Advertisement
| half a day by naguib mahfouz analysis: Arabian Nights and Days Naguib Mahfouz, 2016-06-15 The Nobel Prize-winning Egyptian writer Naguib Mahfouz refashions the classic tales of Scheherazade into a novel written in his own imaginative, spellbinding style. Here are genies and flying carpets, Aladdin and Sinbad, Ali Baba, and many other familiar stories from the tradition of The One Thousand and One Nights, made new by the magical pen of the acknowledged dean of Arabic letters, who plumbs their depths for timeless truths. |
| half a day by naguib mahfouz analysis: The Thief and the Dogs Naguib Mahfouz, 2016-06-15 Naguib Mahfouz's haunting novella of post-revolutionary Egypt combines a vivid pychological portrait of an anguished man with the suspense and rapid pace of a detective story. After four years in prison, the skilled young thief Said Mahran emerges bent on revenge. He finds a world that has changed in more ways than one. Egypt has undergone a revolution and, on a more personal level, his beloved wife and his trusted henchman, who conspired to betray him to the police, are now married to each other and are keeping his six-year-old daughter from him. But in the most bitter betrayal, his mentor, Rauf Ilwan, once a firebrand revolutionary who convinced Said that stealing from the rich in a unjust society is an act of justice, is now himself a rich man, a respected newspaper editor who wants nothing to do with the disgraced Said. As Said's wild attempts to achieve his idea of justice badly misfire, he becomes a hunted man so driven by hatred that he can only recognize too late his last chance at redemption. |
| half a day by naguib mahfouz analysis: The Essential Naguib Mahfouz Najīb Maḥfūẓ, 2011 A carefully curated selection of the most important works of Egypt's Nobel literature laureate in a single volume Naguib Mahfouz, the first and only writer of Arabic to be awarded the Nobel prize for literature, wrote prolifically from the 1930s until shortly before his death in 2006, in a variety of genres: novels, short stories, plays, screenplays, a regular weekly newspaper column, and in later life his intensely brief and evocative Dreams. His Cairo Trilogy achieved the status of a world classic, and the Swedish Academy of Letters in awarding him the 1988 Nobel prize for literature noted that Mahfouz through works rich in nuance--now clear-sightedly realistic, now evocatively ambiguous--has formed an Arabic narrative art that applies to all mankind. Here Denys Johnson-Davies, described by Edward Said as the leading Arabic-English translator of our time, makes an essential selection of short stories and extracts from novels and other writings, to present a cross-section through time of the very best of the work of Egypt's Nobel literature laureate. |
| half a day by naguib mahfouz analysis: A Study Guide for Naguib Mahfouz's "Half a Day" Gale, Cengage Learning, 2016-07-14 A Study Guide for Naguib Mahfouz's Half a Day, excerpted from Gale's acclaimed Short Stories for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Short Stories for Students for all of your research needs. |
| half a day by naguib mahfouz analysis: Cairo Modern Naguib Mahfouz, 2009-12-01 In Naguib Mahfouz's suspenseful novel a bitter and ambitious nihilist, a beautiful and impoverished student, and a corrupt official engage in a doomed ménage à trois. Cairo of the 1930s is a place of vast social and economic inequities. It is also a time of change, when the universities have just opened to women and heady new philosophies imported from Europe are stirring up debates among the young. Mahgub is a fiercely proud student who is determined to keep both his poverty and his lack of principles secret from his idealistic friends. When he finds that there are no jobs for those without connections, out of desperation he agrees to participate in an elaborate deception. But what begins as a mere strategy for survival soon becomes much more for both Mahgub and his partner in crime, an equally desperate young woman named Ihsan. As they make their way through Cairo's lavish high society their precarious charade begins to unravel and the terrible price of Mahgub's Faustian bargain becomes clear. Translated by William M. Hutchins |
| half a day by naguib mahfouz analysis: Palace Walk Najīb Maḥfūẓ, 1991 The first book of the Cairo Trilogy recreates turn-of-the-century Cairo, with characters who are simultaneously disciplined and sensual |
| half a day by naguib mahfouz analysis: My Country Is Literature Chandrahas Choudhury, 2021-11-30 'A book is only one text, but it is many books. It is a different book for each of its readers. My Anna Karenina is not your Anna Karenina; your A House for Mr Biswas is not the one on my shelf. When we think of a favourite book, we recall not only the shape of the story, the characters who touched our hearts, the rhythm and texture of the sentences. We recall our own circumstances when we read it: where we bought it (and for how much), what kind of joy or solace it provided, how scenes from the story began to intermingle with scenes from our life, how it roused us to anger or indignation or allowed us to make our peace with some great private discord. This is the second life of the book: its life in our life.' In his early twenties, the novelist Chandrahas Choudhury found himself in the position of most young people who want to write: impractical, hard-up, ill at ease in the world. Like most people who love to read, his most radiant hours were inside the pages of a book. Seeking to combine his love of writing with his love of reading, he became an adept of a trade that is mainly transacted lying down—that is, he became a book reviewer. Pleasure, independence, aesthetic rapture, even a modest livelihood: all these were the rewards of being a worker bee of literature, ingesting the output of the publishers of the world in great quantities and trying to explain in the pages of newspapers and magazines exactly what makes a book leave a mark on the soul. Even as Choudhury's own novels began to be published, he continued to write about other writers' books: his contemporaries at home and abroad, the great Indian writers of the past, the relationship of the reading life —in particular, the novel—to selfhood and democracy, all the ways in which literature sings the truths of the human heart. My Country Is Literature brings together the best of his literary criticism: a long train of perceptive essays on writers as diverse as VS Naipaul and Orhan Pamuk, Gandhi and Nehru, Bibhutibhushan Bandyopadhyay and Jhumpa Lahiri. The book also contains an introductory essay describing Choudhury's book-saturated years as a young writer in Mumbai, the joys and sorrows and stratagems of the book reviewer's trade, and the ways in which literature is made as much by readers as by writers. Delightfully punctuated with 15 portraits of writers by the artist Golak Khandual, My Country Is Literature is essential reading for everyone who believes that books are the most beautiful things in life. |
| half a day by naguib mahfouz analysis: Miramar Naguib Mahfouz, 1992-12-14 This highly charged fable set in Alexandria, Egypt, in the late 1960s, centers on the guests of the Pension Miramar as they compete for the attention of the young servant Zohra. Zohra is a beautiful peasant girl who fled her family to escape an arranged marriage. She becomes the focus of jealousies and conflicts among the Miramar's residents, who include an assortment of radicals and aristocrats floundering in the wake of the Egyptian revolution. It becomes clear that the uneducated but strong-willed Zohra is the only one among them who knows what she wants. As the situation spirals toward violence and tragedy, the same sequence of events is retold from the perspective of four different residents, in the manner of Akira Kurosawa's Rashomon, weaving a nuanced portrait of the intricacies of post-revolutionary Egyptian life. |
| half a day by naguib mahfouz analysis: The Quarter Naguib Mahfouz, 2019-07 These recently discovered stories by Nobel Laureate Naguib Mahfouz take us deep into the beating heart of Cairo |
| half a day by naguib mahfouz analysis: Mara, Daughter of the Nile Eloise Jarvis McGraw, 2018-03-20 From a three-time Newbery Honoree and Edgar Award-winning author comes this compelling story of adventure, romance, and intrigue, set in ancient Egypt. |
| half a day by naguib mahfouz analysis: The Republic of False Truths Alaa Al Aswany, 2022-07-19 A glorious, humane novel (The Observer) about the Egyptian revolution, taking us inside the battle raging between those in power and those prepared to lay down their lives in the defense of freedom—this globally-acclaimed narrative from one of the foremost writers in the Arab world is still banned across much of the region. Cairo, 2011. After decades under a repressive regime, tensions are rising in the city streets. No one is out of reach of the revolution. There is General Alwany, a high-ranking member of the government's security agency, a pious man who loves his family yet won't hesitate to torture enemies of the state; Asma, a young teacher who chafes against the brazen corruption at her school; Ashraf, an out-of-work actor who is having an affair with his maid and who gets pulled into Tahrir Square through a chance encounter; Nourhan, a television personality who loyally defends those in power; and many more. As these lives collide, a new generation finds a voice, love blossoms across class divides, and the revolution gains strength. Even the general finds himself at a crossroads as his own daughter joins the protests. Yet the old regime will not give up without a fight. With an unforgettably vivid cast of characters and a heart-pounding narrative banned across much of the region, Alaa Al Aswany gives us a deeply human portrait of the Egyptian Revolution, and an impassioned retelling of his country's turbulent recent history. |
| half a day by naguib mahfouz analysis: Sugar Street Naguib Mahfouz, 2016-06-15 Master storyteller Naguib Mahfouz crowns his best-selling Cairo Trilogy with this final chronicle of the Abdal-Jawad clan, climaxing the story begun in Palace Walk and continued in Palace Of Desire. |
| half a day by naguib mahfouz analysis: Garbage Wars David Naguib Pellow, 2004-09-17 A study of the struggle for environmental justice, focusing on conflicts over solid waste and pollution in Chicago. In Garbage Wars, the sociologist David Pellow describes the politics of garbage in Chicago. He shows how garbage affects residents in vulnerable communities and poses health risks to those who dispose of it. He follows the trash, the pollution, the hazards, and the people who encountered them in the period 1880-2000. What unfolds is a tug of war among social movements, government, and industry over how we manage our waste, who benefits, and who pays the costs. Studies demonstrate that minority and low-income communities bear a disproportionate burden of environmental hazards. Pellow analyzes how and why environmental inequalities are created. He also explains how class and racial politics have influenced the waste industry throughout the history of Chicago and the United States. After examining the roles of social movements and workers in defining, resisting, and shaping garbage disposal in the United States, he concludes that some environmental groups and people of color have actually contributed to environmental inequality. By highlighting conflicts over waste dumping, incineration, landfills, and recycling, Pellow provides a historical view of the garbage industry throughout the life cycle of waste. Although his focus is on Chicago, he places the trends and conflicts in a broader context, describing how communities throughout the United States have resisted the waste industry's efforts to locate hazardous facilities in their backyards. The book closes with suggestions for how communities can work more effectively for environmental justice and safe, sustainable waste management. |
| half a day by naguib mahfouz analysis: Palace of Desire Naguib Mahfouz, 2016-06-15 The second volume of the highly acclaimed Cairo Trilogy from the winner of the Nobel Prize for Literature. Filled with compelling drama, earthy humor, and remarkable insight, Palace Of Desire is the unforgettable story of the violent clash between ideals and realities, dreams and desires. |
| half a day by naguib mahfouz analysis: A Pale View of Hills Kazuo Ishiguro, 1990-09-12 From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day Here is the story of Etsuko, a Japanese woman now living alone in England, dwelling on the recent suicide of her daughter. In a novel where past and present confuse, she relives scenes of Japan's devastation in the wake of World War II. |
| half a day by naguib mahfouz analysis: Death Is Hard Work Khaled Khalifa, 2019-02-12 National Book Award Finalist: “The poetic and horrific combine in this tale of love and death set in a Syria torn apart by civil war” (Guardian, UK). As elderly Abdel Latif dies peacefully in a hospital bed in Damascus, he relays his final wish to his youngest son Bolbol: to be buried in the family plot in their ancestral village of Anabiya. Though Bolbol is estranged from his siblings, he persuades his older brother Hussein and his sister Fatima to accompany him and the body to Anabiya, which is—after all—only a two-hour drive from Damascus. There’s only one problem: Their country is a war zone. With the landscape of their childhood now a labyrinth of competing armies whose actions are at once arbitrary and lethal, the siblings’ decision to set aside their differences and honor their father’s request quickly balloons from a minor commitment into an epic and life-threatening quest. Syria, however, is no longer a place for heroes, and the decisions the family must make along the way—as they find themselves captured and recaptured, interrogated, imprisoned, and bombed—will prove to have enormous consequences for all of them. One of Syria’s most acclaimed literary voices, Khaled Khalifa was the greatest chronicler of his country’s catastrophic civil war. In Death is Hard Work, he delivers a tale of three ordinary people facing down the stuff of nightmares armed with little more than simple determination. Winner of the Naguib Mahfouz Medal for Literature Finalist for the National Book Award for Translated Literature |
| half a day by naguib mahfouz analysis: The In-Between World of Vikram Lall M.G. Vassanji, 2009-02-24 Giller Prize-winner M.G. Vassanji’s The In-Between World of Vikram Lall is a haunting novel of corruption and regret that brings to life the complexity and turbulence of Kenyan society in the last five decades. Rich in sensuous detail and historical insight, this is a powerful story of passionate betrayals and political violence, racial tension and the strictures of tradition, told in elegant, assured prose. The novel begins in 1953, with eight-year-old Vikram Lall a witness to the celebrations around the coronation of Queen Elizabeth II, just as the Mau Mau guerilla war for independence from Britain begins to gain strength. In a land torn apart by idealism, doubt, political upheaval and terrible acts of violence, Vic and his sister Deepa must find their place among a new generation. Neither colonists nor African, neither white nor black, the Indian brother and sister find themselves somewhere in between in their band of playmates: Bill and Annie, British children, and Njoroge, an African boy. These are the relationships that will shape the rest of their lives. We follow Vikram through the changes in East African society, the immense promise of the fifties and sixties. But when that hope is betrayed by the corruption and violence of the following decades, Vic is drawn into the Kenyatta government’s orbit of graft and power-broking. Njoroge, his childhood friend, can abandon neither the idealism of his youth nor his love for Vic’s sister Deepa. But neither the idealism of the one nor the passive cynicism of the other can avert the tragedies that await them. The In-Between World of Vikram Lall is a profound and careful examination of one man’s search for his place in the world, with themes that have run through Vassanji’s work: the nature of community in a volatile society, the relations between colony and colonizer, and the inescapable presence of the past. It is also, finally, a deeply personal book speaking to the people who are in the in-between. |
| half a day by naguib mahfouz analysis: the yacoubian building ʻAlāʼ Aswānī, 2004 The Yacoubian Building holds all that Egypt was and has become over the 75 years since its namesake was built on one of downtown Cairo's main boulevards. From the pious son of the building's doorkeeper and the raucous, impoverished squatters on its roof, via the tattered aristocrat and the gay intellectual in its apartments, to the ruthless businessman whose stores occupy its ground floor, each sharply etched character embodies a facet of modern Egypt -- where political corruption, ill-gotten wealth, and religious hypocrisy are natural allies, where the arrogance and defensiveness of the powerful find expression in the exploitation of the weak, where youthful idealism can turn quickly to extremism, and where an older, less violent vision of society may yet prevail. Alaa Al Aswany's novel caused an unprecedented stir when it was first published in 2002 and has remained the world's best selling novel in the Arabic language since. |
| half a day by naguib mahfouz analysis: The Spectator Bird Wallace Stegner, 1990-11-01 From the “dean of Western writers” (The New York Times) and the Pulitzer Prize winning–author of Angle of Repose and Crossing to Safety, his National Book Award–winning novel A Penguin Classic Joe Allston is a retired literary agent who is, in his own words, just killing time until time gets around to killing me. His parents and his only son are long dead, leaving him with neither ancestors nor descendants, tradition nor ties. His job, trafficking the talent of others, had not been his choice. He passes through life as a spectator. A postcard from a friend causes Allston to return to the journals of a trip he had taken years before, a journey to his mother's birthplace where he'd sought a link with the past. The memories of that trip, both grotesque and poignant, move through layers of time and meaning, and reveal that Joe Allston isn't quite spectator enough. |
| half a day by naguib mahfouz analysis: A Cow Called Boy C. Everard Palmer, 1985 A story of Josh's fight to save his hand-reared bull-calf, Boy, from the butcher's greedy hands. |
| half a day by naguib mahfouz analysis: Naguib Mahfouz Rasheed El-Enany, 2003-09-02 First Published in 2004. Naguib Mahfouz is one of the most important Arabic fiction writers of this century. Born in 1911, his long and prolific writing career represents the evolution of a novel genre in Arabic literature. His books are a record of the tragic tensions attendant on a nations's quest for freedom and modernity. In 1988 he won the Nobel Prize for Literature. This book provides a comprehensive study of Mahfouz's achievement. Rasheed El-Enany presents a systemic evaluation of the author's life and environment; local and foreign influences on him; elements of his thought and technique and the evolution of his craft. While each work is discussed individually, emphasis is laid throughout on elements of continuity in his work, whether thematic or aesthetic. In particular, Dr El-Enany challenges the traditional classification of Mahfouz's work into four chronological phases - historical, realist, modernist and indigenous or traditional. It is demonstrated that elements of these forms recur throughout Mahfouz's varied and experimental writings. This book is the story of Mahfouz's struggle to free his novels from the prevalent, predominantly Western moulds and to express his own socio-political thought. |
| half a day by naguib mahfouz analysis: The Cairo Trilogy Naguib Mahfouz, 2016-06-15 Nobel Prize-winner Naguib Mahfouz’s magnificent epic trilogy of colonial Egypt—Palace Walk, Palace of Desire, and Sugar Street—together for the first time in one beautiful hardcover volume. The masterwork of the Nobel Prize-winning author, the three novels of The Cairo Trilogy trace three generations of the family of tyrannical patriarch Al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons–the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. Al-Sayyid Ahmad’s rebellious children struggle to move beyond his domination in Palace of Desire, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s. Sugar Street brings Mahfouz’s vivid tapestry of an evolving Egypt to a dramatic climax as the aging patriarch sees one grandson become a Communist, one a Muslim fundamentalist, and one the lover of a powerful politician. Throughout the trilogy, the family’s trials mirror those of their turbulent country during the years spanning the two World Wars, as change comes to a society that has resisted it for centuries. Filled with compelling drama, earthy humor, and remarkable insight, “The Cairo Trilogy extends our knowledge of life; it also confirms it” (The Boston Globe). Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times. |
| half a day by naguib mahfouz analysis: Sacred Language, Ordinary People N. Haeri, 2003-01-03 The cultures and politics of nations around the world may be understood (or misunderstood) in any number of ways. For the Arab world, language is the crucial link for a better understanding of both. Classical Arabic is the official language of all Arab states although it is not spoken as a mother tongue by any group of Arabs. As the language of the Qur'an, it is also considered to be sacred. For more than a century and a half, writers and institutions have been engaged in struggles to modernize Classical Arabic in order to render it into a language of contemporary life. What have been the achievements and failures of such attempts? Can Classical Arabic be sacred and contemporary at one and the same time? This book attempts to answer such questions through an interpretation of the role that language plays in shaping the relations between culture, politics, and religion in Egypt. |
| half a day by naguib mahfouz analysis: Playing Cards In Cairo Hugh Miles, 2011-02-17 PLAYING CARDS IN CAIRO is a fly-on-the-wall account - like THE BOOKSELLER OF KABUL - of life (for western readers) in a strange and exotic environment. Hugh Miles lives in Cairo and is engaged to an Egyptian woman. Twice a week he plays cards with a small group of Arab, Muslim women and through this medium he explores their lives in modern Cairo, the greatest of Arab cities. It is a secretive, romantic, often deprived but always soulful existence for the women as they struggle with abusive husbands and philandering boyfriends. The book is a window onto a city - and a way of life - which is at a crucial juncture in its history. Hugh Miles, who knows the Arab world intimately, is the perfect guide. |
| half a day by naguib mahfouz analysis: Otared Muḥammad Rabīʻ (Novelist), 2016 Arabic fiction. |
| half a day by naguib mahfouz analysis: Cognitive Stylistics Elena Semino, Jonathan Culpeper, 2002-11-05 This book represents the state of the art in cognitive stylistics a rapidly expanding field at the interface between linguistics, literary studies and cognitive science. The twelve chapters combine linguistic analysis with insights from cognitive psychology and cognitive linguistics in order to arrive at innovative accounts of a range of literary and textual phenomena. The chapters cover a variety of literary texts, periods, and genres, including poetry, fictional and non-fictional narratives, and plays. Some of the chapters provide new approaches to phenomena that have a long tradition in literary and linguistic studies (such as humour, characterisation, figurative language, and metre), others focus on phenomena that have not yet received adequate attention (such as split-selves phenomena, mind style, and spatial language). This book is relevant to students and scholars in a wide range of areas within linguistics, literary studies and cognitive science. |
| half a day by naguib mahfouz analysis: Sugar Street Naguib Mahfouz, Najīb Maḥfūẓ, 1994 Sugar Street, the climactic conclusion to Mafhouz's masterpiece trilogy, is the captivating portrait of a family struggling to change with the rise of modern Egypt. As Cairo shrugs off the final vestiges of colonialism, Ahmad Al Jawad has lost his power and surveys the world from a latticed balcony. Unable to control his family's destiny, he watches helplessly as his dynasty and the traditions he holds dear disintegrate before his eyes. But through Ahamd's three grandsons we see modern how Egypt takes shape. One grandson is a communist activist, another a Muslim fundamentalist, both working for what they believe will be a better world. And Ridwan, the inheritor of his father's charms, launches a political career aided by a homosexual affair with prominent politician. |
| half a day by naguib mahfouz analysis: Half a Day and Other Stories , |
| half a day by naguib mahfouz analysis: Literature of Developing Nations for Students Elizabeth Bellalouna, Michael L. LaBlanc, Ira Mark Milne, 2000 Contains alphabetically arranged entries that examine over fifty works of literature from developing nations, each with an introduction to the work and its author, a plot summary, descriptions of important characters, analysis of important themes, a critical overview, and other information. |
| half a day by naguib mahfouz analysis: Women and Gender in Islam Leila Ahmed, 2021 A classic, pioneering account of the lives of women in Islamic history, republished for a new generation This pioneering study of the social and political lives of Muslim women has shaped a whole generation of scholarship. In it, Leila Ahmed explores the historical roots of contemporary debates, ambitiously surveying Islamic discourse on women from Arabia during the period in which Islam was founded to Iraq during the classical age to Egypt during the modern era. The book is now reissued as a Veritas paperback, with a new foreword by Kecia Ali situating the text in its scholarly context and explaining its enduring influence. “Ahmed’s book is a serious and independent-minded analysis of its subject, the best-informed, most sympathetic and reliable one that exists today.”—Edward W. Said “Destined to become a classic. . . . It gives [Muslim women] back our rightful place, at the center of our histories.”—Rana Kabbani, The Guardian |
| half a day by naguib mahfouz analysis: Man Tiger Eka Kurniawan, 2015-09-15 A wry, affecting tale set in a small town on the Indonesian coast, Man Tiger tells the story of two interlinked and tormented families and of Margio, a young man ordinary in all particulars except that he conceals within himself a supernatural female white tiger. The inequities and betrayals of family life coalesce around and torment this magical being. An explosive act of violence follows, and its mysterious cause is unraveled as events progress toward a heartbreaking revelation. Lyrical and bawdy, experimental and political, this extraordinary novel announces the arrival of a powerful new voice on the global literary stage. |
| half a day by naguib mahfouz analysis: Autumn Quail Naguib Mahfouz, 2016-06-15 Autumn Quail is a tale of moral responsibility, alienation, and political downfall featuring a corrupt young bureaucrat, Isa ad-Dabbagh, who is one of the early victims of the purge after the 1952 Revolution in Egypt. The conflict between his emotional instincts and his gradual intellectual acceptance of the Revolution forms the framework for a remarkable portrait of the clash between past and present, a portrait that is ultimately an optimistic one in which the two will peacefully coexist. |
| half a day by naguib mahfouz analysis: Istanbul Orhan Pamuk, 2006-12-05 From the Nobel Prize winner and acclaimed author of My Name is Red comes a portrait of Istanbul by its foremost writer, revealing the melancholy that comes of living amid the ruins of a lost empire. Delightful, profound, marvelously origina.... Pamuk tells the story of the city through the eyes of memory. —The Washington Post Book World A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters—both Turkish and foreign—who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving. |
| half a day by naguib mahfouz analysis: Critical Perspectives on Naguib Mahfouz Trevor Le Gassick, 1991 |
| half a day by naguib mahfouz analysis: Respected Sir Naguib Mahfouz, 2016-06-15 In Respected Sir, Mahfouz retells a familiar theme—vaulting ambition—in a powerful and religious metaphor. Othman Bayuumi's humble origins do not stop him from coveting the Director-Generalship of the governmental department he has entered as an archives clerk. It is a vision that becomes a lifelong pursuit, superseding all other interests or people in his life. What is essentially a prosaic experience becomes—in Mahfouz's hands—a beautifully crafted story of an exalted and arduous holy quest. |
| half a day by naguib mahfouz analysis: The Difference Marina Endicott, 2019-09-03 A major new novel by the award-winning author of Good to a Fault and The Little Shadows, about two sisters who live aboard a merchant ship on a fateful voyage through the South Pacific. Up from underneath comes a blue-black swell, a whale rising in a long arc. Kay waits, hovering in the difference between herself and the creature. What is the difference between ourselves and other humans? Between human and animal? Where does that difference persist in our minds? These are the questions Marina Endicott, one of our most beloved storytellers, explores in this sweeping, intoxicating novel set on the Morning Light, a ship from Nova Scotia sailing the South Pacific in 1912. Thea and Kay are half-sisters, separated in age by more than a decade. After the death of their stern father, head of a residential school in western Canada, the elder sister, Thea, returns east for her long-awaited marriage to the captain of the ship. She cannot abandon her younger sister, so Kay joins her, and together they embark on a life-changing voyage around the world. At the heart of The Difference is one crystallizing moment in Micronesia: Thea forms a bond with a young boy from one of the islands, and takes him as her own. The repercussions of this act reverberate through the novel--forcing Kay to examine her own assumptions about what is forgivable, and what is right. Taking inspiration from the true story of a small boy who was brought on board a Canadian sailing ship in the South Seas, Marina Endicott shows us a vanished world in all its wildness and wonder, and its darkness, prejudice, and difficulty too. She also brilliantly illuminates our own times through Kay's preoccupation with the idea of difference--between people, classes, continents, cultures, customs, and species. A breathtaking tour-de-force by one of our most celebrated authors, a writer with the astonishing ability to bring a past world to vivid life while revealing the moral complexity of our own. |
| half a day by naguib mahfouz analysis: A Bolt of White Cloth Leon Rooke, 1984 The eighth and newest short-story collection by Leon Rooke. In A Bolt Of White Cloth Leon Rooke brings together an extraordinary array of characters in scenes and circumstances which flow easily back and forth from wild hilarity to deeply felt sorrow. The distance between dream and reality is often blurred in these finely tuned, beautifully written stories. And, as in past collections, Rooke's characters and stories are firmly rooted in the apparently common and everyday events of the everyman in all of us. When the exceptional does occur, Rooke has the uncanny ability to make it seem the most natural thing in the world. |
| half a day by naguib mahfouz analysis: Tales from Outer Suburbia Shaun Tan, 2012-12-25 Breathtakingly illustrated and hauntingly written, Tales from Outer Suburbia is by turns hilarious and poignant, perceptive and goofy. Through a series of captivating and sophisticated illustrated stories, Tan explores the precious strangeness of our existence. He gives us a portrait of modern suburban existence filtered through a wickedly Monty Pythonesque lens. Whether it’s discovering that the world really does stop at the end of the city’s map book, or a family’s lesson in tolerance through an alien cultural exchange student, Tan’s deft, sweet social satire brings us face-to-face with the humor and absurdity of modern life. |
| half a day by naguib mahfouz analysis: The Scorpion God William Golding, 2022-11-03 |
| half a day by naguib mahfouz analysis: The Merry-go-round in the Sea Randolph Stow, 2008 This book is about childhood in Western Australia, and the effect of World War II on the community living there. It is semi-autobiographical.--Provided by publisher. |
HALF Definition & Meaning - Merriam-Webster
The meaning of HALF is either of two equal parts that compose something; also : a part approximately equal to one of these. How to use half in a sentence.
HALF Definition & Meaning | Dictionary.com
Half definition: one of two equal or approximately equal parts of a divisible whole, as an object, or unit of measure or time; a part of a whole equal or almost equal to the remainder.. See …
HALF | English meaning - Cambridge Dictionary
HALF definition: 1. either of the two equal or nearly equal parts that together make up a whole: 2. a lot: 3. Half…. Learn more.
Half - Definition, Meaning & Synonyms - Vocabulary.com
When something is divided into two equal sections, half is one of the two parts. You can split a brownie in half if you want to share it with your friend. You might live half the year in Alaska …
Halve or Half – Difference, Usage and Meaning - GRAMMARIST
The main difference between halve and half is their parts of speech. Halve is a verb that describes splitting something into two equal parts. Half is the noun to define half of what has been …
Halve or Half – Difference, Usage & Meaning - Two Minute English
Aug 29, 2024 · The big difference between halve and half is their parts of speech. Halve means to split something into two equal pieces. For instance, “You should halve the apple so we can …
half - Wiktionary, the free dictionary
May 24, 2025 · Half of a standard measure, chiefly: half a pint of beer or cider. (Refusing a pint) Just a half, thank you. (Offering to top up a pint glass) Do you want a half in that? (Minimizing …
Half - definition of half by The Free Dictionary
half - one of two equal parts of a divisible whole; "half a loaf"; "half an hour"; "a century and one half"
Half Definition & Meaning - YourDictionary
A prefix used to indicate that something is just half or done half, and therefore not total or fully done.
half - WordReference.com Dictionary of English
a quantity or amount equal to one half of (some group or thing): [plural; used with a plural verb]: Of the passengers on the boat, half were American, half were Canadian. [singular; used with a …
HALF Definition & Meaning - Merriam-Webster
The meaning of HALF is either of two equal parts that compose something; also : a part approximately equal to one of these. How to use half in a sentence.
HALF Definition & Meaning | Dictionary.com
Half definition: one of two equal or approximately equal parts of a divisible whole, as an object, or unit of measure or time; a part of a whole equal or almost equal to the remainder.. See …
HALF | English meaning - Cambridge Dictionary
HALF definition: 1. either of the two equal or nearly equal parts that together make up a whole: 2. a lot: 3. Half…. Learn more.
Half - Definition, Meaning & Synonyms - Vocabulary.com
When something is divided into two equal sections, half is one of the two parts. You can split a brownie in half if you want to share it with your friend. You might live half the year in Alaska …
Halve or Half – Difference, Usage and Meaning - GRAMMARIST
The main difference between halve and half is their parts of speech. Halve is a verb that describes splitting something into two equal parts. Half is the noun to define half of what has been …
Halve or Half – Difference, Usage & Meaning - Two Minute English
Aug 29, 2024 · The big difference between halve and half is their parts of speech. Halve means to split something into two equal pieces. For instance, “You should halve the apple so we can …
half - Wiktionary, the free dictionary
May 24, 2025 · Half of a standard measure, chiefly: half a pint of beer or cider. (Refusing a pint) Just a half, thank you. (Offering to top up a pint glass) Do you want a half in that? (Minimizing …
Half - definition of half by The Free Dictionary
half - one of two equal parts of a divisible whole; "half a loaf"; "half an hour"; "a century and one half"
Half Definition & Meaning - YourDictionary
A prefix used to indicate that something is just half or done half, and therefore not total or fully done.
half - WordReference.com Dictionary of English
a quantity or amount equal to one half of (some group or thing): [plural; used with a plural verb]: Of the passengers on the boat, half were American, half were Canadian. [singular; used with a …
