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| horace roman: Horace's Roman Odes Charles Witke, 2018-08-14 |
| horace roman: Carmina Horace, Quintus Horatius Flaccus, Theodor Obbarius, 2015-11-15 This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| horace roman: Odes Horace, 1898 |
| horace roman: The Complete Odes and Satires of Horace Horace, 2016-06-30 Horace has long been revered as the supreme lyric poet of the Augustan Age. In his perceptive introduction to this translation of Horace's Odes and Satires, Sidney Alexander engagingly spells out how the poet expresses values and traditions that remain unchanged in the deepest strata of Italian character two thousand years later. Horace shares with Italians of today a distinctive delight in the senses, a fundamental irony, a passion for seizing the moment, and a view of religion as aesthetic experience rather than mystical exaltation--in many ways, as Alexander puts it, Horace is the quintessential Italian. The voice we hear in this graceful and carefully annotated translation is thus one that emerges with clarity and dignity from the heart of an unchanging Latin culture. Alexander is an accomplished poet, novelist, biographer, and translator who has lived in Italy for more than thirty years. Translating a poet of such variety and vitality as Horace calls on all his literary abilities. Horace (Quintus Horatius Flaccus, 65-8 bce), was born the son of a freed slave in southern rural Italy and rose to become one of the most celebrated poets in Rome and a confidante of the most powerful figures of the age, including Augustus Caesar. His poetry ranges over politics, the arts, religion, nature, philosophy, and love, reflecting both his intimacy with the high affairs of the Roman Empire and his love of a simple life in the Italian countryside. Alexander translates the diverse poems of the youthful Satires and the more mature Odes with freshness, accuracy, and charm, avoiding affectations of archaism or modernism. He responds to the challenge of rendering the complexities of Latin verse in English with literary sensitivity and a fine ear for the subtleties of poetic rhythm in both languages. This is a major translation of one of the greatest of classical poets by an acknowledged master of his craft. |
| horace roman: The works ¬of ¬Horace Quintus Horatius Flaccus, 1783 |
| horace roman: The Epodes of Horace; Tr. Into English Verse Horace, 1898 |
| horace roman: Horace's Roman Odes Charles Witke, 1983 |
| horace roman: Horace Horace, 2016-01-05 This wide-ranging selection showcases the work of one of ancient Rome’s master poets—and originator of the phrase “carpe diem”—whose influence on poetry can be traced through the centuries into our own time. Quintus Horatius Flaccus, who lived from 65 to 8 BCE, saw the death of the Roman Republic and the beginning of the Roman Empire and was personally acquainted with the emperor Augustus and the poet Virgil. He was famous during his lifetime and since for his odes and epodes, for his satires and epistles, and for Ars Poetica. His lyric poems, brief and allusive, have been translated into English by a range of famous poets, including Milton, Ben Jonson, John Dryden, William Cowper, A. E. Housman, Ezra Pound, Louis MacNeice, Robert Lowell—and even Queen Elizabeth I and the Victorian prime minister William Gladstone. Horace’s masterly verses have inspired poets from antiquity to modernity, and his injunction to “seize the day” has echoed through the ages. This anthology of superb English translations shows how Horace has permeated English literature for five centuries. |
| horace roman: Unity and Design in Horace's Odes Matthew S. Santirocco, 2015-01-01 Horace's first three books of Odes, published together in 23 B.C., are a masterpiece of Augustan literature and the culmination of classical lyric. Matthew Santirocco provides the first new critical approach to them in English in more than two decades. Drawing on recent works on ancient and modern poetry books and using several contemporary critical methodologies, Santirocco reveals the Odes both as individual poems and as components in a larger poetic design. His reading of Horace demonstrates that the ensemble is itself an important context for understanding and appreciating the poetry. Reconstructing the history of the ancient poetry book, both Greek and Roman, Santirocco challenges certain common assumptions about its origin and development. He argues that true parallels for the Odes are not to be found in the other Augustan books, which are relatively homogeneous in content and form, but in the heterogeneous collections of Hellenistic writers. Odes I-III comprise eighty-eight poems in twelve different meters, and in tone and topic they vary widely. Avoiding the two extremes of past scholarship, which either has searched for a single underlying unity or else has denied any meaningful design, Santirocco uncovers a variety of both static and dynamic structures and shows their relevance to the literary interpretation of the poems at all levels. Ultimately, the composition of a poem and the disposition of the group are shown to be analogous activities. Odes I-III do not constitute a medley of discrete poems but, instead, approximate the unity of a single ode. |
| horace roman: Roman Lyric Francis Cairns, 2012 Francis Cairns has made well-known contributions to the study of Roman Epic and Elegy. Roman Lyric assembles his substantial body of work on Roman lyric, about 30 papers published over the period 1969 to 2010 in many European and American periodicals, themed volumes and Festschriften, along with some new papers.The volume is fully indexed and contains a composite bibliography and addenda and corrigenda. Roman Lyric will make access to this body of scholarly material easier and more convenient for scholars and students of Latin poetry. |
| horace roman: Essays on Roman Satire William S. Anderson, 2014-07-14 The fifteen essays collected here argue that Roman verse satire should be viewed primarily as an art form, rather than as a social document or a direct expression of social protest. Originally published between 1956 and 1974, they constitute an impressive attempt to free Roman satire from misinterpretations that arose during the romantic era and that continue to plague scholars in the field. The author rejects the proposition that Juvenal and other satirists expressed spontaneous, unadorned anger and that the critic’s best approach is the study of the historical, social, economic and personal circumstances that led to their statement of that anger. This work develops his thesis that Roman satire was designed as a literary form and that the proper stance of the critic is to elucidate its art. Focusing on the dramatic character of the first-person speaker in the satires of Horace, Persius, and Juvenal, the author shows both how the speaker’s role was shaped to suit the purposes of the individual poems and how that role changed over successive collections of satires. Several essays also discuss the ways in which the satirists employed metaphors and similes and used contemporary ethical and rhetorical themes. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| horace roman: War in Roman Myth and Legend Paul Chrystal, 2020-12-31 An enlightening look at the importance of war gods and their myths to the ancient Romans. This book redresses the relative lack of work published on the role of war in classical myth and legend. At the same time it debunks the popular view that the Romans had little mythology of their own and idly borrowed and adapted Greek myth to suit their own ends. While this is true to some extent, War in Roman Myth and Legend clearly demonstrates a rich and meaningful independent mythology at work in Roman culture. The book opens by addressing how the Romans did adopt and adapt Greek myths to fashion the beginnings of Roman history; it goes on to discuss the Roman gods of war and the ubiquity of war in Roman society and politics and how this was reflected in the Aeneas Foundation Myth, the Romulus and Remus Foundation Myth, and the legends associated with the founding of Rome. Also discussed are warlike women in Roman epic; Trojan heroes; and the use of mythology by Roman poets other than Virgil. The Theban Legion and the vision of Constantine myths conclude the journey. |
| horace roman: Horace's Poetic Journey David H. Porter, 2014-07-14 David Porter's approach to Horace's most important lyric collection is through a close sequential reading of the eighty-eight poems in Odes 1-3. Taking into account the way an ancient book was read or recited, this view of the work as a continuously unfolding creation reveals a strong sense of forward movement and of thematic development, at times almost a narrative flow. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. |
| horace roman: LUX: Studies in Greek and Latin Literature Myrto Aloumpi, Antony Augoustakis, 2024-10-21 This volume of essays in honor of Lucia Athanassaki offers a great variety of chapters on a number of topics in Greek and Latin literature and genres, from Greek epic and lyric poetry to Greek drama and late antiquity, Greek historiography, and Latin lyric poetry. |
| horace roman: The Roman Hannibal Claire Stocks, 2014-04-15 This book offers a new reading of Hannibal in Silius Italicus’ Punica and provides fresh insight into how the Romans remembered their past. |
| horace roman: Horace's Narrative Odes Michèle Lowrie, 1997 Narrative has not traditionally been a subject in the analysis of lyric poetry. This book deconstructs the polarity that divides and binds lyric and narrative means of representation in Horace's Odes. While myth is a canonical feature of Pindaric epinician, Horace cannot adopt the Pindaric mode for aesthetic and political reasons. Roman Callimacheanism's privileging of the small and elegant offers a pretext for Horace to shrink from the difficulty of writing praise poetry in the wake of civil war. But Horace by no means excludes story-telling from his enacted lyric. On the formal level, numerous odes contain narration. Together they constitute a larger narrative told over the course of Horace's two lyric collections. Horace tells the story of his development as a lyricist and of the competing aesthetic and political demands on his lyric poetry. At issue is whether he can ever truly become a poet of praise. |
| horace roman: Roman Satire and the Old Comic Tradition Jennifer L. Ferriss-Hill, 2015-02-26 Quintilian famously claimed that satire was tota nostra, or totally ours, but this innovative volume demonstrates that many of Roman satire's most distinctive characteristics derived from ancient Greek Old Comedy. Jennifer L. Ferriss-Hill analyzes the writings of Lucilius, Horace, and Persius, highlighting the features that they crafted on the model of Aristophanes and his fellow poets: the authoritative yet compromised author; the self-referential discussions of poetics that vacillate between defensive and aggressive; the deployment of personal invective in the service of literary polemics; and the abiding interest in criticizing individuals, types, and language itself. The first book-length study in English on the relationship between Roman satire and Old Comedy, Roman Satire and the Old Comic Tradition will appeal to students and researchers in classics, comparative literature, and English. |
| horace roman: Generic Enrichment in Vergil and Horace S. J. Harrison, 2011-03-31 S. J. Harrison sets out to sketch one answer to a key question in Latin literary history: why did the period c.39-19 BC in Rome produce such a rich range of complex poetical texts, above all in the work of the famous poets Vergil and Horace? Harrison argues that one central aspect of this literary flourishing was the way in which different poetic genres or kinds (pastoral, epic, tragedy, etc.) interacted with each other and that that interaction itself was a prominent literary subject. He explores this issue closely through detailed analysis of passages of the two poets' works between these dates. Harrison opens with an outline of generic theory ancient and modern as a basis for his argument, suggesting how different poetic genres and their partial presence in each other can be detected in the Latin poetry of the first century BC. |
| horace roman: Intratextuality and Latin Literature Stephen J. Harrison, Stavros Frangoulidis, Theodore D. Papanghelis, 2018-10-08 Recent years have witnessed an increased interest in classical studies in the ways meaning is generated through the medium of intertextuality, namely how different texts of the same or different authors communicate and interact with each other. Attention (although on a lesser scale) has also been paid to the manner in which meaning is produced through interaction between various parts of the same text or body of texts within the overall production of a single author, namely intratextuality. Taking off from the seminal volume on Intratextuality: Greek and Roman Textual Relations, edited by A. Sharrock / H. Morales (Oxford 2000), which largely sets the theoretical framework for such internal associations within classical texts, this collective volume brings together twenty-seven contributions, written by an international team of experts, exploring the evolution of intratextuality from Late Republic to Late Antiquity across a wide range of authors, genres and historical periods. Of particular interest are also the combined instances of intra- and intertextual poetics as well as the way in which intratextuality in Latin literature draws on reading practices and critical methods already theorized and operative in Greek antiquity. |
| horace roman: Carmina Horace, 2012-04-26 This edition provides current information and guidance on fundamental matters of language usage, poetic structure, and literary interpretation. |
| horace roman: Figurations of France Marcus Keller, 2011-04-22 The century of political, religious and cultural turmoil that shook France after the sudden death of Francis I in 1547 was also a period of intense literary nation-building. This study shows how canonical authors contributed to the creation of the French as an imaginary community and argues that early modern literary texts also provide venues for an incisive critique of the idea of nation. Informed by contemporary theories of nationhood, the original readings of Du Bellay's Défense, Ronsard's Discours and d'Aubigné's Tragiques, Montaigne's Essays, Malherbe's odes, and Corneille's Le Cid and Horace demonstrate the critical function of allegories such as Mother France or tropes like the graft and reveal the pertinence of these early modern figurations for current debates about the nation-state in a postmodern era and globalized world. |
| horace roman: Q. Horati Flacci Sermones Horace, 1883 |
| horace roman: South Africa Heribert Adam, 1983-01-01 |
| horace roman: Horace's "Carmen Saeculare" Michael C. J. Putnam, 2008-10-01 divThis is the first book devoted to Horace’s Carmen Saeculare, a poem commissioned by Roman emperor Augustus in 17 B.C.E. for choral performance at the Ludi Saeculares, the Secular Games. The poem is the first fully preserved Latin hymn whose circumstances of presentation are known, and it is the only lyric of Horace we can be certain was first presented orally. Michael C. J. Putnam offers a close and sensitive reading of this hymn, shedding new light on the richness and virtuosity of its poetry, on the many sources Horace drew on, and on the poem’s power and significance as a public ritual. A rich and compelling work, this poem is a masterpiece, Putnam shows, and it represents a crucial link in the development of Rome’s outstanding lyric poet./DIV |
| horace roman: Artists and Intellectuals and the Requests of Power Ivo de Gennaro, Hans-Christian Günther, 2009-02-28 A much discussed question in classical studies is the comparison between the situation of poets in Augustan Rome and that of artists and intellectuals in the totalitarian regimes of the twentieth century. As instructive as this question proves to be for an understanding of the relation between the freedom of art and thinking on the one hand and power on the other, it also reveals the insufficiency of our present grasp of this crucial articulation of our humanity. This volume offers a multidisciplinary and comparative approach to the problem, complementing the historical perspective with a regard on Eastern traditions. It thus explores tentative paths for future research on an issue of critical importance for the shaping of the global world. |
| horace roman: A Translation and Interpretation of Horace’s Sermones, Book I Andy Law, 2021-03-15 Horace’s book of Sermones (also called Satires) was his first published work. Rather than a collection of satirical sideswipes, as the genre might have dictated, the book is a wiry, tight, muscular, interlaced hexameter artwork of enormous originality and as far removed from the legacy of satirical writing he inherited as one can imagine. It is the work of a 29-year-old grappling with issues of personal and poetic identity during one of the most important and pivotal times in European history. Geographically, socially and genetically an outsider, Horace earned himself a seat at Rome’s top creative table, close to the heart of the political engine that was to change Rome forever. His book details a transformational journey from ‘nobody’ to ‘somebody’, and is a simultaneous invention of poet and reinvention of poetic genre. Horace’s Sermones have floated in and out of fashion ever since they first appeared, regularly eclipsed by his Odes. Today, rehabilitated, they find space in the higher levels of the school curriculum. This book provides unique insights and will be of interest to all classicists, as well as students studying core influences on European literature. |
| horace roman: Horace's Odes Richard John Tarrant, 2020 Oxford Approaches to Classical Literature introduces individual works of Greek and Latin literature to readers who are approaching them for the first time. Each volume sets the work in its literary and historical context and aims to offer a balanced and engaging assessment of its content, artistry, and purpose. A brief survey of the influence of the work upon subsequent generations is included to demonstrate its enduring relevance and power. All quotations from the original are translated into English.Horace's body of lyric poetry, the Odes, is one of the greatest achievements of Latin literature and a foundational text for the Western poetic tradition. These 103 exquisitely crafted poems speak in a distinctive voice -- usually detached, often ironic, always humane -- reflecting on the changing Roman world that Horace lived in and also on more universal themes of friendship, love, and mortality. In this book, Richard Tarrant introduces readers to the Odesby situating them in the context of Horace's career as a poet and by defining their relationship to earlier literature, Greek and Roman. Several poems have been freshly translated by the author; others appear in versions by Horace's best modern translators. A number of poems are analyzed in detail, illustrating Horace's range of subject matter and his characteristic techniques of form and structure. A substantial final chapter traces the reception of the Odes from Horace's own time to the present. Readers of this book will gain an appreciation for the artistry of one of the finest lyric poets of all time. |
| horace roman: Perceptions of Horace L. B. T. Houghton, Maria Wyke, 2009-12-03 Throughout his work, the Roman poet Horace displays many, sometimes conflicting, faces: these include dutiful son, expert lover, gentleman farmer, man about town, outsider, poet laureate, sharp satirist and measured moraliser. This book features a wide array of essays by an international team of scholars from a number of different academic disciplines, each one shedding new light on aspects of Horace's poetry and its later reception in literature, art and scholarship from antiquity to the present day. In particular, the collection seeks to investigate the fortunes of 'Horace' both as a literary personality and as a uniquely varied textual corpus of enormous importance to western culture. The poems shape an author to suit his poetic aims; readers reshape that author to suit their own aesthetic, social and political needs. Studying these various versions of Horace and their interaction illuminates the author, his poetry and his readers. |
| horace roman: The Museum of Augustus Peter Heslin, 2015-05-01 In the Odes, Horace writes of his own work, “I have built a monument more enduring than bronze,”—a striking metaphor that hints at how the poetry and built environment of ancient Rome are inextricably linked. This fascinating work of original scholarship makes the precise and detailed argument that painted illustrations of the Trojan War, both public and private, were a collective visual resource for selected works of Virgil, Horace, and Propertius. Carefully researched and skillfully reasoned, the author’s claims are bold and innovative, offering a strong interpretation of the relationship between Roman visual culture and literature that will deepen modern readings of Augustan poets. The Museum of Augustus first provides a comprehensive reconstruction of paintings from the remaining fragments of the cycle of Trojan frescoes that once decorated the Temple of Apollo in Pompeii. It then finds the echoes of these paintings in the Augustan-dated Portico of Philippus, now destroyed, which was itself a renovation of Rome’s de facto temple of the Muses—in other words, a museum, both in displaying art and offering a meeting place for poets. It next examines the responses of the Augustan poets to the decorative program of this monument that was intimately connected with their own literary aspirations. The book concludes by looking at the way Horace in the Odes and Virgil in the Georgics both conceptualized their poetic projects as temples to rival the museum of Augustus. |
| horace roman: Fighting for Rome John Henderson, 1998-03-12 The essays in Fighting for Rome confront the traumatic disjunction between the militarist culture of classical Rome, with its heavy investment in valour, conquest and triumph, and the domination of its history by civil war, where Roman soldiers killed so many Romans for control of Rome. The essays gathered and rewritten here range across the literary forms (history, satire, lyric and epic) and work closely with the ancient texts (Appian and Julius Caesar; Horace; Lucan and Statius; Tacitus and Livy). Close reading and powerful translation communicate the ancient writers' efforts to grasp and respond to the Roman civil wars, and to their product, Roman terror under the Caesars. The book aims to bring to life strong reactions to a world order run by civil war. |
| horace roman: Essays on Ancient History Chester G. Starr, 2023-08-21 |
| horace roman: Horatian Readings: Poetic and Literary Texture Stephen Harrison, 2025-06-02 This volume collects eighteen pieces on Horace written over the last two decades. They share a common interest in the close reading of Horace’s poems, especially of the Odes, and are intended to stand alongside the more formal analyses in my commentary on Odes 2 (2017) and the readings of Horatian poems in my monograph on generic enrichment (2007). These pieces share a number of particular concerns linked to issues prominent in classical scholarship over the period: literary career criticism, intratextuality, intertextual interaction with other poets and genres, while a further topic is the perennial question of Horace’s negotiation of the major political issues of his time and the nature of his engagement with the Augustan regime. Like all the Augustan poets, Horace was writing for a Roman readership which had been sharply divided by the internecine wars of the 40s and 30s BCE, and his work can express the perspective of the defeated as well as that of the victors, just as Vergil’s does in the Aeneid. The volume emphasises the original cultural context (and readers) of the poems, and seeks to present Horace’s poetry with the apparatus needed for its modern literary study by scholars and advanced students. |
| horace roman: Satires and epistles Horace, 1909 |
| horace roman: The Crisis of Masculinity in the Age of Augustus Melanie Racette-Campbell, 2023-07-25 The political rupture caused by the ascension of Augustus Caesar in ancient Rome, which ended the centuries-old Republic, had drastic consequences for the performance and understanding of masculinity in a markedly androcentric society. Melanie Racette-Campbell examines how Rome's elite men navigated this liminal moment between Republic and Empire when the total accumulation of power by one man foreclosed avenues of, and appreciation for, competition as the means of constructing and performing their gender. The process of reconceptualizing a definition of Roman manhood, as revealed through a complex public-private discourse, was as tumultuous and unsteady as the political events of the time. By carefully reading contemporary texts focused on the precise moment of transition, Racette-Campbell unveils the complexity, contours, and nuances of the Augustan crisis of masculinity. |
| horace roman: Greek and Roman Cults in Horace's Odes Lucile Powell, 1915 |
| horace roman: Horace and His Lyric Poetry L. P. Wilkinson, 1968-10 In this volume, first published in 1945, Mr Wilkinson writes primarily for students of the classics who are not Horatian specialists. His book falls easily within the scope of those who can read any Latin at all - and even of those who cannot, for most passages quoted are also translated. Horace - for Mr Wilkinson - is the poet of the Odes and the Epodes - the incomparable genius of the lyric form, and a sympathetic and engaging character into the bargain. He is especially concerned with Horace as the poetic craftsman. Like most Roman poets, Horace was not inventive in subject-matter: he generally wrote about what we now recognize as the eternal platitudes. But Mr Wilkinson focuses on the mastery of form, rhythm and cadence that have charmed readers for centuries. |
| horace roman: Lectures and Essays. 2d Ser Henry Nettleship, 1895 |
| horace roman: A Guide to Latin Elegy and Lyric Barbara K. Gold, Genevieve Liveley, 2021-07-12 Provides the necessary context to read elegiac and lyric poetry, designed for novice and experienced Classics and Latin students alike A Guide to Latin Elegy and Lyric explores the language of Latin poetry while helping readers understand the socio-cultural context of the remarkable period of Roman literary history in which the poetry was composed. With an innovative approach to this important area of classical scholarship, the authors treat elegy alongside lyric as they cover topics such as the Hellenistic influences on Augustan poetry, the key figures that shaped the elegiac tradition of Rome, the motifs of militia amoris (the warfare of love) and servitium amoris (“the slavery of love”) in Latin love elegy, and more. Organized into ten chapters, the book begins with an introduction to the literary, political, and social contexts of the Augustan Age. The next six chapters each focus on an individual lyric and elegiac poet—Catullus, Horace, Tibullus, Propertius, Ovid, and Sulpicia—followed by a survey of several lesser-known poets and post-Augustan elegy and lyric. The text concludes with a discussion of major tropes and themes in Latin elegy and lyric, and an overview and analysis of key critical approaches in current scholarship. This volume: Includes full translations alongside the Latin throughout the text to illustrate discussions Analyzes recurring themes and tropes found in Latin poetry such as sexuality and gender, politics and patronage, myth and religion, wealth and poverty, empire, madness, magic, and witchcraft Reviews modern critical approaches to elegiac and lyric poetry including autobiographical realism, psychoanalysis, narratology, reception, and decolonization Includes helpful introductory sections: How to Read a Latin Elegiac or Lyric Poem and How to Teach a Latin Elegiac and Lyric Poem Provides information about each poet, an in-depth discussion of some of their poetry, and cultural and historical background Features a dedicated chapter on Sulpicia, offering readers an ancient female viewpoint on sex and gender, politics, and patronage Part of the acclaimed Blackwell Guides to Classical Literature series, A Guide to Latin Elegy and Lyric is the perfect text for both introductory and advanced courses in Latin elegy and lyric, accessible for students reading the poetry in translation, as well as for those experienced in Latin with an interest in learning a different approach to the subject. |
| horace roman: Artifices of Eternity Michael C. J. Putnam, 1986 The Townsend Lectures |
| horace roman: Chirurgie de l'endométriose Chrystèle Rubod, Pierre Collinet, 2022-01-04 L'endométriose est une pathologie fréquente et un vrai problème de santé publique dont la prise en charge reste complexe. La chirurgie de l'endométriose est une chirurgie fonctionnelle qui requiert une expertise et parfois un recours en amont à une réunion de concertation pluridisciplinaire. En effet, la prise en charge reste multidisciplinaire et nécessite de définir des parcours de soins car les enjeux sont nombreux, notamment en termes de fertilité et de complications opératoires. Cette problématique est abordée dans la partie introductive de l'ouvrage. L'ouvrage décrit ensuite les principales interventions chirurgicales de l'endométriose et les alternatives. Le déroulé pas à pas des temps opératoires, de l'installation aux matériels, la préparation préopératoire et les soins et surveillance postopératoires sont détaillés sous l'angle du chirurgien. La gestion des complications est aussi traitée. Il présente un état des lieux complet des données chirurgicales actuelles, intègre les dernières innovations en termes de techniques mais également de matériels et propose une iconographie riche pour en faciliter la compréhension. Rédigé dans un style synthétique et efficace, cet ouvrage s'adresse à l'ensemble des chirurgiens gynécologues |
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Natural Grooming For All Men - HORACE
Shop exclusively at Horace. Men's grooming for your face, your body, your hair and your mouth. Efficient, natural, great design and accessible products.
Oud Rose Perfume 50 ml - Floral, Woody and Green - Horace
Our models look like you, our products are created with you. Everything, at Horace, is made to help you feel good in your skin.
