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| harold and maude script: Hal Ashby and the Making of Harold and Maude James A. Davidson, 2016-02-11 The original script was sold to a major Hollywood studio virtually overnight; the screenwriter was working as a pool boy and driver for the producer; the director was considered an acid freak by the studio heads; the star was a 74-year-old actress who didn't know how to drive a car. The film flopped upon release but later became one of the great cult successes of all time. This is the fascinating, never before told story of the making of Harold and Maude, shot guerrilla-style in the San Francisco Bay Area by a crew of New Hollywood filmmakers in the winter of 1971. |
| harold and maude script: Harold and Maude Colin Higgins, 2005 Den dødsfikserede unge mand Harolds største fornøjelse er at gå til begravelser. Her møder han den 80-årige Maude med samme interesse, og et både sært og tæt venskab udvikler sig |
| harold and maude script: Harold and Maude Colin Higgins, 2014 |
| harold and maude script: Being There and the Evolution of a Screenplay Aaron Hunter, 2022-08-25 Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script's development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script. |
| harold and maude script: Successful Scriptwriting Jurgen Wolff, Kerry Cox, 2011-05-30 SUCCESSFUL SCRIPTWRITING Let's start with The End. The credits roll - we see Screenplay by ... and there's your name. The show's a hit! It's Emmy/Oscar night, and you're seated up front. The nominations are revealed; your name is called. Your acceptance speech is memorable, an inspiration to the new writers breaking in. Variety says your future looks very bright. Hooray for Hollywood! But how did you get here? With talent, determination, and the help of this comprehensive guide, you'll have the wherewithal to move your dream from your mind onto the page and to succeed in this fiercely competitive, highly selective field. Starting with a basic course in scriptwriting, Jurgen Wolff and Kerry Cox teach you the fundamental skills of writing the feature film script, from original idea to finished screenplay. Then you'll learn how to apply your new-found skills to every type of television and film script: movies-of-the week, episodic television, situation comedies and soap operas. You'll also find helpful insight from the greats in the business, like Colin Higgins (Harold and Maude, Foul Play, 9 to 5), Larry Gelbart (Oh, God!, Tootsie, M*A*S*H), William Bickley (Perfect Strangers, Happy Days), and Steven Bochco (Doogie Howser, M.D., L.A. Law). And you'll find answers to these essential questions: • What fundamental skills and essential ingredients do I need to write a feature film script? • By what criteria do producers and studios evaluate scripts or ideas presented to them? • When should I write an outline or a treatment for my script, and what are the formats? • How do I go about protecting my work? • Is there a cut-and-dried technique for pitching my ideas? Every part of this book reflects the needs and realities of today's TV and film industry, providing you with insight as well as practical knowledge. With this book as your guide, you can start at the beginning and follow a well-defined path to successful scriptwriting. |
| harold and maude script: Harold and Maude Colin Higgins, 2015-05-01 Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and borrows cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living, and how to play the banjo. Harold and Maude started as Colin Higgins's master's thesis at UCLA Film School. He was working as a pool boy when Paramount purchased the script. The 1971 film, directed by Hal Ashby, bombed. But then this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. In 1997 it was selected for inclusion on the National Film Registry at the Library of Congress. This novelization was published shortly after the film's release, but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film's unresolved questions. Colin Higgins was a screenwriter, director, and producer of films that included Harold and Maude, Silver Streak, 9 to 5, and The Best Little Whorehouse in Texas. He died in 1988. |
| harold and maude script: Being Hal Ashby Nick Dawson, 2009-04-17 Hal Ashby (1929–1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic Harold and Maude (1971) or the iconic Being There (1979), Ashby's artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren Beatty and Julie Christie in Shampoo (1975), and Jon Voight and Jane Fonda in Coming Home (1979). Yet the man behind these films is still something of a mystery. In Being Hal Ashby: Life of a Hollywood Rebel, author Nick Dawson for the first time tells the story of a man whose thoughtful and challenging body of work continues to influence modern filmmakers and whose life was as dramatic and unconventional as his films. Ashby began his career as an editor, and it did not take long for his talents to be recognized. He won an Academy Award in 1967 for editing In the Heat of the Night and leveraged his success as an editor to pursue his true passion: directing. Crafting seminal films that steered clear of mainstream conventions yet attracted both popular and critical praise, Ashby became one of the quintessential directors of the 1970s New Hollywood movement. No matter how much success Ashby achieved, he was never able to escape the ghosts of his troubled childhood. The divorce of his parents, his father's suicide, and his own marriage and divorce—all before the age of nineteen—led to a lifelong struggle with drugs for which he became infamous in Hollywood. And yet, contrary to mythology, it was not Ashby's drug abuse that destroyed his career but a fundamental mismatch between the director and the stifling climate of 1980s studio filmmaking. Although his name may not be recognized by many of today's filmgoers, Hal Ashby is certainly familiar to filmmakers. Despite his untimely death in 1988, his legacy of innovation and individuality continues to influence a generation of independent directors, including Wes Anderson, Sean Penn, and the Coen brothers, who place substance and style above the pursuit of box-office success. In this groundbreaking and exhaustively researched biography, Nick Dawson draws on firsthand interviews and personal papers from Ashby's estate to offer an intimate look at the tumultuous life of an artist unwilling to conform or compromise. |
| harold and maude script: Being Hal Ashby Nick Dawson, 2011-11-22 Hal Ashby (1929--1988) was always an outsider, and as a director he brought an outsider's perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic Harold and Maude (1971) or the iconic Being There (1979), Ashby's artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren Beatty and Julie Christie in Shampoo (1975), and Jon Voight and Jane Fonda in Coming Home (1979). Yet the man behind these films is still something of a mystery. In Being Hal Ashby: Life of a Hollywood Rebel, author Nick Dawson for the first time tells the story of a man whose thoughtful and challenging body of work continues to influence modern filmmakers and whose life was as dramatic and unconventional as his films. Ashby began his career as an editor, and it did not take long for his talents to be recognized. He won an Academy Award in 1967 for editing In the Heat of the Night and leveraged his success as an editor to pursue his true passion: directing. Crafting seminal films that steered clear of mainstream conventions yet attracted both popular and critical praise, Ashby became one of the quintessential directors of the 1970s New Hollywood movement. No matter how much success Ashby achieved, he was never able to escape the ghosts of his troubled childhood. The divorce of his parents, his father's suicide, and his own marriage and divorce -- all before the age of nineteen -- led to a lifelong struggle with drugs for which he became infamous in Hollywood. And yet, contrary to mythology, it was not Ashby's drug abuse that destroyed his career but a fundamental mismatch between the director and the stifling climate of 1980s studio filmmaking. Although his name may not be recognized by many of today's filmgoers, Hal Ashby is certainly familiar to filmmakers. Despite his untimely death in 1988, his legacy of innovation and individuality continues to influence a generation of independent directors, including Wes Anderson, Sean Penn, and the Coen brothers, who place substance and style above the pursuit of box-office success. In this groundbreaking and exhaustively researched biography, Nick Dawson draws on firsthand interviews and personal papers from Ashby's estate to offer an intimate look at the tumultuous life of an artist unwilling to conform or compromise. |
| harold and maude script: The Last Great American Picture Show Alexander Horwath, Thomas Elsaesser, Noel King, 2004 This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah. |
| harold and maude script: Screen Adaptation Kenneth Portnoy, 2012-07-26 Screen Adaptation : A Scriptwriting Handbook, 2nd ed. examines the challenge screenwriters face when adapting novels, plays, and short stories for the screen. Thoroughly updated to include new exercises and example from current films, this book provides practical, usable information on how to find the best plot line for a script, choose key characters, and understand the goals and formats of different genres. Topics include: determining which characters and events are most valuable on developing the main story; expanding short novellas and condensing long novels; using dialog to advance the story and reveal character; comparing the formats of plays, short stories, and novels to those of screenplays approaching the marketplace In this book, both beginning writers and professionals will find the tools necessary to evaluate a prospective source and create a successful screenplay |
| harold and maude script: My Double Life Don Harron, 2012-11-17 After 15 books about somebody else (mostly alter ego Charlie Farquharson), Don Harron now presents the colourful story of his 77-year career in the entertainment business. |
| harold and maude script: The Holocaust in American Film Judith E. Doneson, 2002-01-01 This work offers insights into how specific films influenced the Americanization of the Holocaust and how the medium per se helped seed that event into the public consciousness. In addition to an in-depth study on films produced for both theatrical release and TV since 1937 - including The Great Dictator, Cabaret, Julia, and the mini-series Holocaust - this work provides an analysis of Schindler's List and the debate over the merit of Spielberg's vision of the Holocaust. It also examines more thoroughly made-for-television movies, such as Escape From Sobibor, Playing For Time, and War and Remembrance. A special chapter on The Diary of Anne Frank discusses the evolution of that singularly European work into a universal symbol. Paying special attention to the tumultuous 1960s in America, it assesses the effect of the era on Holocaust films made during that time. It also discusses how these films helped integrate the Holocaust into the fabric of American society, transforming it into a metaphor for modern suffering. Finally, the work explores cinema in relation to the Americanization of the Jewish image. |
| harold and maude script: America's Film Legacy Daniel Eagan, 2010-01-01 Collection of the five hundred films that have been selected, to date, for preservation by the National Film Preservation Board, and are thereby listed in the National Film Registry. |
| harold and maude script: Backstory 5 Patrick McGilligan, 2010 Looks at how Hollywood is changing to meet economic and creative challenges. This title probes the working methods of a diverse range of screenwriters to explore how they come up with their ideas, how they go about adapting a stage play or work of fiction, and whether their variegated life experiences contribute to the success of their writing. |
| harold and maude script: Infamous Players Peter Bart, 2011-05-09 In 1967, Peter Bart, then a young family man and rising reporter for the New York Times, decided to upend his life and enter the dizzying world of motion pictures. Infamous Players is the story of Bart's whirlwind journey at Paramount, his role in its triumphs and failures, and how a new kind of filmmaking emerged during that time. When Bart was lured to Paramount by his friend and fellow newcomer, the legendary Robert Evans, the studio was languishing, its slate riddled with movies that were out of touch with the dynamic sixties. By the time Bart left Paramount, in 1975, the studio had completed a remarkable run, with films such as The Godfather, Rosemary's Baby, Harold and Maude, Love Story, Chinatown, Paper Moon, and True Grit. But this new golden era at Paramount was also fraught with chaos and company turmoil. Drugs, sex, runaway budgets, management infighting, and even the Mafia found their way onto the back lot, making Paramount surely one of the most unpredictable, even bizarre, studios in the history of the movie industry. Bart reflects on Paramount's New Hollywood era with behind-the scenes details and insightful analysis; here too are his fascinating recollections of the icons from that time: Warren Beatty, Steve McQueen, Robert Redford, Clint Eastwood, Jack Nicholson, Marlon Brando, Al Pacino, Francis Ford Coppola, Roman Polanski, and Frank Sinatra, among others. For over four decades, first on the inside as a studio executive and later as the longtime editor in chief of Variety, Peter Bart has viewed Hollywood from an incomparable vantage point. The stories he tells and the lessons we learn from Infamous Players are essential for anyone who loves movies. |
| harold and maude script: Genre-Busting Dark Comedies of the 1970s Wes D. Gehring, 2016-03-29 This examination of dark comedies of the 1970s focuses on films which concealed black humor behind a misleading genre label. All That Jazz (1979) is a musical...about death--hardly Fred and Ginger territory. This masking goes beyond misnomer to a breaking of formula that director Robert Altman called anti-genre. Altman's MASH (1970) ridiculed the military establishment in general--the Vietnam War in particular--under the guise of a standard military service comedy. The picaresque Western Little Big Man (1970) turned the bluecoats vs. Indians formula upside-down--the audience roots for the Indians instead of the cavalry. The book covers 12 essential films, including Harold and Maude (1971), Slaughterhouse-Five (1972), One Flew Over the Cuckoo's Nest (1975) and Being There (1979), with notes on A Clockwork Orange (1971). These films reveal a compounding complexity that reinforces the absurdity at the heart of dark comedy. |
| harold and maude script: Letters and Such... Raymond Malley, 2022-02-15 Get this book! During a long life, RAYMOND MALLEY has studied, worked, and reflected on the human condition and controversial domestic and international problems. This book contains many of his letters to editors and other documents concerning them. They are clear, straight-forward, opinionated, even humorous, and certain to interest, stimulate, and perhaps aggravate readers. He pulls no punches. Read this book! |
| harold and maude script: Hawkline Monster Richard Brautigan, 2009-07 A Gothic WesternAn imaginative novel about a mansion, a monster and a magic child |
| harold and maude script: Easy Riders Raging Bulls Peter Biskind, 2011-12-13 In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an anything goes experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play. |
| harold and maude script: Best American Screenplays 3 Sam Thomas, 1995 Crown's third collection of great screenplays showcases the screenwriter's contribution to eight memorable films encompassing more than half a century of American cinema. Sam Thomas has written a major introduction and provided background information on each of the eight screenplays and their screenwriters. |
| harold and maude script: Film Scriptwriting Dwight V. Swain, 1976 This second edition of the widely acclaimed Film Scriptwriting is a truly practical manual for the working writer. It provides all the clear, step-by-step guidance you need to script both fact and feature film and video - from getting and developing ideas to the writing of master scene or shooting script. Featured in this new edition are annotated excerpts from some of today's most successful films, selected to point up principles and techniques discussed. Interviews with working film specialists reveal the things professional directors, producers, story editor, and analysts look for in appraising the scripts that come across their desks. |
| harold and maude script: Even This I Get to Experience Norman Lear, 2015-10-27 Norman Lear is the renowned creator of such iconic television programs as All in the Family, Maude, and The Jeffersons. He remade our television culture from the ground up, and in Even This I Get To Experience, he opens up about the ups and downs of his three marriages, tells stories about time spent with Jerry Lewis and Dean Martin and offers a thrilling new look at the golden age of show business. He tells of life growing up in the Great Depression right through to his father's imprisonment and his own eventual affluence. Endlessly readable and unforgettable. |
| harold and maude script: Once Upon a Time in Hollywood Quentin Tarantino, 2022-08-16 Quentin Tarantino's long-awaited first work of fiction--at once hilarious, delicious and brutal--is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON--Once he had his own TV series, but now Rick's a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH--Rick's stunt double, and the most infamous man on any movie set because he's the only one there who might have got away with murder. . . . SHARON TATE--She left Texas to chase a movie-star dream, and found it. Sharon's salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON--The ex-con's got a bunch of zonked-out hippies thinking he's their spiritual leader, but he'd trade it all to be a rock 'n' roll star. |
| harold and maude script: Lifetime Passes Terry Blas, 2021-11-23 In this darkly comedic YA graphic novel, a group of teens starts a program to bring senior citizens to a local theme park to take advantage of the unofficial park policy: If someone dies on the property, the rest of their party is given lifetime passes! Sixteen-year-old Jackie Chavez loves her local amusement park, Kingdom Adventure, maybe more than anything else in the world. The park is all she and her friends Nikki, Daniel, and Berke—although they aren’t always the greatest friends—talk about. Kingdom Adventure is where all Jackie’s best memories are, and it’s where she feels safe and happy. This carries even more weight now that Jackie’s parents have been deported and forced to go back to Mexico, leaving Jackie in the United States with her Tía Gina, who she works with at the Valley Care Living seniors’ home. When Gina tells Jackie that they can’t afford a season pass for next summer, Jackie is crushed. But on her next trip to Kingdom Adventure, she discovers a strictly protectedsecret: If a member of their party dies at the park, the rest of their group gets free lifetime passes. Jackie and her friends hatch a plot to bring seniors from Valley Care Living to the park using a fake volunteer program, with the hopes that one of the residents will croak during their visit. The ruse quickly gets its first volunteer—a feisty resident named Phyllis. What starts off as a macabre plan turns into a revelation for Jackie as Phyllis and the other seniors reveal their own complex histories and connections to Kingdom Adventure, as well as some tough-to-swallow truths about Jackie, her friends, and their future. With artist Claudia Aguirre, Terry Blas has crafted a graphic novel that is dark and deeply moving. This book is Cocoon meets Heathers—a twisted satire about a magical land and the people who love it, even to the point of obsession. Jackie’s summer is about to turn into a wild ride filled with gallows humor, friendship, and fun—or is it? |
| harold and maude script: 5001 Nights at the Movies Pauline Kael, 2011-08-02 The intelligent person's guide to the movies, with more than 2,800 reviews Look up a movie in this guide, and chances are you'll find yourself reading on about the next movie and the next. Pauline Kael's reviews aren't just provocative---they're addictive. These brief, informative reviews, written for the Goings On About Town section of The New Yorker, provide an immense range of listings---a masterly critical history of American and foreign film. This is probably the only movie guide you'll want to read for the sheer pleasure of it. |
| harold and maude script: Rushmore Wes Anderson, Owen Wilson, 1999-05-31 Rushmore is the second work from the team of Wes Anderson and Owen Wilson following the success of their debut screenplay and film Bottle Rocket. It is a refreshingly offbeat comedy about young Max Fish, a precocious pupil at a conservative private school. He is a live wire, a teenager full of madcap entrepreneurial schemes that usually in failure. His personal life becomes similarly complicated when he falls for his elegant teacher, Rosemary Cross, and finds himself vying for her favor with Herman Blume-who is portrayed in the film by Bill Murray-the wealthy father of two of his classmates. Max ultimately proves himself a figure of some tenacity as he negotiates the minefield of love, desire, and adolescence.At the Toronto Film Festival, Screen International called Rushmore a real charmer filled with surprise twists and emotions that avoid sentimentality . . . A little gem. |
| harold and maude script: Picnic William Inge, 1955 THE STORY: The play takes place on Labor day Weekend in the joint backyards of two middle-aged widows. The one house belongs to Flo Owens, who lives there with her two maturing daughters, Madge and Millie, and a boarder who is a spinster school tea |
| harold and maude script: A Night to Remember Walter Lord, 1997 Donation. |
| harold and maude script: The Best Little Whorehouse Goes Public Carol Hall, Larry L. King, Peter Masterson, 1999 |
| harold and maude script: Fahrenheit 451 Ray Bradbury, 2025-04-24 |
| harold and maude script: Close-up Jon Tuska, Vicki Piekarski, David Wilson, 1981 |
| harold and maude script: The Drop Dead Funny '70s Dan Lalande, 2023-08-17 This work offers a critical examination of 130 commercially-released film comedies of the 1970s. It considers the socio-political circumstances of each year of the decade, then critiques each film released that year with a focus on its effect on the film industry and the art of big screen comedy, as well as the emergence of talents whose work influenced (or was influenced by) the zeitgeist of the decade. Covering popular titles like M*A*S*H, Blazing Saddles, American Graffiti, The Bad News Bears, Smokey and the Bandit and many more, it argues that the 1970s may rightly be considered the last golden age of film comedy. |
| harold and maude script: The Ik Colin Higgins, Denis Cannan, 1984 This work was developed as a cooperative effort between the writers cited above, Peter Brook and his actors from the International Centre for Theatre Research, the two anthropologists who had worked with the Ik, and Joseph Towles. The process is described by Colin Turnbull in his introduction. |
| harold and maude script: Rob Wagner's Beverly Hills Script , 1929 |
| harold and maude script: The Hellbound Heart Clive Barker, 2009-03-17 “Barker’s the best thing to happen to horror fiction for many moons. . . [he] never fails to deliver the compelling prose and relentless horror his readers expect.” —Chicago Tribune The classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film Hellraiser From his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to ever read. Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back—though the price will be bloody and terrible . . . and there will certainly be hell to pay. |
| harold and maude script: Twin Cities Picture Show Dave Kenney, 2010-06 A lively illustrated history that reveals how the movie business has fascinated, scandalized, and socialized the Twin Cities and its people. |
| harold and maude script: Latino Image Makers in Hollywood Frank Javier Garcia Berumen, 2016-04-14 Latinos have been part of the Hollywood film industry for more than 100 years, yet beyond the remarkable success of a few, their visibility and clout have generally not reflected their significance in American society. Worse, the Latino image has suffered from widespread stereotyping in film, and performers face unjustified constraints in the kinds of roles available to them. Decade by decade from 1960 onward, this book analyzes important films made by or about Latinos, details the careers of Latino performers and filmmakers of the time, and analyzes how film portrayals of Latino characters and subjects connect with political and social trends of each decade. It discusses the role of gender, social class, and ethnicity in film portrayals and provides an overview of the diverse and dynamic Latino community in the United States, while celebrating a substantial and enduring contribution to Hollywood film history. |
| harold and maude script: Upbeat David Amram, 2015-12-22 David Amram-composer, jazz artist, conductor, and world music pioneer-has been described by the Boston Globe as the Renaissance man of American music. From early collaborations with Kerouac and Sinatra, chosen by Leonard Bernstein as the New York Philharmonic's first composer in residence, Amram's artistry has taken him from concerts with Willie Nelson to jamming with the Massai tribe of Kenya. In Upbeat: Nine Lives of a Musical Cat, Amram recounts his extraordinary adventures in the many worlds of music he calls home, all told in a rollicking anecdotal style that makes you feel that you are at home around the world. He writes, Everywhere I have been in the world, music transcends politics. As musicians, we were able to go beyond all that and just be fellow human beings. Threading through Amram's tale of music, hard work, respect, and friendship are unforgettable stories of fellow great artists-Dizzie Gillespie, Hunter S. Thompson, Janet Gaynor, George Plimpton, Lyle Lovett, Zoe Caldwell, Willie Nelson, and many more. |
| harold and maude script: American Film Now James Monaco, 1979 |
| harold and maude script: The Age of Movies: Selected Writings of Pauline Kael Pauline Kael, 2011-10-27 A master film critic is at her witty, exhilarating, and opinionated best in this career-spanning collection featuring pieces on Bonnie and Clyde, The Godfather, and other modern movie classics “Film criticism is exciting just because there is no formula to apply,” Pauline Kael once observed, “just because you must use everything you are and everything you know.” Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation. She had a gift for capturing, with force and fluency, the essence of an actor’s gesture or the full implication of a cinematic image. Kael called movies “the most total and encompassing art form we have,” and her reviews became a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. Her ability to evoke the essence of a great artist—an Orson Welles or a Robert Altman—or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here are her appraisals of era-defining films such as Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville, along with many others, some awaiting rediscovery—all providing the occasion for masterpieces of observation and insight, alive on every page. |
Harold (given name) - Wikipedia
Harold is an English personal name. The modern name Harold ultimately derives from the Proto-Germanic *harja-waldaz, meaning 'military …
Meaning, origin and history of the name Harold
Dec 7, 2022 · From the Old English name Hereweald, derived from the elements here "army" and weald "powerful, mighty". The Old Norse …
Harold - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Harold is a boy's name of Scandinavian origin meaning "army ruler". The name of the last …
Harold - Name Meaning, What does Harold mean? - Think B…
Harold as a boys' name is pronounced HARE-uld. It is of Scandinavian and Old English origin, and the meaning of Harold is "army ruler ". From Old …
Harold Tanner ’52, board chairman emeritus, dies at 93
1 day ago · Harold Tanner ’52, chairman emeritus of the Cornell Board of Trustees – who helped usher in an era of financial stability as a co-chair of …
Harold (given name) - Wikipedia
Harold is an English personal name. The modern name Harold ultimately derives from the Proto-Germanic *harja-waldaz, meaning 'military-power' or 'army-ruler'. The name entered Modern …
Meaning, origin and history of the name Harold
Dec 7, 2022 · From the Old English name Hereweald, derived from the elements here "army" and weald "powerful, mighty". The Old Norse cognate Haraldr was also common among Scandinavian …
Harold - Baby Name Meaning, Origin, and Popularity
Jun 8, 2025 · The name Harold is a boy's name of Scandinavian origin meaning "army ruler". The name of the last Anglo-Saxon king of England before the Norman conquest, and a name that's …
Harold - Name Meaning, What does Harold mean? - Think Baby Names
Harold as a boys' name is pronounced HARE-uld. It is of Scandinavian and Old English origin, and the meaning of Harold is "army ruler ". From Old English here weald, influenced by the related …
Harold Tanner ’52, board chairman emeritus, dies at 93
12 hours ago · Harold Tanner ’52, chairman emeritus of the Cornell Board of Trustees – who helped usher in an era of financial stability as a co-chair of Cornell’s first billion-dollar endowment …
Harold Name Meaning, Origin, History, And Popularity
May 7, 2024 · Harold is a modern English name usually given to boys. It was derived from the Old Germanic name Hajrawald. The meaning of the name can be divided into two parts, ‘heri’ or …
Harold - Meaning of Harold, What does Harold mean? - BabyNamesPedia
Harold is largely used in English and German, and its origin is Germanic. Harold is a variant transcription of the name Harald (German and Scandinavian). The diminutive forms Hal (English) …
Harold first name popularity, history and meaning - Name Census
Harold was a common name among the ruling classes in medieval England, after the Norman Conquest in 1066. The most famous bearer of this name was Harold Godwinson, the last Anglo …
Harold: meaning, origin, and significance explained - What the Name
Explore the origin and significance of the name Harold, which means 'Army Ruler' and has Scandinavian roots, as a perfect choice for a strong and noble male name.
Harold | Oh Baby! Names
Harold is an old-fashioned charmer but probably too crusty “old man” by today’s naming standards. Harold has a long and illustrious history on the American male naming charts. He brought in the …
