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| he never said a mumblin word moses hogan: Recorded Solo Concert Spirituals, 1916-2022 , 2023-05-08 This work catalogs commercially produced recordings of Negro spirituals composed for solo concert vocalists. More than 5,000 tracks are listed, with entries sourced from a variety of recording formats. The featured recordings enhance the study of concert spiritual performance in studio, concert, worship service or competition settings. Arranged alphabetically, entries variously identify the accompaniment--including chorus, piano, orchestra, guitar, flute, and violin--in concert spiritual recordings. The voice types of soloists are included, as is the level of dialect used by various performers. The composers, publishers and format information are also listed when available. While structured like a discography, this guide extends beyond solely providing historical context and encourages the use of the recordings themselves. |
| he never said a mumblin word moses hogan: The Spirituals of Harry T. Burleigh (High Voice) Harry T. Burleigh, 1999-11-29 Harry Burleigh's music falls into three categories: secular, religious, and sacred. This collection is a treasure of history made usable in his fine arrangements. Deep River was published in 1917, the first of many to make Burleigh well-known as a composer. |
| he never said a mumblin word moses hogan: Singing Down the Barriers Emery Stephens, Caroline Helton, 2023-07-03 This book provides practical approaches for singers and singing teachers who wish to intentionally study, perform, and amplify composers from the African diaspora. It will help them to not only program music by underrepresented composers but also to create brave spaces in which to facilitate critical discussion on race, equity, and American music-- |
| he never said a mumblin word moses hogan: Programs University of Michigan. School of Music, Theatre & Dance, 2018 |
| he never said a mumblin word moses hogan: 65 Songs Richard Walters, 2010-06-01 (Vocal Collection). In celebration of the 100th anniversary of the birth of Samuel Barber, this major new edition includes newly edited and engraved editions of the complete contents of Collected Songs and Ten Early Songs (1994), plus many previously unpublished early songs. Manuscripts from the Library of Congress and other sources were consulted for all songs. The edition includes extensive historical information about each song, a lengthy and insightful article about Barber, and facsimiles of selected manuscripts. Songs published during the composer's lifetime (In chronological order of publication): Three Songs, Op. 2 : The Daisies; With rue my heart is laden; Bessie Bobtail * Three Songs, Op. 10: Rain has fallen; Sleep now; I hear an army * Four Songs, Op. 13: A Nun Takes the Veil; The Secrets of the Old; Sure on this shining night; Nocturne * Two Songs, Op. 18: The queen's face on the summery coin; Monks and Raisins * Nuvoletta, Op. 25 o Melodies passageres, Op. 27: Puisque tout passe; Un cygne; Tombeau dans un parc; Le clocher chante; Depart * Hermit Songs, Op. 29: At Saint Patrick's Purgatory; Church Bell at Night; St. Ita's Vision; The Heavenly Banquet; The Crucifixion; Sea-Snatch; Promiscuity; The Monk and His Cat; The Praises of God; The Desire for Hermitage * Despite and Still, Op. 41: A Last Song; My Lizard (Wish for Young Love); In the Wilderness; Solitary Hotel; Despite and Still * Three Songs, Op. 45: Now have I fed and eaten up the rose; A Green Lowland of Pianos; O boundless, boundless evening. Songs published posthumously : 1 First published in this edition; 2 First published in Samuel Barber: Ten Early Songs (1994); 3 First published in Samuel Barber: Ten Selected Songs (2008): Ask me to rest 1 * Au claire de lune 1 * Beggar's Song 2 * Fantasy in Purple 1 * In the dark pinewood 2 * La nuit 1 * Love at the Door 2 * Love's Caution 2 * Man 1 * Mother, I cannot mind my wheel 3 * Music, when soft voices die 1 * Night Wanderers 2 * Of that so sweet imprisonment 2 * Peace 1 * Serenader 2 * A Slumber Song of the Madonna 2 * Stopping by Woods on a Snowy Evening 1 * Strings in the earth and air 2 * There's nae lark 2 * Three Songs, The Words from Old England: Lady, when I behold the roses 1; An Earnest Visit to His Unkind Mistress Not to Forsake Him 1; Hey nonny no! 3 * Two Poems of the Wind: Little Children of the Wind 1; Longing 1 * Two Songs of Youth: I never thought that youth would go 1; Invocation to Youth * Watcher s 1 * Who carries corn and crown 1 |
| he never said a mumblin word moses hogan: A Supreme Love William Edgar, 2022-07-26 Theologian and jazz pianist William Edgar places jazz within the context of the African American experience and explores the work of musicians like Miles Davis and Ella Fitzgerald, arguing that jazz, which moves from deep lament to inextinguishable joy, deeply resonates with the hope that is ultimately found in the good news of Jesus Christ. |
| he never said a mumblin word moses hogan: The Spirituals and the Blues Cone, James H., 2022-11-03 How two forms of song helped sustain slaves and their children in the midst of tribulation. With a new introduction by Cheryl Townsend Gilkes-- |
| he never said a mumblin word moses hogan: American Negro Songs John Wesley Work, 1998-01-01 Authoritative study traces the African influences and lyric significance of such songs as Swing Low, Sweet Chariot and John Henry, and gives words and music for 230 songs. Bibliography. Index of Song Titles. |
| he never said a mumblin word moses hogan: Women Composers Carol Kimball, 2004 (Vocal Collection). With 45 songs by 22 composers, this is the most comprehensive single volume of art songs composed by women ever published. It includes biographical information about the composers and historical information about each song, with songs in English, French, German and Italian. Contents: AMALIA: Auf dem Land und in der Stadt * BEACH: Three Browning Songs * LILI BOULANGER: Reflets * NADIA BOULANGER: Le Couteau * CACCINI: Per la piu vaga e bella * CHAMINADE: Ecrin * Mignonne * Mots d'amour * COLBRAN: Povero cor tu palpiti * La speranza al cor mi dice * FANNY MENDELSSOHN: Fruhling * Morgenstandchen * Nachtwanderer * Suleika * Warum sind denn du Rosen so blass * HOLMES: A Trianon * HOWE: Velvet Shoes * LANG: Den Abschied schnell genommen * Ob ich manchmal Dein gedenke * LEHMANN: There are fairies at the bottom of our garden * ALMA MAHLER: Bei dir ist es traut * Ich wandle unter Blumen * Laue Sommernacht * Die stille Stadt * MALIBRAN: Les Brigands * La Voix qui dit: Je t'aime * POLDOWSKI: Colombine * L'heure exquise * REICHARDT: Se non piange un infelice * Unruhiger Schlaf * SCHROTER: An den Abendstern * CLARA SCHUMANN: Er ist gekommen in Sturm und Regen * Ihr Bildnis * Liebst du um Schonheit * Lorelei * Mein Stern * STROZZI: Spesso per entro al petto * VIARDOT: Die Beschworung * Les Filles de Cadix * Fleur dessechee * VIEU: La Belle au Bois dormant * VON ARNIM: Aus Faust * Ein Stern der Lieb' am Himmelslauf |
| he never said a mumblin word moses hogan: Negro Musicians and their Music Maud Cuney-Hare, 2020-09-28 In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel. |
| he never said a mumblin word moses hogan: Feel the Spirit Moses Hogan, André Jerome Thomas, 2003-02 With a foreward by Andre Thomas, this collection of Moses Hogan spiritual arrangements is a welcome addition to any director's library and is a fitting tribute to to this great American composer and conductor. Includes: Ain't That Good News, Didn't My Lord Deliver Daniel?, Ev'ry Time I Feel the Spirit, Ezekiel Saw the Wheel, I Couldn't Hear Nobody Pray, Joshua (Fit the Battle of Jericho), My Soul's Been Anchored in De Lord, Ride the Chariot, This Little Light of Mine, We Shall Walk Through the Valley in Peace and 26 more. |
| he never said a mumblin word moses hogan: A New Anthology of Art Songs by African American Composers Margaret R. Simmons, Jeanine F. Wagner, 2004 Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music. |
| he never said a mumblin word moses hogan: The Mark Hayes Vocal Solo Collection -- 10 Spirituals for Solo Voice , 1998-06 Award-winning composer, arranger, pianist and recording artist Mark Hayes has crafted a superb anthology of ten traditional spirituals for vocal soloist with piano accompaniment in true art-song style, ideal for school or church singers. Titles: Deep River * Go, Tell it on the Mountain * Steal Away to Heaven * I Feel the Spirit Moving * There is a Balm in Gilead * Behold the Star! * My Lord, What a Morning * The Gospel of Grace * Give Me Jesus * Joshua Fit the Battle of Jericho. |
| he never said a mumblin word moses hogan: Folk Songs for Two Jay Althouse, 1998 Titles: All Through the Night * Amazing Grace * Camptown Races * Cindy * He's Gone Away * Poor Wayfaring Stranger * Scarborough Fair * Shenandoah * Siyahamba * Skye Boat Song * Homeward Bound. Appropriate for any combination of voices, male or female. 64 pages. A Federation Festivals 2020-2024 selection. |
| he never said a mumblin word moses hogan: Folk Songs for Solo Singers, Vol. 2 (High Voice) Jay Althouse, 2014-03-24 A new high edition of our popular vocal collection, this volume of best-loved folk songs for solo voice and piano contains fourteen memorable works arranged by three of Alfred Music’s top writers: Jay Althouse, Mark Hayes, and Ruth Elaine Schram. Titles: * All My Trials * All Through the Night * Camptown Races * Cindy * Fire Down Below * Follow the Drinking Gourd * Go 'Way from My Window * He's Gone Away * Old Dan Tucker * Poor Boy * Poor Wayfaring Stranger * Shenandoah * Simple Gifts * The Water Is Wide |
| he never said a mumblin word moses hogan: International Folk Songs for Solo Singers Jay Althouse, 1997 This outstanding collection of 12 singable folk songs from eight countries features easily learned texts in six different languages including English. Pronunciation guides and optional English lyrics are included where needed. Songs from Italy, Germany, Venezuela, Spain, France, South Africa, Canada, and USA. 64 pages. Titles: A la Nanita Nana * All My Trials * Auprès de Ma Blonde * Cara Mamma * Chevaliers de la Table Ronde * Guter Mond * The Jones Boys * The Last Rose of Summer * Santa Lucia * Schlaf in Guter Ruh * Siyahamba * Valencianita. |
| he never said a mumblin word moses hogan: The Sacred Act of Reading Anne Margaret Castro, 2020-01-13 From Zora Neale Hurston to Derek Walcott to Toni Morrison, New World black authors have written about African-derived religious traditions and spiritual practices. The Sacred Act of Reading examines religion and sociopolitical power in modern and contemporary texts of a variety of genres from the black Americas. By engaging with spiritual traditions such as Vodou, Kumina, and Protestant Christianity while drawing on canonical Eurocentric literary theory, Anne Margaret Castro presents a novel, nuanced reading of power through the physical and metaphysical relationships portrayed in these great works of New World black literature. Castro examines prophecy in the dramas of Derek Walcott, preaching in the ethnography of Zora Neale Hurston, and liturgy in the novels of Toni Morrison, offering comparative readings alongside the works of Afro-Colombian anthropologist Manuel Zapata Olivella, Jamaican sociologist Erna Brodber, and Canadian fiction writer Nalo Hopkinson. The Sacred Act of Reading is the first book to bring together literary texts, historical and contemporary anthropological studies, theology, and critical theory to show how black authors in the Americas employ spiritual phenomena as theoretical frameworks for thinking within, against, and beyond structures of political dominance, dependence, and power. |
| he never said a mumblin word moses hogan: Negro Folk-Songs Natalie Curtis Burlin, 2018-10-16 This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. |
| he never said a mumblin word moses hogan: Sometimes I Feel Like a Motherless Child , 2024-08-20 Each poem captures the resilience and ugliness of prejudice. – Dr Phumzile Mlambo Ngcuka Lawrence Mduduzi Ndlovu has assembled an essential anthology on race and racism. It chronicles the plethora of race-based prejudices that seem to be an ingredient of our very being as humans. Devoid of anger, even as it is so impassioned, this collection is a very worthwhile read and singularly relevant for contemporary, global society. – Mavuso Msimang In a time when the struggle is between the responsibility of remembering and the danger of forgetting, we are called to conscientiousness. In this book, Ndlovu bottles the tension between memory and the forging of a future in the most delicate way. Not only does he boast exquisite talents as a writer, but he also makes a gallant attempt to remind us about what is now at stake. – Xhanti Payi |
| he never said a mumblin word moses hogan: The Hall Johnson Collection Hall Johnson, 2003 |
| he never said a mumblin word moses hogan: A Conductor's Guide to Choral/orchestral Repertoire Dennis Shrock, James Moyer, 2017 This guide consists of annotated listings of more than twelve hundred works for chorus and orchestra by 250 composers of the Western Hemisphere. The listings are intended for conductors of professional, community, church, and educational organizations, including those at the high school and collegiate levels, with the purpose of aiding the conductors in the selection of works for programming and in ascertaining important information about the works. ... Five appendices further aid the conductor by listing works in categories of choral scoring, orchestral scoring, duration, textual subject, and publisher contact information.--p.xi |
| he never said a mumblin word moses hogan: Myal Erna Brodber, 2014-08-08 Jamaican-born novelist and sociologist Erna Brodber describes Myal as “an exploration of the links between the way of life forged by the people of two points of the black diaspora—the Afro-Americans and the Afro-Jamaicans.” Operating on many literary levels—thematically, linguistically, stylistically—it is the story of women’s cultural and spiritual struggle in colonial Jamaica. The novel opens at the beginning of the 20th century with a community gathering to heal the mysterious illness of a young woman, Ella, who has returned to Jamaica after an unsuccessful marriage abroad. The Afro-Jamaican religion myal, which asserts that good has the power to conquer all, is invoked to heal Ella, who has been left zombified” and devoid of any black soul. Ella, who is light skinned enough to pass for white, has suffered a breakdown after her white American husband produced a black-face minstrel show based on the stories of her village and childhood. This cultural appropriation is one of a series Ella encountered in her life, and parallels the ongoing theft of the labor and culture of colonized peoples for imperial gain and pleasure. The novel‘s rich, vivid language and vital characters earned it the Commonwealth Writers’ Prize for Canada and the Caribbean. The novel links nicely with Brodber’s coming-of-age story, Jane & Louisa Will Soon Come Home, also from Waveland Press, for its similar images, themes, and specific Jamaican cultural references to colonialism, religion, slavery, gender, and identity. Both novels are Brodber’s way of telling stories outside of published history to point out the whitewashing and distortion of black history through religion and colonialism. |
| he never said a mumblin word moses hogan: A Blues Bibliography Robert Ford, 2008-03-31 A Blues Bibliography, Second Edition is a revised and enlarged version of the definitive blues bibliography first published in 1999. Material previously omitted from the first edition has now been included, and the bibliography has been expanded to include works published since then. In addition to biographical references, this work includes entries on the history and background of the blues, instruments, record labels, reference sources, regional variations and lyric transcriptions and musical analysis. The Blues Bibliography is an invaluable guide to the enthusiastic market among libraries specializing in music and African-American culture and among individual blues scholars. |
| he never said a mumblin word moses hogan: The R & B Indies: M to R Bob McGrath, 2007 |
| he never said a mumblin word moses hogan: My Favorite Spirituals Roland Hayes, 2001-01-01 Thirty musical arrangements by noted African-American tenor recall biblical events in such well-known tunes as Deep River, Dry Bones, Steal Away, and Were You There? Perceptively written introduction to each song includes background history. Rich collection will appeal to lovers of great spirituals and the rich legacy of African-American song. |
| he never said a mumblin word moses hogan: Josh White Elijah Wald, 2000 A gifted and charismatic entertainer, Josh White (1914-1969) was one of the best-known folk-blues artists of his day. In the early 1960s, one survey ranked him as America's third most popular male folksinger, surpassed only by Pete Seeger and Bob Dylan. He appeared on national television, performed at numerous college concerts and club dates, and released several dozen albums - all featuring his distinctive guitar style, supple voice and unique showmanship. |
| he never said a mumblin word moses hogan: Album of Negro spirituals , 2007 One dozen spirituals arranged for solo voice with accompaniment. Preserved in Burleigh's arrangements are the essential characteristics of these songs that generally derived from spontaneous outbursts of intense religious fervor. Includes: Couldn't Hear Nobody Pray * Were You There * Deep River and others. |
| he never said a mumblin word moses hogan: Guitar Chord Songbook White Pages Hal Leonard Corp., 2012-07-01 (Guitar Chord Songbook). This fantastic collection features lyrics, chord symbols, and guitar chord diagrams for 400 hits across decades and genres, such as: All Along the Watchtower * Back to December * Band on the Run * Bennie and the Jets * Brick House * California Girls * Couldn't Stand the Weather * Daydream * Evil Woman * Footloose * The Gambler * Good Lovin' * Hey Jude * Hollywood Nights * I Love Rock 'N Roll * Jump * King of the Road * Livin' on a Prayer * Man in the Mirror * Ob-La-Di, Ob-La-Da * The Rainbow Connection * Smoke on the Water * That'll Be the Day * Walkin' After Midnight * Wild Thing * Your Mama Don't Dance * and many more. |
| he never said a mumblin word moses hogan: Shakespeare in Harlem Langston Hughes, 1942 A book of light verse. |
| he never said a mumblin word moses hogan: Good Ol' Gospel Singing Mosie Lister, 1996-04-01 Southern Gospel at its best - Mosie Lister's song with three additional Gospel favorites. |
| he never said a mumblin word moses hogan: Conducting Choral Music Robert L. Garretson, 1986 This book is based upon actual research, i.e., a survey of numerous choral conductors to identify specific problems that they currently encounter and the extent to which they felt they were prepared in undergraduate school to deal with these problems. This book provides clear, concise, and accurate information on the development of conducting skills, devoting a full chapter to each of the following topics: improving choral tone and diction, maintaining vocal health, children's voices and the boy's changing voice, understanding of diverse musical styles from various historical periods, choir rehearsal techniques, planning effective programs and concerts, and administrative matters of planning and management. For those interested in Choral Conducting, Choral Methods and Techniques, and Secondary School Choral Music. |
| he never said a mumblin word moses hogan: Group Vocal Technique Frauke Haasemann, James Mark Jordan, 1991 Demonstrates methods of teaching group vocal techniques. |
| he never said a mumblin word moses hogan: The First Book of Tenor Solos John Keene, 1993-12 More great teaching material, at the same level as Volume 1. The contents, completely new and unduplicated from Volume 1, once again include American and English art songs, folk songs, sacred songs, and an introduction to singing in German, French, Italian, and Spanish. Over 30 songs in each book. Joan Boytim, who has emerged as the nationally recognized expert in the field of teaching pre-collegiate voice, has done exhaustive research in preparing these volumes. |
| he never said a mumblin word moses hogan: Spirituals for Solo Singers (Medium Low Voice) Jay Althouse, 2005-05-03 Jay Althouse has compiled an outstanding collection of eleven spirituals arranged for solo voice and piano by some of Alfred's finest composers and arrangers. Perfect for recitals, concerts and contests, this compilation includes songs such as Ezekial's Wheel, Kum Ba Yah, and more! |
| he never said a mumblin word moses hogan: Art Songs and Spirituals by Contemporary African American Composers Donna M. Cox, Kathy M. Bullock, 2011-12-01 This collection of art songs and spirituals by contemporary African American composers offers teachers and singers a rich trove of fresh new repertoire. It includes a composer biography as well as information from the composer about their works. Each piece in the anthology is rated for difficulty. There is something for singers at every level. |
| he never said a mumblin word moses hogan: Choral Director's Rehearsal and Performance Guide Lewis Gordon, 1989 Practical strategies & expert guidance on leading a first-rate choral ensemble, with tips & techniques for successful auditions, schedules, rehearsals, concerts, budgets, fund-raising, publicity, & more. |
| he never said a mumblin word moses hogan: Delta Country Blues Mike Leadbitter, 1968 |
| he never said a mumblin word moses hogan: Follow the Music Jac Holzman, Gavan Daws, 2001 The founder and 23-year president of Elektra Records captures pivotal scenes of pop culture from 1950-1973, from what happened backstage when Bob Dylan went electric to Jim Morrison's legendary shenanigans. |
| he never said a mumblin word moses hogan: In Remembrance Ragan Courtney, Buryl Red, 1997-02-01 |
| he never said a mumblin word moses hogan: The Michiganensian , 1915 |
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H-E-B Pharmacy | HEB.com
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Curbside pickup. After placing your order online, locate the parking spots designated for curbside pickup at your H-E-B store at your selected time.
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Explore and browse at H‑E‑B. Add H-E-B Limited Edition Liquid Hand Soap - White Magnolia Scent to list
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