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| gulag arpeggio: The Complete Mandolin Method -- Intermediate Mandolin Greg Horne, 2004-02 Great for mandolinists who have learned the basics and are ready to take the next step. Important techniques are introduced like hammer-ons and pull-offs, different styles of tremolo, slides, cross-picking and rolls. Also included are in-depth discussions of how to learn tunes, introductions to new time signatures, and a more in-depth look at important musical styles. |
| gulag arpeggio: The Gulag Archipelago Volume 1 Aleksandr I. Solzhenitsyn, 2007-08-07 Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society |
| gulag arpeggio: The Gulag Archipelago Aleksandr Isaevich Solzhenit︠s︡yn, 1973 |
| gulag arpeggio: The Gulag Archipelago Aleksandr I. Solzhenitsyn, 2020-10-27 “BEST NONFICTION BOOK OF THE 20TH CENTURY.” —Time “It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum. Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200 fellow prisoners, and on Soviet archives, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression, the state within the state that once ruled all-powerfully with its creation by Lenin in 1918. Through truly Shakespearean portraits of its victims-this man, that woman, that child-we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations, the “welcome” that awaited Russian soldiers who had been German prisoners of war. Yet we also witness astounding moral courage, the incorruptibility with which the occasional individual or a few scattered groups, all defenseless, endured brutality and degradation. And Solzhenitsyn’s genius has transmuted this grisly indictment into a literary miracle. “The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan “Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword |
| gulag arpeggio: The Gulag Archipelago [Volume 1] Aleksandr I. Solzhenitsyn, 2020-10-27 “BEST NONFICTION BOOK OF THE 20TH CENTURY.” —Time Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society. Features a new foreword by Anne Applebaum. “The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan “It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker “Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword |
| gulag arpeggio: The Gulag Archipelago, 1918-1956 Aleksandr I. Solzhenitsyn, 1997-01-30 The Gulag Archipelago is Solzhenitsyn's attempt to compile a literary-historical record of the vast system of prisons and labor camps that came into being shortly after the Bolsheviks seized power in Russia in 1917 and that underwent an enormous expansion during the rule of Stalin from 1924 to 1953. Various sections of the three volumes describe the arrest, interrogation, conviction, transportation, and imprisonment of the Gulag's victims by Soviet authorities over four decades. The work mingles historical exposition and Solzhenitsyn's own autobiographical accounts with the voluminous personal testimony of other inmates that he collected and committed to memory during his imprisonment.Upon publication of the first volume of The Gulag Archipelago, Solzhenitsyn was immediately attacked in the Soviet press. Despite the intense interest in his fate that was shown in the West, he was arrested and charged with treason on February 12, 1974, and was exiled from the Soviet Union the following day. |
| gulag arpeggio: The Gulag Archipelago, 1918-1956 Aleksandr I. Solzhenitsyn, 1997-01-30 The Gulag Archipelago is Solzhenitsyn's attempt to compile a literary-historical record of the vast system of prisons and labor camps that came into being shortly after the Bolsheviks seized power in Russia in 1917 and that underwent an enormous expansion during the rule of Stalin from 1924 to 1953. Various sections of the three volumes describe the arrest, interrogation, conviction, transportation, and imprisonment of the Gulag's victims by Soviet authorities over four decades. The work mingles historical exposition and Solzhenitsyn's own autobiographical accounts with the voluminous personal testimony of other inmates that he collected and committed to memory during his imprisonment.Upon publication of the first volume of The Gulag Archipelago, Solzhenitsyn was immediately attacked in the Soviet press. Despite the intense interest in his fate that was shown in the West, he was arrested and charged with treason on February 12, 1974, and was exiled from the Soviet Union the following day. |
| gulag arpeggio: The Artifact W. Michael Gear, 1990-03-06 In a galaxy on the brink of civil war, the Brotherhood seeks to keep peace through diplomacy, subterfuge, and control of both technological advances and the carefully gathered knowledge of countless worlds. But now Speaker Archon, formerly a privateer and currently head of the world of Star’s Rest, has brought news of a discovery that may prove a great boon to humankind or a catalyst for its destruction. The Brotherhood ship Boaz, carrying diplomats representing all the human planets, stations, and colonies, is launched on a journey to distant Star’s Rest. Only Archon and his daughter know what awaits them there. And neither they nor Captain Carrasco can anticipate the treacherous games of intrigue and betrayal about to be played out aboard Boaz. Yet the greatest danger is that they will actually survive to reach Star’s Rest and the alien Artifact. For this creation of a long-vanished civilization has been waiting patiently for millennia to lure humans to extinction.... |
| gulag arpeggio: The Gulag Archipelago, 1918-1956 Aleksandr Isaevich Solzhenit͡s︡yn, 1974 |
| gulag arpeggio: The Gulag Archipelago [Volume 2] Aleksandr I. Solzhenitsyn, 2020-10-27 “BEST NONFICTION BOOK OF THE 20TH CENTURY.” —Time Volume 2 of the Nobel Prize-winner’s towering masterpiece: the story of Solzhenitsyn's entrance into the Soviet prison camps, where he would remain for nearly a decade. Features a new foreword by Anne Applebaum. “The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan “It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker “Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword |
| gulag arpeggio: The Gulag Archipelago Aleksandr Solzhenitsyn, 1975-10 Drawing on his own experiences before, during, and after his 11 years of incarceration and exile, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression. Through truly Shakespearean portraits of its victims, we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations. Yet we also witness astounding moral courage, the incorruptibility with which the occasional individual or a few scattered groups, all defenseless, endured brutality and degradation. Solzhenitsyn's genius has transmuted this grisly indictment into a literary miracle. |
| gulag arpeggio: The Gulag Archipelago [Volume 3] Aleksandr I. Solzhenitsyn, 2020-10-27 “BEST NONFICTION BOOK OF THE 20TH CENTURY.” —Time Volume 3 of the Nobel Prize winner’s towering masterpiece: Solzhenitsyn's moving account of resistance within the Soviet labor camps and his own release after eight years. Features a new foreword by Anne Applebaum. “The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan “It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, New Yorker “Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago helped create the world we live in today.” —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword |
| gulag arpeggio: The Gulag Archipelago Aleksandr Isaevich Solzhenitsyn, 1979-09-01 |
| gulag arpeggio: The Gulag Archipelago 1918-1956 Aleksandr I. Solzhenitsyn, 2002-02-01 Drawing on his own incarceration and exile, as well as on evidence from more than 200 fellow prisoners and Soviet archives, Aleksandr I. Solzhenitsyn reveals the entire apparatus of Soviet repression -- the state within the state that ruled all-powerfully. Through truly Shakespearean portraits of its victims -- men, women, and children -- we encounter secret police operations, labor camps and prisons; the uprooting or extermination of whole populations, the welcome that awaited Russian soldiers who had been German prisoners of war. Yet we also witness the astounding moral courage of the incorruptible, who, defenseless, endured great brutality and degradation. The Gulag Archipelago 1918-1956 -- a grisly indictment of a regime, fashioned here into a veritable literary miracle -- has now been updated with a new introduction that includes the fall of the Soviet Union and Solzhenitsyn's move back to Russia. |
| gulag arpeggio: The Orphan Sky Ella Leya, 2015-02-03 Set at the crossroads of Turkish, Persian and Russian cultures under the red flag of Communism in the late 1970s, The Orphan Sky reveals one woman's struggle to reconcile her ideals with the corrupt world around her, and to decide whether to betray her country or her heart. Leila is a young classical pianist who dreams of winning international competitions and bringing awards to her beloved country Azerbaijan. She is also a proud daughter of the Communist Party. When she receives an assignment from her communist mentor to spy on a music shop suspected of traitorous Western influences, she does it eagerly, determined to prove her worth to the Party. But Leila didn't anticipate the complications of meeting Tahir, the rebellious painter who owns the music shop. His jazz recordings, abstract art, and subversive political opinions crack open the veneer of the world she's been living in. Just when she begins to fall in love with both the West and Tahir, her comrades force her to make an impossible choice. |
| gulag arpeggio: Gulag Anne Applebaum, 2007-12-18 PULITZER PRIZE WINNER • This magisterial and acclaimed history offers the first fully documented portrait of the Gulag, from its origins in the Russian Revolution, through its expansion under Stalin, to its collapse in the era of glasnost. “A tragic testimony to how evil ideologically inspired dictatorships can be.” –The New York Times The Gulag—a vast array of Soviet concentration camps that held millions of political and criminal prisoners—was a system of repression and punishment that terrorized the entire society, embodying the worst tendencies of Soviet communism. Applebaum intimately re-creates what life was like in the camps and links them to the larger history of the Soviet Union. Immediately recognized as a landmark and long-overdue work of scholarship, Gulag is an essential book for anyone who wishes to understand the history of the twentieth century. |
| gulag arpeggio: Death and Redemption Steven A. Barnes, 2011-04-04 Death and Redemption offers a fundamental reinterpretation of the role of the Gulag--the Soviet Union's vast system of forced-labor camps, internal exile, and prisons--in Soviet society. Soviet authorities undoubtedly had the means to exterminate all the prisoners who passed through the Gulag, but unlike the Nazis they did not conceive of their concentration camps as instruments of genocide. In this provocative book, Steven Barnes argues that the Gulag must be understood primarily as a penal institution where prisoners were given one final chance to reintegrate into Soviet society. Millions whom authorities deemed reeducated through brutal forced labor were allowed to leave. Millions more who failed never got out alive. Drawing on newly opened archives in Russia and Kazakhstan as well as memoirs by actual prisoners, Barnes shows how the Gulag was integral to the Soviet goal of building a utopian socialist society. He takes readers into the Gulag itself, focusing on one outpost of the Gulag system in the Karaganda region of Kazakhstan, a location that featured the full panoply of Soviet detention institutions. Barnes traces the Gulag experience from its beginnings after the 1917 Russian Revolution to its decline following the 1953 death of Stalin. Death and Redemption reveals how the Gulag defined the border between those who would reenter Soviet society and those who would be excluded through death. |
| gulag arpeggio: The Gulag Archipelago Volume 1 Aleksandr Solzhenitsyn, 2022-09-27 The Gulag Archipelago: An Experiment in Literary Investigation (Russian: Архипелаг ГУЛАГ, Arkhipelag GULAG) Note 1 is a three-volume non-fiction text written between 1958 and 1968 by Russian writer and Soviet dissident Aleksandr Solzhenitsyn. It was first published in 1973, and translated into English and French the following year. It covers life in what is often known as the Gulag, the Soviet forced labour camp system, through a narrative constructed from various sources including reports, interviews, statements, diaries, legal documents, and Solzhenitsyn's own experience as a Gulag prisoner. Following its publication, the book initially circulated in samizdat underground publication in the Soviet Union until its appearance in the literary journal Novy Mir in 1989, in which a third of the work was published in three issues. Since the dissolution of the Soviet Union, The Gulag Archipelago has been officially published in Russia. Historian and archival researcher Stephen G. Wheatcroft described the book as a fine literary masterpiece, a sharp political indictment against the Soviet regime, and has had tremendous importance in raising the issue of Soviet repression in the Russian consciousness. Wheatcroft wrote that the book was essentially a literary and political work, and never claimed to place the camps in a historical or social-scientific quantitative perspective but that in the case of qualitative estimates, Solzhenitsyn gave his high estimate as he wanted to challenge the Soviet authorities to show that the scale of the camps was less than this.Note 3 UCLA historian J. Arch Getty wrote of Solzhenitsyn's methodology that such documentation is methodically unacceptable in other fields of history. Gabor Rittersporn shared Getty's criticism, saying that he is inclined to give priority to vague reminiscences and hearsay ... [and] inevitably [leads] towards selective bias. In an interview with the German weekly newspaper Die Zeit, British historian Orlando Figes stated that many Gulag inmates he interviewed for his research identified so strongly with the book's contents that they became unable to distinguish between their own experiences and what they read: The Gulag Archipelago spoke for a whole nation and was the voice of all those who suffered. Soviet dissident and historian Roy Medvedev referred to the book as extremely contradictory; in a review for the book, Medvedev described it as without parallel for its impact, saying: I believe there are few who will get up from their desks after reading this book the same as when they opened its first page. In this regard I have nothing with which to compare Solzhenitsyn's book either in Russian or world literature. (wikipedia.org) |
| gulag arpeggio: Return from the Archipelago Leona Toker, 2000 Comprehensive historical survey and critical analysis of the vast body of narrative literature about the Soviet gulag. Leona Toker organizes and characterizes both fictional narratives and survivors' memoirs as she explores the changing hallmarks of the genre from the 1920s through the Gorbachev era. Toker reflects on the writings and testimonies that shed light on the veiled aspects of totalitarianism, dehumanization, and atrocity. Identifying key themes that recur in the narratives -- arrest, the stages of trial, imprisonment, labor camps, exile, escapes, special punishment, the role of chance, and deprivation -- Toker discusses the historical, political, and social contexts of these accounts and the ethical and aesthetic imperative they fulfill. Her readings provide extraordinary insight into prisoners' experiences of the Soviet penal system. Special attention is devoted to the writings of Varlam Shalamov and Aleksandr Solzhenitsyn, but many works that are not well known in the West, especially those by women, are addressed. Consideration is also given to events that recently brought many memoirs to light years after they were written. |
| gulag arpeggio: The Web of Spider W. Michael Gear, 1989-07-01 The conclusion to Gear's thriling Spider sci-fi trilogy The Sirian rebellion had proved the catalyst for the rise of two powerful new forces in the galaxy. Ngen Van Chow, leader of the failed rebellion, had fled to a distant world, establishing a base from which he would launch an interstellar holy war of destruction, a war fueled by the discovery of a long-hidden technology that could transform ordinary men and women into fanatical soldiers of Deus. While on the long-lost colony planet of World, the Romanans, known as the warriors of Spider, and their Patrol allies—formerly part of the military and police force that kept order among the worlds and stations controlled by the computer network of the Directorate—prepared for civilization’s final stand against this seemingly unstoppable conqueror. |
| gulag arpeggio: The History of the Gulag Oleg V. Khlevniuk, 2004-01-01 The human cost of the Gulag, the Soviet labor camp system in which millions of people were imprisoned between 1920 and 1956, was staggering. Aleksandr Solzhenitsyn and others after him have written movingly about the Gulag, yet never has there been a thorough historical study of this unique and tragic episode in Soviet history. This groundbreaking book presents the first comprehensive, historically accurate account of the camp system. Russian historian Oleg Khlevniuk has mined the contents of extensive archives, including long-suppressed state and Communist Party documents, to uncover the secrets of the Gulag and how it became a central component of Soviet ideology and social policy. |
| gulag arpeggio: My Journey Olga Adamova-Sliozberg, 2011-08-30 This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps. Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head” (paper and pencils were not available to prisoners) every night for years. When she returned to Moscow after the war in 1946, she composed the memoir on paper for the first time and then buried it in the garden of the family dacha. After her re-arrest and seven more years of banishment to Kazakhstan, she returned to the dacha to dig up the buried memoir, but could not find it. She sat down and wrote it all over again. In her later years she also added a collection of stories about her family. Concluding on a hopeful note—Adamova-Sliozberg’s record is cleared, she re-marries a fellow former-prisoner, and she is reunited with her children—this story is a stunning account of perseverance in the face of injustice and unimaginable hardship. This vital primary source continues to fascinate anyone interesting in the tumultuous history of Russia and the Soviet Union in the twentieth century. |
| gulag arpeggio: The Gulag Archipelago: An Act In Deceit Mason Steiner, 2015-10-23 The Gulag Archipelago is often cited by anti-communists along with The Black Book of Communism. But author Mason Steiner challenges the view of the gulag with facts and statistics available from the soviet archives that disproves Alexander Solzhenitsyn's view of the gulag. |
| gulag arpeggio: The Gulag in Writings of Aleksandr Solzhenitsyn and Varlam Shalamov , 2021-08-16 Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov’s works, which he describes as “a result of exhaustion after years of hard labour in the camp”. By understanding the text as a “result”, Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as “document”, “thing” and “fact” became important for Shalamov’s self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying “to explain the slow course of history and what sort of one it has been”, assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth. Contributors: Andrea Gullotta, Fabian Heffermehl, Luba Jurgenson, Irina Karlsohn, Josefina Lundblad-Janjić, Elena Mikhailik, Michael A. Nicholson, Irina Sandomirskaja, Ulrich Schmid, Franziska Thun-Hohenstein, Leona Toker. |
| gulag arpeggio: The Soviet Gulag Michael David-Fox, 2016 Before the collapse of the Soviet Union and the subsequent archival revolution, Aleksandr Solzhenitsyn's famous literary investigation The Gulag Archipelago was the most authoritative overview of the Stalinist system of camps. This volume develops a much more thorough and nuanced understanding of the Gulag. It brings a greater awareness of the wide variety of camps, the forced labor system, and the Gulag as viewed in a global historical context, among many other topics. It also offers fascinating new interpretations of the interrelationship and importance of the Gulag to the larger Soviet political and economic system, and how they were in fact, parts of the same entity-- |
| gulag arpeggio: Oxford Companion to the English Language Tom McArthur, Jacqueline Lam-McArthur, Lise Fontaine, 2018-05-14 The Oxford Companion to the English Language provides an authoritative single-volume source of information about the English language. It is intended both for reference and for browsing. The first edition of this landmark Companion, published in 1998, adopted a strong international perspective, covering topics from Cockney to Creole, Aboriginal English to Caribbean English and a historical range from Chaucer to Chomsky, Latin to the World Wide Web. It succinctly described and discussed the English language at the end of the twentieth century, including its distribution and varieties, its cultural, political, and educational impact worldwide, its nature, origins, and prospects, and its pronunciation, grammar, vocabulary, word-formation, and usage. This new edition notably focuses on World Englishes, English language teaching, English as an international language, and the effect of technological advances on the English language. More than 130 new entries include African American English, British Sign Language, China English, digital literacy, multimodality, social networking, superdiversity, and text messaging, among many others. It also includes new biographical entries on key individuals who have had an impact on the English language in recent decades, including Beryl (Sue) Atkins, Adam Kilgariff, and John Sinclair. It is an invaluable reference for English Language students, and fascinating reading for any general reader with an interest in language. |
| gulag arpeggio: Fragments of Lives Jacques Rossi, 2019-04-01 In Fragmented Lives, Gulag survivor Jacques Rossi opens a window onto everyday life inside the notorious Soviet prison camp through a series of portraits of inmates and camp personnel across all walks of life—from workers to peasants, soldiers, civil servants, and party apparatchiks. Featuring Rossi’s original illustrations and written in a sharp and dry tone, Rossi’s vignettes are also filled with surprising humor. A former agent in the Spanish Civil War and a lifelong Communist, Rossi never considered himself a victim. Instead, in the manner of Primo Levi, Solzhenitsyn, and Margaret Buber-Neumann, he sought to share and transmute his experience within the living hell of the Gulag. In so doing, he gives voice to the inmates whose lives were shattered by one of the most corrupt and repressive regimes of the twentieth century. An impassioned reminder to always question one’s beliefs, to have the courage to give up one’s illusions at the risk of one’s life, Fragmented Lives lays bare, with acute observations and biting wit, the falsity of the Soviet utopia that transformed Rossi’s home into a “huge Potemkin village, a farcical sham dissimulating oceans of mud and blood.” |
| gulag arpeggio: The Gulag Archipelago, 1918-1956 Aleksandr Isaevich Solzhenit︠s︡yn, 1978 The Gulag Archipelago is Solzhenitsyn’s attempt to compile a literary-historical record of the vast system of prisons and labor camps that came into being shortly after the Bolsheviks seized power in Russia in 1917 and that underwent an enormous expansion during the rule of Stalin from 1924 to 1953. Various sections of the three volumes describe the arrest, interrogation, conviction, transportation, and imprisonment of the Gulag’s victims by Soviet authorities over four decades. The work mingles historical exposition and Solzhenitsyn’s own autobiographical accounts with the voluminous personal testimony of other inmates that he collected and committed to memory during his imprisonment.Upon publication of the first volume of The Gulag Archipelago, Solzhenitsyn was immediately attacked in the Soviet press. Despite the intense interest in his fate that was shown in the West, he was arrested and charged with treason on February 12, 1974, and was exiled from the Soviet Union the following day. |
| gulag arpeggio: Voices from the Gulag Aleksandr Isaevich Solzhenit︠s︡yn, 2010 After the publication of One Day in the Life of Ivan Denisovich in 1962, Aleksandr Solzhenitsyn began receiving, and would continue to receive throughout his life, testimonies from fellow survivors of the Gulag. Originally selected by Solzhenitsyn, the memoirs in this volume, by men from a wide variety of occupations and social classes, are an important addition to the literature of the Soviet forced-labor camps. Voices from the Gulag records the experiences of ordinary people - including a circus performer, a teenage boy, and a Red Army soldier - whom a brutal system attempted to erase from memory. --Book Jacket. |
| gulag arpeggio: The Gulag Archipelago, 1918-56 Aleksandr Isaevich Solzhenit︠s︡yn, 2003 The Gulag Archipelago is Solzhenitsyn's masterwork, a vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators and also of heroism, a Stalinist anti-world at the heart of the Soviet Union where the key to survival lay not in hope but in despair. The work is based on the testimony of some two hundred survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile. It is both a thoroughly researched document and a feat of literary and imaginative power. This edition has been abridged into one volume at the author's wish and with his full co-operation. |
| gulag arpeggio: Origins Of The Gulag Michael Jakobson, 2014-07-15 A vast network of prison camps was an essential part of the Stalinist system. Conditions in the camps were brutal, life expectancy short. At their peak, they housed millions, and hardly an individual in the Soviet Union remained untouched by their tentacles. Michael Jakobson's is the first study to examine the most crucial period in the history of the camps: from the October Revolution of 1917, when the tsarist prison system was destroyed to October 1934, when all places of confinement were consolidated under one agency—the infamous GULAG. The prison camps served the Soviet government in many ways: to isolate opponents and frighten the population into submission, to increase labor productivity through the arrest of inefficient workers, and to provide labor for factories, mines, lumbering, and construction projects. Jakobson focuses on the structure and interrelations of prison agencies, the Bolshevik views of crime and punishment and inmate reeducation, and prison self-sufficiency. He also describes how political conditions and competition among prison agencies contributed to an unprecedented expansion of the system. Finally, he disputes the official claim of 1931 that the system was profitable—a claim long accepted by former inmates and Western researchers and used to explain the proliferation of the camps and their population. Did Marxism or the Bolshevik Revolution or Leninism inexorably lead to the GULAG system? Were its origins truly evil or merely banal? Jakobson's important book probes the official record to cast new light on a system that for a time supported but ultimately helped destroy the now fallen Soviet colossus. |
| gulag arpeggio: Jacques the Frenchman Jacques Rossi, MichŠle Sarde, 2020-02-25 Jacques Rossi was one of the most astute observers of the Stalinist system, in addition to being one of its victims. |
| gulag arpeggio: The Unknown Gulag Lynne Viola, 2007 One of Stalin's most heinous acts was the ruthless repression of millions of peasants in the early 1930s, an act that established the very foundations of the gulag. Now, with the opening of Soviet archives, an entirely new dimension of Stalin's brutality has been uncovered. |
| gulag arpeggio: Illness and Inhumanity in Stalin's Gulag Golfo Alexopoulos, 2017-04-25 A new and chilling study of lethal human exploitation in the Soviet forced labor camps, one of the pillars of Stalinist terror In a shocking new study of life and death in Stalin’s Gulag, historian Golfo Alexopoulos suggests that Soviet forced labor camps were driven by brutal exploitation and often administered as death camps. The first study to examine the Gulag penal system through the lens of health, medicine, and human exploitation, this extraordinary work draws from previously inaccessible archives to offer a chilling new view of one of the pillars of Stalinist terror. |
| gulag arpeggio: Outer Limits Stan Timmons, 2003 Paul Stein wakes in a prison cell, with no idea why he's been imprisoned, or how he got there. One thing is made clear to him by the guards, however: He's scheduled to dies in three days time. How could that have happened? What crime could he have possibly committed that would condemn him to death? For Paul, the answers may be found among the secrets of the N'lani, the alien invaders who now rule Earth, or simply by looking in a mirror-- for the body Paul Stein inhabits is not his own. |
| gulag arpeggio: Siberia and the Gulag: the History and Legacy of Russia's Most Notorious Territory and Prison Camp System Charles River Charles River Editors, 2019-01-16 *Includes pictures *Includes contemporary accounts *Includes online resources and a bibliography for further reading Over the long course of Russian history, perhaps no aspect of the giant country has generated interest quite like Siberia, the easternmost part of Russia that lies in Asia. Generally speaking, all that is widely known about Siberia is that it is really big and really cold, which, to be fair, are good starting points for a deeper exploration of this fascinating region. The name Siberia comes to English from Russian and was originally from the word Sibir, a fortress of the Tatar people which was located on the Tobol and Irtysh Rivers . However, it referred more generally to the Khanate of Sibir, the land just east of the Urals that served as the gateway to a network of rivers that stretched all the way to the Pacific in the far east. Hence, it eventually gave its name to that entire region. Despite making up nearly 66% of the country, Siberia is only inhabited by 40 million people, making it one of the most sparsely populated places on the planet. Given its brutal climate and the strategic depth offered by the region, it should perhaps come as no surprise that the region is best known today for being the location where political prisoners were sent to the infamous Russian labor camps. One of the most idiosyncratic horrors of Soviet Russia was the Gulag system, an extensive network of forced labor and concentration camps. Part of the rationale behind this system was that it could serve as slave labor in the drive for industrialization, while also serving as a form of punishment. The name Gulag is in fact an acronym, approximating to Main Administration of Camps (in Russian: Glavnoe Upravlenie Lagerei) and operated by the Soviet Union's Ministry of the Interior. The Gulag consisted of internment camps, forced labor camps, psychiatric hospital facilities, and special laboratories, and its prisoners were known as zeks. Such was the closed and secretive nature of the Soviet state that to this day, knowledge of the Gulag system comes mainly from Western studies, firsthand accounts by prisoners such as Aleksandr Solzhenitsyn, and some local studies after the fall of communism. The most recognizable version of the Gulag, a term that was never pluralized in Russia itself, existed from the 1930s-1950s, a period in which a huge network of camps and prisons was established across the vast Soviet federation. Prisoners were often used as forced labor, made to do physically arduous and soul-destroying tasks. Some workers helped to build large infrastructure projects, and indeed the system was partly rationalized in terms of economics. Though it's often forgotten today, in many respects the Gulags represented a continuation (albeit a more far-reaching version) of the kind of punishment meted out during the Russian Empire under the Romanov dynasty, which was overthrown in 1917. Therefore, it is necessary to examine the system in the context of the broader history of Russia and its empire, even as the system of repression, imprisonment and punishment persisted for decades in the Soviet Union and has been primarily aligned with the rule of one leader: Josef Stalin. As the USSR's leader for almost 30 years and one of history's most notorious tyrants, Stalin was a believer in the economic utility of the Gulags' forced labor. He was so paranoid that he constantly saw potential enemies among his people, particularly his Bolshevik contemporaries. Stalin sent hundreds of thousands to the Gulags, notably in the 1930s during his Great Terror and after the end of the Second World War. Siberia and the Gulag: The History and Legacy of Russia's Most Notorious Territory and Prison Camp System details the history of Siberia and the Soviet Gulag system. Along with pictures of important people, places, and events, you will learn about Siberia and the Gulag like never before. |
| gulag arpeggio: Rethinking the Gulag Alan Barenberg, Emily D. Johnson, 2022-03 The Soviet Gulag was one of the largest, most complex, and deadliest systems of incarceration in the 20th century. What lessons can we learn from its network of labor camps and prisons and exile settlements, which stretched across vast geographic expanses, included varied institutions, and brought together inmates from all the Soviet Union's ethnicities, professions, and social classes? Drawing on a massive body of documentary evidence, Rethinking the Gulag: Identities, Sources, Legacies explores the Soviet penal system from various disciplinary perspectives. Divided into three sections, the collection first considers identities—the lived experiences of contingents of detainees who have rarely figured in Gulag histories to date, such as common criminals and clerics. The second section surveys sources to explore the ways new research methods can revolutionize our understanding of the system. The third section studies legacies to reveal the aftermath of the Gulag, including the folk beliefs and traditions it has inspired and the museums built to memorialize it. While all the chapters respond to one another, each section also concludes with a reaction by a leading researcher: geographer Judith Pallot, historian Lynne Viola, and cultural historian and literary scholar Alexander Etkind. Moving away from grand metaphorical or theoretical models, Rethinking the Gulag instead unearths the complexities and nuances of experience that represent a primary focus in the new wave of Gulag studies. |
| gulag arpeggio: Gulag Boss Fyodor Vasilevich Mochulsky, 2010-11-04 The searing accounts of Aleksandr Solzhenitsyn, Evgeniia Ginsberg and Varlam Shalamov opened the world's eyes to the terrors of the Soviet Gulag. But not until now has there been a memoir of life inside the camps written from the perspective of an actual employee of the Secret police. In this riveting memoir, superbly translated by Deborah Kaple, Fyodor Mochulsky describes being sent to work as a boss at the forced labor camp of Pechorlag in the frozen tundra north of the Arctic Circle. Only twenty-two years old, he had but a vague idea of the true nature of the Gulag. What he discovered was a world of unimaginable suffering and death, a world where men were starved, beaten, worked to death, or simply executed. Mochulsky details the horrific conditions in the camps and the challenges facing all those involved, from prisoners to guards. He depicts the power struggles within the camps between the secret police and the communist party, between the political prisoners (most of whom had been arrested for the generic crime of counter-revolutionary activities) and the criminal convicts. And because Mochulsky writes of what he witnessed with the detachment of the engineer that he was, readers can easily understand how a system that destroyed millions of lives could be run by ordinary Soviet citizens who believed they were advancing the cause of socialism. Mochulsky remained a communist party member his entire life--he would later become a diplomat--but was deeply troubled by the gap between socialist theory and the Soviet reality of slave labor and mass murder. This unprecedented memoir takes readers into that reality and sheds new light on one of the most harrowing tragedies of the 20th century. |
| gulag arpeggio: The Gulags: The History and Legacy of the Notorious Soviet Labor Camps Charles River Editors, 2018-12-26 *Includes pictures *Includes accounts *Includes a bibliography for further reading One of the most idiosyncratic horrors of Soviet Russia was the Gulag system, an extensive network of forced labor and concentration camps. Part of the rationale behind this system was that it could serve as slave labor in the drive for industrialization, while also serving as a form of punishment. The name Gulag is in fact an acronym, approximating to Main Administration of Camps (in Russian: Glavnoe Upravlenie Lagerei) and operated by the Soviet Union's Ministry of the Interior. The Gulag consisted of internment camps, forced labor camps, psychiatric hospital facilities, and special laboratories, and its prisoners were known as zeks. Such was the closed and secretive nature of the Soviet state that to this day, knowledge of the Gulag system comes mainly from Western studies, firsthand accounts by prisoners such as Aleksandr Solzhenitsyn, and some local studies after the fall of communism. The most recognizable version of the Gulag, a term that was never pluralized in Russia itself, existed from the 1930s-1950s, a period in which a huge network of camps and prisons was established across the vast Soviet federation. Prisoners were often used as forced labor, made to do physically arduous and soul-destroying tasks. Some workers helped to build large infrastructure projects, and indeed the system was partly rationalized in terms of economics. By the early 1960s, Gulags were synonymous with various forms of punishments, including house arrest, imprisonment in isolated places, or confinement to a mental hospital where a prisoner would be declared insane or diagnosed with a political form of psychosis. In its later years, the Gulags held a particular place in the public's imagination, both within the USSR and in the outside world. They could mean exile, brutal punishment, or simply being banished to Siberia. Though it's often forgotten today, in many respects the Gulags represented a continuation (albeit a more far-reaching version) of the kind of punishment meted out during the Russian Empire under the Romanov dynasty, which was overthrown in 1917. Therefore, it is necessary to examine the system in the context of the broader history of Russia and its empire, even as the system of repression, imprisonment and punishment persisted for decades in the Soviet Union and has been primarily aligned with the rule of one leader: Josef Stalin. As the USSR's leader for almost 30 years and one of history's most notorious tyrants, Stalin was a believer in the economic utility of the Gulags' forced labor. He was so paranoid that he constantly saw potential enemies among his people, particularly his Bolshevik contemporaries. Stalin sent hundreds of thousands to the Gulags, notably in the 1930s during his Great Terror and after the end of the Second World War. For Soviet politicians, the Gulags served as a propaganda disaster, and they were constantly cited by Western leaders. Many nominal supporters of the Soviet Union were forced to reappraise their stance towards the country when reports of Stalin's Gulag became common knowledge, and the prison camps became an international issue during the Cold War, especially as human rights became a foreign policy priority for the West in the 1970s. A number of Soviet dissidents and former or current occupants of the Gulag, including Aleksandr Solzhenitsyn, became cause celebres for campaigners outside the country. The USSR collapsed in December 1991, and it can be argued that the labor camps were not only integral to the very existence of the Soviet Union, but also a damning indictment of the Soviets' failed experiment in communist totalitarianism. The Gulags: The History and Legacy of the Notorious Soviet Labor Camps examines the rise of the labor camps, how they were instutionalized by Soviet leaders, and what life was like for the prisoners. |
| gulag arpeggio: Gulag Solzhenitsyn, 2018-02-08 Gulag adalah neraka bagi rakyat Uni Sovyet di bawah kekuasaan Stalin yang tersembunyi dari mata dunia. Tak seorang pun mampu luput darinya, termasuk pemuka agama, wanita, bahkan anak-anak. Dengan gaya bertutur yang tangkas dan lincah, kadang berbau satiris, Solzhenitsyn menuturkan operasi penangkapan, kamp kerja paksa, suasana batin dan derita fisik para tahanan, dan orang-orang yang secara mengejutkan memiliki keteguhan moral menghadapi penindasan dan penyiksaan, serta kehidupan di pengasingan. Solzhenitsyn lebih menekankan aspek moral dari persoalan yang diangkatnya ini. Pengungkapan kekejaman dan keculasan yang dilakukan sebuah rezim penguasa tidak cukup hanya dipandang sebagai masalah politik, tetapi juga merupakan masalah moral yang mengantarkan pembaca pada pertanyaan-pertanyaan mendasar tentang sifat manusia sendiri: apakah manusia pada dasarnya memang jahat? Ataukah baik? Dan mungkin yang paling penting: mengapa manusia sering kali tidak mampu menentang kejahatan yang terjad di depan matanya sendiri? Melalui versi ringkas The Gulag Archipelago ini, Solzhenitsyn sekali lagi membuktikan bahwa kekuasaan pemerintah memang mampu melakukan berbagai bentuk kekejaman kepada manusia, fisik maupun mental, tapi tidak akan pernah bisa benar-benar memadamkan semangat manusia. [Mizan, Bentang Pustaka, Novel Terjemahan, Sosial, Politik, Dewasa, Indonesia] |
Gulag - Wikipedia
The Gulag spanned nearly four decades of Soviet and East European history and affected millions of individuals. Its cultural impact was enormous. The Gulag has become a major influence …
Gulag | Definition, History, Prison, & Facts | Britannica
May 19, 2025 · Gulag, system of Soviet labor camps and accompanying detention and transit camps and prisons that from the 1920s to the mid-1950s housed the political prisoners …
Gulag: Meaning, Archipelago & Definition - HISTORY
Mar 23, 2018 · What Is a Gulag? The Gulag was a system of forced labor camps established during Joseph Stalin’s reign as dictator of the Soviet Union. The notorious prisons, which …
The terror of the gulags: Stalin’s iron-fisted control ove…
From the 1920s through to the 1950s, under the iron-clad rule of Joseph Stalin, a system of labor camps known as 'gulags' carved a harsh scar on the psyche of the Soviet Union.
Surviving the Gulag: Life and Death in Stalin’s Forced Labo…
In the sprawling network of Soviet forced labor camps known as the Gulag, millions of men and women were subjected to unimaginable horrors. They were forced into back …
Gulag - Wikipedia
The Gulag spanned nearly four decades of Soviet and East European history and affected millions of individuals. Its cultural impact was enormous. The Gulag has become a major …
Gulag | Definition, History, Prison, & Facts | Britannica
May 19, 2025 · Gulag, system of Soviet labor camps and accompanying detention and transit camps and prisons that from the 1920s to the mid-1950s housed the political prisoners and …
Gulag: Meaning, Archipelago & Definition - HISTORY
Mar 23, 2018 · What Is a Gulag? The Gulag was a system of forced labor camps established during Joseph Stalin’s reign as dictator of the Soviet Union. The notorious prisons, which …
The terror of the gulags: Stalin’s iron-fisted control over ...
From the 1920s through to the 1950s, under the iron-clad rule of Joseph Stalin, a system of labor camps known as 'gulags' carved a harsh scar on the psyche of the Soviet Union.
Surviving the Gulag: Life and Death in Stalin’s Forced Labor ...
In the sprawling network of Soviet forced labor camps known as the Gulag, millions of men and women were subjected to unimaginable horrors. They were forced into back-breaking labor …
What is a Gulag? (with pictures) - Historical Index
May 23, 2024 · A gulag is a forced labor camp; the term is derived from the Russian Glavnoye Upravleniye Ispravitel'no-Trudovykh Lagerey i koloniy, or “Chief Administration of Corrective …
How The Soviet Gulag System Brutalized Millions In The 20th ...
Jul 18, 2022 · Started by Vladimir Lenin, and expanded by Joseph Stalin, gulags made up a defining part of life in the Soviet Union. As many as 30,000 camps operated across the USSR, …
The history of the Gulag - Gulag.online
Creation of the Main Camp Administration (Glavnoye upravleniye lagerey, GULAG – an acronym that has appeared sporadically since 1930) under the USSR’s People’s Commissariat of …
Gulag: Soviet Forced Labor Camps and the Struggle for Freedom
The term “GULAG” is an acronym for the Soviet bureaucratic institution, Glavnoe Upravlenie ispravitel’no-trudovykh LAGerei (Main Administration of Corrective Labor Camps), that …
The Gulag: Life Inside - Hoover Institution
Jan 30, 2005 · The Hoover Institution Archives houses an extensive collection of material on the Soviet Gulag. The diaries, letters, faded photographs, and prison records offer remarkable …
