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| heroines catherine millet: Heroines Bettina Rheims, Catherine Millet, 2007 Whether actresses like Milla Jovovich, models like Laetitia Casta or dancers like Blanca Li, whether they embody the vigor of youth or the richness of experience, all the women photographed by Rheims for this new series reveal something of their soul in a way they have never done before. They are radiant with a kind of inner beauty so fascinating that it makes us want to study each square inch of their image with a magnifying glass, just as we would hang on every word of an eventful and deeply moving story.--BOOK JACKET. |
| heroines catherine millet: In Praise of Black Women: Heroines of the slavery era Simone Schwarz-Bart, 2001 In this translation of Hommage a la femme noire (1988), the authors pay tribute in essays and color images to a group victimized by scholarly neglect and racist assumptions. Featured African women include 19th-20th century activists, authors, one of the first black fashion models, and others going beyond tradition. Published as part of a UNESCO project for the Schomberg Center for Research in Black Culture/New York Public Library. 9.25x12 . The correct ISBN is given on the dust jacket but not on the copyright page. V. 4 is expected in spring 2004. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com). |
| heroines catherine millet: We Are Not Born Submissive Manon Garcia, 2023-01-24 We Are Not Born Submissive is the first in-depth philosophical exploration of female submission. Focusing on Simone de Beauvoir and more recent feminist thinkers, Manon Garcia argues that to understand female submission we must invert how we examine power and see it from the woman's point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. But we can grasp the ways gender hierarchies shape women's experiences only by taking account of women's lived experiences--their economic, social, and political situations--and how women adapt their preferences to maintain their well-being. Ultimately, Garcia says, women don't actively choose submission. Rather they consent to--and sometimes take pleasure in--what is prescribed to them through social norms within a patriarchy. -- |
| heroines catherine millet: Heart of Maleness Raphaël Liogier, 2020-01-28 In this timely, self-reflective essay, a groundbreaking sociologist and philosopher examines the underlying causes of gender inequality and how we can fight against it. Following the shocking, infuriating accounts shared as part of the #MeToo movement, Raphaël Liogier felt compelled to apply his academic expertise to shed light on the roots of gender inequality and its many manifestations, including catcalling, workplace harassment, and rape, as well as the glass ceiling and the gender pay gap. In the brazenness of Donald Trump, who brags about groping women, in the hypocrisy of outspoken progressives whose private behavior belies their so-called feminist ideals, and even occasionally in the good intentions of men such as Liogier who strive to be allies, we can see the influence of a deep-seated fantasy of male dominance. With candor and clarity, Liogier demonstrates that the archetypal Prince Charming and a monstrous predator such as Harvey Weinstein are two sides of the same coin—products of a worldview that not only places a man's desires above a woman's, but also doubts whether women are fundamentally capable of knowing what they want. Recent years have witnessed significant progress toward gender equality, from the ousting of prominent men accused of sexual misconduct to the unprecedented popularity of the 2019 Women's World Cup. Heart of Maleness maps out the crucial work still to be done, first and foremost addressing the core male fantasy about women's bodies and minds. |
| heroines catherine millet: Had it Coming Robyn Doolittle, 2021-08-24 Had It Coming is not a diatribe or manifesto, but an informed look at how attitudes around sexual behavior have changed and still need to change. As a culture we aren't very good at having nuanced, complicated discussions, Doolittle writes in her introduction. The public space is not a safe venue to talk about controversial subjects. Social media has seen to that . . . I've come to embrace the complexities and messiness that comes with those tough conversations. Doolittle brings a personal voice to what has been a turning point for most women: the #MeToo movement and its aftermath. The world is now increasingly aware of the pervasiveness of rape culture in which powerful men got away with sexual assault and harassment for years, but Doolittle looks beyond specific cases to the big picture. The issue of consent figures largely: not only is the public confused about what it means, but an astounding number of legal authorities are too. |
| heroines catherine millet: Why We Lost the Sex Wars Lorna N. Bracewell, 2021-03-23 Reexamining feminist sexual politics since the 1970s—the rivalries and the remarkable alliances Since the historic #MeToo movement materialized in 2017, innumerable survivors of sexual assault and misconduct have broken their silence and called out their abusers publicly—from well-known celebrities to politicians and high-profile business leaders. Not surprisingly, conservatives quickly opposed this new movement, but the fact that “sex positive” progressives joined in the opposition was unexpected and seldom discussed. Why We Lost the Sex Wars explores how a narrow set of political prospects for resisting the use of sex as a tool of domination came to be embraced across this broad swath of the political spectrum in the contemporary United States. To better understand today’s multilayered sexual politics, Lorna N. Bracewell offers a revisionist history of the “sex wars” of the 1970s, ’80s, and ’90s. Rather than focusing on what divided antipornography and sex-radical feminists, Bracewell highlights significant points of contact and overlap between these rivals, particularly the trenchant challenges they offered to the narrow and ambivalent sexual politics of postwar liberalism. Bracewell leverages this recovered history to illuminate in fresh and provocative ways a range of current phenomena, including recent controversies over trigger warnings, the unimaginative politics of “sex-positive” feminism, and the rise of carceral feminism. By foregrounding the role played by liberal concepts such as expressive freedom and the public/private divide as well as the long-neglected contributions of Black and “Third World” feminists, Bracewell upends much of what we think we know about the sex wars and makes a strong case for the continued relevance of these debates today. Why We Lost the Sex Wars provides a history of feminist thinking on topics such as pornography, commercial sex work, LGBTQ+ identities, and BDSM, as well as discussions of such notable figures as Patrick Califia, Alan Dershowitz, Andrea Dworkin, Elena Kagan, Audre Lorde, Catharine MacKinnon, Cherríe Moraga, Robin Morgan, Gayle Rubin, Nadine Strossen, Cass Sunstein, and Alice Walker. |
| heroines catherine millet: New Interdisciplinary Perspectives On and Beyond Autonomy Christopher Watkin, Oliver Davis, 2022-12-15 What does ‘autonomy’ mean today? Is the Enlightenment understanding of autonomy still relevant for contemporary challenges? How have the limits and possibilities of autonomy been transformed by recent developments in artificial intelligence and big data, political pressures, intersecting oppressions and the climate emergency? The challenges to autonomy today reach across society with unprecedented complexity, and in this book leading scholars from philosophy, economics, linguistics, literature and politics examine the role of autonomy in key areas of contemporary life, forcefully defending a range of different views about the nature and extent of resistance to autonomy today. These essays are essential reading for anyone who wants to understand the predicament and prospects of one of modernity’s foundational concepts and one of our most widely cherished values. Chapter 5.6 and 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license. |
| heroines catherine millet: The Rise of the Shame Society Marcel H. Van Herpen, 2022-06 American society is often characterized as a “guilt culture,” as opposed to non-Western “shame cultures.” But through examples like shaming penalties in criminal law, “fat shaming,” and cyberbullying on the social media, this book shows how and why shame is increasingly invading our lives, leading to feelings of humiliation and depression. |
| heroines catherine millet: Sexual Harassment, the Abuse of Power and the Crisis of Leadership James K. Beggan, 2019 Within these pages James K. Beggan puts forward a novel approach to understanding sexual harassment by high value superstars in the workplace. The approach integrates ideas derived from evolutionary theory, utility theory, sexual scripting theory and research on the regulation of emotion. Besides providing a better understanding of the phenomenon, the book aims to contribute to the development of better techniques to prevent sexual harassment. |
| heroines catherine millet: Impossible City Simon Kuper, 2024-06-04 An entertaining and openhearted tale of a naïf eventually getting to understand a complex, glittering, beautiful and often cruel society - at least a little. When Simon Kuper left London for Paris in his early thirties, he wasn't planning to make a permanent move. Paris, however, had other plans. Kuper has grown middle-aged there, eaten the croissants, seen his American wife through life-threatening cancer, taken his children to countless football matches on freezing Saturday mornings in the city's notorious banlieues, and in 2015 lived through two terrorist attacks on their neighborhood. Over two decades of becoming something of a cantankerous Parisian himself, Kuper has watched the city change. This century, it has globalized, gentrified, and been shocked into realizing its role as the crucible of civilizational conflict. Sometimes it's a multicultural paradise, and sometimes it isn't. This decade, Parisians have lived through a sequence of shocks: terrorist attacks, record floods and heatwaves, the burning of Notre Dame, the storming of the city by gilets jaunes, and then the pandemic. Now, as the Olympics come to town, France is busy executing the Grand Paris project: the most serious attempt yet to knit together the bejewelled city with its neglected suburbs. This is a captivating memoir of the Paris of today, without the Parisian clichés. |
| heroines catherine millet: Jealousy Catherine Millet, 2011-02-08 “A haunting story of fragile female identity, sexually gained, violently lost” by the New York Times–bestselling author of The Sexual Life of Catherine M. (The New York Times Book Review). Catherine Millet’s erotic memoir The Sexual Life of Catherine M. was a landmark book—a portrait of a sexual life lived without boundaries and without a safety net. Described as “eloquent, graphic—and sometimes even poignant” by Newsweek, and as “[perhaps] one of the most erotic books ever written” by Playboy, it drew international attention for its audacity and the apparently superhuman sangfroid required of Millet and her partner, Jacques Henric, with whom she had an extremely public and active open relationship. Now, Millet’s follow-up answers the first book’s implicit question: How did you avoid jealousy? “I had love at home,” Millet explains, “I sought only pleasure in the world outside.” But one day, she discovered a letter in their apartment that made it clear that Jacques was seriously involved with someone else. Jealousy details the crisis provoked by this discovery and Millet’s attempts to reconcile her need for freedom and sexual liberation with the very real heartache caused by Jacques’s infidelity. Jealousy delves into the world of emotion as evocatively as The Sexual Life of Catherine M. delves into the realm of the senses. Here is the paradoxical confession of a libertine who discovers that love, in any of its forms, can have a dark side. “An honest, brutal piece of confession and self-analysis.” —The Guardian |
| heroines catherine millet: The Secret Life of France Lucy Wadham, 2009-10-29 At the age of eighteen Lucy Wadham ran away from English boys and into the arms of a Frenchman. Twenty-five years later, having married in a French Catholic Church, put her children through the French educational system and divorced in a French court of law, Wadham is perfectly placed to explore the differences between Britain and France. Using both her personal experiences and the lessons of French history and culture, she examines every aspect of French life - from sex and adultery to money, happiness, race and politics - in this funny and engrossing account of our most intriguing neighbour. |
| heroines catherine millet: The #MeToo Effect Leigh Gilmore, 2023-04-25 The #MeToo movement inspired millions to testify to the widespread experience of sexual violence. More broadly, it shifted the deeply ingrained response to women’s accounts of sexual violence from doubting all of them to believing some of them. What changed? Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. At a time when the cultural conversation was fixated on appeals to legal and bureaucratic systems, narrative activism—storytelling in the service of social change—elevated survivors as authorities. Their testimony fused credibility and accountability into the #MeToo effect: uniting millions of separate accounts into an existential demand for sexual justice and the right to be heard. Gilmore reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism. She analyzes the centrality of autobiographical storytelling in intersectional and antirape activism and traces how literary representations of sexual violence dating from antiquity intertwine with cultural notions of doubt, obligation, and agency. By focusing on the intersectional prehistory of #MeToo, Gilmore sheds light on how survivors have used narrative to frame sexual violence as an urgent problem requiring structural solutions in diverse global contexts. Considering the roles of literature and literary criticism in movements for social change, The #MeToo Effect demonstrates how “reading like a survivor” provides resources for activism. |
| heroines catherine millet: Bluets Maggie Nelson, 2009-10-01 Suppose I were to begin by saying that I had fallen in love with a color. |
| heroines catherine millet: The Cambridge Companion to Popular Fiction David Glover, Scott McCracken, 2012-04-05 An overview of popular literature from the early nineteenth century to the present day from a historical and comparative perspective. |
| heroines catherine millet: France From 1851 to the Present R. Célestin, E. DalMolin, 2016-09-23 Bringing together history, literature, and popular culture, this book provides a cultural history of France from a period of dominance in the mid-19th century to one of decline or crisis in the first few years of the third millennium. Contains both chronological narrative and a selection of primary documents in translation. |
| heroines catherine millet: Transgression(s) in Twenty-First-Century Women's Writing in French , 2020-11-04 Transgression(s) in Twenty-First-Century Women's Writing in French analyses the literary transgressions of women’s writing in French since the turn of the twenty-first century in the works of major figures, such as Annie Ernaux and Véronique Tadjo, of the now established writers of the ‘nouvelle génération’, such as Marie Darrieussecq and Virginie Despentes, and in some of the most exciting and innovative authors from across the francosphère, from Nine Antico to Maïssa Bey and Chloé Delaume. Pushing the boundaries of current thinking about normative and queer identities, local and global communities, family and kinship structures, bodies and sexualities, creativity and the literary canon, these authors pose the potential of reading and writing to also effectuate change in the world beyond the text. Transgression(s) in Twenty-First-Century Women's Writing in French étudie les transgressions littéraires dans l’écriture des femmes en français depuis le début du XXIe siècle. L’analyse porte sur les oeuvres de figures majeures, telles qu’Annie Ernaux et Véronique Tadjo, d’auteures bien établies de la ‘nouvelle génération’, parmi lesquelles Marie Darrieussecq et Virginie Despentes, et de certaines des auteures les plus innovantes de la francosphère, de Nine Antico à Maïssa Bey en passant par Chloé Delaume. Repoussant les frontières de la pensée dominante sur les identités normatives ou queer, les communautés locales ou globales, les structures familiales ou de parenté, les corps ou les sexualités, la créativité ou le canon littéraire, ces auteures développent un potentiel de lecture et d’écriture porteur de changements au-delà du texte. Contributors /avec des contributions de: Ounissa Ait Benali, Jean Anderson, Kate Averis, Marzia Caporale, Dawn M. Cornelio, Sandra Daroczi, Sophie Guignard, Élise Hugueny-Léger, Irène Le Roy Ladurie, Siobhán McIlvanney, Michèle A. Schaal, Marta Segarra, Marinella Termite, Lyn Thomas, Antonia Wimbush |
| heroines catherine millet: D. H. Lawrence and Pre-Einsteinian Modernist Relativity Kumiko Hoshi, 2019-01-08 On the 15th of June 1921, during his stay in Baden-Baden, Germany, British novelist D. H. Lawrence (1885-1930) encountered the German physicist Albert Einstein (1879-1955). Lawrence read an English translation of Relativity: The Special and General Theory, which had been published in the previous year. The very next day he wrote: “Einstein isn’t so metaphysically marvellous, but I like him for taking out the pin which fixed down our fluttering little physical universe” (4L 37). Lawrence’s first response to Einstein is ambivalent, for his reading of works by Victorian relativists such as Charles Darwin, T. H. Huxley, William James, Herbert Spencer and Ernst Haeckel had helped him foster his own concept of relativity, while his representations of relativity had interacted with modern artists including Pablo Picasso, Marcel Duchamp and Umberto Boccioni. This book shows Lawrence’s exploration of relativity in the late nineteenth- and early twentieth-century European cultural climate of Modernism and examines his representation of relativity in Women in Love (1920), The Lost Girl (1920), Aaron’s Rod (1922) and The Fox (original version, 1920; revised version, 1922). |
| heroines catherine millet: The End and the Beginning Hermynia Zur Mühlen, 2010 First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries. |
| heroines catherine millet: Translating Women Luise von Flotow, 2011-03-08 Feminist theory has been widely translated, influencing the humanities and social sciences in many languages and cultures. However, these theories have not made as much of an impact on the discipline that made their dissemination possible: many translators and translation scholars still remain unaware of the practices, purposes and possibilities of gender in translation. Translating Women revives the exploration of gender in translation begun in the 1990s by Susanne de Lotbinière-Harwood’s Re-belle et infidèle/The Body Bilingual (1992), Sherry Simon’s Gender in Translation (1996), and Luise von Flotow’s Translation and Gender (1997). Translating Women complements those seminal texts by providing a wide variety of examples of how feminist theory can inform the study and practice of translation. Looking at such diverse topics as North American chick lit and medieval Arabic, Translating Women explores women in translation in many contexts, whether they are women translators, women authors, or women characters. Together the contributors show that feminist theory can apply to translation in many new and unexplored ways and that it deserves the full attention of the discipline that helped it become internationally influential. |
| heroines catherine millet: The Sexual Life of Catherine M. Catherine Millet, 2007-12-01 This New York Times–bestselling memoir of one woman’s erotic escapades is “brilliantly literate, utterly unabashed [and] consistently provocative” (The Philadelphia Inquirer). Since it was first published in France, The Sexual Life of Catherine M. has become a global literary phenomenon, hailed as one of the most important books on sexuality to be published in decades. Catherine Millet, the eminent editor of Art Press, has always led a free and active sexual life—from alfresco encounters in Italy to a gang bang on the edge of the Bois du Boulogne to a high-class orgy at a chichi Parisian restaurant. She has taken pleasure in the indistinct darkness of a peep show booth and under the probing light of a movie camera at an orgy. And in The Sexual Life of Catherine M., she recounts it all, from tender interludes with a lover to situations where her partners were so numerous and simultaneous they became indistinguishable parts of a collective body. A graphic account of physical gratification and a relentlessly honest look at the consequences—both good and bad—of sex stripped of sentiment, The Sexual Life of Catherine M. is “truly a masterpiece of sexual exploration [that] will be a classic” (The Hartford Courant). |
| heroines catherine millet: Francophonie and the Orient Mathilde Kang, 2018 This book offers a pioneering study of Asian cultures that officially escaped from French colonisation but nonetheless were steeped in French civilisation in the colonial era and had heavily French-influenced, largely francophone literatures. |
| heroines catherine millet: The Island of Happiness Madame d'Aulnoy, 2021-05-18 An enchanting selection of Madame d’Aulnoy’s seventeenth-century French fairy tales, interpreted by contemporary visual artist Natalie Frank Marie-Catherine Le Jumel de Barneville (1650–1705), also known as Madame d’Aulnoy, was a pioneer of the French literary fairy tale. Though d’Aulnoy’s work now rarely appears outside of anthologies, her books were notably popular during her lifetime, and she was in fact the author who coined the term “fairy tales” (contes des fées). Presenting eight of d’Aulnoy’s magical stories, The Island of Happiness juxtaposes poetic English translations with a wealth of original, contemporary drawings by Natalie Frank, one of today’s most outstanding visual artists. In this beautiful volume, classic narratives are interpreted and made anew through Frank’s feminist and surreal images. This feast of words and visuals presents worlds where women exercise their independence and push against rigid social rules. Fidelity and sincerity are valued over jealousy and greed, though not everything ends seamlessly. Selected tales include “Belle-Belle,” where an incompetent king has his kingdom restored to him through an androgynous heroine’s constancy. In “The Green Serpent,” a heroine falls in love with the eponymous snake, is punished by a wicked fairy, and endures trials to prove her worthiness. And in “The White Cat,” a young prince is dazzled by the astonishing powers of a feline. Jack Zipes’s informative introduction offers historical context, and Natalie Frank’s opening essay delves into her aesthetic approaches to d’Aulnoy’s characters. An inspired integration of art and text, The Island of Happiness is filled with seductive stories of transformation and enchantment. |
| heroines catherine millet: Heroines Bettina Rheims, Catherine Millet, 2007 |
| heroines catherine millet: Cold Magic Kate Elliott, 2010-09-09 From one of the genre's finest writers comes a bold new epic fantasy in which science and magic are locked in a deadly struggle. It is the dawn of a new age. . . The Industrial Revolution has begun, factories are springing up across the country, and new technologies are transforming in the cities. But the old ways do not die easy. Cat and Bee are part of this revolution. Young women at college, learning of the science that will shape their future and ignorant of the magics that rule their families. But all of that will change when the Cold Mages come for Cat. New dangers lurk around every corner and hidden threats menace her every move. If blood can't be trusted, who can you trust? |
| heroines catherine millet: A Night to Remember Walter Lord, 1997 Donation. |
| heroines catherine millet: The New Pornographies Victoria Best, Martin Crowley, 2012-10-16 The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns.In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualization of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film, and media studies. |
| heroines catherine millet: Napoleon's Egypt Juan Cole, 2007-08-07 In this vivid and timely history, Juan Cole tells the story of Napoleon's invasion of Egypt. Revealing the young general's reasons for leading the expedition against Egypt in 1798 and showcasing his fascinating views of the Orient, Cole delves into the psychology of the military titan and his entourage. He paints a multi-faceted portrait of the daily travails of the soldiers in Napoleon's army, including how they imagined Egypt, how their expectations differed from what they found, and how they grappled with military challenges in a foreign land. Cole ultimately reveals how Napoleon's invasion, the first modern attempt to invade the Arab world, invented and crystallized the rhetoric of liberal imperialism. |
| heroines catherine millet: The Female Imagination Patricia Meyer Spacks, 2022-09-12 Is there such a thing as a female literary imagination – a special brand of insight and intuition that characterises women’s writing? Is there something about a novel, whether by Jane Austen, Charlotte Brontë or Doris Lessing, that tells us that it could only have been written by a woman? Do the subject matter, form and style that women choose throw light on the way they think and feel? In this brilliant and highly readable book, originally published in 1976, Patricia Spacks analyses the female view of the world. Juxtaposing – sometimes in startlingly original combination some eighty books written between the seventeenth century and the present day she uses both literary and psychological analysis to explore patterns that recur again and again in the stories women tell – whether about their own lives or the lives of their fictional characters. She dissects female experience in the twentieth century as viewed by an array of writers ranging from Kate Millet to Virginia Woolf; examines the interplay of social passivity and psychic power that dominates characters such as Maggie Tulliver and Jane Eyre, the altruism that impels Jane Austen’s and Mrs Gaskell’s heroines, the ‘acceptance’ of Virginia Woolf’s Mrs Ramsey, the personal and social conflicts that beset so many of the adolescent girls that figure in both nineteenth-century and contemporary literature; reveals the complex motives that can be bound up in a women’s deliberate choice of the artist’s role, as appears in the writings of Isadora Duncan’s and Dora Carrington, Marie Bashkirtseff and Mary McCartney – and the surprising forms ‘freedom’ can take, as for Beatrice Webb in the East End of London or Isak Dinerson in the wilds of Africa... The voices echo and re-echo across the years in fascinating counter-point. Their range is enormous – rebels and reformers, actresses and painters, Society ladies and unknown girls in small towns, novels, poems, memoirs, diaries and letters, both English and American, and alongside classics such as Wuthering Heights and well-known modern works such as The Bell Jar, Patricia Spacks introduces an intriguing selection of relatively unknown writers, such as Napoleon’s psychoanalyst great-niece Marie Bonaparte, the Victorian arch-fantasist Mary MacLane and the autobiography of a seventeenth-century Duchess. The Female Imagination is much more than a study of women’s writing. It is an inquiry into the nature of female thought, self-expression and experience. As such it should appeal to every educated woman – and to many men too. |
| heroines catherine millet: Portraits of Celebrated Women Charles Augustin Sainte-Beuve, 1868 |
| heroines catherine millet: A History of French Literature Edward Dowden, 1897 |
| heroines catherine millet: Dreaming of Hitler Daphne Merkin, 1999 An entertaining collection of maverick essays by an extraordinary writer. Whether writing about the pleasures of spanking, losing her religion, rock 'n' roll, the erotic lure of the movies, her own failed marriage, or other vexed subjects, Daphne Merkin is alway compulsively readable, tough-minded, recklessly candid, and controversial. |
| heroines catherine millet: The Red Countess Hermynia Zur Mühlen, 2018-08-20 Praise for the first edition of this book: This translation is something of an event. For the first time, it makes Zur Mühlen’s text available to English-speaking readers in a reliable version. —David Midgley, University of Cambridge [This book] represents exceptional value, both as an enjoyable read and as an introduction to an attractive author who amply deserves rediscovery. —Ritchie Robertson, Journal of European Studies, 42(1): 106-07. Born into a distinguished aristocratic family of the old Habsburg Empire, Hermynia Zur Mühlen spent much of her childhood and early youth travelling in Europe and North Africa with her diplomat father. Never comfortable with the traditional roles women were expected to play, she broke as a young adult both with her family and, after five years on his estate in the old Czarist Russia, with her German Junker husband, and set out as an independent, free-thinking individual, earning a precarious living as a writer. Zur Mühlen translated over 70 books from English, French and Russian into German, notably the novels of Upton Sinclair, which she turned into best-sellers in Germany; produced a series of detective novels under a pseudonym; wrote seven engaging and thought-provoking novels of her own, six of which were translated into English; contributed countless insightful short stories and articles to newspapers and magazines; and, having become a committed socialist, achieved international renown in the 1920s with her Fairy Tales for Workers’ Children, which were widely translated including into Chinese and Japanese. Because of her fervent and outspoken opposition to National Socialism, she and her life-long Jewish partner, Stefan Klein, had to flee first Germany, where they had settled, and then, in 1938, her native Austria. They found refuge in England, where Zur Mühlen died, forgotten and virtually penniless, in 1951. |
| heroines catherine millet: Memoirs of a Revolutionist Petr Alekseevich Kropotkin (kni͡azʹ), 1899 |
| heroines catherine millet: The Pleasures of Collecting Gardner Callahan Teall, 1920 |
| heroines catherine millet: Heterophobia Daphne Patai, 2000 Once confident in the potential of feminism to create a more equitable and just society, Daphne Patai persuasively demonstrates in Heterophobia how the efforts of some feminists - members of what she calls the sexual harassment industry - have created an environment that stifles healthy and natural interactions between the sexes. The tremendous growth of sexual harassment legislation represents feminism's greatest contemporary success, but this victory has dubious consequences - a world where kindergarten boys face legal action for kissing female classmates and men are sued by coworkers for offenses such as unwanted hugs, uninvited compliments, or glances that last too long. |
| heroines catherine millet: The Female Man Joanna Russ, 2018-05-08 Four alternate selves from radically different realities come together in this “dazzling” and “trailblazing work” (The Washington Post). Widely acknowledged as Joanna Russ’s masterpiece, The Female Man is the suspenseful, surprising, darkly witty, and boldly subversive chronicle of what happens when Jeannine, Janet, Joanna, and Jael—all living in parallel worlds—meet. Librarian Jeannine is waiting for marriage in a past where the Depression never ended, Janet lives on a utopian Earth with an all-female population, Joanna is a feminist in the 1970s, and Jael is a warrior with claws and teeth on an Earth where male and female societies are at war with each other. When the four women begin traveling to one another’s worlds, their preconceptions on gender and identity are forever challenged. With “palpable anger . . . leavened by wit and humor” (The New York Times), Russ both employs and upends genre conventions to deliver a wickedly satiric and exhilarating version of when worlds collide and women get woke. This ebook includes the Nebula Award–winning bonus short story “When It Changed,” set in the world of The Female Man. |
| heroines catherine millet: A Double Life Karolina Pavlova, 2019-08-06 An unsung classic of nineteenth-century Russian literature, Karolina Pavlova’s A Double Life alternates prose and poetry to offer a wry picture of Russian aristocratic society and vivid dreams of escaping its strictures. Pavlova combines rich narrative prose that details balls, tea parties, and horseback rides with poetic interludes that depict her protagonist’s inner world—and biting irony that pervades a seemingly romantic description of a young woman who has everything. A Double Life tells the story of Cecily, who is being trapped into marriage by her well-meaning mother; her best friend, Olga; and Olga’s mother, who means to clear the way for a wealthier suitor for her own daughter by marrying off Cecily first. Cecily’s privileged upbringing makes her oblivious to the havoc that is being wreaked around her. Only in the seclusion of her bedroom is her imagination freed: each day of deception is followed by a night of dreams described in soaring verse. Pavlova subtly speaks against the limitations placed on women and especially women writers, which translator Barbara Heldt highlights in a critical introduction. Among the greatest works of literature by a Russian woman writer, A Double Life is worthy of a central place in the Russian canon. |
| heroines catherine millet: When in French Lauren Collins, 2017-11-07 A language barrier is no match for love. Lauren Collins discovered this firsthand when, in her early thirties, she moved to London and fell for a Frenchman named Olivier—a surprising turn of events for someone who didn’t have a passport until she was in college. But what does it mean to love someone in a second language? Collins wonders, as her relationship with Olivier continues to grow entirely in English. Are there things she doesn’t understand about Olivier, having never spoken to him in his native tongue? Does “I love you” even mean the same thing as “je t’aime”? When the couple, newly married, relocates to Francophone Geneva, Collins—fearful of one day becoming a Borat of a mother who doesn’t understand her own kids—decides to answer her questions for herself by learning French. When in French is a laugh-out-loud funny and surprising memoir about the lengths we go to for love, as well as an exploration across culture and history into how we learn languages—and what they say about who we are. Collins grapples with the complexities of the French language, enduring excruciating role-playing games with her classmates at a Swiss language school and accidently telling her mother-in-law that she’s given birth to a coffee machine. In learning French, Collins must wrestle with the very nature of French identity and society—which, it turns out, is a far cry from life back home in North Carolina. Plumbing the mysterious depths of humanity’s many forms of language, Collins describes with great style and wicked humor the frustrations, embarrassments, surprises, and, finally, joys of learning—and living in—French. |
| heroines catherine millet: Formation of Character Charlotte Mason, 2013-04-30 Formation of Character is the fifth volume of Charlotte Mason's Homeschooling series. The chapters stand alone and are valuable to parents of children of all ages. Part I includes case studies of children (and adults) who cured themselves of bad habits. Part II is a series of reflections on subjects including both schooling and vacations (or stay-cations as we now call them). Part III covers various aspects of home schooling, with a special section detailing the things that Charlotte Mason thought were important to teach to girls in particular. Part IV consists of examples of how education affected outcome of character in famous writers of her day. Charlotte Mason was a late nineteenth-century British educator whose ideas were far ahead of her time. She believed that children are born persons worthy of respect, rather than blank slates, and that it was better to feed their growing minds with living literature and vital ideas and knowledge, rather than dry facts and knowledge filtered and pre-digested by the teacher. Her method of education, still used by some private schools and many homeschooling families, is gentle and flexible, especially with younger children, and includes first-hand exposure to great and noble ideas through books in each school subject, conveying wonder and arousing curiosity, and through reflection upon great art, music, and poetry; nature observation as the primary means of early science teaching; use of manipulatives and real-life application to understand mathematical concepts and learning to reason, rather than rote memorization and working endless sums; and an emphasis on character and on cultivating and maintaining good personal habits. Schooling is teacher-directed, not child-led, but school time should be short enough to allow students free time to play and to pursue their own worthy interests such as handicrafts. Traditional Charlotte Mason schooling is firmly based on Christianity, although the method is also used successfully by s |
HEROINE Definition & Meaning - Merriam-Webster
The meaning of HEROINE is a mythological or legendary woman often of divine descent having great strength or ability. How to use heroine in a sentence.
The greatest heroines of all time - BBC
Apr 11, 2016 · It is 200 years since the birth of Charlotte Brontë, who in Jane Eyre created one of fiction’s most memorable heroines. Samantha Ellis explains why some characters endure.
Female Fictional Characters in Literature: Heroines, Antiheroines, …
Sep 14, 2024 · Explore iconic female fictional characters in literature, from heroines to antiheroines, and their evolving roles in classic and modern stories.
HEROINE | English meaning - Cambridge Dictionary
HEROINE definition: 1. a woman who is admired for having done something very brave or having achieved something great…. Learn more.
Top 100 Historical Heroines
At the start of 2019, we asked you to nominate your most admired historical photographic figures, those women who are no longer with us. We then put the list to the public vote and here’s the …
HEROINE Definition & Meaning | Dictionary.com
Heroine definition: a woman noted for courageous acts or nobility of character.. See examples of HEROINE used in a sentence.
HEROINE definition and meaning | Collins English Dictionary
The heroine of a book, play, film, or story is the main female character, who usually has good qualities. The heroine is a senior TV executive. A heroine is a woman who has done …
heroine noun - Definition, pictures, pronunciation and usage …
Definition of heroine noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Heroines - definition of Heroines by The Free Dictionary
Heroines synonyms, Heroines pronunciation, Heroines translation, English dictionary definition of Heroines. courageous woman; principle female character: The heroine of the play was a great …
Heroine - Definition, Meaning & Synonyms | Vocabulary.com
In books and movies, the heroine is the woman who is the main character, and in comic books and fantasy novels, heroines often have superpowers that help them accomplish incredible feats.
HEROINE Definition & Meaning - Merriam-Webster
The meaning of HEROINE is a mythological or legendary woman often of divine descent having great strength or ability. How to use heroine in a sentence.
The greatest heroines of all time - BBC
Apr 11, 2016 · It is 200 years since the birth of Charlotte Brontë, who in Jane Eyre created one of fiction’s most memorable heroines. Samantha Ellis explains why some characters endure.
Female Fictional Characters in Literature: Heroines, Antiheroines, …
Sep 14, 2024 · Explore iconic female fictional characters in literature, from heroines to antiheroines, and their evolving roles in classic and modern stories.
HEROINE | English meaning - Cambridge Dictionary
HEROINE definition: 1. a woman who is admired for having done something very brave or having achieved something great…. Learn more.
Top 100 Historical Heroines
At the start of 2019, we asked you to nominate your most admired historical photographic figures, those women who are no longer with us. We then put the list to the public vote and here’s the …
HEROINE Definition & Meaning | Dictionary.com
Heroine definition: a woman noted for courageous acts or nobility of character.. See examples of HEROINE used in a sentence.
HEROINE definition and meaning | Collins English Dictionary
The heroine of a book, play, film, or story is the main female character, who usually has good qualities. The heroine is a senior TV executive. A heroine is a woman who has done something …
heroine noun - Definition, pictures, pronunciation and usage notes ...
Definition of heroine noun in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.
Heroines - definition of Heroines by The Free Dictionary
Heroines synonyms, Heroines pronunciation, Heroines translation, English dictionary definition of Heroines. courageous woman; principle female character: The heroine of the play was a great …
Heroine - Definition, Meaning & Synonyms | Vocabulary.com
In books and movies, the heroine is the woman who is the main character, and in comic books and fantasy novels, heroines often have superpowers that help them accomplish incredible feats.
