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| history of western music 10th edition: A History of Western Music Burkholder, J. Peter, Grout, Donald Jay, Palisca, Claude V, 2019-02-08 The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain what's important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrow's musicians. |
| history of western music 10th edition: A History of Western Music Donald Jay Grout, 1996 |
| history of western music 10th edition: Norton Anthology of Western Music Claude V. Palisca, 1996 |
| history of western music 10th edition: Western Music and Its Others Georgina Born, David Hesmondhalgh, 2000 [Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value.--Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book. --Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level. --Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music. --Lawrence Grossberg, author of Dancing in Spite of Myself |
| history of western music 10th edition: Concise History of Western Music Barbara Russano Hanning, 1998 Concise History of Western Music combines Grout and Palisca's uncompromising reliability, scope, and respect for the narrative, while offering many more pedagogical aids, such as chapter preludes and postludes; Etudes, excursions that explore the material more deeply than the main text; and Windows, boxed discussions of special topics. |
| history of western music 10th edition: A History of Western Music Donald Jay Grout, Claude V. Palisca, 2001-01-01 This is a chronological presentation of the development of Western music within Western culture. This edition has increased coverage of 20th-century music, and timelines covering musical events throughout history. |
| history of western music 10th edition: A History of Western Music (Tenth Edition) J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2019 |
| history of western music 10th edition: Study and Listening Guide for A History of Western Music, Fifth Edition, by Donald Jay Grout and Claude V. Palisca and Norton Anthology of Western Music, Third Edition, by Claude V. Palisca James Peter Burkholder, 1996 |
| history of western music 10th edition: The Life of Music Nicholas Kenyon, 2021-06-08 Nicholas Kenyon explores the enduring appeal of the classical canon at a moment when we can access all music—across time and cultures Immersed in music for much of his life as writer, broadcaster and concert presenter, former director of the BBC Proms, Nicholas Kenyon has long championed an astonishingly wide range of composers and performers. Now, as we think about culture in fresh ways, Kenyon revisits the stories that make up the classical tradition and foregrounds those which are too often overlooked. This inclusive, knowledgeable, and enthusiastic guide highlights the achievements of the women and men, amateurs and professionals, who bring music to life. Taking us from pianist Myra Hess’s performance in London during the Blitz, to John Adams’s composition of a piece for mourners after New York’s 9/11 attacks, to Italian opera singers singing from their balconies amidst the 2020 pandemic, Kenyon shows that no matter how great the crisis, music has the power to bring us together. His personal, celebratory account transforms our understanding of how classical music is made—and shows us why it is more relevant than ever. |
| history of western music 10th edition: A Pocket Guide to Writing in History Mary Lynn Rampolla, 2009-06-01 A portable and affordable reference tool, A Pocket Guide to Writing in History provides reading, writing, and research advice useful to students in all history courses. Concise yet comprehensive advice on approaching typical history assignments, developing critical reading skills, writing effective history papers, conducting research, using and documenting sources, and avoiding plagiarism -- enhanced with practical tips and examples throughout -- have made this slim reference a best-seller. Now in its sixth edition, the book offers more coverage of working with sources than ever before. |
| history of western music 10th edition: A History of Western Music (Tenth International Student Edition) J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2019 |
| history of western music 10th edition: The Study of Folk Music in the Modern World Philip V. Bohlman, 1988-06-22 [This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it. -- Bruno Nettl ... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance. -- Asian Folklore Studies ... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... -- Folklore Forum ... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system. -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past. |
| history of western music 10th edition: A Concise History of Western Music Paul Griffiths, 2009 |
| history of western music 10th edition: Study & Listening Guide for Concise History of Western Music James Peter Burkholder, 1998-01 Study and listening guide for Concise history of western music by Barbara Russano Hanning and Norton anthology of western music. |
| history of western music 10th edition: A Musicology for Landscape David Nicholas Buck, 2017-05-12 1. In an open field -- 2. A parallel history of time in music and landscape -- 3. Horizons -- 4. Clouds -- 5. Meadows -- 6. Busoni's garden. |
| history of western music 10th edition: A Performer's Guide to Seventeenth-Century Music Stewart Carter, 2012-03-21 Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance. |
| history of western music 10th edition: Applying Karnatic Rhythmical Techniques to Western Music Rafael Reina, 2016-03-03 Most classical musicians, whether in orchestral or ensemble situations, will have to face a piece by composers such as Ligeti, Messiaen, Varèse or Xenakis, while improvisers face music influenced by Dave Holland, Steve Coleman, Aka Moon, Weather Report, Irakere or elements from the Balkans, India, Africa or Cuba. Rafael Reina argues that today’s music demands a new approach to rhythmical training, a training that will provide musicians with the necessary tools to face, with accuracy, more varied and complex rhythmical concepts, while keeping the emotional content. Reina uses the architecture of the South Indian Karnatic rhythmical system to enhance and radically change the teaching of rhythmical solfege at a higher education level and demonstrates how this learning can influence the creation and interpretation of complex contemporary classical and jazz music. The book is designed for classical and jazz performers as well as creators, be they composers or improvisers, and is a clear and complete guide that will enable future solfege teachers and students to use these techniques and their methodology to greatly improve their rhythmical skills. An accompanying website of audio examples helps to explain each technique. For examples of composed and improvised pieces by students who have studied this book, as well as concerts by highly acclaimed karnatic musicians, please copy this link to your browser: http://www.contemporary-music-through-non-western-techniques.com/pages/1587-video-recordings |
| history of western music 10th edition: Evil Dead George Reinblatt, 2010 Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿ |
| history of western music 10th edition: A History of Western Music (Ninth Edition) J. Peter Burkholder, Donald Jay Grout, Claude V. Palisca, 2014-04-15 The definitive history of Western music, now with Total Access. Combining current scholarship with cutting-edge pedagogy, the Ninth Edition of A History of Western Music is the text that students and professors have trusted for generations. Because listening is central to music history, the new Total Access program provides a full suite of media resources—including an ebook and premium streaming recordings of the entire Norton Anthology of Western Music repertoire—with every new text. Combining thoughtful revisions—particularly to chapters on the twentieth and twenty-first centuries—with exceptional media resources, A History of Western Music provides all the resources that students need in a text that will last a lifetime. |
| history of western music 10th edition: Chemistry , 2019 Chemistry, science, stoichiometry, thermodynamics, organic chemistry. |
| history of western music 10th edition: The Rolling Stone Illustrated History of Rock & Roll Anthony ed DeCurtis, James Henke, Holly George-Warren, 1992 Discusses the evolution of rock music from its earliest origins to today's most influential musical styles and performers |
| history of western music 10th edition: Capturing Music Thomas Forrest Kelly, 2015 An accessible history of how musicians learned to record music discusses the work of five centuries of religious scholars while demonstrating how people developed methods for measuring rhythm, melody and precise pitch, leading to the technological systems of notation in today's world. |
| history of western music 10th edition: All Made of Tunes James Peter Burkholder, 1995-01-01 Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of quotations in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing. |
| history of western music 10th edition: America's History, Volume 1: To 1877 James A. Henretta, Rebecca Edwards, Robert O. Self, 2011-01-05 With fresh interpretations from two new authors, wholly reconceived themes, and a wealth of cutting-edge new scholarship, the seventh edition of America's History is designed to work perfectly with the way you teach the survey today. Building on the book's hallmark strengths — balance, comprehensiveness, and explanatory power — as well as its outstanding visuals and extensive primary-source features, authors James Henretta, Rebecca Edwards, and Robert Self have shaped America's History into the ideal resource for survey classes. |
| history of western music 10th edition: A Complete History of Music W.J Baltzell, 2020-08-04 Reproduction of the original: A Complete History of Music by W.J Baltzell |
| history of western music 10th edition: A History of Western Art Laurie Adams, 2004 CD-ROM contains: Elements in art, art techniques, chapter resources, sawyer, internet resources and a study skills primer. |
| history of western music 10th edition: The Symphonic Repertoire, Volume II A. Peter Brown, 2002-08-13 More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear. |
| history of western music 10th edition: Workbook t/a Music in Theory and Practice, Volume I Bruce Benward, Marilyn Saker, 2014-03-24 This best-selling text gives music majors and minors a solid foundation in the theory of music. Music in Theory and Practice strengthens their musical intuition, builds technical skills, and helps them gain interpretive insights. The goal of this text is to instruct readers on the practical application of knowledge. The analytical techniques presented are carefully designed to be clear, uncomplicated, and readily applicable to any repertoire. The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I covers topics from basic elements through diatonic harmony, while Volume II covers chromatic harmony along with elements of styles and forms from Gregorian chants through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level-- |
| history of western music 10th edition: Musical Mathematics Cris Forster, 2010-07-14 Musical Mathematics is the definitive tome for the adventurous musician. Integrating mathematics, music history, and hands-on experience, this volume serves as a comprehensive guide to the tunings and scales of acoustic instruments from around the world. Author, composer, and builder Cris Forster illuminates the mathematical principles of acoustic music, offering practical information and new discoveries about both traditional and innovative instruments.With this knowledge readers can improve, or begin to build, their own instruments inspired by Forster's creationsshown in 16 color plates. For those ready to step outside musical conventions and those whose curiosity about the science of sound is never satisfied, Musical Mathematics is the map to a new musical world. |
| history of western music 10th edition: The Oxford History of Western Music Richard Taruskin, Christopher Howard Gibbs, 2018-01-16 Takes students beyond the who, what, and when, exploring the how and why behind the story of Western MusicNow in its second edition, this text immerses students in the engaging story of the Western musical tradition. By emphasizing the connections among works, both within cultural eras and across time and place, the text goes beyond a basic retelling of the music's history to build students' ability tolisten critically to key works. The Oxford History of Western Music, College Edition is a complete program for building students' understanding and appreciation of the classical canon. |
| history of western music 10th edition: The History of Western Education William Boyd, 1952 |
| history of western music 10th edition: Music for Sight Singing Robert W. Ottman, Nancy Rogers, 2011 ...Developing the mind's ear--the ability to imagine how music sounds without first playing it on an instrument--is essential to any musician and sight singing (in conjunction with ear training and other studies in musicianship) is invaluable in reaching this fundamental goal...[This book has an] abundance of meticulously organized melodies drawn from the literature of composed music and a wide range of the world's folk music...Each chapter methodically introduces elements one at a time, steadily increasing in difficulty while providing a musically meaningful framework around which students can hone their skills...--preface. |
| history of western music 10th edition: Toward a Global Community Marie McCarthy, 2004 Toward a global community: the International Society for Music Education 1953-2003. |
| history of western music 10th edition: Metamorphoses Ovid, 1960 |
| history of western music 10th edition: Listening to Charles Ives James Peter Burkholder, 2021 Charles Ives is widely regarded as the first great American composer of classical music. But listening to his music is an adventure--hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer's diverse musical output and unusual career to readers of any background, discussing about forty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered, from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and then interwove elements from all these traditions in the astonishing works of his maturity. Listening to Charles Ives contains compelling walkthroughs of select pieces and ultimately reveals that there is an Ives piece for everyone. |
| history of western music 10th edition: The Ascent of Money Niall Ferguson, 2008 Niall Ferguson follows the money to tell the human story behind the evolution of finance, from its origins in ancient Mesopotamia to the latest upheavals on what he calls Planet Finance. |
| history of western music 10th edition: Standard Wirebound Manuscript Paper (Green Cover, Pack Of 5) , 1986-02 |
| history of western music 10th edition: Fundamentals of Music Boethius, Calvin M. Bower, Claude V. Palisca, 1989 |
| history of western music 10th edition: A History of Western Music Donald Jay Grout, 1973 Describes and illustrates a wide range of musical styles found in Western culture throughout history and highlights the art and contributions of significant composers. |
| history of western music 10th edition: The Oxford Handbook of Western Music and Philosophy Tomás McAuley, Nanette Nielsen, Jerrold Levinson, Ariana Phillips-Hutton, 2021 The Oxford Handbook of Western Music and Philosophy celebrates the ways in which musicians have historically called upon philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. |
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Get fascinating history stories twice a week that connect the past with today’s world, plus an in-depth exploration every Friday.
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Explore and manage your Google activity, including searches, websites visited, and videos watched, to personalize your experience.
History - Wikipedia
History is the systematic study of the past, focusing primarily on the human past. As an academic discipline, it analyses and interprets evidence to construct narratives about what happened and …
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