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| gustave flaubert biographie: The Letters of Gustave Flaubert Gustave Flaubert, 2023-09-26 Appearing in a single volume for the very first time, an illuminating and enrichingly annotated selection of correspondence from one of Western literature’s most revered writers. “If there is one article of faith that dominates the Credo of Gustave Flaubert’s correspondence,” Francis Steegmuller writes in the introduction to this selection of Flaubert’s letters, “it is that the function of great art is not to provide ‘answers.’” The Letters of Gustave Flaubert is above all a record of the intransigent questions—personal, political, artistic—with which Flaubert struggled throughout his life. Here we have Flaubert’s youthful, sensual outpourings to his mistress, the poet Louise Colet, and, as he advances, still unknown, into his thirties, the wrestle to write Madame Bovary. We hear, too, of his life-changing trip to Egypt, as described to family and friends, and then there are lively exchanges with Baudelaire, with the influential critic Sainte-Beuve, and with Guy de Maupassant, his young protégé. Flaubert’s letters to George Sand reveal her as the great confidante of his later years. Steegmuller’s book, a classic in its own right, is both a splendid life of Flaubert in his own words and the ars poetica of the master who laid the foundations for modern writers from James Joyce to Lydia Davis. Originally issued in two volumes, the book appears here for the first time under a single cover. |
| gustave flaubert biographie: The Letters of Gustave Flaubert 1830-1857 Gustave Flaubert, Francis Steegmuller, 1980 |
| gustave flaubert biographie: The George Sand-Gustave Flaubert Letters (Volume 1 of 2) (EasyRead Super Large 18pt Edition) , |
| gustave flaubert biographie: The Selected Letters of Gustave Flaubert Gustave Flaubert, 1957 |
| gustave flaubert biographie: Gustave Flaubert as Seen in His Works and Correspondence John Charles Tarver, 1895 |
| gustave flaubert biographie: GUSTAVE FLAUBERT AS SEEN IN HI John Charles 1854-1926 Tarver, Gustave 1821-1880 Flaubert, 2016-08-26 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| gustave flaubert biographie: The Family Idiot Jean-Paul Sartre, 1981 A psychoanalytic portrait of Flaubert with reference to the ideology of his period, the crisis in literature, and his role as one both influenced by all this and influencing the future of literature. -- Dust jacket. |
| gustave flaubert biographie: Flaubert Frederick Brown, 2007-10 In this riveting landmark biography, Brown illuminates the life and career of the author of Madame Bovary, shedding light on not only the novelist but also his milieu--the Paris and Normandy of the revolution of 1848 and of the Second Empire. |
| gustave flaubert biographie: Flaubert - Sand Gustave Flaubert, 1993 |
| gustave flaubert biographie: Flaubert in Egypt Gustave Flaubert, 1996-03-01 Flaubert's unforgettable memoirs of travels abroad At once a classic of travel literature and a penetrating portrait of a “sensibility on tour,” Flaubert in Egypt wonderfully captures the young writer’s impressions during his 1849 voyages. Using diaries, letters, travel notes, and the evidence of Flaubert’s traveling companion, Maxime Du Camp, Francis Steegmuller reconstructs his journey through the bazaars and brothels of Cairo and down the Nile to the Red Sea. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
| gustave flaubert biographie: Flaubert's Parrot Julian Barnes, 2011-06-15 BOOKER PRIZE NOMINEE • From the internationally bestselling author of The Sense of an Ending comes a literary detective story of a retired doctor obsessed with the 19th century French author Flaubert—and with tracking down the stuffed parrot that once inspired him. • “A high literary entertainment carried off with great brio.” —The New York Times Book Review Julian Barnes playfully combines a detective story with a character study of its detective, embedded in a brilliant riff on literary genius. A compelling weave of fiction and imaginatively ordered fact, Flaubert's Parrot is by turns moving and entertaining, witty and scholarly, and a tour de force of seductive originality. |
| gustave flaubert biographie: Flaubert Michel Winock, 2016-10-17 A “well-researched, elegantly written” study of the life and work of 19th-century French author Gustave Flaubert (Roger Pearson, University of Oxford). Michel Winock’s biography situates Gustave Flaubert’s life and work in France’s century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation—and a source of literary inspiration. Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his “hole” in Croisset to pursue a variety of pleasures: fervent friendships, society soirées, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert’s contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias. Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time. Praise for Flaubert “This generous study ingeniously builds a narrative around Flaubert’s own words—from not only the novels but also voluminous correspondence and unpublished work. Adding light background and analysis, Winock allows the mind of the Master to shine.” —The New Yorker “It is precisely the historical background of Flaubert’s times, both its conscious and its invisible impingements on the writer’s sensibility, on which Winock is especially revelatory . . . Michel Winock has written a compelling and stylish biography, and Nicholas Elliott has brought it into English with flair and skill.” —Bruce Whiteman, Hudson Review “Noted French historian Winock’s biography succeeds in presenting a fresh portrait of a man plagued by paradoxes . . . Winock provides absorbing background related to the country’s social and political scenes that occurred during his subject’s lifetime.” —Erica Swenson Danowitz, Library Journal |
| gustave flaubert biographie: Gustave Flaubert Stratton Buck, 1966 A historical and critical appreciation of the author's works. |
| gustave flaubert biographie: The Family Idiot Jean-Paul Sartre, 1981 A psychoanalytic portrait of Flaubert with reference to the ideology of his period, the crisis in literature, and his role as one both influenced by all this and influencing the future of literature. -- Dust jacket. |
| gustave flaubert biographie: The Family Idiot Jean-Paul Sartre, 1981 A psychoanalytic portrait of Flaubert with reference to the ideology of his period, the crisis in literature, and his role as one both influenced by all this and influencing the future of literature. -- Dust jacket. |
| gustave flaubert biographie: The George Sand-Gustave Flaubert Letters Gustave Flaubert, George Sand, A. L. Mckensie, 2014-01-16 The George Sand-Gustave Flaubert Letters |
| gustave flaubert biographie: The George Sand-Gustave Flaubert Letters Gustave Flaubert, 2011-11 This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion. |
| gustave flaubert biographie: The George Sand-Gustave Flaubert Letters George Sand, George Sand and Gustave Flaubert, A. L. McKenzie, Stuart Sherman, 2009-08 The George Sand-Gustave Flaubert Letters is a compilation of personal correspondence between two great nineteenth century French writers and contemporaries. The letters reveal often divergent but always profound, effervescent, and fascinating views on art, literature, drama, philosophy, culture, and gossip of the period: an unparalleled window into history, and a rare interior glimpse into the creative psyche of two literary giants. Translated from the French by A.L. McKenzie (1921), with an introduction by Stuart Sherman. |
| gustave flaubert biographie: Flaubert Émile Faguet, 1914 |
| gustave flaubert biographie: Novels of Flaubert Victor H. Brombert, 2015-12-08 Through a probing study of Flaubert's novels which brings out their nuances of tone, technique, vision, and meaning, Victor Brombert provides a close and complex analysis of Flaubert’s art in relation to his tragic themes. A voiding undue emphasis on biography, Professor Brombert focuses on the haunting motifs of the novels and analyzes the features which contribute to Flaubert’s total vision, while respecting the integrity of each work and discussing each novel in its own terms. The vision of Flaubert emerges, showing his artistic relevance to his time and to our own. Above all, the book brings out the poetic density and beauty of Flaubert’s novels: the poetry of loss and constriction, the poetry of subjective time, the tragic poetry of frustration, and the poetry of unconquerable dreams. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| gustave flaubert biographie: Flaubert Henri Troyat, 1992 The internationally acclaimed biographer of Tolstoy, Turgenev, and Chekhov gives readers a magnificent biography of the much-misunderstood genius Gustave Flaubert, whose Madame Bovary scandalized French society. Troyat unravels the enigma of this immensely sensual writer who cherished seclusion and reveled in frustration. 16 pages of photographs. |
| gustave flaubert biographie: A Gustave Flaubert Encyclopedia Laurence M. Porter, 2001-03-30 Gustave Flaubert is probably the most famous novelist of nineteenth-century France, and his best known work, Madame Bovary, is read in numerous comparative literature and French courses. His fiction set the standard to which other authors turned to learn their craft, and his cult of art and his unrelenting search for stylistic perfection inspired many later writers, such as Maupassant, Proust, Conrad, Faulkner, and Joyce. His denunciation of materialistic, corrupt society; his fascination with altered states of consciousness; his oscillation between metaphysical longings and a radical nihilism; and his deep-seated mistrust of the adequacy of words themselves anticipate the works of contemporary authors. This reference is a convenient guide to his life and writings. Included in this volume are several hundred alphabetically arranged entries on Flaubert's individual works and major characters; historical persons and events that shaped his life; the themes that run throughout his writings; the critical approaches employed by scholars studying his works; and related topics of interest. Each entry is written by an expert contributor and most close with a brief bibliography. All of his major works are treated at length, and the volume mentions nearly every unpublished project of his that has a title. The book concludes with a selected, general bibliography of major studies. |
| gustave flaubert biographie: The George Sand-Gustave Flaubert Letters George Sand, 2008-07-01 George Sand was the pseudonym of the French novelist and feminist Amantine-Lucile-Aurore Dupin, later Baroness Dudevant (1804 -1876). She was known well in far reaches of the world, and her social practices, her writings and her beliefs prompted much commentary, often by other luminaries in the world of arts and letters. Her first published novel, Rose et Blanche (1831) was written in collaboration with Jules Sandeau, from whom she allegedly took her pen name, Sand. Her novels include Indiana (1832), Llia (1833), Mauprat (1837), Le Compagnon du Tour de France (1842) and Le Meunier d'Angibault (1845). Drawing from her childhood experiences of the countryside, she wrote the rural novels La Mare au Diable (1846), La Petite Fadette (1849), and Les Beaux Messieurs Bois-Dor (1857). Further theatre pieces and autobiographical pieces include Histoire de ma Vie (1855) and Elle et Lui (1859). In addition, Sand authored literary criticism and political texts. Her most widely used quote being, There is only one happiness in life, to love and be loved. |
| gustave flaubert biographie: The Family Idiot Jean-Paul Sartre, 2023-01-19 An approachable abridgment of Sartre’s important analysis of Flaubert. From 1981 to 1994, the University of Chicago Press published a five-volume translation of Jean-Paul Sartre’s The Family Idiot: Gustave Flaubert, 1821-1857, a sprawling masterwork by one of the greatest intellects of the twentieth century. This new volume delivers a compact abridgment of the original by renowned Sartre scholar, Joseph Catalano. Sartre claimed that his existential approach to psychoanalysis required a new Freud, and in his study of Gustave Flaubert, Sartre becomes that Freud. The work summarizes Sartre’s overarching aim to reveal that human life is a meaningful adventure of freedom. In discussing Flaubert’s work, particularly his classic novel Madame Bovary, Sartre unleashes a fierce critique of modernity as nihilistic and demeaning of human dignity. |
| gustave flaubert biographie: The Letters of Gustave Flaubert, 1857-1880 Gustave Flaubert, 1984 |
| gustave flaubert biographie: Flaubert in Egypt Gustave Flaubert, Francis Steegmuller, 1987-08-01 |
| gustave flaubert biographie: Bouvard and Pécuchet Gustave Flaubert, 2020-07-18 Reproduction of the original: Bouvard and Pécuchet by Gustave Flaubert |
| gustave flaubert biographie: The Correspondence of Gustave Flaubert and George Sand George Sand, Gustave. Flaubert, 2011-04-05 Translated, this correspondence, from 1863-76, is unique in the history of French literature. Never have two great writers set down their ideas so candidly and over so long a period on the most varied topics, including the genesis of their own writings, a commentary on the Paris theatre, gossip from the literary world and their own domestic lives. |
| gustave flaubert biographie: The Letters of Gustave Flaubert Gustave Flaubert, Anita Brookner, Francis Steegmuller, 2001-12-01 In this volume we learn of the young Flaubert, unhappy at school, tormented as a lover. We travel with him to the temples and brothels of Egypt; to Palestine, Turkey, and then later to Tunisia. We witness the genesis of some of the most remarkable literature of his time, and even settle down with him, at last, to a cultured and financially insecure old age. |
| gustave flaubert biographie: The Collected Letters of George Sand and Gustave Flaubert Gustave Flaubert, George Sand, 2015-05-11 The George Sand-Gustave Flaubert Letters is a compilation of personal correspondence between two great nineteenth century French writers and contemporaries. The letters reveal often divergent but always profound, effervescent, and fascinating views on art, literature, drama, philosophy, culture, and gossip of the period, an unparalleled window into history, and a rare interior glimpse into the creative psyche of two literary giants. |
| gustave flaubert biographie: The Family Idiot Jean-Paul Sartre, 2021-12-05 Seen by many as the culmination of Sartre's thought and project, and viewed by Sartre himself as an attempt to answer the question, What, at this point in time, can we know about a man? this monumental work continues to perplex its fascinated critics and admirers, who have argued about its precise nature. However, as reviews of the first volume in this translation agreed, whatever The Family Idiot may be called—a dialectic (Fredric Jameson, New York Times Book Review); biography, philosophy, or politics? Surely . . . all of these together (Renee Winegarten, Commentary); a new form of fiction? (Victor Brombert, Times Literary Supplement); or simply, mad, of course (Julian Barnes, London Review of Books)—its prominent place in intellectual history is indisputable. Volume 4 consists of part three, books one and two, of the original French work. This volume, the fourth in a projected five-volume English-language edition, includes Sartre's discussion of the onset of Flaubert's illness, or neurosis, in 1844, and a significant reading of his L'Education sentimentale. Sartre's approach to his complex subject, whether jaunty or judicious, psychoanalytic or political, is captured in all of its rich variety in Carol Cosman's translation. |
| gustave flaubert biographie: Madame Bovary Gustave Flaubert, 1981 |
| gustave flaubert biographie: The Correspondence of George Sand and Gustave Flaubert Gustave Flaubert, George Sand, 2019-04-15 Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it.... |
| gustave flaubert biographie: Biography and the Question of Literature in France Ann Jefferson, 2007-01-04 This book takes a fresh look at the relations between literature and biography by tracing the history of their connections through three hundred years of French literature. The starting point for this history is the eighteenth century when the term 'biography' first entered the French language and when the word 'literature' began to acquire its modern sense of writing marked by an aesthetic character. Arguing that the idea of literature is inherently open to revision and contestation, Ann Jefferson examines the way in which biographically-orientated texts have been engaged in questioning and revising definitions of literature. At the same time, she tracks the evolving forms of biographical writing in French culture, and proposes a reappraisal of biography in terms not only of its forms, but also of its functions. Although Ann Jefferson's book has powerful theoretical implications for both biography and the literary, it is first and foremost a history, offering a comprehensive new account of the development of French literature through this dual focus on the question of literature and on the relations between literature and biography. It offers original readings of major authors and texts in the light of these concerns, beginning with Rousseau and ending with 'life-writing' contemporary authors such as Pierre Michon and Jacques Roubaud. Other authors discussed include Mme de Stäel, Victor Hugo, Sainte-Beuve, Barbey d'Aurevilly, Baudelaire, Nerval, Mallarmé, Schwob, Proust, Gide, Leiris, Sartre, Genet, Barthes, and Roger Laporte. |
| gustave flaubert biographie: Flaubert Herbert R. Lottman, 1990 |
| gustave flaubert biographie: Thinking through the Mothers Janet Beizer, 2011-03-15 If questions of subjectivity and identification are at stake in all biographical writing, they are particularly trenchant for contemporary women biographers of women. Often, their efforts to exhume buried lives in hope of finding spiritual foremothers awaken maternal phantoms that must be embraced or confronted. Do women writing in fact have any greater access to their own mothers' lives than to the lives of other women whose stories have been swept away like dust in the debris of the past? In Thinking through the Mothers, Janet Beizer surveys modern women's biographies and contemplates alternatives to an approach based in lineage and the form of thought that emphasizes the line, the path, hierarchy, unity, resemblance, reflection, and the aesthetic-mimesis-that depends on these ideas. Through close readings of memoirs and fictions about mothers, Beizer explores how biographers of the women who came before rehearse and rewrite relationships to their own mothers biographically as they seek to appropriate the past in a hybrid genre she calls bio-autography. Thinking through the Mothers features the work of George Sand and Colette and spans such varied figures as Gustave Flaubert, Julian Barnes, Louise Colet, Eunice Lipton, Vladimir Nabokov, Huguette Bouchardeau, and Christa Wolf. Beizer seeks an alternative to women's salvation biography or resurrection biography that might resist nostalgia, be attentive to silence, and reinvent the means to represent the lives of precursors without appropriating traditional models of genealogy. |
| gustave flaubert biographie: Bouvard and Pecuchet Gustave Flaubert, 2003-11 Part II of Bouvard and Pecuchet also includes several bonus shorts: the play The Dance of Death, an essay on Rabelais, and other non-fiction. GUSTAVE FLAUBERT (1821-1880) was the son of a French surgeon. He studied law in Paris but soon returned to his hometown (Croisset, near Rouen) to devote his life to writing. He is the author of the immortal Madame Bovary (1856), a novel about the loves and frustrations of a romantic woman married to a provincial dullard. The book was criticized for immorality and prosecuted, but Flaubert won the case. Of the extremely well-realized heroine, he once remarked, I am her. The novel is one of the greatest explorations of a female character by a male writer, in all of literature. Among Flaubert's other notable works are Salammbo (1863), a historical romance of ancient Carthage which influenced Robert E. Howard (the author of the Conan series), and The Temptation of Saint Anthony, which was translated into vivid, almost hallucinogenic English prose by Lafcadio Hearn. Flaubert also wrote plays, short stories, and the long satire Bouvard and Pecuchet. His life was outwardly uneventful, but full. He was heavily influenced by several women, including his mother, a mistress, and a woman ten years his senior with whom he fell in love as a young man. He travelled to North Africa and the Middle East in 1851. He received honors from the emperor Napoleon III. Among his friends and associates were Emile Zola, George Sand, and the Russian writer Ivan Turgenev. His work is characterized by criticism of small-town bourgois values, a curious tendency to romanticism, a fondness for the exotic, and a dedication to the then rising Realist movement, with its dedication to depicting life as it is, without judgment. |
| gustave flaubert biographie: Gustave Flaubert - Bouvard and Pecuchet Gustave Flaubert, 2016-12-17 Nowhere do Flaubert's explorations of the relation of signs to the objects they signify reach a more thorough study than in this work. Bouvard and P�cuchet systematically confuse signs and symbols with reality, an assumption that causes them much suffering, as it does for Emma Bovary and Fr�d�ric Moreau. Yet here, due to the explicit focus on books and knowledge, Flaubert's ideas reach a climax. Consequently, the book is widely read as a precursor to modern theories on semiotics and postmodernism. The relentless failure of Bouvard and P�cuchet to learn anything from their adventures raises the question of what is knowable. Whenever they achieve some small measure of success (a rare occurrence), it is the result of unknown external forces beyond their comprehension. In this sense, they strongly resemble Antony in The Temptation of St. Anthony, a work which addresses similar epistemological themes as they relate to classical literature. Lionel Trilling wrote that the novel expresses a belief in the alienation of human thought from human experience. The worldview that emerges from the work, one of human beings proceeding relentlessly forward without comprehending the results of their actions or the processes of the world around them, does not seem an optimistic one. But given that Bouvard and P�cuchet do gain some comprehension of humanity's ignorant state (as demonstrated by their composition of the Dictionary of Received Ideas), it could be argued that Flaubert allows for the possibility of relative enlightenment. |
| gustave flaubert biographie: Flaubert: the Making of the Master Enid Starkie, 1967 |
| gustave flaubert biographie: Works: Bouvard and Pécuchet Gustave Flaubert, 1904 |
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