticism of the last decade. This timely text has been long in coming as U.S. Latino/a literary criticism has grown exponentially throughout U.S universities since 1995. |
| heterologies discourse on the other: Professional Historians in Public Berber Bevernage, Lutz Raphael, 2023-07-24 The past decades public interest in history is booming. This creates new opportunities but also challenges for professional historians. This book asks how historians deal with changing public demands for history and how these affect their professional practices, values and identities. The volume offers a great variety of detailed studies of cases where historians have applied their expertise outside the academic sphere. With contributions focusing on Latin America, Africa, Asia, the Pacific and Europe the book has a broad geographical scope. Subdivided in five sections, the book starts with a critical look back on some historians who broke with mainstream academic positions by combining their professional activities with an explicit political partisanship or social engagement. The second section focusses on the challenges historians are confronted with when entering the court room or more generally exposing their expertise to legal frameworks. The third section focuses on the effects of policy driven demands as well as direct political interventions and regulations on the historical profession. A fourth section looks at the challenges and opportunities related to the rise of new digital media. Finally several authors offer their view on normative standards that may help to better respond to new demands and to define role models for publicly engaged historians. This book aims at historians and other academics interested in public uses of history. |
| heterologies discourse on the other: Critical Theory and Performance Janelle G. Reinelt, Joseph R. Roach, 1992 The first comprehensive survey of the major critical currents and approaches in the lively field of performance studies |
| heterologies discourse on the other: Contradictory Subjects George Mariscal, 2018-09-05 This ambitious book attempts to rehistoricize the Golden Age of Spain (ca. 1550-1680) by placing literary production in its socio-cultural context. Drawing on theories of cultural materialism and making use of historical analysis, George Mariscal focuses on the ways in which the problem of subjectivity is constructed in the writing of the period, particularly the poetry of Francisco de Quevedo and Cervantes' Don Quixote. |
| heterologies discourse on the other: Diplomatic Para-citations Sam Okoth Opondo, 2022-02-09 This book combines poetry, prose, and theory in ways that speak to each other to offer new insight to the connectedness of the colonial world. |
| heterologies discourse on the other: Women, 'Race' and Writing in the Early Modern Period Margo Hendricks, Patricia Parker, 2013-08-21 Women, `Race' and Writing in the Early Modern Period is an extraordinarily comprehensive interdisciplinary examination of one of the most neglected areas in current scholarship. The contributors use literary, historical, anthropological and medical materials to explore an important intersection within the major era of European imperial expansion. The volume looks at: * the conditions of women's writing and the problems of female authorship in the period. * the tensions between recent feminist criticism and the questions of `race', empire and colonialism. *the relationship between the early modern period and post-colonial theory and recent African writing. Women, `Race' and Writing in the Early Modern Period contains ground-breaking work by some of the most exciting scholars in contemporary criticism and theory. It will be vital reading for anyone working or studying in the field. |
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