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| hayavadana published in: Hayavadana Girish Karnad, 1985 |
| hayavadana published in: Indian Writing in English Rama Kundu, 2003 Indian English Writing Is A Vast Arena Today. With New Trends Emerging, New Talents Making Their Mark, New Creative And Critical Branches Sprouting In Various Directions, As Well As With The Thematic Varieties, Technical Experiments, And Linguistic Innovations, It Is Now God S Plenty. The Extraordinary Richness And Variety Of Indian Writing Today, Indeed, Pose A Challenging Task For Any Critic Or Anthologist In The Area, Since It Has Become Next To Impossible To Give Any Comprehensive View Or Idea Of This Fast-Growing Literature In Its Totality Within The Compass Of A Single Volume.Still It Remains The Critic S Responsibility As Well As Pleasure To Find The New Authors And Texts Side By Side With The Older And Already Canonized Ones. As Robert Kroetsch, The Canadian Author, Says, We Want The Critic To Find Us Out Our Indian Authors Today Also Should Legitimately Expect The Perceptive-Responsive Critic To Find Them Out. It Is Especially Needed In The Present Case Since The Indian Writers In English Are Still Engaged In The Process Of Writing From Outside The Mainstream, And, Therefore, Are In Serious Need Of The Right Critical Attention And Understanding.It Is Precisely This Situation That Has Been Kept In View In Compiling The Present Anthology Of A Bunch Of Critical Essays On A Cross-Section Of Indian Fiction, Poetry And Drama In English. Quite A Number Of The Texts Discussed In This Volume Have Been Written In Recent Years, Whereas A Few Earlier Texts M.R. Anand S, For Example Have Also Been Included In Order To Help The Reader To View The Spectrum In A Total Perspective. The Critical Range Of This Volume Includes Mulk Raj Anand, Khushwant Singh, Ruth Jhabvala, Anita Desai, Manju Kapur, Amitav Ghosh In Fiction, A.K. Ramanujan, Nissim Ezekiel, Kamala Das In Poetry, Girish Karnad S Tuglaq And Hayavadana In Drama.The Articles Included In The Present Volume Will Allow Us A Glimpse Into Some Of The Representative Authors, Texts, And Trends.Students, Teachers, Scholars, As Well As The Common Reader Will Find The Book Useful And Interesting. |
| hayavadana published in: , |
| hayavadana published in: Postcolonial Plays Helen Gilbert, 2013-09-13 This collection of contemporary postcolonial plays demonstrates the extraordinary vitality of a body of work that is currently influencing the shape of contemporary world theatre. This anthology encompasses both internationally admired 'classics' and previously unpublished texts, all dealing with imperialism and its aftermath. It includes work from Canada, the Carribean, South and West Africa, Southeast Asia, India, New Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information on authors as well as overviews of cultural contexts, major ideas and performance history. Dramaturgical techniques in the plays draw on Western theatre as well as local performance traditions and include agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry. The plays dramatize diverse issues, such as: *globalization * political corruption * race and class relations *slavery *gender and sexuality *media representation *nationalism |
| hayavadana published in: The Routledge Encyclopedia of Indian Writing in English Manju Jaidka, Tej N. Dhar, 2023-09-29 Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature. |
| hayavadana published in: Echoes of Tradition : Exploring Girish Karnad’s Theatrical Pilgrimage Gitanjali Thapar, 2024-07-05 The book Echoes of Tradition : Exploring Girish Karnad’s Theatrical Pilgrimage is an amalgamation of the Indian theatre tradition and the modern sensibility. It explores the mythological framework, the historic and the folk traditions as used in the works of Girish Karnad. Rooted in the rich cultural and theatrical sensibility the book presents the indigenous and the contemporary aesthetics as woven in the plays of Girish Karnad. The western dramaturgical structure infused with the modern theatrical tradition along with the use of myths and folklore refers to the complexities of the present age and apprehension about future. The book encapsulates Karnad’s experiments with the technique and his how his plays forge a bond between the past and the present. |
| hayavadana published in: INDIAN WRITING IN ENGLISH (ENGLISH- MJC-03) Dr. Laxman Yadav, Dr. Iffat Shaheen, 2024-11-01 B.A., THIRD SEMESTER ENGLISH- MJC-03 Uniform Syllabus of all Universities of Bihar According to National Education Policy (NEP-2020) based on Choice Based Credit System (CBCS) for Four Year Undergraduate Programme |
| hayavadana published in: Textile Mechanics and Calculations J. Hayavadana, 2019-02-11 Textile Mechanics and Calculations is written with exhaustive information on the mechanical elements used in power transmission and textile equipment and machines. For the first time, an attempt has been made to include all the theoretical data for each topic with solved numerical examples. The special feature of this book is the inclusion of a number of cams and tappets and stepped pulley construction found in engineering and textile applications. The book also has the displacement, velocity and acceleration diagrams with textile examples. In addition to mechanics of spinning, the book also has details of the mechanics of the weaving process with several derivations. |
| hayavadana published in: The Trip Bijay Behera, 2022-06-13 Two friend Akash and Bijay went to Nagpur to meet their old friend Anand. They met after a long time and recalled their old college days. They had fun together and enjoy it a lot but it became a twist when Anand was leaving Nagpur forever and the railway platform was the witness of their love separation between Anand and his girlfriend Neha. Though the trip was memorable, it still has some sweet and bitter memories which no one wants to recall. |
| hayavadana published in: Woven Fabric Structure Design and Product Planning J. Hayavadana, 2016-01-05 The book deals with the structural details of the woven fabric which has glimpses of primary, secondary, and tertiary weaves. The book has a number of examples on each topic and a few chapters have been given with objective type of questions. |
| hayavadana published in: This Life At Play Girish Karnad, 2021-05-19 Girish Karnad was one of modern India's greatest cultural figures: an accomplished actor, a path-breaking director, an innovative administrator, a clear-headed and erudite thinker, a public intellectual with an unwavering moral compass, and above all, the most extraordinarily gifted playwright of his times. This Life at Play, translated from the Kannada in part by Karnad himself and in part by Srinath Perur, covers the first half of his remarkable life - from his childhood in Sirsi and his early engagement with local theatre, his education in Dharwad, Bombay and Oxford, to his career in publishing, his successes and travails in the film industry, and his personal and writerly life. Moving and humorous, insightful and candid, these memoirs provide an unforgettable glimpse into the life-shaping experiences of a towering genius, and a unique window into the India in which he lived and worked. |
| hayavadana published in: Collected Plays (OIP) Girish Karnad, 2020-09-10 The troubled reign of a fourteenth-century sultan of Delhi helps dramatize the crisis of secular nationhood in post-Independence India. A twelfth century folktale about ‘transposed heads’ offers a path-breaking model for a quintessentially ‘Indian’ theatre in postcolonial times. The folktale about a woman with a snake lover explores gender relations within marriage. Individual human sexuality meets the historical debate on violence in Indian culture. The plays in this volume span roughly the first half of the career of Girish Karnad, one of India’s pre-eminent playwrights. The three-volume set of Karnad’s Collected Plays brings together English versions of his important works. Each volume contains an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin–Madison. The introductions trace the literary and theatrical evolution of Karnad’s work over six decades and position it in the larger context of modern Indian drama. In addition, they comment on Karnad’s place as author and translator in a multilingual performance culture and the relation of his playwriting to his work in the popular media. Each of these volumes serves as a collector’s item, making Karnad’s works accessible to theatre lovers worldwide. |
| hayavadana published in: New Eye on Research Ramen Goswami, 2022-06-13 The book is for undergraduate, postgraduate and PhD research scholars who are pursuing their courses. They can find various modern topics related with English language and Literature; it helps them to enhance their knowledge and capabilities to think upon a research topic properly and accurately. It covers the topic like Dalitism, Feminism, gynocentricism, Black Art Movement and so on along with various Diasporic topics. |
| hayavadana published in: The Transnational in Literary Studies Kai Wiegandt, 2020-07-06 This volume clarifies the meanings and applications of the concept of the transnational and identifies areas in which the concept can be particularly useful. The division of the volume into three parts reflects areas which seem particularly amenable to analysis through a transnational lens. The chapters in Part 1 present case studies in which the concept replaces or complements traditionally dominant concepts in literary studies. These chapters demonstrate, for example, why some dramatic texts and performances can better be described as transnational than as postcolonial, and how the transnational underlies and complements concepts such as world literature. Part 2 assesses the advantages and limitations of writing literary history with a transnational focus. These chapters illustrate how such a perspective loosens the epistemic stranglehold of national historiographies, but they also argue that the transnational and national agendas of literary historiography are frequently entangled. The chapters in Part 3 identify transnational genres such as the transnational historical novel, transnational migrant fiction and translinguistic theatre, and analyse the specific poetics and politics of these genres. |
| hayavadana published in: Princely India Re-imagined Aya Ikegame, 2013 India's Princely States covered nearly 40 per cent of the Indian subcontinent at the time of Indian independence, and they collapsed after the departure of the British. This book provides a chronological analysis of the Princely State in colonial times and its post-colonial legacies. Focusing on one of the largest and most important of these states, the Princely State of Mysore, it offers a novel interpretation and thorough investigation of the relationship of king and subject in South Asia. The book argues that the denial of political and economic power to the king, especially after 1831 when direct British control was imposed over the state administration in Mysore, was paralleled by a counter-balancing multiplication of kingly ritual, rites, and social duties. The book looks at how, at the very time when kingly authority was lacking income and powers of patronage, its local sources of power and social roots were being reinforced and rebuilt in a variety of ways. Using a combination of historical and anthropological methodologies, and based upon substantial archival and field research, the book argues that the idea of kingship lived on in South India and continues to play a vital and important role in contemporary South Indian social and political life. The Open Access version of this book, available at http: //www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. |
| hayavadana published in: The Indian Publisher and Bookseller , 1975 |
| hayavadana published in: The Methuen Drama Anthology of Modern Asian Plays Kevin J. Wetmore, Jr., Siyuan Liu, 2014-05-22 A companion volume to Modern Asian Theatre and Performance 1900–2000, this anthology contains nine emblematic scripts from twentieth and twenty-first century Asian theatre. Opening with a history of modern Asian drama and a summary of the plays and their contexts, it features nine works written between 1912 and 2009 in Japan, China, Korea, India, Indonesia and Vietnam. Showcasing fresh contemporary writing alongside plays central to the established canon, the collection surveys each playwright's work, and includes: Father Returns by Kikuchi Kan Hot Pepper, Air Conditioner and the Farewell Speech by Okada Toshiki Sunrise by Cao Yu I Love XXX by Meng Jinghui, Huang Jingang, Wang Xiaoli, Shi Hang Bicycle by O Tae-sok The Post Office by Rabindranath Tagore Hayavadana by Girish Karnad The Struggle of the Naga Tribe by W. S. Rendra Truong Ba's Soul in the Butcher's Skin by Luu Quang Vu The chronological and geographical breadth of the anthology provides a unique insight into modern Asian theatre and is essential to any understanding of its relation to Western drama and indigenous performance. |
| hayavadana published in: Perspectives and Challenges in Indian-English Drama Neeru Tandon, 2006 The Present Critical Anthology On Indian-English Drama Is A Welcome Addition To The Ever-Increasing Repertoire Of The Academic World. It Contains Some Twenty-Two Papers On Diverse Authors, Themes And Trends. The Authors Treated In It Are Girish Karnad, Mahesh Dattani, Badal Sircar, Rabindranath Tagore (Chronologically, Tagore Should Have Been Placed First), And Vijay Tendulkar. The Themes Dealt With Herein Are Myths And Folk Tales, Religious Propensity, Social Alienation, Audience Participation, Feminine Psyche, Role Of Freedom, And Man-Woman Relationship. And The Trends Touched Upon In This Anthology Are Mythic And Symbolic Interpretations, Focusing On Folklore, Experimentations In Third Theatre And Street Plays, And Feminist Approaches To Certain Plays. The Broad Spectrum Of Indian-English Drama Has Also Been Presented In A Few Papers.In Its Present Shape And Size, This Anthology Will, Hopefully, Find A Place On The Library Shelves And Enlighten The Academics On The Perspectives And Challenges Inherent In Indian-English Drama. |
| hayavadana published in: The Śrīkara Bhāshya , 2018 |
| hayavadana published in: Pursuit of Law and Order A.P. Durai, This book is an unusual, bold and frank autobiography of A.P. Durai, a seasoned officer of the Indian Police Service, well known for his integrity, professionalism and courage to stand up to the consequent challenges and persecution. His independent and value - oriented approach to his work brought, in its wake, opposition from within the department and, inevitably, the politicians. How he mastered these challenges with faith and courage, and utilized them as opportunities to develop himself into an effective, creative and innovative police leader is the theme of the book. Midway through his career, he discovered that bringing about ‘law and order’ within oneself was a prerequisite for one’s role as a police officer. His pursuit of this inner search and training under a Spiritual Master had a significant impact on his professional values and performance. Sprinkled with tales of his struggles with politicians and jealous colleagues, and of frequent transfers and humiliations, this autobiography announces the triumph of the human spirit imbued with the ideals of public service and professionalism. The book, therefore, would be a source of inspiration to all public servants involved in the governance of the country. One cannot but miss the note of caution to scheming politicians, ambitious police officers and bureaucrats that the pay back awaits them in the shape of Karmic consequences. As Durai raced through the positions he held in Karnataka police, in Indian Oil Corporation, as Director of the SVP National Police Academy, Hyderabad, and as Director General of Police of Karnataka and finally, as Director General, Railway Protection Force, New Delhi, he left behind him many reforms and a new spirit of optimism and public service in the forces that he commanded. Shri Durai’s strong commitment to values in public life, and his willingness to cheerfully pay the price for them, send out the ringing message that the honest man has nothing to lose, but everything to gain. |
| hayavadana published in: Indian Caste System - A Study C Hayavadana Rao, 2023-11-25 Indian Caste System: A Study by C. Hayavadana Rao In issuing this little book on a subject of great complexity but of considerable practical value, I have been guided mainly by two considerations: first, that what has been said on it by observers and writers of some authority should be more widely known among those who are desirous of seriously studying it; and secondly, that the lines that research into it should take here after should, if possible, be clearly grasped before any tangible results could be hoped for from it. While no originality whatever is claimed for what is contained in the volume, readers will perceive that no pains have been spared to state the theories concerned in as clear a manner as possible and to limit their discussion to the barest dimensions possible. |
| hayavadana published in: The Theosophist , 1910 |
| hayavadana published in: The Rakoshi Devis Dr. Payal Trivedi, 2021-06-01 Rakoshi Devis came to me as a shock since they happened to rescue my senses at a time when extreme anger overwhelmed my consciousness and it was waiting to annihilate my sanity. They salvaged me from the predicament of devastation which hovered around me like an eagle waiting to pounce upon its prey. The Rakoshi Devis I saw in my vision were three gruesome-looking figures ready to overthrow conventional wisdom that often enforces the norm of propriety on a woman. These introduced themselves to me as strong opponents of the egocentric MANHOOD that’s born to obliterate feminine identity. A ‘Demonic Man’ happens to challenge the Devis’ feminine prowess; not evidently by oppressing them but implicitly until he brings them to the point where they become vulnerable to his attack. The Rakoshis then blend their feminine benignity with their demonic ire and manifest themselves into a transformed version of the fierce ‘Demonic Goddess’ to counteract the refractory Egoistic Masculine Vampire.” |
| hayavadana published in: Annihilation of Caste B.R. Ambedkar, 2014-10-07 B.R. Ambedkar's Annihilation of Caste is one of the most important, yet neglected, works of political writing from India. Written in 1936, it is an audacious denunciation of Hinduism and its caste system. It offers a scholarly critique of Hindu scriptures, scriptures that sanction a rigidly hierarchical and iniquitous social system. Arundhati Roy introduces this extensively annotated edition in The Doctor and the Saint, examining the persistence of caste in modern India, and how the conflict between Ambedkar and Gandhi continues to resonate. Roy breathes new life into Ambedkar's anti-caste utopia, and says that without a Dalit revolution, India will continue to be hobbled by systemic inequality. |
| hayavadana published in: Tughlaq Girish Raghunath Karnad, 1972 Muhammad Bin Tughlaq, who ruled from Delhi in the fourteenth century, was a well-read scholar of the arts, theology, and philosophy. He was a mystic, as well as a poet - but also impatient, cruel and dogmatic. One of Delhi's most intelligent rulers ever, within twenty years he became one of its greatest failures. Karnad explores the madness that earned him the epithet Mad Muhammad. Commentators (and Karnad himself) draw parallels with the mood of India in the 1960s, moving from the idealism of the early Nehru era to political disillusionment. |
| hayavadana published in: The Encyclopaedia Of Indian Literature (Volume Two) (Devraj To Jyoti) Amaresh Datta, 2006 A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt. |
| hayavadana published in: Statistics for Textile and Apparel Management J. Hayavadana, 2012 This book deals with the fundamental principles of statistical methods and their applications in textile production, including fiber, yarn and fabric manufacture and across the allied processes such as dyeing, printing and finishing. |
| hayavadana published in: Tipu Sultan Vikram Sampath, 2024-10-31 Over two centuries have passed since his death on 4 May 1799, yet Tipu Sultan’s contested legacy continues to perplex India and her contemporary politics. A fascinating and enigmatic figure in India’s military past, he remains a modern historian’s biggest puzzle as he simultaneously means different things to different people, depending on how one chooses to look at his life and its events. Tipu’s ascent to power was accidental. His father Haidar Ali was a beneficiary of the benevolence of the Maharaja of Mysore. But in a series of fascinating events, the Machiavellian Haidar ran with the hare and hunted with the hounds; he ended up overthrowing his own benefactor and usurping the throne of Mysore from the Wodeyars in 1761. In a war-scarred life, father and son led Mysore through four momentous battles against the British, termed the Anglo-Mysore Wars. The first two, led by Haidar, brought the English East India Company to its knees. Chasing the enemy to the very gates of Madras, Haidar made the British sign such humiliating terms of treaties that sent shockwaves back in London. In the hubris of this success, Tipu obtained the kingdom on a platter, unlike his father, who worked up the ranks to achieve glory. In a diabolical war thirst, Tipu launched lethal attacks on Malabar, Mangalore, Travancore, Coorg, and left behind a trail of death, destruction and worse, mass-conversions and the desecration of religious places of worship. While he was an astute administrator and a brave soldier, the strategic tact with opponents and the diplomatic balance that Haidar had sought to maintain with the Hindu majority were both dangerously upset by Tipu’s foolhardiness on matters of faith. The social report card of this eighteenth-century ruler was anything but clean. And yet, one simply cannot deny his position as a renowned military warrior and one of the most powerful rulers of Southern India. Meticulously researched, authoritative and unputdownable, Tipu Sultan: The Saga of Mysore's Interregnum (1760–1799) opens a window to the life and times of one of the most debated figures from India’s history. |
| hayavadana published in: Solved Papers YCT Expert Team , 2023-24 NTA UGC-NET/JRF English Solved Papers |
| hayavadana published in: NTA/UGC-NET/JRF English YCT Expert Team , NTA/UGC-NET/JRF English Chapter-wise Solved Papers with Notes |
| hayavadana published in: 2025-26 NTA/UGC-NET/JRF English Solved Papers 512 995 YCT Expert Team , 2025-26 NTA/UGC-NET/JRF English Solved Papers 512 995 E. This book contains the previous solved papers from 2012 to 2024. |
| hayavadana published in: Honeymoon Couples and Jurassic Babies Kristen Rudisill, 2022-10-01 Honeymoon Couples and Jurassic Babies is the first in-depth study of Sabha Theater, a type of Tamil-language popular theater that started in Chennai (Madras) in the period following India's independence, thriving especially between 1965 and 1985. Breaking new ground in the study of stage and performance, this interdisciplinary book presents a complex view of a significant genre, using historical research and ethnographic information obtained through interviews with performers, writers, and audience members, as well as observations of rehearsals, performances, and television and film shootings. This careful coverage not only contextualizes Sabha Theatre historically, politically, and aesthetically within the wider history of the Tamil stage and a performance scene that includes classical dance and mass media but also reveals how its plays express a Tamil Brahmin identity that is at once traditional and modern. Analyzing what particular plays mean to the specific, urban, elite Brahmin community that produces and consumes them, Kristen Rudisill examines humor that reveals a complex Brahmin identity and surveys markers of moral superiority. |
| hayavadana published in: English Solved Papers (2023-24 UGC NTA NET/SLET/JRF ) YCT Expert Team , 2023-24 UGC NTA NET/SLET/JRF English Solved Papers |
| hayavadana published in: The Ceylon Antiquary and Literary Register John M. Senaveratna, John Penry Lewis, Harry Charles Purvis Bell, 1917 |
| hayavadana published in: 2024-25 NTA UGC-NET/JRF English Solved Papers YCT Expert Team, 2024-25 NTA UGC-NET/JRF English Solved Papers 496 995 E. This book contains the previous year solved papers from 2012 to 2024. |
| hayavadana published in: Mysore Gazetteer: Descriptive Conjeeveram Hayavadana Rao, 1927 |
| hayavadana published in: Annals of the Bhandarkar Oriental Research Institute, Poona Bhandarkar Oriental Research Institute, 2005 |
| hayavadana published in: Poetics, Plays, and Performances Vasudha Dalmia, 2008-01-09 This book addresses the political and aesthetic concerns of modern Indian theatre, tracing its genealogies, and looking in particular at its appropriation of 'folk' theatre. Starting with the plays of Bharatendu Harishchandra in 1870s Banaras, the book moves forward to Jayshankar Prasad and Mohan Rakesh, landmark figures in the history of modern Indian drama. Dalmia then focuses on the intense urban interaction with folk theatre forms, their politicization in the 1940s and later again in the 1970s. Finally the book maps some of the routes taken by avant-garde women directors since the last decades of the twentieth century. Theatre students, critics, cultural historians, scholars of South Asian theatre, as well as general readers will find the book inspiring. |
| hayavadana published in: English (2022-23 TGT/PGT/LT Grade/GIC/GDC/DIET/DSSSB/RPSC/KVS/NVS/ETC) YCT Expert Team , 2022-23 TGT/PGT/LT Grade/GIC/GDC/DIET/DSSSB/RPSC/KVS/NVS/ETC English Chapter-wise Solved Papers |
| hayavadana published in: Defending God in Sixteenth-Century India Jonathan Duquette, 2021 This book is the first in-depth study of the Śaiva oeuvre of the celebrated polymath Appaya Dīkṣita (1520-1593). Jonathan Duquette documents the rise to prominence and scholarly reception of Śivādvaita Vedānta, a Sanskrit-language school of philosophical theology which Appaya single-handedly established, thus securing his reputation as a legendary advocate of Śaiva religion in early modern India. Based to a large extent on hitherto unstudied primary sources in Sanskrit, Duquette offers new insights on Appaya's early polemical works and main source of Śivādvaita exegesis, Śrīkaṇṭha's Brahmamīmāmsābhāṣya; identifies Appaya's key intellectual influences and opponents in his reconstruction of Śrīkaṇṭha's theology; and highlights some of the key arguments and strategies he used to make his ambitious project a success. Centred on his magnum opus of Śivādvaita Vedānta, the Śivārkamanidīpikā, this book demonstrates that Appaya's Śaiva oeuvre was mainly directed against Viśiṣtādvaita Vedānta, the dominant Vaiṣṇava school of philosophical theology in his time and place. A far-reaching study of the challenges of Indian theism, this book opens up new possibilities for our understanding of religious debates and polemics in early modern India as seen through the lenses of one of its most important intellectuals. |
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